Star Wars Watch: The Last Jedi

If I tend to do extra-sized posts for big, monumental movies that fit into the Venn Diagram of the kinds of movies which I'll cover these days - one of the things I liked quite a bit about Star Wars: The Last Jedi is that there's so much to talk about.  And, as happened with Blade Runner 2049 and a few other movies of late, I entered with zero expectations and found myself so fully immersed for the film's runtime, I know I didn't catch it all.  I am glad to say that this movie bears a second viewing, something I was ready to do at the very moment I finished my Tuesday night screening.

Like a lot of folks, I was pleased when the reviews came out and pulled a mid 90th percentile on RottenTomatoes. And, when the movie then pulled a 50-something percent in audience reviews on RT, I said to Max, "well, this probably means I'm going to love it."*  After all, you can kind of count on people with overly strong reactions to be the most vocal and actually take to the internets to voice their opinions (this is why Yelp! reviews are nearly useless).

And the movie is both a very, very conservative Star Wars movie and something that knows the series cannot just be retreads of the original trilogy in perpetuity.

Remembering Audrey Totter on her 100th Birthday

Several years ago I was out visiting San Francisco and JeniferS showed me a noir she knew I'd never seen, starring Richard Basehart, Cyd Charise and an actor she adored but with whom I was unfamiliar, Audrey Totter.  The movie was Tension, and it was all kinds of terrific.  But, yes, Jenifer was right, Audrey Totter was absolutely phenomenal in that movie, stealing focus in every scene.

Christmas Watch: Love Actually (2003)

People, sometimes a movie is so not aimed at you, all you can do is accept that fact, sit back, and just try to figure it out from an anthropological context.

I'm not going to try to claim Love Actually (2003) is a bad movie, but I will say that it is a movie that I didn't understand.  Credit where it's due - 14 years on, it's a bonafide modern holiday favorite with a fanbase large enough that for a decade after the film's release, studios kept trying to replicate what worked here for New Years, Valentine's Day, and maybe Mother's Day (I don't know.  I wasn't paying attention.).  And my good pal, SimonUK, talks about this movie quite a bit.  He frikkin' loves this movie.  He is, of course, English, and I think the cultural cues I was missing make much more sense to him.  Apparently the race to see who has the #1 Christmas song in England every year is a real thing (which, I know... weird).

Even I knew that this was a movie about a lot of people falling in love, facing the challenges of love, and defining love as something other than romantic or sexual.  What this means is that over the course of what I think was a 90-minute movie, about ten different stories played out as loosely tied vignettes.  Some of them better than others.  Some of them sweet and simple and some making me raise my hand and waiting to be called upon as I had so many questions.

Of the movie's run-time, I enjoyed the back 1/3rd of the movie, but found the first third grating and the middle third baffling and sometimes tedious.  I will say, the movie really did stick the landing in a way that nothing prior had suggested was coming.  I went from not-cracking-a-smile and checking my phone to actively engaged and actual laughing out loud.  I'm not sure I've ever had this experience before with a movie, where nothing changed about how I felt about what I was seeing previously by what I was now seeing - but I felt the quality of the movie quadrupled in just a scene or two and roughly maintained that level through to the end.

The Wild Ride of Joys and Disappointments of "Justice League" in a 3 minute clip

Superman actually *acts* like Superman, but because the movie needed reshoots and Cavill was legally required to keep his mustache for Mission Impossible 64 (or whatever), they had to digitally remove the facial fuzz.  And it looks terrible.  So, like all of Justice League, you get some really good stuff, but you have to take it on the chin a little, too.

And, hey, that is JUST like Batman from the comics!  It's just... kind of a not-great scene.  I dunno.  How he fights the guy doesn't even make a lot of sense, really.  He has him on the ground, and then he lets him get back to the gun while he runs away to scurry up a water tower?  And it's the last we'll see of him in Batman-mode in quite this way. 

This is kind of Justice League in a nutshell.  Has stuff you really want to see, but the delivery vehicle is terribly messy.  Still, worth a watch.

It's Just not Christmas Until Audrey Totter is Looking Right Into the Lens

Through not-so-mysterious means, the 1947 film Lady in the Lake has become a perennial holiday favorite for me.  Philip Marlowe detecting, Christmas time and Audrey Totter sorta looking you in the face.

