It's Summer Film Series Time

It is true that in about a month we're going on hiatus from blogging.  But that doesn't mean we're heading into cryogenic storage for the summer (although, given the spiking temps here this week, that might be preferable).

Of course, there's one little picture coming out which might have us a bit distracted.

this movie also features bonus reasons for viewing

Paramount Summer Schedule

I spent the morning going over the Paramount Summer Film Series schedule, and it's really terrific.  I'm kind of bummed that I'm out of town for work for many good films, but that's the way the cookie crumbles.

If you're in Austin, we can't recommend enough the Paramount Summer Series as a great way to beat the heat.  Really, the Paramount, the Alamo Ritz and Barton Springs are the Holy Trifecta of avoiding boredom and sweat during the long summer months for me here in Austin.

The Paramount Summer Film Series schedule

If you're in Austin, and you want to join me for a movie, check out our calendar up there in the horizontal menu bar.  

Our calendar

Stanwyck is incognito in Double Indemnity

I'm very excited that the new programmer has included a series throughout the summer called Film Noir 101.  While it's mostly showing movies I've seen more than once, it's a start, and fills a gap that's been in the summer line-up the past few years.  

Oddly, there's no sci-fi line-up, and I expect there'll be a remedy to that next year when the stalwarts complain.

Now I actually kind of want to see Gatsby...

Finally saw Iron Man 3

In Robert Downey Jr.'s fourth turn as Ol' Shell Head, we see what Marvel is going to need to wrestle with as its franchises become as familiar as James Bond or Santa Claus.  What now?  What's next?  What superhero trope are we going to check out from the library and use for this movie?

Well, this was the "strip him of everything he has" story/ "what is the hero without his powers?" angle.  And it works better than you'd think.  Sure, you get limited armor action, but writer/ director Shane Black makes sure to resolve any deficits you might be feeling with a big, explosive conclusion that should make you forget that for 90% of the movie, Tony Stark is not in the suit.

Like the first Iron Man film, this one reflects back the headlines of the modern era, with a mix of politics, elusive terrorists, media management, and a few other bits that I don't want to get into for spoilery reasons.  The gang is back together, from Paltrow as Pepper Potts, to Don Cheadle as Rhodey.  Tony might not be doing so well in the wake of the Avengers' first team-up as he wrestles with PTSD, meanwhile continuing to explore the limits of the man-machine combination he's become and continues to explore as he seeks to build a better suit of armor.

I'm not telling you kids anything you don't already know.

Supermarathon: Superman II - Theatrical Cut

Common wisdom states that Superman II is the better of the first two Superman movies starring Christopher Reeve, and I'd posit that wisdom is based mostly upon half-remembered screenings by kids who last saw the movies sometime during the Reagan administration.  It's not that I don't like the movie, but I think from a storytelling and filmmaking perspective, the first of the two is vastly stronger.

Yes, Superman II is the Superman film where he fights Zod, Ursa and Non.  Yes, it is exciting, and a decent movie, but it back-pedals the Superman films into campy territory and gave the producers license to engage in the slow decline of the Superman franchise that would ultimately end in the half-assed Superboy TV show that was the capstone on the Salkind era of Superman filmed media.

I like Superman II, but knowing the history of the film explains so much about the uneven texture of the movie that watching the original theatrical cut - the post-Donner version - that you sort of want to cringe during many parts of the movie, and watching them in quick succession very much highlights the weaknesses in the sequel.

Supermarathon! Superman: Unbound

I watched the new DC Animation feature release, Superman: Unbound - roughly based on the pretty good Superman comic run by Geoff Johns and Gary Frank, Superman: Brainiac.

The movie is unbound* by post-Crisis continuity and can do as it likes with the story.  Truthfully, I couldn't really recall the comics too much as the original story folded in on itself into the New Krypton comics that kind of, frankly ruined the good vibe left by Brainiac, which I recall really liking.  Now, that series pulled the various post-Crisis versions of Brainiac into a single version in an elegant and narrative driven manner, merging the ideas into a worthy version of the 1950's version of Brainiac that suddenly became Superman's deadliest enemy.  It was pretty keen.

