McSteans Guest Post! Holiday Watch: The Knight Before Christmas (2019)

Watched:  12/1/2019
Format:  Netlfix
Viewing:  First
Decade:  2010's

Jamie came out of right field and asked if I wanted to live-blog a Netflix Christmas movie with she and her pal, Angel.  Well, of course I did, it looked terrible.  But I figured this whole deal was more Jamie's thing than your usual Signal Watch programming, so she should also write up the movie.  So, without further ado...
                                                                                                                - your host, Ryan


Last weekend, to kick off the holidays, Ryan and I (mostly Ryan) Christmassed up the house and then capped it off with a viewing of the Netflix Hallmark-style movie, The Knight Before Christmas (2019). Joined by my overseas friend Angel (hi, Angel!), we took to Twitter and made it a three person live-blogging extravaganza.

Woof. I don’t know that my expectations for this film were sky high, but I was honestly disappointed in Netflix. I’ve seen some decent original content there recently, and they’re not bad with romantic comedies. With the Hallmark channel turning into a holiday movie factory churning out cookie cutter romantic fluff, I felt that Netflix should be able to take a slightly higher concept plot, more money and talent, and produce something at least slightly entertaining. Silly me. It felt exactly like they took a discarded Hallmark movie and threw in some time travel to attract attention, then did nothing with it.

Whodunnit Watch: Knives Out (2019)

Watched:  11/29/2019
Format:  Alamo S. Lamar
Viewing:  First
Decade:  2010's

I have a feeling Rian Johnson is going to be, with this movie, one of those directors twitter decides they need to prove they think is overrated.  He hasn't made that many movies, seems pretty lucky to have done what he's been able to do (if you ignore how he scraped to get Brick made), and hasn't ever delivered exactly what people are expecting when they show up at the theater - up to and including The Last Jedi.

Murphy Watch: Dolemite Is My Name (2019)

Watched:  11/24/2019
Format:  Netflix Original
Viewing:  First
Decade:  2010's

Back in college my pal Shoemaker would wait til we were about four drinks in and then I'd turn around he'd have put Dolemite movies on, and so I vaguely remembered them from the heyday of the mid 1990's.  Between being four drinks in, not focusing on the movies and the passage of 2.5 decades, sadly, my memory of the movies was vague at best.

Bad kung-fu, stilted acting and gratuitous nudity were more or less what registered and stuck with me.  And, I never did listen to any Rudy Ray Moore records, just saw images of the covers.  I like blue humor as much as the next guy, I just never made the time.

When I heard Dolemite Is My Name (2019) was coming out, I decided to revisit the original film.  And, if you follow this blog closely, you'll note that there's no post for Dolemite from this year.  Because, honestly, it's a movie you should be watching with other people.  Watching it by yourself just feels kinda weird.  It is a *bad* movie, but it is a fun bad movie that asks to be talked over and discussed as it goes along.    And, yeah, my memories of bad kung-fu, stilted acting and gratuitous nudity were verified.  Way to go, 1990's brain cells!

Disney Watch: Frozen (2013)

Watched:  11/20/2019
Format:  Disney+
Viewing:  Unknown
Decade:  2010's

I was on hiatus with The Signal Watch when I saw Frozen (2013) the first time, so there's no record here of what I thought at the time.  I do regret not having any of my reaction caught, because it was the most I'd loved a new Disney movie since Lion King, and, now, Frozen and Moana are probably my two favorite Disney animated features produced post Walt's passing.

Frozen became a smash in a way even Disney hadn't anticipated, becoming the soundtrack of choice for kids for a two year stint there, with merchandise everywhere, and with BluRays on repeat.  I know it became one of those things that a lot of people turned on, simply burnt out on a thing they'd initially liked.  It got so crazy, I recall Mommy Blogs ranting about how Disney was ruining their lives by way of under-producing Anna and Elsa dolls (btw, not Disney's fault there, moms...  That's a toy company's issue, or a sudden case of supply and demand not meeting.).

Doc Watch: Image Makers - The Adventures of America's Pioneer Cinematographers

Watched:  11/16/2019
Format:  TCM on DVR
Viewing:  First
Decade:  2010's

It's odd how little we talk about cinematography.  Of course we discuss actors and dialog.  FX are a big topic.  We talk about soundtracks and directors.  When we're feeling like showing some insidery-type knowledge about film, we'll talk editors.  But I'm not sure we always notice the names of the people who actually sit behind the camera, working out the actual look of a movie, which, as we're not listening to radio or watching a play, seems kinda key.

