Set Your DVR's: " iZombie" starts Tuesday after "The Flash" on CW

Set your DVRs or a make a date with your TV for Tuesday, March 17th at 9 Eastern /8 Central.

new Supergirl costume is fairly Supergirl-riffic

this is it, there's no turning back now

Sometime in the next several months, CBS is slated to bring Supergirl to the small screen.  Look, I'm a Helen Slater guy from way back, a casting decision I will always support even if Supergirl, as a movie, has... complications.

In the comics, I'm really a fan of only a few eras of Supergirl, if by Supergirl you mean Kara Zor-El and not Cir-El, Matrix/ Mae or Linda Danvers (but, look, I will always support Linda Danvers, and I'm irritated she's mostly forgotten, because today's fangirl community would love her as some sort of Supergirl).

Straight up, I'm a Silver-Bronze Age Kara Zor-El fan when she was portrayed as bright, perhaps naive, but eternally optimistic teen and college kid.  With a flying cat and horse that she sometimes dated.*  If Supergirl isn't trying to see the best in everyone and trying to save the day while she basically fights with identity issues Clark Kent doesn't spend too much time pondering, she isn't really Supergirl.

real Supergirl is perky as all living hell

TV Watch: Peaky Blinders - recommended

We've been watching the BBC series, now streaming on Netflix, Peaky Blinders.  In BBC or HBO big-budget style, the show is only 6 episodes per season, but the production is incredible per episode with top flight talent in front of, and as near I can tell, behind the camera.

Our resident music snobs will like the soundtrack.  Though the setting is 1919 Birmingham, England, the show makes excellent use of Nick Cave in season 1 (including use of "Red Right Hand" as the credits track) and, as we've just cracked season 2, they've subbed in Ms. Polly Jean Harvey.  The music fits shockingly well against the late Industrial Age backdrop as working-class gangs move like sharks through the factory workers, IRA sympathizers, nascent communists and blue-clad cops on dirt streets in flat caps and tweed.

Season 1 playlist
Season 2 partial playlist

You can't get thrown by the name of the show (the name of the family-based gang at the center of the show) any more than you can get thrown by the accents and patter unfamiliar to American ears, but all of it understandable enough.

The lead of the show, Thomas Shelby, is played by Cillian Murphy - most recognizable to Americans as The Scarecrow from Batman Begins and The Dark Knight Rises.  The cops out to get the gang are led by Jurassic Park's Sam Neill.  One of my favorite characters is Tommy's Aunt Polly, played by Helen McCrory, who you might have seen as Draco Malfoy's mother in the Harry Potter films and briefly in Skyfall.  I hear Thomas Hardy shows up here in Season 2, so I'm ready for that.

Agent Carter Draws to a Close (and I'm a little sad)

I'm not sure how many episodes there wound up being of Agent Carter, or how many weeks.  I think the answer is "eight", but I didn't major in math, okay?

But it was a great ride, a lot of fun, and I really, really hope people who didn't watch the show during its televised run find it online.  I'd certainly be onboard for another 80 episodes, but I suspect nobody is asking me.

Most certainly tying into the Marvel Universe of both Captain America: The First Avenger and things to come in Captain America: The Winter Soldier - the show was not dependent on either for it's success, and stood alone as a rock solid entry in the Marvel U, working for me in a way that Agents of SHIELD, unfortunately, did not.

Some Interesting Bits from the Week

Sorry about the lack of posting.  Sometimes you look up and a whole week went by.

Things have been kooky busy at work as I mush my team forward toward several deadlines, and then, last night, I wasn't feeling well and I slept from 9PM - 7AM, which was glorious, but also a reflection of the fact that I had eaten some bad Chinese food the prior night and not slept at all.*

I don't want to post my Fifty Shades of Grey review until my pal gets a chance to get her notes together.  I want her to get first whack, er...  to take a crack at...  wait...  she's going to post her review first.  She is, literally, the one person that I was super pumped to see this movie with above all others.   And, yes, I totally DID go see it.  Spoiler alert: it may not have been my favorite movie.