In fact, one of the few "action" statues I have from DC Direct is the one where Superman is pulling apart Brainiac robots.

Jamie decided this was too action-packed and made me put it in my office

The story brings to the surface Superman's desire to protect Lois and a newly arrived Supergirl, and tries to be a bit grown-up storytelling rather than just focusing on retelling a story from the comics or leaning completely on the intricacies of superheroing.  There's a full cast at the Daily Planet, with Steve Lombard, Cat Grant, Jimmy Olsen, Ron Troupe and Perry, and it makes me long for the days when it seemed like DC was on the cusp of reinstating the human element to Superman comics, pre-JMS catastrophe and Nu-52 relaunch.

Ray Harryhausen Merges with the Infinite

I think I only checked out five books from the library at UT for pleasure reading while I was a student and, two of them were on Ray Harryhausen.  In college, I had dreams of becoming an animator- and then computers happened.  But until then, I really wanted to know how Harryhausen became the master he undoubtedly was when it came to creating fantastic imagery for the silver screen.

I was sad to hear of Harryhausen's passing when a tweet or two mentioned it and I saw the headline when I got back to my hotel room.

If you don't know Ray Harryhausen, he's easy enough to investigate.  He was one of the greatest FX artists in the world, spawning a world in which we eventually had movies with AT-ATs and Terminators, and his understanding of motion foretold what the CGI era would bring to the big pictures.  But he did it with tangible artistry in stop motion effects.

Harryhausen brought us Greek Titans, dinosaurs, Venusian aliens, angry skeleton armies and an endless stream of characters that mingled with live action players and fired the imagination.

I've only seen a handful of his movies (and I'm not even sure which Sinbad movies I have and haven't seen... I'd have to watch them again), but Clash of the Titans came out in 1981, and all we knew was that it was amazing.

If you've never tried to film animation by hand, it's a frame-by-frame feat of utter concentration and requires determination and love for what one is doing on a scale there whipper-snappers and their computers and whatnot from today probably get, but they do it at a monitor, not hunched over a table with lights, moving the neck of the monsters a tiny, tiny increment for every exposure - and every frame could be the last if something happens between clicks.

It's obsessive work, and craftsmanship that's fading from mainstream American film - especially as the

So long, Mr. Harryhausen.

Supermarathon! Superman: The Movie (with Paul and Valerie)

Paul does not like any movies.

I've been to movies many, many times with Paul, and every time, the following happens:

The movie ends, the lights come up, we exit the theater, and stand around talking.  I ask "So, what'd you think?" and Paul sort of ponders for a second, then says "I don't think I liked it."

I can only recall Paul saying he liked one major release movie, but I wasn't there for it.

This evening he and Valerie (Paul's steady lady friend) came over and we all watched Superman: The Movie.

No, I have no idea how many times I've seen the movie, but I'd guess I've seen it a few dozen times.  I know I've seen it theatrically at least 3.3 times.

RHPT, Steanso, Lucy, Adriana, Peabo and Jamie in Beaumont - no longer watching Superman: The Movie, circa 2005

JimD once brought the film to Beaumont, Texas when he was working there, and I met RHPT, met up with Peabo and his wife (and his wife's sister) and went to see the flick.  And then the projector broke.  Well, these things happen.

Tonight, nothing broke.  I have no idea what Paul thought of the film, but he did tweet that he'd seen it, so he was at least willing to acknowledge the experience.

Iron Man 3 is coming, too

jeez, this poster is rad

I'm pretty jazzed for Iron Man 3, but won't see it until next weekend.  Y'all try not to spoil it for me.

Looks like Rhodey and Pepper are getting a lot more screen time.

I heart Pepper.

Some toys from the movie "Man of Steel"

Well, today I found what I guess are the three "Movie Masters" action figures from the film Man of Steel.

