Friday, January 20, 2017

Today.


and for as long as it takes

Bond Watch: GoldenEye (1995)



If the idea of ending the Timothy Dalton experiment was to shore up the Bond franchise again, one can certainly make an argument that it worked.  This was the Bond film that brought in Pierce Brosnan as Bond, got Martin Campbell in as a director, and more than anything else that would point toward what a modern Bond could be in tone - casting Dame Judy Dench as M.

I'm a little bit convinced that the rethinking that led to Casino Royale may well have come from what M reveals about Bond to his face in her brief appearance in the film.  In a movie of very good moments, for a wide variety of reasons, Dench's scenes are the most grounded and somehow still the most engaging, and it's also the best Brosnan himself is at any point in the movie - and he's rather good throughout.

GoldenEye arrived in 1995 as The Age of the Blockbuster took a leap forward, and Bond was no longer to be an option on the marquee.  Now, we all had to go see Brosnan, whom every American had pegged for the heir to the Bond throne from his first appearances on Remington Steele.

Thursday, January 19, 2017

Miguel Ferrer Merges With The Infinite



We all have actors we may not seek out, necessarily, but it's a huge bonus when they show up in anything.  Indeed, they make whatever they appear in at least five times better.

Since my mom dropped me off (way too young) to go see RoboCop, I've been a fan of actor Miguel Ferrer.  I didn't know his actual name until college, he was "that guy from RoboCop, yeah, Bob Morton", but in the years since, and since Jamie has been around since college, she's heard the phrase "oh, hell, yeah.  Miguel Ferrer" on innumerable occasions whenever I realize he is in a movie we're considering watching or his name pops up in the credits.

Fortunately for me, far as I know, Jamie shares my appreciation for Miguel Ferrer.

His mother and father (Rosemary Clooney and Jose Ferrer) were extraordinarily famous in their era, and not too many children of power couples manage to reach the levels of success Miguel Ferrer achieved.  Or, you know, the place in the hearts of cinephiles and genre-geeks.

I straight up think he's a terrific actor, and while he wasn't often the leading man, he was a force on screen.  I can only imagine what he was like in life.

Unfortunately, it seems Miguel Ferrer passed today after a battle with cancer.  I had no idea he was ill, and I'm deeply sorry for his friends and family.  He went far too soon.

Let's enjoy him as Bob Morton together, shall we?


Wednesday, January 18, 2017

Moulton "Pete" Marston Merges With The Infinite




You likely haven't heard of Pete Marston.  He was the son of William Moulton Marston - aka: Charles Moulton - aka: the creator of Wonder Woman.  Pete passed away today at the age of 87.  He didn't have any professional association with DC Comics or Wonder Woman, but he did have a strong affection for the Amazing Amazon.

I am mostly aware of Mr. Marston through the website The Wonder Woman Network, which featured an extensive photogallery of Pete's private museum and a lot of pictures of visitors from all over, including Ms. Lynda Carter.

If I ever wanted to feel like my Wonder Woman collection was a reasonable size, I could always visit The Wonder Woman Network page.  Also, Mr. Marston looked so cheery in his picture with Ms. Carter.

While I am very sorry to hear Mr. Marston has passed, I salute him for (a) having an astoundingly great WW collection, and (b) carrying the torch for his parents' legacy, as both are known to have contributed to the character and her mythos.  I'm glad he knew Wonder Woman was still beloved as much (or more) in 2017 as any other time.

I just wish he'd been able to see the Wonder Woman movie coming soon.

For a quick gallery of pictures of his collection, click here.

Monday, January 16, 2017

Astronaut Eugene Cernan Merges With The Infinite


Eugene "Gene" Cernan has passed at the age of 82.

His early career included time as a Naval Aviator, and he earned degrees as an undergraduate from Purdue and a Masters in Aeronautical Engineering from the Naval Postgraduate School.

An astronaut of the Gemini and Apollo era, Cernan was pilot of Apollo 10 and Commander of Apollo 17.  As was widely remarked in the press today, Cernan was the last human to have stepped foot on the lunar surface.

Cernan also pulled the "Snoopy" landing module out of a deadly spin during the Apollo 10 descent - which was never intended to land, just see how all that would work on Apollo 11 when someone finally did touch down.

Somehow Cernan's name has been better known than many other astronauts, at least in my mind, and that may be due to his continuing participation and advocacy for the space program and his frequent appearances on television.

Buddy JuanD has alerted me to a documentary about Cernan, Last Man on the Moon, which we hope to watch very soon.

