Showing posts with label Disney. Show all posts
Showing posts with label Disney. Show all posts

Tuesday, October 6, 2020

Disney Attempt-at-Spooky Watch: The Adventures of Ichabod and Mr. Toad (1949)


 

Watched:  10/04/2020
Format: Disney+
Viewing:  I'm calling it a first for the whole movie
Decade:  1940's
Director:  James Algar, Clyde Geronimi, Jack Kenney

So, we were hunting around for something spooky to watch on Disney+, and I saw they had The Adventures of Ichabod and Mr. Toad (1949).  I'd never seen the movie in its entirety.  If I ever saw the Wind in the Willows bit that makes up the first half, I don't recall it at all.   

However, the Ichabod Crane part based on Washington Irving's Sleepy Hollow is for good reasons, a Halloween staple.  And, I've seen it a dozen times or so before.  

Taken as a whole, this movie is very weird and unnecessary.  It's clearly two stories that have nothing to do with each other slapped together with a wildly awkward framing device of a library of real books and voice over by, first, Basil Rathbone and then Bing Crosby, which tells me something about how much the left hand and right were talking to each other as this came together.  

As a kid, my first real exposure to Mr. Toad was via the Disney World attraction, Mr. Toad's Wild Ride, which was - I ain't gonna lie - super f'ing fun. My memory was that the ride was chaotic and goofy as hell.  And I understood it was based on a fancy toad who got his hands on a car.  

Well, the movie version is... kind of annoying.  I don't really have another word for it.  Unlike most Disney, there's no character development, and Toad just seems like a problem for everyone around him.  Like, that one friend who is now on drugs and you're all supposed to make sure he doesn't harm themself or anyone else.  The animation is pretty good, and it gave us the weasels that pop up in Roger Rabbit, but...  yeah.  This is the rare Disney animation that I just have no affection for - but weirdly like the ride.

And Ichabod itself is also strangely... boring.  And there's no one to actually like.  But, when you do get to the actual Sleepy Hollow scene, it's amazing work.  But 5 minutes or so is not enough to carry a whole movie.

What I guess is that Walt, post-WWII, was just not all that into the animation studio stuff anymore, and you can feel his hand off the wheel in the storytelling department - something that would plague them til Little Mermaid.  It's not horrible stuff, but it feels like someone let the animators just animate whatever they felt like rather than working toward a cohesive story, for two whole stories.  

But, again, that Headless Horseman.


Wednesday, September 16, 2020

PODCAST: "Fantasia" (1940) and "Fantasia 2000" (1999) - a Disney History PodCast w/ NathanC and Ryan

 


Watched:  Fantasia 09/08 and Fantasia 2000 09/10/20
Format:  Disney +
Viewing:  Unknown/ Fourth
Decade:  1940's and 1990's
Director:  multiple on each


More places to listen 

When does animation become become more than popular entertainment? What are the boundaries of art that separate Beethoven and cartoon alligators? What is high-brow entertainment and funny business for the whole family? Walt Disney had a vision to elevate the form of animation and create an entirely new experience. Today, we know the result as "Fantasia", which returned in 1999 with a sequel of sorts in "Fantasia 2000". NathanC and Ryan return to talk all about a pair of Disney classics! 

Toccata and Fugue in D Minor - J.S. Bach
Ave Maria - Franz Schubert

Nathan's Fantasia buddies:


Ryan's Fantasia (and assorted Disney) pals:




Disney History Playlist:



Tuesday, August 11, 2020

Doc Watch: Howard (2018)



Watched:  08/10/2020
Format:  Disney+
Viewing:  First
Decade:  2010's
Director:  Don Hahn

Let me start by saying: in a lot of ways Disney+ is much better than I ever expected.  I've enjoyed the Disney "from the vaults" content, catching new material, behind the scenes at parks, movies, etc... with One Day at Disney and two series - one on the making of The Mandalorian and an exceptional doc series on the making of Frozen 2

And, of course, then the release of Hamilton.  I haven't watched Black is King yet, but that's a pretty big line in the sand for the Disney brand to put out on their flagship, no-doubt-this-is-Disney streaming service when Disney has usually just avoided anything that invites cultural critique.*

But Disney+ putting a doc about Howard Ashman, a gay man who died of complications from AIDs at the height of the epidemic, and being honest and open about his sexuality and struggle with the disease, is... kind of mind-blowing.  There's something about the platform of their own streaming service and that you've already paid your money to have it that seems to have freed up the Disney Corp to tell some stories well worth telling I don't know we'd see if they didn't have this avenue.