From composition to placement to depth of focus to lighting to movement of perspective... and probably 9 or 10 other factors I'm not thinking of, what we see in a movie is defined by someone who thought about every shot (in theory).  Sometimes it draws attention to itself, but more than 95% of the time, when we talk about a movie, we seamlessly discuss story and how we felt, basing it on any of those factors above, but how often do we discuss what the camera did?  Or where it was placed?

Concert Doc Watch: Amazing Grace (2019)

Watched:  11/11/2019
Format:  Netflix
Viewing:  First
Decade:  1970's/ 2010's

If asked to compile a list of the greatest popular American singers of the 20th Century, I'd assume Aretha Franklin would make the top few - if not the number one slot - for much of the US populace.

We lost Franklin in 2018, and it's unclear who can begin to fill her role in the zeitgeist, but maybe it's too soon, and maybe we don't need to.  Maybe she was a singular talent.

Shot in 1972 and unreleased until the last 12 months or so, Amazing Grace (2019) is an attempt by Sydney Pollack to record and capture the experience of Franklin recording a live Gospel album at a church in Los Angeles over the course of two nights.  Backed by a local choir and supported by the Reverend James Cleveland, Franklin takes to the pulpit and - as one would expect - nails every song before her.

Linda and Arnie Watch: Terminator - Dark Fate

Watched:  11/09/2019
Format:  Alamo Slaughter Lane
Viewing:  First
Decade:  2010's

Look, I'm on the record going to the mat for the first two Terminator movies.  And way, way less so for T3 and whatever the Christian Bale one was called.  And I never saw Genisys.  I did like the TV show, The Sarah Connor Chronicles.

Catch-Up Halloween Watch: Get Out (2017)

Watched:  10/19/2019
Format:  Amazon Streaming
Viewing:  First
Decade: 2010's

Look, this is one of the most written about movies of the past decade.  I'm not really sure I have anything new to add.  But I finally saw it, and it was very good.  Frankly, it was exactly what I was expecting from seeing the trailers, and I only was marginally off in two guesses I made while watching the film.  Still, it's an ambitious film and an uncomfortable film, and I can see why Peele is Hollywood's favorite new director. 

Amazon Streaming is including the alternate/ original ending of the film, and, frankly, I think they should have kept that as the final word, but no one is asking me. 

Television Watch: Fleabag - Season 1

Of late, if someone is going to mention a television show to you, it often comes with a wild look in their eye I recall occurring most elsewhere when my glance would occasionally meet that of the Hare Krishnas who used to roam The Drag in the 1990's. 

One does not "enjoy" a show anymore, they area devotee.  They advocate for it.  They seek converts.

So, lately, has it been with Fleabag, the short-seasoned show from England that, as was discussed at my house over the weekend, on paper, does not at all sound like my cup of tea.  Self-immolating, possibly alcoholic and definitely caustic young woman behaves badly, who runs up against the people she loves, and who love her, with poor results.  And does it whilst literally winking at the camera.

I mean, sure, fine, but is there at least a robot she drinks with?  Then we might have something.

Netflix Watch: Between Two Ferns - the Movie (2019)

Watched:  09/22/2019
Format:  Netflix
Viewing:  First
Decade:  2010's

I am well aware that Zach Galifianakis is not a fit to everyone's comedy palette.   I may be one of two people I know who is sad that the FX series Baskets has drawn to a conclusion (and both of those people live in this house), and while I am aware people liked him as a supporting player in The Hangover films, that hasn't necessarily translated into leading-man-comedian status after several mid-budget Hollywood films came and went. 

Not long ago, SimonUK and I were discussing the difference between American comedy and British comedy, and the conversation boiled down to "I think Americans like a trickster underdog who gets it over on a pompous bully, and Brits like a buffoon who has no idea he is his own problem."  Galifianakis's Funny or Die based web-series Between Two Ferns sits somewhere uncomfortably in the middle - Galifianakis playing a version of himself as a local basic cable public access host who somehow lands everyone from Charlize Theron to former (and then sitting) President Barack Obama.  It's punching up comedy - he's deflating any sense of self-importance a Hollywood-type might have - but doing so as a buffoon lacking any notion of the impact of his questions, and - amazingly - he's pretty irritable with his guests. 