Here's to an American hero.

Trek Watch: Star Trek III - The Search For Spock (1984)



Star Trek III: The Search For Spock (1984) was the second Trek movie I saw, the first being Star Trek: The Motion Picture.  I expect we saw it in 1985 as we watched it on television - either VHS or on cable, so I would have already been very familiar with the cast of characters by this point as 1984 was the year I discovered Trek reruns on our local UHF channel, KBVO.

I liked the movie then, and I was delighted to find I thoroughly enjoyed it all over again.  Frankly, it's been forever since I'd seen this movie despite the fact it came with the Star Trek BluRay set Jamie gave me a few years ago for Christmas, and I didn't have particularly great memories of it from the last time I'd seen it, which could have been fifteen years ago.  At the time, I mostly just relished Christopher Lloyd as a Klingon ship's captain who is not so clever as he believes and is simply outclassed by Kirk and Co.

But there's a lot to recommend The Search for Spock.  It's a movie that does a fine job of raising stakes, having some fairly dark implications, but is eternally, against all odds, optimistic as our heroes fight bureaucracy, Klingons and the forces of nature for the sake of a friend.  And you can't get better than that.

Sunday, January 15, 2017

Superman Gets a New Suit - State of the Comics with "Rebirth" and heading to "Reborn"


The past, oh, six years of reading Superman comics has not been the easiest of rides, and I'm not sure DC Comics is making any of this any easier to deal with in the long-run with the current convoluted decisions.  But, for the moment, I am very much enjoying both Superman and Action Comics as much or more than I have enjoyed the monthlies at any point since I became a regular reader (which is later in life than you'd think, but creeping up on twenty years now).

CanadianSimon hit me up to point me to an article featuring the new look for Superman that's coming soon in the comics.  Rather than overload his email with responses, he's getting a blog post as I think a bit about the past few years and DC's many attempts to land on a new suit.

Saturday, January 14, 2017

Musical Watch: Pennies From Heaven (1981)




It's literally impossible to imagine this movie getting made in the last ten years.  A studio film that's a musical wherein the leads are actually lip-synching to mostly tin pan alley versions of 1930's era songs, and, by the way, it's more or less a depressing late-1970's story that maybe is deconstructing the conventions of the movie musical.  Cheerfully titled Pennies From Heaven (1981) and starring the lovable duo from The Jerk, Steve Martin and Bernadette Peters.

We wanted to see it as The Alamo Drafthouse had included clips in the La La Land pre-show as a modern musical we might not have seen.  And I was curious why I had heard of the movie, but it's not discussed much and I don't recall anyone ever telling me to check it out.

I think if I'd been clued into any of this before the movie, I might have enjoyed it more than I did.  But I spent the first thirty minutes trying to figure out what I was even looking at, and then adjusting to what they were doing.

Tuesday, January 10, 2017

The 2016 Kryptos - Television

way more effort went into this graphic than I want to admit

2016.  It seems so far away now.  Heck, Christmas was, like, two years ago at this point.  But let us remember that all too vital part of all of our lives - TELEVISION.

Oh, you don't own a television?  You haven't had cable in ten years?  Well, la di dah, mister fancy pants.  Some of us stay in touch with the people.

Between cable, internet streaming options and sports, it was certainly a year in which I watched a metric ton of TV.  You couldn't not be told you had to watch this show or that show by your friends or co-workers.  And some of them you didn't try, some of them you watched and didn't like and just prayed they'd never ask about whether you'd tried it or not, and some of it was maybe not the best thing but you still tuned in.  And some of it you set your schedule around watching.

Here's a quick rundown of some of what we watched:

Sunday, January 8, 2017

NASA Watch: Hidden Figures (2016)


I'd only become aware of the existence of Katherine Johnson and the "computers" at NASA in the early days of the US side of the space-race within the last four or five years.  The internet is pretty terrific when it comes to sharing the sort of information that used to get buried in footnotes or left out of the common narratives shared of our history.

I was pleased to find out that our noon-time showing of the movie on a Sunday was sold-out, so at least the folks in my neck of the woods seem interested in hearing what the movie had to say.  You never really know how a docu-drama is going to play, but it was interesting how many families had come out to see the movie.  And, honestly, it's a good one for the kids to see.

The movie follows the stories of three women who were pioneers in a world that was breaking boundaries as mankind sought to escape the bonds of earth and reach space.  And, while no doubt how the realities are framed will be debated, the overriding drama of the film is how these women pushed back against the racism and cultural norms of 1960's America that very much could have stood in their way.