Y'all know I like my Mad Men, and I'm also quite a fan of Archer on FX.  Shoemaker sends me this link that combines the best of both worlds.  Kind of NSFW, so, you know, proceed with caution.

More or less how my performance reviews go

Marvel's "Daredevil" show looks a whole lot like Daredevil without the red outfit

I've been pretty jazzed about the idea of a Netflix-direct Daredevil show since they announced the idea.  For those of you who follow Daredevil as a comic, this looks more or less as depressing and grim as the comics that we like, for some reason.  And it's clear they aren't about to make the same mistakes as the ill-fated film version which made me a sad panda.

I really do think it takes a while for Matt Murdock to seep in as a character, so multiple episodes of expanding on the backstory, on what makes Marvel's longest running case of Catholic guilt tick is a welcome bit of TV in my book.

Daredevil owes his continuing relevance to the Frank Miller era of the 1980's (as do comics, in general), and it can't hurt to refer to the take Miller put on the character that transformed him from a chipper blind attorney to a... chronically depressed blind attorney.  I assure you, them's is good comics.

This is supposed to be followed by a take on the Brian Michael Bendis series, Alias - which I think they're calling Jessica Jones or something in order not to refer to the Jennifer Garner TV series, as Garner would go on to play Elektra in Daredevil for some reason, and if we called it Alias, I'm pretty sure the universe would collapse in on itself.  Then, a Luke Cage TV series, which... man, this one was obvious.  Had to be done.

Now, enjoy the time The Hulk met Daredevil.



And, of course Stan Lee makes a cameo around the 1:13 mark.

Brandon Routh re-suits up as The Atom

From The Beat

Routh has been appearing on Arrow as Dr. Ray Palmer and now he's taking it up a notch.

I quite like The Atom, especially as a team character, and there's something really great about Routh getting a chance to play the character.  He seems like he really fits the bill, personality wise.

And this is a character I can appreciate wearing a weird, overly engineered costume for all the science-fiction-y reasons you could come up with that would tie to a guy who can shrink down small enough to slide between electrons.

Very excited about this as part of the Flash/ Arrow TV universe.

New Mythbusters Format: Plausible

Mythbusters debuted in 2003 and has run for 13 seasons.   It's a program I've followed closely since the pilot, and I've missed, possibly, 3 or 4 episodes of the show, if that.  Really, it's amazing, because I haven't ever watched a show as long as I've kept up with Mythbusters, and  I certainly haven't stuck with any other non-scripted programming anywhere neat that long that didn't include "the news" or "sportsball".

Season 3 of The Americans

The Americans returned for its third season Wednesday evening, and it prompted the following thoughts:

• When they say there will be nudity, adult themes, sexual situations and violence, The Americans is not afraid to double down on that @#$%.
• Oh, Keri Russell, you are the kind of the semi-sociopathic Russian sleeper agent men dream of
• Being a spy is a complicated, complicated lifestyle
• This show is so stunningly on-point with drawing comparisons to then and now, it's sometimes embarrassing to watch

Anyone else watching "The Flash" on CW?

After 10 years of Smallville and trying Arrow once or twice (I think because they were introducing Crazy Quilt or something.  I forget.), I was pretty skeptical about the CW's spin-off Arrow series, The Flash.

But, look.  I read some of the Wally West Flash comics a bit when I was a kid, and I like The Flash as a concept.  Truthfully, I am totally okay with any DC character who has had the name, from Jay to Bart.  Because of my comics habits of the time when it was going, I missed Waid's run (which is not collected in hardbacks, which kills me a little), but I got back into Flash during Geoff Johns' run and never really looked back.