The web series makes for a fascinating watch, partly because you can see which Hollywood folk are comfortable enough in their own skin to actually sit through one of the interviews, which can actually deliver some devastating questions (the only direction the guests seem to be given is: deadpan).  Some engage, returning the favor, others simply go blank, and it's always just a long, awkward gag. 

There's something of a story to Between Two Ferns: The Movie (2019) - essentially it posits that Galifiankis is a NC-based public tv host who has been picked up by Funny or Die, and coked-up CEO of FoD, Will Ferrell, sends his Hollywood pals to do the access show as a gag and to drive clicks.  A taping goes horribly wrong, but as the outcome, Ferrell sends Zach and his crew on the road to get 10 new episodes recorded in 2 weeks.  If he makes it, he gets a fancy late night talk show.

As one would assume, the film is more or less a road picture as the crew heads East to West, catching celebrity interviews along the way (Jon Hamm, Benedict Cumberbatch, Brie Larson, etc...), en route to deliver the episodes to Ferrell's desk.  So, if you like rough sketches on the road and the web-interview format of Between Two Ferns, I have some good news for you. 

The supporting cast of Jiavani Linayao, Ryan Gaul and Lauren Lapkus really are pretty hilarious, but so are a lot of the interviewees, whether it's the interview clips or the ostensible documentary footage that we're supposed to be watching.  Special hat tip to Chrissy Tiegen for her part (and, of course, John Legend).  And I hadn't seen Mary Scheer in anything in a decade, but I swear she makes the absolute f'ing most of her 2 minutes of screentime.  holy cats.

I dunno.  I thought it was hilarious, but this is a true Your Mileage May Vary film.  I assume many people do not care at all for Between Two Ferns, in which case... this isn't going to improve that for you.

Catch-Up Watch: Can You Ever Forgive Me? (2018)

Watched:  09/11/2019
Format:  Amazon Streaming
Viewing:  First
Decade:  2010's

I wouldn't say this movie was mismarketed, exactly.  But how reviews I read described it made it sound exceedingly joyless, but interesting.  The premise held enough promise that I planned to get to it eventually, but wasn't in a mad dash to do so.  However, Jamie watched it somewhere along the line when I was off at a breakdance party or whatever I do, and informed me it was very much in my wheelhouse, and, indeed, she was correct.

Can You Ever Forgive Me? (2018) is the true story of Lee Israel, an NYC based writer of bios of celebs of bygone eras (she's working on a Fanny Brice book during the movie's circa 1991 timeframe), which don't really sell, so she tries to hold copy-editing positions, etc...  to pay the bills.  But as a caustic, misanthropic drunk, turns out holding a job can be tough. 

She becomes re-acquainted with a down-on-his luck bon vivant, played by the always-amazing Richard E. Grant (a charming drunk, here), just about the time she has some bills due (cat gets sick), and has to make some money, quick.  Through a series of small discoveries, she learns of the world of memorabilia and letter collectors, and begins forging letters supposedly penned by luminaries long since passed, including everyone from Noel Coward to Louise Brooks. 

Melissa McCarthy stars as Israel, and it's not exactly a revelation to see her this good - I think she's kinda brilliant as a comic actor, so seeing what she can do with a dramatic part was a "well, sure" revelation.  She's always been so specific, with undercurrents and layers of sympathy, pathos, and thoughtfulness, even in goofy stuff like The Heat (which I really enjoy, y'all), doing same but for a dramatic role makes sense.  And, it seems, the work done here by she and Grant earned them both Oscar nods.*

Because the arc of the film is fairly obvious, I'll refrain from spoilers.  Instead, I'll just tip my hat to the actual technical work, character work, and script.  Director Marielle Heller has a sparse directing and acting filmography, but seems to know how to get a performance, and I'm now doubly interested in the A Beautiful Day in the Neighborhood Mr. Rogers biopic coming, as she's the one wearing the puffy director's pants there, too. 

I also quite liked the DP work by Brandon Trost, and almost laughed out loud seeing this is the same DP as the Crank movies, which I'll just let all of us ponder if we think we ever have someone's style nailed down. 

Anyhoo... I'm just recommending this one.  Give it a go.


*which... honestly, we should be expecting movies with these levels of performance in movies all the time, but that's reserved for TV these days.