The doc, itself, is the life story of Howard Ashman who - paired with Alan Menken - wrote the musical numbers for Little Mermaid, Beauty and the Beast and Aladdin.  He also wrote and originally produced Little Shop of Horrors - which was his big breakout hit off-Broadway. 

It's really a pretty great story, well told, and has the heart-breaking knowledge of what happened to Ashman in the back of your head.  And, sadly, the fact he was the musical partner of Menken and that he died of AIDS was all I'd known about him until watching the doc. 

I don't want to get into details too much, but as loving as it is, it isn't shy about who Howard Ashman was and doesn't make him into a saint - while illustrating pretty clearly what sort of mind he had that helped push the Disney cartoon back into prestige territory (and why Disney was flailing at the time he showed up).

For fans of animation, musical theater, or Disney-history - well worth the viewing. 




*Disney tends to get lambasted no matter what they do, and I've stood there and listened to lines of people parrot back the criticisms of Aladdin, Lion King and Little Mermaid during 3 summers at The Disney Store.  I would invariably listen and then say "well, I make $4.50 an hour working here and while I'll tell my manager...  really, your best bet is writing the studio in California."



Monday, April 6, 2020

Disney Watch: Timmy Failure - Mistakes Were Made (2020)




Watched:  04/04/2020
Viewing:  First
Format:  Disney+
Decade:  2020's
Director: Tom McCarthy


My guess is that you're sleeping on Timmy Failure: Mistakes Were Made (2020).  This would be a mistake.  This will be one of the finest movies you could watch this year.

Monday, March 16, 2020

Lockdown Watch: Frozen 2 (2019)


Watched:  03/16/2020
Format:  BluRay
Viewing:  third
Decade:  2010's

One of my favorites from last year, I went ahead and picked this up on BluRay.

And, you know what, I think I continue to like this movie more every time I watch it.

Frozen 2 is a funny thing to like as a near 45 year old dude.  I'm used to picking up an action figure or whatnot when I like an Avengers movie.  Heck, I have an Ant-Man and The Wasp t-shirt.  But, you know, as much as I don't care what cashiers think when I'm buying my usual dumb stuff, there's not much Frozen 2 stuff I thought would make sense for *me*.  So, I bought the BluRay.  And the extras are really excellent.  So, heads-up if you have a chance to watch them.  It's fascinating to see how story is developed at Disney these days.

But do feel free to point me at Frozen II plastic stuff I can own that is not, like, an Elsa wig or 12" doll.

Anyway, refer to my last write-up on this.

And, frankly, I find this scene amazing.





Friday, January 3, 2020

Dog Watch: Togo (2019)


Watched:  01/03/2020
Format:  Disney+
Viewing:  First
Decade:  2010's

Disney Watch: Frozen II (2019)



Watched:  12/30/2019
Format:  Alamo Slaughter Lane
Viewing:  Second
Decade:  2010's

Not to be overly dramatic, but after seeing Frozen II (2019) the first time, I knew I'd need to watch it again before I'd do my usual posting.

The reviews were kind of lukewarm, so going in, I had my expectations set for "it'll be okay", and so... when the movie ended and I was having all the reactions I deeply *want* to have after seeing a movie, I'll admit that I kinda-sorta didn't trust my own reaction and figured it would fade after a day of thinking about (or forgetting about) the movie. 

Monday, December 30, 2019

Disney Watch: Tangled (2010)



Watched:  12/29/2019
Format:  Disney+
Viewing:  Second
Decade:  2010

I don't know that I need to write up Tangled (2010).  But here's what I think:

This movie is a letter of permission for some young women to realize that maybe their relationship with their parents is kinda toxic.

By that I do not mean that all young women have a toxic relationship with their moms, but dang... there is a reason that this movie ends with a young woman cutting off her girlish long locks as she severs her relationship with the woman who has been gaslighting her and filling her head with bad ideas for her entire life.  And I think we've all sorta known that young woman who went to college, realized maybe the world was not the place she'd been taught, and wound up shaving their head by second semester. 

There is some phenomenal character animation in this movie in the classic Disney tradition - I mean, Maximus is a frikkin' delight - and I really enjoy the number by all the tough-guys singing about their dreams.  The new stuff was in the effects - sure - but the movement and camera work in the movie is kinda breathtaking when you watch Rapunzel zipping around like Spider-Man on her own hair.  They really make the space inside the tower work, as well as in the construction-site sequence.

But, yeah, this movie is going to hold up for a very, very long time as it works with timeless themes, for both Rapunzel and Flynn, and the animation may look marginally dated by Frozen II standards, but I'll argue the Disney styling will keep it fresh for decades. 