Walmart has on this promotion where they released some items early.  They were supposed to arrive on Sunday at Walmarts all across the land, but I visited three Walmarts in my area (all within a short distance of each other, and, I am fairly convinced, connected by a series of subterranean tubes that keep their management from ever having to deal with the surface dwellers) and did not find the displays at any of the three stores.  

I even asked at the Walmart closest to my house and got a pretty snippy response to my query about the toys from the manager, and an eye roll from her pal who informed her - as if I wasn't there - that "that movie isn't even coming out til June, so don't even bother".  I considered letting them know that many popular Superman fan sites had re-published the Walmart press release announcing the promotion, and that I had, indeed, seen photos on facebook of the items at other Walmarts on the extremely well run Man of Steel facebook page.  But then I briefly examined my life and what choices I was making and I left.

Well, I chose to give up.  My OCD did not.

Forbidden Planet - May 25th at Noon at The Ritz

It's no lie that I love the 1956 film Forbidden Planet.

Incredible FX, a weirdo story based on Shakespeare's The Tempest, a killer soundtrack and Robbie the Robot?  That's not even mentioning Leslie Nielsen in a straight role as a proto-Captain Kirk.

If you're in Austin, I'm going to try to be down at the Ritz at 12:00 noon to catch this thing.  A great, otherworldy sci-fi classic!

Here for details

And, btw, this poster hangs in my stairwell, so I look at this image each and every time I come down the stairs.

Supermarathon: The Serials!

In 1948 Columbia rolled out a weekly Superman serial.  10 years after the Man of Steel had first appeared on a comic book cover, America knew Superman from comics, radio, the Fleischer cartoons, the newspaper strip and games and toys.

Special effects weren't exactly rudimentary in 1948, if you had a budget, but as the serials rolled out as part of kid-friendly Saturday afternoon matinee fodder, this was not a $200 million set-up.  The serials are probably best remembered for the use of animation to show Superman flying (which becomes rarer and rarer as the series progresses).   Basically, our live-action Superman poses, and then is switched to cartoon form for the flying scenes (and that's not to mention the death of Krypton, that seems inspired by your typical Betty Boop cartoon explosion).

Kirk Alyn is our pre-George Reeves Superman, and he actually looks not unlike the Superman of the comics of the time.  Alyn's a lot more "gee-whiz" than the "Yup, I'm three steps ahead and I got this situation handled" aspect of Reeves' Superman.  Lois is played by Noel Neill, who would return to the role in the TV series, The Adventures of Superman in seasons 2-6.    She's extremely young and perky here, but not the sloe-eyed adventuress of the Fleischer cartoons.  Jimmy is played by Tommy Bond in full huckster, vaudevillian mode in a goofy hat and making faces.

Doc Watch: Wonder Women! on PBS

On Monday, I watched the documentary Wonder Women! The Untold Story of American Superheroines on the PBS series Independent Lens.

If you were expecting a documentary about the importance of Wonder Woman to 20th and 21st Century females as a symbol of power for women, you were in the right place.

You can watch the whole thing online at the moment.  Here you go.

For those of us who are already fans of the character, it's a nice tribute to the character, a nice consideration of the influence of the character across the 20th century, but the doc was also a bit frustrating.

The documentary was a good starter kit for someone to consider pop culture touchstones as gateway drugs for empowerment for women and a place to start the discussion of media portrayals of women.  But, if you know your Wonder Woman (and I only kind of feel like I've scracthed the surface of the character), the film followed the prescribed narrative checklist of players and topics you'd get in talking about Wonder Woman's history if you were to talk on the subject for more than five minutes.

We got:

• William Moulton Marston's creation of a lie-detector and his hang-ups on bondage scenarios are touched upon
• Glora Steinem talks the first cover of Ms.
• Lynda Carter gets interviewed (and is still just as stunning)
• various academics are interviewed who talk about what it means to have a strong female character at the start of World War II
• Wonder Woman's second tier place in comics after WWII

We saw Birdemic 2 in Austin (and it was awesome!)