Kaiju Watch: Godzilla - King of the Monsters (2019)

be careful.  Even under the sea, you can step on a Lego

Watched:  09/04/2019
Format:  Google Fiber Streaming
Viewing:  First
Decade:  2010's

In all fairness, at least two of you people warned me.

I didn't care much for 2014's Godzilla, the first in the series to relaunch Big-G from an American studio, leaping from Toho Studios to WB/ Legendary.  It didn't help that the movie was pitched as a Bryan Cranston vehicle at the height of Breaking Bad's popularity, and then removed him from the story about 1/3rd of the way in leaving us with an uninspired story about two characters who never were much beyond their wardrobe of "soldier" and "nurse".  We got Ken Watanabe in practically a walk-on role and Sally Hawkins as his sorta side-kick, but neither was given much to do but stare in awe at screens.

The movie was followed by Kong: Skull Island (2017), which I was in the minority as finding kind of boring and relying too much on Toho's take on prior renditions of King Kong rather than the 1933 original, for which I have a deep love.  I didn't find the way it "borrowed" from Apocalypse Now particularly charming or even appropriate.  The movie turned Brie Larson into a talking tank top, and if you asked me what happened in the movie to whom, I couldn't tell you.  Something something MONARCH.  But it also assembled a wild array of A and B list talent including Marvel heroes and villains taking a side-gig.  Ditching the notion that Kong would leave Skull Island in this episode, instead we're stuck with "look how many ways soldiers and scientists can die over the span of 90 minutes", which is a formula I mostly find deadly dull.

PODCAST: "Aquaman" (2018) - Kryptonian Thought-Beast Episode 01 w/ Jamie and Ryan

Watched:  08/29/2019
Format:  HBO Streaming on Amazon
Viewing:  Second
Decade:  2010's

We launch our Kryptonian Thought-Beast series with an (exhausted) examination of our fishy friend's blockbuster cinematic success! And we ask "Why? Why did people like this movie? For it is not a good movie." Join Jamie and I as we discuss the dude-bro who would be king of 3/4ths of the Earth.




Music:
Aquaman Theme - Power Records, Sounds and Stories about the Justice League of America


Kryptonian Thought Beast PodCast Series

Lego Watch: Lego Movie 2 - The Second Part (2019)

Watched:  08/15/2019
Format:  Amazon Streaming
Viewing:  First
Decade:  2010's

I just checked Box Office Mojo and if you want to weep for humanity, this movie made $190 million and Minions made over a billion dollars.  I think I'm beginning to understand how we reached our current state as a people.

Anyhoo...

If you haven't seen Lego Movie 2: The Second Part (2019), it's now streaming, so now's a second chance. 

With the device revealed at the finale of the first Lego Movie, and a reasonable assumption being that we understand that the adventures of the movie are in part a kid playing with Lego and in part a kid working things out - the movie is able to play a bit more with the premise. 

Super Satire Watch: The Boys (Amazon Prime)

I haven't actually read Garth Ennis's The Boys series.  I read the first trade and always intended to follow up to see where it went from the set-up, but never quite got there.  I'll make up for it now, but it's gonna take some purchasing power, I guess.

Flat out, Garth Ennis is one the three or four best writers in comics, and, on some days, I think he's just "the best".  Some of us stumbled upon him due to his bizarre ability to make gore and violence absolutely hilarious (in the right context) but stayed for the amazing characterization, astounding turns to genuine sympathy for unsympathetic characters, and his ability to grasp humanity and the tragedy and comedy of his characters enough that they feel can feel three-dimensional.  All while existing in profane, graphically violent, sexually frank or ridiculous situations that seems like it would send many-a-comics-twitterer running for some pearls to clutch.

Christmas in July Watch: A Christmas Wish (2016)

Watched:  07/21/2019
Format:  Hallmark Channel's Christmas in July
Viewing: First
Decade:  2010's

I was suffering a fever and whatnot over the weekend, and that's part of why this happened.

Around July 1, The Hallmark Channel began running Christmas movies 24/7, and I guess that's the gameplan through the end of the month.  It's clearly a trial balloon to see if they should just go ahead and launch a fulltime Christmas movies channel, as in - all year it's Christmas.  Which would make Jamie snap, and, thus, I support this idea.

