The Space Jam Fallacy: Is The Movie You Like From Your Childhood Actually... Bad?

For a few years, we ran a podcast based on this here internet web log.  During that time, I made an observation and had to find a phrase to describe it.  We called it:  The Space Jam Fallacy.

The Space Jam Fallacy is the misguided belief that an artifact, such as a movie, is of quality because it was a favored piece of media first consumed during one's formative years.  However, the movie is technically, narratively, and critically, actually, bad.    

As a person who is now fifty, I've now seen the power of The Space Jam Fallacy in full bloom with Gen-X, then Millennials, and, these days, with Gen-Z.  

Why am I picking on Space Jam, the mid-90's mix of animation and live-action movie about Bugs Bunny and actual basketball superstar Michael Jordan taking on a crew of space aliens seen over by an alien voiced by Dan DeVito in a for-all-the-marbles game of basketball?  Because it is the first movie I was well aware of/ saw at the time of release only to see a younger generation declare it must-see-viewing, when I knew the thing to be, in fact, terrible.

For context:

Cindyana Santangelo Merges With the Infinite

Actor, model and 90's cult icon Cindyana Santangelo passed earlier this year, but I just found out about it via user Flabbergast.

She never reached Hollywood levels of fame in a direct way, but made appearances on television shows and in small parts in movies.  Her relevance here at The Signal Watch is that Santangelo is the subject of what is perennially and by far my most popular post on this site, "Whatever Happened to the Girl in the Stop Sign Shorts?"

We sought her out as the dancer and lip-syncher in the video for Young MC's "Bust a Move" and learned she was also the voice and face at the start of Jane's Addiction's single "Stop".  

Santangelo passed at her Malibu home in March at the age of 58.

In whatever odd parasocial way I was aware of Santangelo, I am very sorry to hear she's passed.  If my site's numbers are any indication, she certainly had her fans, and I hope she knew that.

  

Coppola Watch: The Godfather, Coda - The Death of Michael Corleone/ AKA: The Godfather Part III (1990)

Watched:  08/10/2025

Format:  4K

Viewing:  third or fourth

Director:  Francis Ford Coppola

Released on Christmas Day in 1990, I saw The Godfather Part III (1990) with the men of the Steans Family.  I was 15 and had already seen the other Godfather movies a few times by this point.  Going in, I was aware the new film was not supposed to be up to the levels of the two prior movies, but was still interested. 

It was... fine?  Good, even.  But I didn't love it.  I do recall thinking "this Mary Corleone is super cute" and being aware she was Coppola's own daughter.  

Before the movie was released, the two things discussed most were that Robert Duvall would not be in the movies, and that Sofia Coppola as Mary.  All this, despite a cast starring Pacino, Andy Garcia, Eli Wallach and Talia Shire, a winding script that seemed to be trying to say things about power and those who wield it and where, and some of the best photography of the decade.

The day after seeing the movie, I drove to Austin to visit some friends, who - knowing I was a fan of the first films - proudly held up the tickets they'd bought for a matinee of The Godfather Part III, and so it was, I saw the movie twice in about 24 hours.  

I don't know that I've seen the movie again since.  

Signal Watch Reads: The Godfather

Memory is a tricky thing.  I was positive I'd read Mario Puzo's novel The Godfather back in high school, but since it's been way too many decades since I would have read the book, I decided to pick it up again.  This time I picked it up as an audiobook read by Joe Montegna.  Not a bad choice of readers, right?

Well...  at some point I realized:  I don't think I ever finished the book back in the early 90's.  I'm glad I finally got to it, I've finished it.  All is well.  

I'm assuming that the book was so much like the movie, I kind of didn't see the point and moved on.  And yet, I figured out why I thought I'd made up a scene from the movie in my head because there it was in the book.  So... not exactly a 1:1, but pretty close.  Until...

Once you get to a certain point in the novel, it diverges mostly in how much additional content is there.  Like, Johnny Fontane is a major character, as is Lucy Mancini, and there's a whole storyline in Hollywood and Las Vegas that is interesting but was easily cut out to keep the movie focused on Don Vito and Michael's more compelling stories.  The reason the Fontane stuff is there seems to be two-fold.  (1) It's a reminder of the Don's far-seeing view and his ability to manage and manipulate things with a single move, and (2) pretty clearly Puzo was no fan of Hollywood and he wanted to do it dirt.  

Weird Al Watch: UHF (1989)

Watched:  08/08/2025

Format:  DVD

Viewing:  Unknown

Director:  Jay Levey

I was walking through Walmart and passed the $5 DVD bin and saw UHF (1989) sitting in the pile, and realized I didn't have a copy of the movie.  

I've already written this movie up twice before, so no need to do it again.  But it is a delight.  I may be suffering from some Space Jam Fallacy here, and I am pretty sure most of the jokes would make no sense to anyone under 40, but what the hell... there are things in this movie that I genuinely love, and I wish Al and Co. had made ten more movies.  

Also, how funny is it that Fran Drescher is in this in a supporting bit like 4 years before she launched one of the biggest shows of the 90's?