This is the movie directed by (and kinda starring) Robert Montgomery as Marlowe and shot almost entirely from his POV.  Pretty amazing work for the era and size of cameras in 1947.  The book is darker and more grisly than the movie, and not set at Christmas, if memory serves.  The plot is complicated by the fact the movie never visits the key location from the book, keeping everything in the city and refusing much in the way of exterior shooting.

But, hey, Audrey Totter is terrific.  And they actually make Christmas kind of key to the adaptation, so that's fun.

...waiting

"Avengers: Infinity War" Trailer is go

Well, this looks to be worth the price of admission.

Happy Birthday to Ms. Gloria Grahame

You probably know Gloria Grahame for her small but pivotal part in It's a Wonderful Life as Violet, the attractive blonde in Bedford Falls who fails to land Jimmy Stewart and is a headcase in the Pottersville segment of the movie.

But Grahame's career included a lot of noir, some musicals (she's in Oklahoma! as Ado Annie), and a life off-screen that was dramatic, to say the least.  If you follow older films and want to see some top notch noir, I recommend (very highly):

• Crossfire
• The Big Heat
• In a Lonely Place
• Human Desire

But this list is not even close to comprehensive when it comes to her body of work.

Like a lot of women of her generation in Hollywood, her rise was incredibly fast and her path out of Hollywood was rocky, to say the least.  Curiously, Annette Benning is playing Grahame in an upcoming movie that covers the final years of Grahame's life, from what I can tell.  Looks promising, as far as these movies go.

(TL;DR) The Whitest Christmas of All: Hallmark Christmas Movies

Hollywood is Weird

I am 90% positive I've previously mentioned my fascination with basic-cable Christmas movies.  I'm not talking about the endless rerunning of Elf, National Lampoon's Christmas Vacation, or other films that had a theatrical life before finding a permanent second life as seasonal programming somewhere on the basic-cable dial.  I'm talking about the made-for-TV 2 hour films that appear on The Hallmark Channel, Hallmark Movies & Mysteries, Lifetime and the Up Network, running in an endless loop, 24-hours-per day, starting this year a few days before Halloween.

Look, I'm not against Christmas.  But, as Jamie wisely pointed out to me, if you're starting your Christmas movies October 20-something, that makes Christmas last fully 1/6th of the year, and that's insane.  And, it bulldozes two fairly major holidays inbetween.

What's fascinating is that this model must be wildly profitable for Hallmark and the other networks for Hallmark to start running these channels as 24-hours-per day holiday movies so early.  These movies have their own little pocket of stars, the top of the heap features former Full House co-star Candice Cameron Bure and former Party of Five sib Lacey Chabert.  Others flirt with the stardom.  Alicia Witt's in a few of these, Lori Loughlin (also Full House), and you'll see a few other actors pulling double or triple duty as stars, but you can guarantee at least one or two new movies per year from Chabert and CCB.

Today is the 89th Birthday of Mickey Mouse

Today is the 89th anniversary of the debut of Steamboat Willie, the first Mickey cartoon to be released. We'll celebrate that next year on the 90th, but this year let's watch Plane Crazy, the first Mickey cartoon worked on by Walt and Ub Iwerks, but held off on release until they could add sound, after Steamboat Willie.



I may have an affection for all eras of Mickey cartoons, but the early, chaotic rubber-hose-armed early era holds a special place in my heart. The ingenuity of story, art, ideas and character is all there from the beginning, just popping off the screen. Yeah, there's influence from contemporaries like Felix and Koko, but Mickey and Minnie are a force unto themselves.  And these cartoons are as funny today as they ever were.  Just great stuff.

Happy B-Day, Mouse!

DC Movies Watch: Justice League (2017)

I had no intention of seeing Justice League (2017).

It's not that I don't like the Justice League as characters or concept - I'm a comics guy who tilts toward DC Comics, and once had a complete run of everything from Morrison's JLA run in the 90's to 2011 (I sold if off during the purging of longboxes about two years ago*).  My bonfides include significant runs of Wonder Woman, Superman and Flash comics, reasonable Batman-cred, and having had watched the respective movies and TV shows featuring the JLA characters in a wide variety of live-action and animated incarnations (with exceptions which I can discuss but won't do here). I will happily test my DC Comics-Fu against any of you nerds (but not Mark Waid).

