Disco Watch: Saturday Night Fever (1977)

It's difficult to say how or why I wound up watching all of Saturday Night Fever (1977) on a Saturday night.  I will also very quickly disabuse you of the idea that I watched the movie ironically.  After roommate CB showed me the movie in college, I realized it's actually a straight up decent movie about a young man realizing what is and is not important as he crosses the threshold from youth into adulthood.

With disco.

Noir Watch: Boomerang! (1947)

I've really been wanting to see Boomerang! (1947) since NathanC reviewed it back a couple of months ago.  And because Nathan wrote it up, I don't have to!

Bond Watch: Tomorrow Never Dies (1997)

I really dug Tomorrow Never Dies (1997). It's got a lot to recommend it. Terrific action sequences, two great Bond women, it’s funny in all the right parts, and a villainous plot that’s forward looking and diabolical while also being not ludicrous. The movie is also steeped in some odd cultural artifacts of the 1990's, so that makes for some interesting viewing if you were around at the time.

Heck, it has a nerve-jangling pre-credits sequence that’s better than near any of the last ten or so films.

By the time I saw this movie, Jamie and I were dating, so we believe we saw this one in the theater together but can’t piece together when or how. But because I never saw the final two Brosnan movies – the reviews were scathing on both, and I was otherwise occupied – I never returned to watch this one again.

You’ll remember Tomorrow Never Dies as "the one with Michelle Yeoh" if you spent 1993-1995 writing "Mr. Michelle Yeoh" inside a heart in all of your school notebooks (which, ha ha, surely no one did.  Cough.). Brosnan is back as Bond and seems more comfortable in the role. Dame Judy Dench continues as M, now giving Bond a lot more leash and verbally manhandling the British Navy. Our villain is Jonathan Pryce, who isn't reptilian or overly creepy, and that makes him oddly buyable as a motivated guy people would get behind. And, of course, the movie features one of the Loises of the 1990's, Teri Hatcher.

I was surprised to realize that, at least now, I liked this movie perhaps more than I’d enjoyed GoldenEye. The writing seemed to be on better footing from both a plotting and dialog perspective, and while Martin Campbell was not responsible for this film, he’d paved the way for what Bond could be like in the 1990’s context which director Roger Spottiswoode would continue to good effect.

Inauguration Day Watch: Roger Corman's Death Race 2050 (2017)

By no stretch of the imagination is Roger Corman's Death Race 2050 a good movie, but it was released this week (streaming on Netflix at the moment), and I needed some campy satire to wrap up this particular moment in American political history.  You guys be you, I'll still enjoy some barely concealed hostility hidden beneath a thin veneer of comedy and allegory wrapped up in a decidedly trashy movie.

I still like a good B-movie.  Heck, a film-loving co-worker asked me what I recommended that I'd seen lately and my two answers were Tower (not a B-movie) and Starcrash.  While I always like the unintentionally hilarious bad movie, Roger Corman has made making lower-tier films an artform and routinely pushed what's possible in movies thanks to an interesting mix of inventiveness, a certainty no one is watching all that closely, and a certain fearless stunt filmmaking.  Sure, sometimes the product is bad (well, all the time).  The politics can be almost confusing as you grapple with stereotypes of race or class mixed with stereotype breaking and shattering.

But, hey, I couldn't sleep well growing up, and trashy movies were there for me.  I may be the only person you know who owns a copy of Reform School Girls.

Bond Watch: GoldenEye (1995)

If the idea of ending the Timothy Dalton experiment was to shore up the Bond franchise again, one can certainly make an argument that it worked.  This was the Bond film that brought in Pierce Brosnan as Bond, got Martin Campbell in as a director, and more than anything else that would point toward what a modern Bond could be in tone - casting Dame Judy Dench as M.

I'm a little bit convinced that the rethinking that led to Casino Royale may well have come from what M reveals about Bond to his face in her brief appearance in the film.  In a movie of very good moments, for a wide variety of reasons, Dench's scenes are the most grounded and somehow still the most engaging, and it's also the best Brosnan himself is at any point in the movie - and he's rather good throughout.

GoldenEye arrived in 1995 as The Age of the Blockbuster took a leap forward, and Bond was no longer to be an option on the marquee.  Now, we all had to go see Brosnan, whom every American had pegged for the heir to the Bond throne from his first appearances on Remington Steele.

Trek Watch: Star Trek III - The Search For Spock (1984)

Star Trek III: The Search For Spock (1984) was the second Trek movie I saw, the first being Star Trek: The Motion Picture.  I expect we saw it in 1985 as we watched it on television - either VHS or on cable, so I would have already been very familiar with the cast of characters by this point as 1984 was the year I discovered Trek reruns on our local UHF channel, KBVO.

I liked the movie then, and I was delighted to find I thoroughly enjoyed it all over again.  Frankly, it's been forever since I'd seen this movie despite the fact it came with the Star Trek BluRay set Jamie gave me a few years ago for Christmas, and I didn't have particularly great memories of it from the last time I'd seen it, which could have been fifteen years ago.  At the time, I mostly just relished Christopher Lloyd as a Klingon ship's captain who is not so clever as he believes and is simply outclassed by Kirk and Co.