Since then I've read all of the Flash stuff collected in Showcase Presents (I think.  I need to double-check), and these days, I'm a pretty solid fan of Barry Allen, especially those first few years when it really did feel like a different kind of book.  Look, no kidding.  Barry was so... nice, I guess, that the character gets a bad rap as being "boring", but I really don't find a whole lot of boring in those early Silver Age books.  Mostly, they were a sort of conceptual exercise to begin with as The Flash was largely about villains and the really pretty awesome things the writers came up with to do with superspeed.  And then...  They did something a little different in that Barry kind of knew his villains.  Maybe not best pals, but they were his, and he actually worked to rehabilitate a few of them (yes, Batman, I'm looking at you...).

I wasn't against Barry coming back to the DCU a few years ago, but I will admit to not keeping up with The Flash in the new 52.

Oh, and I actually watched The Flash (starring the terrific John Wesley Shipp) during it's run back when I was in high school.  The Flash and Amanda Pays on a single show?  Twist my arm.

What I considered, before setting the DVR, was: if Johns was working on the show - and he knows his Flash - how bad could it be?

iZombie to TV this March

Coming in March, the Chris Roberson/ Mike Allred comic "iZombie" is coming to the CW as a weekly TV show!



If the CW's success with The Flash and Arrow is any indication, this should be pretty good! I notice some significant changes to the comic's set-up, but the tone and basic idea are intact, at least in the trailer. And certainly Gwen's look is spot-on.  Although it does seem her name has been changed for the show.  Which...  huh.

Well, The Flash has changed a lot from any version of the comics, but it's still The Flash in spirit, so, you know...  I don't really get that bent out of shape about changes from comics to TV or movies the way I once might have, unless it seems like the moving picture version just sort of missed the point of the comic.  (cough... Man of Steel)

Here's to hoping the great world Roberson and Allred built makes it's way to the show.

What Else Have I Been Up To? TV, Part II

We started talking TV over here at Part I.

This here is Part II.

I also forgot to mention:

Fargo on FX, which I tuned in to out of morbid curiosity.  It seemed pretty ballsy to make a show that would have been compared to the astoundingly good feature film namesake, but I wound up feeling the show knocked it out of the park (even if the finale had some unsatisfactory moments).

And it gave us Allison Tolman, for which we should all be grateful.

Pretty sure she left her keys around here somewhere

So, What Have I Been Up To? Television

Since I started blogging in 2003, the TV landscape has changed on an almost yearly basis, whether you want to talk the variety of content or types of access one can have to serialized storytelling in a motion picture form.  Because, in a lot of ways, the definition of what we called "television", back when it was 3-6 channels coming over an aerial antenna that required you be there when the station antenna sent out the signal - is deader than Herbert Hoover.

Still makes more sense than watching TV on your damn iPhone

My cable spectrum is technically infinite, on-demand has become a possibility through a huge number of channels (through my cable or via various internet services), the TV "season" still exists at the networks, but only kinda...  the start of Fall is no longer when new shows air.  Now that's literally every week of the year.  And Netflix proved you could dump whole seasons on people at once and let the audience and God sort it out.  You can now jump into a show in season 3, and just find the prior seasons on Hulu or Netflix... 

The one, great trick I have decided upon is to wait and see if my trusted pals will watch a whole series and tell me if they felt the ending was satisfactory.  Series now have endings and finales.  They no longer limp along, becoming a pale version of their former selves, getting by on the faithful habits of watchers who are just seeking familiarity.  Look, I got burned by both X-Files and Lost, and I'm not doing it again.  

Fortunately for all of us, a year and half isn't all that long in TV terms, so it's not like my TV habits have changed greatly since I went to go get milk and cigarettes in 2013 and never came back.  

I am still watching:

In Her Satin Tights, Fighting For Your Rights - "Wonder Woman '77" coming to comics

Over here at The Signal Watch, we don't "binge-watch" much TV.  When I hear someone watched an entire season of a TV show over a weekend, I think maybe that person has a butler who runs their errands, walks their dogs and amuses their friends and family in the hours when they aren't at work.  For me, "binge-watching" is watching an episode or two of a show a night, maybe 3-4 days a week.  I've done it with maybe 4-5 TV series, and haven't even finished most of those (sorry, Breaking Bad).

pew!  pew! pew! ping! ping! ping!