This evening Jamie and I drove up to the Alamo LakeCreek to catch the second installment in your favorite franchise and mine, Birdemic II: The Resurrection.

Two feet inside the door of the theater I spied my favorite director, and...

you people have no idea how excited I was here

James Nguyen does not pass up the chance to get his picture taken with a good looking dame:

Jamie and The Master of the Romantic Thriller

The movie stars...  well, an absolutely startling amount of the cast from the first Birdemic film.  Kudos to Nguyen for getting the band back together.

I've seen Birdemic: Shock and Terror somewhere in the neighborhood of 8 times, I own the BluRay, and I bought Damien Carter's single "Hangin' Out With My Family" on iTunes.  I'm a fan.

Planning The Super-Marathon - a list of things we'll be watching!

Leading up to the release of Warner Bros. Man of Steel, expect this blog to become all the more Super-Centric.

If I could watch all of the Harry Potter movies again before catching the final installment, and watch all the Avengers movies leading up to Whedon's Avengers, I think I owe it to myself, to you, and to the world to watch just a whole ton of Superman media leading up to the film's release.

I am going to go chronological, and if you want to play along at home, I'll try to keep you up to speed with what I'm watching.

Also, I am not averse to having screenings where folks can come over and join me if they're in the Austin area, but time is of the essence.  We can't really dilly-dally while you try to find a date that works for you.  We've got, like, 100 hours of media to watch before the movie kicks off.*

The Fleischer cartoons

I figure three or four ought to do it.  These cartoons are groundbreaking for the era and hold up remarkably well today.  Superman still can't fly in most of them, but he's a heck of a lot of fun as the squinty-eyed, devil-may-care action ace who is always two steps behind Lois's nose for news.

Superman (aka: The Mad Scientist)
The Mechanical Monsters
Terror on the Midway 
The Underground World

We'll see, I'll probably watch all of them peppered in with other items.

The Serials

Live action (except for flying scenes), these serials are good, clean fun with a very young Noel Neill and the affable Kirk Alyn playing a less lantern-jawed Superman.

At minimum, it seems necessary to catch the first two episodes
Superman Comes to Earth (in which his parents are Eben and Sarah, I believe)
Depths of the Earth

New Man of Steel Trailer Arrives

It seems that the DNA of Richard Donner's Superman is stronger than you'd think.  For a movie that was to be bringing a new Superman to the world, there's certainly no small amount of the epic, world spanning vision Donner's Superman brought to the screen for the first time.  Not to mention that it was really Donner and Co. who brought Zod to prominence (he'd not even been the primary Kryptonian villain in the comics, that was Jax-Ur).  And there's definitely no small amount of what I recall from the Johns/ Donner penned issues of Action Comics from 2006-ish to what I'm picking up to be the plot.

All that said, I'm pleased.  I may miss the red trunks, but I think Cavill seems to have this down.  The footage looks spectacular, and (sigh) Amy Adams seems to be a new twist on Lois Lane.

I've heard say folks suggest that Superman doesn't need his origin retold for a new Superman movie, and I tend to disagree.  The origin has to work for modern audiences, and, more than anything, I think kids need to see the origin in a language they work in already - these days, that's big, loud, epic movies.

Well, no joke, I'm in.  Still looking at this with one squinted, skeptical eye as I remember whose name is attached as director, but you never know.

Oh, and, by the way, if that's Hans Zimmer's score, I approve.

Annette Funicello Merges with The Infinite

It seems that original Mouseketeer, beach movie fixture and boomer icon, Annette Funicello, has passed.

 I knew Annette from her 80's-era TV appearances and also as the girl that, apparently, men of my Dad's generation all grew up having a crush on.  Annette Funicello was going through a sort of nostalgia-tour renaissance when I was a kid, in peanut butter commercials, guest appearances, etc.. at a time when we also happened to have the Disney Channel, which would rerun the old Mickey Mouse Club episodes (but not in order, because that would be nuts).  And I was just the kind of kid who was cool enough to think a good afternoon included Mr. Ed and Mickey Mouse Club re-runs.