I'm on record regarding Man of Steel,  Batman v Superman: Dawn of Justice, Suicide Squad and Wonder Woman.  One of these films was much, much better than the other three.  Let's just say 2017 was much better for DC than prior years.

It's no secret those first three movies left me a broken, bitter man.  The very ethos of the films was so far afield from the DCU I knew and loved, and the take on Superman so fundamentally broken (and at the end of the day, I'm a Superman guy), that I just didn't want to do it again.  I'd watch it on cable or when JimD sent me the BluRay against my protestations.

Then, as of Thursday I guess, trusted sources, such as creators Mark Waid, Gail Simone, Sterling Gates and our own readers including Stuart and JimD saw the movie, and weren't furious at it.  They had some nice things to say.  So, I got my tickets and I went to a 10:45 PM show on Friday evening.

Let's be honest:  Justice League has massive plotting issues, bizarrely genericizes and changes Kirby's Fourth World mythology in a way that makes it feel one-note to audiences who don't know their Granny Goodness from their Mister Rogers while also ruining the epic world building for fans of The New Gods (one of the most important ideas in superhero comics and comics in general).**  It has some terrible CGI, I hate the Flash's costume (a TV show should not be kicking your butt in this arena), and not nearly enough Amy Adams for my dollar. ***

But...

After three narrative and character misfires and one absolute gem of a superhero movie (you're my hero, Patty Jenkins), shake-ups in management at DC, a switch of directors, reshoots, a slashing of runtime by nearly an hour...  Some combo of people and factors finally seemed to care a bit about, at least, Superman.  If nothing else, they got Superman right.  And I cannot tell you how much of a difference that made to me as a viewer and what I was willing to deal with and what I wasn't in my superhero epic.

Today Marks the 95th Birthday of Veronica Lake

Today marks the 95th birthday of actor Veronica Lake.

I quite like Lake and she's in some great movies, from Sullivan's Travels to The Blue Dahlia.  My favorite is This Gun For Hire.  Lake's career in Hollywood was brief and tumultuous, and she was gone within a few years, but she left a tremendous mark few have been able to match. 

Lake passed in the early 70's, but that's a whole other story.  If you only know her from glamour photos, seek out one of her films.

I liked "Thor: Rangarok"

Marvel is at an interesting point in it's movie making history.   We're, what, 20 movies in?  Now that they're past origin stories, they seem to have embraced two things:

1. tone can vary 
2. letting creators with a vision go a bit nuts means you aren't necessarily repeating yourself (as much)

Guardians of the Galaxy demonstrated that audiences wanted a bit of balance to grim-dark superheroes, and the abysmal approach to DC's slate of films up to Wonder Woman showed what *not* to do - so it's a bit rewarding to see Thor bounce back from what was arguably one of the weakest Marvel movies with Thor: The Dark World* and come back with the pop-corniest Marvel movie since... well, this summer's Spider-Man: Homecoming and Guardians of the Galaxy Vol. 2 were both pretty solid entries as well.  Let's just agree it's been a good year to be a Marvel movie fan.

Marvel's movies have reflected or echoed an arc not dissimilar to what has happened with the printed comics.   Hitting the stage with a surge of quick hits that were better than what we'd seen of late in the same genre, an expansion of the universe with a diversity of types of comics/ movies that reflect the milieu of each character, pulling them back together with Avengers comics/ movies as mega-events that never quite work, exactly, but do ground everyone in a single reality, then push everyone back out into their own books/ films.

Happy B-Day to Margot Kidder!

Happy Birthday to Margot Kidder!

She is, of course, one of the greats of Superman media as Lois Lane in four Superman films and with a brief stint on Smallville.  Arguably, Kidder did quite a bit to pivot the popular conception of Lois as less a straight-laced member of the newsroom (something she never was in the comics, but that's how she was played on TV's Adventures of Superman) and into the gutsy risk-taker with no time for a Dictionary that made absolute sense as the kind of woman who would capture the heart of the Man of Steel.

And, she's absolute dynamite in those first two Superman movies.  The interview scene is pretty incredible if you haven't seen it in a while. 

Happy Birthday, Ms. Kidder!