At the end of the summer and through the fall, we watched all 3 seasons of Wonder Woman.   We did so out of order and it took a while to do it, but we did finish.  And now?  I kind of miss it.  But I know it would be weird to watch the whole show over again so immediately.*

So, What Have I Been Up To? Me and Comics Since June 2013

I really don't know how to write this post, because, if you've been following me for any length of time - and, in particular, if you've been here because of comics, this is where I disappoint you.

I am no longer a "read 20 comics per week" kind of guy.  I'm more of a "I'll knock through a trade once a week or so" kind of guy.  My comics reading and collecting was changing before this site was frozen in carbonite, and it's continued to mutate.

y'all buckle in, because it's about to get pedantic and ornery up in here

I kind of quit trying to keep up with Marvel as a universe around Secret Invasion, which was several years ago now.  I've tried to keep up here and there with Captain America and a few other titles, but Marvel's insistence on the cross-over stunt has made that exceptionally difficult.  Pair that with the fact I read Marvel in trade collections rather than floppies or digital comics, and their "all new #1's all the time" marketing strategy, and I literally gave up trying to understand what was happening at Marvel as a Universe.  But I will be picking up some of the Star Wars books for a few months and see how I like a Marvelized Star Wars U.

DC and the New 52 kind of sent me screaming.   The quality of DC hasn't really improved much over the past two years, and it was in the basement with the launch of the New 52.  I recently read that by Spring, DC will have canceled 60 titles since the launch of the New 52, which is an indication that I'm not crazy to think they have some problems and maybe they aren't serving their audience very well.

In the past year, it's safe to say my habit of reading comics has greatly reduced.  At least the reading of new comics.  When I do buy floppies, I collect them for a couple months and read a few at a time, unless it's something that's self-contained.  And I'll talk about what I'm buying as floppies, which isn't much.

The other day I mentioned that I've recently also sold off a huge portion of my collection.  Well over half my stuff has been dispensed with since August, something like 15-20 boxes (short and long), something like 4-5000 comics.  I've also sold a huge number of my action figures, graphic novels and other items.

And - you know - I don't miss them.  I have more than a room full of great stuff that I like and feel like showing off from time to time, and it's a lot more focused than it once was.

So What Happened?

Donna Douglas Merges With the Infinite

Nashville TV Station WSMV is reporting that Donna Douglas, who played Elly May Clampett on The Beverly Hillbillies has passed at the age of 81.

Film Noir on Fridays in June on TCM

Noir maestro Eddie Muller is guest hosting every Friday in June on Turner Classic Movies.  The line-up is pretty nuts, and I highly recommend looking at the list and setting your DVR.

Here's a website up at TCM.

Check out the schedule starting this evening!

Tonight:
The Maltese Falcon
City Streets
After the Thin Man
The Glass Key (a must see)
Satan Met a Lady

well, we've all wanted to punch Peter Lorre at some point

Superman: The Happiest Fella?

Edit 4/5/2016:  For some reason today I started getting hits to this post today.  On the outside chance anyone is using this post to bolster their argument that the Superman depicted in Man of Steel or Batman v Superman was a-ok:  After I saw Man of Steel opening night at midnight and again about 36 hours later, all of the arguments below regarding why Snyder's Superman portrayal might not be a disaster were thrown out the window.  

Snyder's portrayal of Superman had, at best, a tenuous understanding of the character and his motivations, and the attempts to update the character did not achieve anything in the realm of reality.  Following the mentality of a teenager filtering reality through a PS2, Snyder abandoned the character's path of discovery and, instead, simply blessed him as a tactical weapon.  