Netflix Watch: Stranger Things Season 3

In some ways I'm amazed I haven't totally turned on this show.  It can be twee, it's a lot too precious in some scenes, and the "look, we're doing the 1980's!" while getting a lot of details wrong should have pushed me over the ledge.*

Sometimes I wish they'd just turn to David Harbour and Winona Ryder and ask "is this actually right?  As someone who was a young person in 1985, is this accurate?"  Because it works *better* for those of us who were around this age when the show is on.  And it is on *a lot*.  But when it's off, it takes you right out.

The horror was more or less abstracted to a general horror-movie sort of problem this season, giving the characters less specific rules-sorting to do, which I support.   At times the visual and filmic references to other things was so heavy handed, though, the show almost folded in on itself.

Still, somehow, the show works.  I still really enjoyed it, and I know why.

Poppins Watch: Mary Poppins Returns (2018)

Watched:  07/13/2019
Format:  BluRay
Viewing: Second
Decade:  2010's

Y'all, I @#$%ing love Mary Poppins. 

I already talked a bit about this movie back in December when we went to go see it as a holiday-timed family outing. 

Honestly, as much as I liked it the first time, on a second viewing, I liked it even more.  Once you're past the "what am I looking at?" aspect of such a big production and get over everything they're throwing at you and can process it as a movie with a story and things happening and songs you're not hearing one after another for the first time and dance sequences you're just trying to process...

Honestly, it's really a very well put together bit of entertainment and a fine companion piece to the original.  And I like it quite a bit. 

Yes, you can still both absolutely map the movie scene for scene as a remake of the original, but it is, in fact, a sequel, so it also has a new plot and new problems and works in elements of the original as plot points, creating some terrific continuity.  I *liked* the songs the first time, and on a second viewing, I really liked the tunes.  They may not have the immediate impact of soft-rock favorites in the manner of Moana or Frozen, and they remain so much in the vein of the Sherman Bros., we aren't going to get a Broadway showstopper akin to Let It Go, but the song-craft is still tremendous and the songs almost as powerful as carrying the story forward as Moana. 

And, of course, Emily Blunt's take on Mary Poppins is...  well, she's pretty great.

Anyway - I won't belabor it.  I rewatched the film, enjoyed it again, and will watch it again in the future.  This movie could have been a trainwreck and dimished the original - instead, the level of attention of detail in recreating the world of a movie from 60 years prior and updating it to a different period is phenomenal.  Not to mention the recreation of Disney's 2D circa 1960 animation house style brought into this new film.  The spirit is so much the same from head to tail on this movie, it's an astounding feat.

And whether it's the Julie Andrews original film or this belated follow-up, I still @#$%ing love Mary Poppins.

Marvel Re-Re-Watch: Captain Marvel (2019)

Watched:  06/28/2019
Format:  BluRay
Viewing:  Third
Decade:  2010's

You'd think I'd have less to say on a third viewing of the movie, but I was genuinely surprised how much more I liked this film on a third viewing.  In many ways, I now think the ad campaign for Captain Marvel and my prior knowledge of the character really got in the way of seeing a lot of what the movie does in bringing us along on Carol's journey - frankly, showing the destruction of the Kree ships in the trailer was crazy and shouldn't have happened.

And while I liked and appreciated the messages the movie makes regarding Carol coming into her own and pushing out the voices of those who would contain and control her - this time I also got a much better feel for the step-by-step journey to Carol's always intact sense of justice and the slow transformation to trusting herself as she learns what sort of people/ aliens she should be trusting.

I've made comment before that it's super-fun to have a Superman-level hero in the Marvel movies, it's also a joy to have someone who reflects the core of what's made Superman stand out since the inception of the character: someone with the moral centering to do the right thing who has the power to act on it without compromise or fear for their own skin, and who will not use that power for self-gain.

Anyway - fun to rewatch the movie again (and, I am sure, again and again in the future).

PODCAST! "Ant-Man" (2015) - Jamie and Ryan's Avengers Countdown

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Watched:  06/14/2019
Format:  Amazon Streaming
Viewing:  4th
Decade:  2010's

Jamie and Ryan get small with a hero of dynamic proportions. It's "Ant-Man" (2015), Marvel's post "Avengers: Ultron" tone reset. Part heist, part retro-sci-fi, part superhero - it's the Gen-X superhero with a whole lot of supporting cast and the best van in superherodom.




Music
Plain Song - The Cure, Disintegration


Avengers Chronological Countdown Playlist