New Trailer for Marvel's "Black Panther"

This is the most excited I've been for a Marvel movie (beforehand) since Guardians of the Galaxy. Everything about this surpasses what were my biggest hopes for a Black Panther movie.

Halloween Watch: War of the Worlds (1953)

It's kind of funny that in this post and the last, I'm referring to movies referenced in my own title banner, but there you have it.

I checked, and it has been a while since I last watched George Pal's 1953 movie of War of the Worlds.  A number of years now, in fact.

My interest was piqued by the idea of a Martian invasion in 6th or 7th grade when I learned about Orson Welles' and the Mercury Theater's 1938 War of the Worlds radio broadcast - which supposedly caused a panic (sort of, but not really).  Click on the link and listen.  It's a hell of a show.

Shortly after all this, around the age of 12, The Admiral found out I wanted to watch the original movie, and so he and I rented it and I think it was just the two of us who watched it.

Honestly, despite the fact it was not a gore fest or built on the tension-making trip wires of, say Ridley Scott's Alien, that movie scared the hell out of me.

Sci-Fi Watch: Blade Runner 2049 (2017)

Prior Blade Runner posts:
January 9, 2016 - film watch
September 16, 2016 - novel
January 6, 2008 - DITMTLOD



SOME SPOILERS BELOW:

Like a lot of people of my generation, Blade Runner is one of my favorite films.  To expect objectivity regarding the film at this point is a difficult request as I cannot separate the film's actual merits from the impact it had upon me when I first watched the film circa 1988 and deepening appreciation over time.

In a recent comment, Fantomenos asked what the last band was that I related to on a deeply personal level, where I felt they were speaking straight to me (I dodged the question), and I think movies operate much the same way.  I will simply never feel quite the same way about a movie now as I did in high school.  Whatever openness I had to experience during that period of development is a maze of decades of other movies, cynicism and life experience. 

At this point, I've watched Blade Runner dozens of times.  I know the beats, the characters, the dialog.  And so do you, most likely.  I can talk about things explicit and implicit to the film's story, talk about the production of the movie and tell you about seeing a Spinner and Rachael's dress in Seattle.  I'm aware it's likely part of how I became interested in cinema noir, film design, and remains the high water mark for movies about AI, in my opinion.

If Star Wars had created a totally immersive universe through design, sound, music, character and themes - a fairy tale universe in which I would have been happy to jump into, Blade Runner provided a similar experience with a dystopia in which everything seemed to fall out of the current culture, in which I could draw a line from our current lives to how we might reach this world of constant rain, stratified social classes, surreal landscapes of mega-structures and ubiquitous advertising (some of it beautiful). And, no, despite the Rachaels, I would not want to live in the world of Blade Runner.  The world of this movie is the world of the end of humanity.

Halloween Watch 2017: Theatre of Blood, Altered States, House of Dracula

Well, it's that time of the year, and we're watching movies about monsters and murders and transdimensional-psychotic states brought on by a rich cocktail of hallucinogens.

Basil Gogos Has Merged With The Infinite

If you're a Monster Kid of any stripe, you know the work of Basil Gogos. Whether from his work painting covers of Famous Monsters of Filmland to album covers, Gogos spent the back half of the 20th Century and early 21st Century as king of a niche others are just now entering - illustrative portraiture of cinematic marvels and monsters.

Yesterday I became aware of the news that Basil Gogos has passed beyond this veil of tears.  But of this I am certain - his work is now as much a part of Monster Movie fandom as the films, actors and creators.  His uncanny visuals have been wonderful additions to pop-culture and modern culture itself.

Harry Dean Stanton Has Merged With The Infinite

Somehow, death has taken one of the best, Harry Dean Stanton.

A notice in the New York Times.

No matter what he was in, he elevated the movie. Ebert himself said: "no movie featuring either Harry Dean Stanton or M. Emmet Walsh in a supporting role can be altogether bad."

Truth.

• Cool Hand Luke
• Kelly's Heroes
• Godfather: Part II
• Alien
• Escape From New York
• Christine
• Repo Man
• Red Dawn
• Pretty in Pink
• Last Temptation of Christ
• Wild at Heart
• Twin Peaks: Fire Walk With me
• Fear and Loathing in Las Vegas
• The Avengers
• Twin Peaks

We're going to miss you, sir.  But thanks for everything.