Oh, Did You Just Figure Out That Maybe Disney Buying Star Wars Means Everything You Liked About Star Wars is Going to Getting Demolished?

Shoemaker sent me this article from i09.  It's basically about how, the afterglow of Disney's purchase of Star Wars and the sudden lay-offs, etc... start to settle in, someone realized that Disney probably doesn't give two Jawa farts about the Star Wars Expanded Universe.

As I said in my email response to Shoemaker: no kidding

once again, your avatar for what will happen to everything you once loved

Even when the first Expanded Universe stuff hit the shelf when I was in high school, I didn't read it.  I guess by the time those books arrived, I was pretty well aware that studio executives weren't going to care that some sci-fi authors wanted to write Star Wars books when it came time to make new movies, and those studio execs were going to include George Lucas and his associates.  When movies that moved past the conclusion of Return of the Jedi did happen, they'd be so much bigger than a series of fantasy books, that the books would just sort of disappear into the ether as non-canonical, leaving a herd of nerds wondering how to reconcile the irreconcilable, narratively speaking, in their minds.

Of course, for two decades we had Uncle George backing up the books - which I doubted he ever read, but he knew that without his stamp, those books wouldn't be taken seriously nor purchased by Star Wars fans.  And that meant less dough, so best to just approve them and worry on it later.

Roger Ebert Merges with The Infinite

Film critic, commentator and historian Roger Ebert has passed.

As co-worker Kristi said "he and Siskel had the last, old school intelligent criticism show on TV".  I agree.  Even after Siskel passed and Ebert had to take a side-line role on At the Movies after he'd grown ill, I liked the various folks who were on, but I really missed the original formula.  Smart, tweedy guys taking an art form seriously.  Back when studios were arguably trying to participate in film as an art form and less as a commercial product.

Ebert found the internet, and as recently as a few days ago he was online, blogging, talking about how he'd been ill again, but that he and his wife, Chaz, were planning new ventures and what was to come for his film festival in Chicago.  He was massively influential online, straying from movies and into politics and sociology.

I liked Ebert most of my life, but the past few years I came to respect the hell out of the man who wasn't just confined to giving movies a thumbs-up or down, who had a wide ranging field of interest, who had become somehow more verbose once stripped of his voice, and whose decades of reviews were available online for me to consider.

We lost Gene Siskel too soon when he passed more than a decade ago, and we lost Ebert just as he was really getting his engines humming for his career's second act.

His website is still up, and hopefully his team of critics is still out there doing their jobs.

Signal Watch Watches: Phil Spector

I think i figured out who Phil Spector was while I was in high school and had subscriptions to Spin and Rolling Stone.  He got name-dropped a lot, but it was in college that I figured out what The Wall of Sound was, and identified it with Darlene Love, The Crystals, The Ronettes, et al.  I'm no music aficionado, but I know what I like, and I was and am a Spector fan.

Recently, HBO aired a film by writer-director David Mamet, a movie based on speculation around the Lana Clarkson murder.

Of one thing I am certain: David Mamet is a much, much smarter person than me, but he can write a script that I can keep up with while still surprising me with what he sees in characters and situations, both micro and macrocosmic.  And whether his script hews to reality or not is irrelevant.  What's on trial here is less about Phil Spector, but 20 years of celebrity cases, of what it means to have reasonable doubt in the make believe world of Los Angeles and show business.  And, of course, the masses who pass judgment knowingly from watching snippets of news or seeing headlines in their RSS readers.

Birdemic 2 in Austin! Join us!

I have secured my ticket for Birdemic 2: The Resurrection for when it makes its Austin debut on April 18th, 2013.

If you would like to join me, I'll be at Lakecreek Alamo on April 18th in seats 5509 and 5510.

Buy your tickets now and do not miss out on this unique experience! 

Birdemic 2!