But there's a lot to recommend The Search for Spock.  It's a movie that does a fine job of raising stakes, having some fairly dark implications, but is eternally, against all odds, optimistic as our heroes fight bureaucracy, Klingons and the forces of nature for the sake of a friend.  And you can't get better than that.

Musical Watch: Pennies From Heaven (1981)

It's literally impossible to imagine this movie getting made in the last ten years.  A studio film that's a musical wherein the leads are actually lip-synching to mostly tin pan alley versions of 1930's era songs, and, by the way, it's more or less a depressing late-1970's story that maybe is deconstructing the conventions of the movie musical.  Cheerfully titled Pennies From Heaven (1981) and starring the lovable duo from The Jerk, Steve Martin and Bernadette Peters.

We wanted to see it as The Alamo Drafthouse had included clips in the La La Land pre-show as a modern musical we might not have seen.  And I was curious why I had heard of the movie, but it's not discussed much and I don't recall anyone ever telling me to check it out.

I think if I'd been clued into any of this before the movie, I might have enjoyed it more than I did.  But I spent the first thirty minutes trying to figure out what I was even looking at, and then adjusting to what they were doing.

NASA Watch: Hidden Figures (2016)

I'd only become aware of the existence of Katherine Johnson and the "computers" at NASA in the early days of the US side of the space-race within the last four or five years.  The internet is pretty terrific when it comes to sharing the sort of information that used to get buried in footnotes or left out of the common narratives shared of our history.

I was pleased to find out that our noon-time showing of the movie on a Sunday was sold-out, so at least the folks in my neck of the woods seem interested in hearing what the movie had to say.  You never really know how a docu-drama is going to play, but it was interesting how many families had come out to see the movie.  And, honestly, it's a good one for the kids to see.

The movie follows the stories of three women who were pioneers in a world that was breaking boundaries as mankind sought to escape the bonds of earth and reach space.  And, while no doubt how the realities are framed will be debated, the overriding drama of the film is how these women pushed back against the racism and cultural norms of 1960's America that very much could have stood in their way.

Bond Watch: License to Kill (1989)

So, this was one of the Bond movies I was absolutely positive I hadn't seen before.  I would have been 14 when it came out, and for the life of me, I have no idea how I missed a Bond movie coming and going over the summer when I was that age, except for family vacations and summer camp colliding to make it difficult.  I even remember reading about how this wasn't a typical Bond movie, and that sounded kind of interesting.

But, you know, it didn't work out.  Never saw it.

Well, we finally arrived at the second and final Timothy Dalton Bond, and while I will go to the mat supporting Dalton, it's hard to know exactly what was going wrong as they put these things together, but it's an oddball of a movie, certainly.   And you can see what they had in mind for this movie, and how the 1980's influenced everything about this movie rather than Bond influencing other action movies as it had once upon a time.

But at least Q actor Desmond Llewelyn got a tropical holiday out of it all.

Godzilla Watch: Tokyo SOS

It's not often I watch a whole Godzilla movie.  I probably watched 3/4ths of about 3 or 4 of them last year, but they never showed up on my movie-list as I don't watch them from beginning to end.  Usually I stumble in 1/4 of the way in, have no idea what's happening, and just keep on watching.

And that's kinda too bad.

I never quite recovered from missing Shin Godzilla in the theater this year (twice I had tickets!  TWICE!), but over Christmas, the El Rey network celebrated the holiday with "Kaiju Christmas", which was something like 36 hours of Godzilla movies.  In fact, I wrapped up Christmas Day night watching the second half of Godzilla vs. Destroyah.

I'd never seen Godzilla: Tokyo SOS (2003), but heard it was a fun one, and, indeed it was.

Bond Watch: The Living Daylights (1987)

This movie doesn't have the best ratings, but there's a lot to like in The Living Daylights (1987).  Maybe not everything is grand, and I feel like the back 40 minutes got away from them, but all in all, I enjoyed this the most of any Bond we've watched since For Your Eyes Only.

Look, I may like Roger Moore as much as the next person who grew up with him as Bond, but he made some very, very silly Bond movies (lest we forget Moonraker) and by View to a Kill, I was firmly believed this was a man who should not be running anywhere without a spotter, let alone that Tanya Roberts would be throwing herself at Grandpa Roger.  That he did not openly wink at the camera seems somehow unbelievable.

I can't say I need my Bond more grounded.  I love The Spy Who Loved Me, and that has a sneaky kidnapping boat and an undersea villain's layer.  But I also want it to feel like maybe my Bond is not treating itself like a parody.  And with The Living Daylights, we get back to what feels like good old fashioned international intrigue, a plot that holds together very well (if not entirely a mirror to our own world), and makes Bond feel like a secret agent rather than a gentleman who gets into ridiculous scrapes.