While certainly some of what I say below dovetails with Snyder's own arguments for his movies, his execution is a failure.   I sincerely hope anyone who is out there saying this movie really "gets" Superman takes a moment to understand that anyone who has been a fan of Superman since before 2013 heartily disagrees with that assessment.  While there is certainly some of the core of Superman in Man of Steel, the movie, its creators and studio have failed to understand Superman's desire to inspire through deeds and actions, and that is its own reward.  Not the emotionally crippled man-child told by his parents to stay home and play videogames.

The original post begins below:

Just up here in space, smiling at nobody

There have been a lot of posts (hi, Max!) and articles by longtime Superman fans regarding the to-date seemingly somber tone of the new Superman film, Man of Steel.

Folks are worried about a "grim'n'gritty" Superman versus the cheerful fellow who takes delight in his powers that you've seen since Superman's first appearance in Action Comics #1.  That imagery has been a part of the "discovery" part of the story for Superman in one form or another in all sorts of representations, from Superboy comics, to the animated series, to Superman Returns and Superman: The Movie where we see a young Clark Kent running faster than a freight train and beating Brad and the gang back past the Kent homestead.  And, of course, the absolutely terrific "reveal" sequence when Superman saves Lois and then runs around Metropolis saving the day.

Probably the most joyful you're likely to see Superman is in Superman: The Movie after The Man of Steel first appears and then flies around Metropolis performing super good deeds.

In fact, I've gone on record as saying that the key to my understanding of Superman in many ways is the moment wherein he saves Lois, reminds her of the relative safety of air travel, and then turns around and lets loose with this huge grin before flying away:

"Man, I wish she'd fall out of a helicopter EVERY day!"

Supermarathon! 50th Anniversary TV Special

A bonus feature in some of the various Superman DVD and BluRay box sets, the Superman 50th Anniversary Special is kind of must-see Superman TV from an era when adults were all kind of patronizing jerks about Superman.  Except for Hal Holbrook.

I recall Superman's 50th Anniversary mostly thanks to the terrific Time Magazine cover on a week during which nothing else must have been happening in the world.

What's most amazing about the special is the amazing array of talent that was known at the time, and the talent that shows up in supporting roles.

The show is presented as a sort of retrospective on the career of Superman as if he were real and Dana Carvey is your celebrity host for the walkthrough of Superman's life.  There are man-on-the-street interviews cut in, which seem as if they really asked people questions about Superman and used what they said.  It's pretty good stuff.  Others are clearly actors, and there are some sort of mini-skits thrown in for good measure, along with footage from cartoons, serials, The Adventures of Superman and the Superman movies.

Supermarathon: Some 60's Cartoons and "Panic in the Sky"

Back in the 1960's, Filmation had just been formed, and they had a contract to develop some cartoons based upon DC Comics characters.

The New Adventures of Superman rolled out as one of these cartoons, short cartoons long enough to get packaged with other DC characters, so you got a full cartoon between each commercial.  The animation is of the "limited" animation variety.  Lots of Superman's mouth moving and nothing else.  A static Superman in flying position as the background scrolls by behind him.  Lots of stuff re-used.  All to contain cost to deliver just a whole ton of these things at a reasonable cost.

By modern TV cartoon standards, the animations doesn't look so hot, the voice acting is stiff and awkwardly paced (Filmation would go on to do He-Man in the 1980's, a show which - even then - I thought had some very strange voices), and the stories are nigh non-existent.  Still, it's pretty clear these cartoons were aimed at little kids, and as straightforward Superman adventures, they do the trick.  And, as its more likely kids will come to Superman via cartoons than comics, it's not a bad first exposure.  If the kids can make heads or tails of 1960's technology and fashion.*

And, I like the theme song. It's jazzy!

Here's the pilot cartoon in its entirety.



I also watched a few episodes of Season 2 of The Adventures of Superman (live action, black & white, Noel Neill as Lois), including the famous episode Panic in the Sky.