Sunday, November 24, 2019

Disney Watch: Frozen 2 (2019)


Watched:  11/23/2019
Format:  Alamo Slaughter Lane
Viewing:  First
Decade:  2010's

I liked it a great deal.

Friday, November 22, 2019

Disney Watch: Frozen (2013)



Watched:  11/20/2019
Format:  Disney+
Viewing:  Unknown
Decade:  2010's

I was on hiatus with The Signal Watch when I saw Frozen (2013) the first time, so there's no record here of what I thought at the time.  I do regret not having any of my reaction caught, because it was the most I'd loved a new Disney movie since Lion King, and, now, Frozen and Moana are probably my two favorite Disney animated features produced post Walt's passing.

Frozen became a smash in a way even Disney hadn't anticipated, becoming the soundtrack of choice for kids for a two year stint there, with merchandise everywhere, and with BluRays on repeat.  I know it became one of those things that a lot of people turned on, simply burnt out on a thing they'd initially liked.  It got so crazy, I recall Mommy Blogs ranting about how Disney was ruining their lives by way of under-producing Anna and Elsa dolls (btw, not Disney's fault there, moms...  That's a toy company's issue, or a sudden case of supply and demand not meeting.).

Thursday, November 7, 2019

WTF was that? Watch: The Little Mermaid - Live!



Watched:  11/06/2019
Format:  TV broadcast on ABC
Viewing:  First
Decade:  2010's

This "show" was some rough going, and I hope it's not how anyone would introduce their child to The Little Mermaid, stage musicals or entertainment in general.

In honor of the 30th Anniversary of the animated The Little Mermaid, Disney, for reasons that remain totally unclear, decided to show the original The Little Mermaid, but when the movie reached the musical numbers, cut over to actors performing the numbers on a stage in front of their big movie screen.

Look, I've seen The Little Mermaid maybe twice and neither of those times occurred in the past 20 years.  As with about 1 in 2 Disney movies, I just don't really click to the movie about a young, dumb mermaid in love with a guy she only met when he was wet and unconscious.  I skipped TLM at the theater because I thought it was for very young children, and missed the memo that this movie the thing to tell people Disney was no longer making kinda bad movies.  I finally saw it summer 1992, thought it was better than I expected, but was more into what Disney was doing when I did hit the theater for Beauty and the Beast in '91.

Saturday, July 13, 2019

Poppins Watch: Mary Poppins Returns (2018)



Watched:  07/13/2019
Format:  BluRay
Viewing: Second
Decade:  2010's

Y'all, I @#$%ing love Mary Poppins. 

I already talked a bit about this movie back in December when we went to go see it as a holiday-timed family outing. 

Honestly, as much as I liked it the first time, on a second viewing, I liked it even more.  Once you're past the "what am I looking at?" aspect of such a big production and get over everything they're throwing at you and can process it as a movie with a story and things happening and songs you're not hearing one after another for the first time and dance sequences you're just trying to process...

Honestly, it's really a very well put together bit of entertainment and a fine companion piece to the original.  And I like it quite a bit. 

Yes, you can still both absolutely map the movie scene for scene as a remake of the original, but it is, in fact, a sequel, so it also has a new plot and new problems and works in elements of the original as plot points, creating some terrific continuity.  I *liked* the songs the first time, and on a second viewing, I really liked the tunes.  They may not have the immediate impact of soft-rock favorites in the manner of Moana or Frozen, and they remain so much in the vein of the Sherman Bros., we aren't going to get a Broadway showstopper akin to Let It Go, but the song-craft is still tremendous and the songs almost as powerful as carrying the story forward as Moana

And, of course, Emily Blunt's take on Mary Poppins is...  well, she's pretty great.

Anyway - I won't belabor it.  I rewatched the film, enjoyed it again, and will watch it again in the future.  This movie could have been a trainwreck and dimished the original - instead, the level of attention of detail in recreating the world of a movie from 60 years prior and updating it to a different period is phenomenal.  Not to mention the recreation of Disney's 2D circa 1960 animation house style brought into this new film.  The spirit is so much the same from head to tail on this movie, it's an astounding feat.

And whether it's the Julie Andrews original film or this belated follow-up, I still @#$%ing love Mary Poppins.

Friday, March 1, 2019

Disney Watch: Ralph Breaks the Internet (2018)


Watched:  03/01/2019
Format:  Amazon Streaming
Viewing:  First
Decade:  2010's

No write up.  I'm a bit under the weather, but I really enjoyed it.  And I can't believe Disney went off-script with their own IP to that degree.  A lot of good stuff.  And, of course, Vanellope's song - just brilliant.

Late Edit:  Our own NathanC wrote a great review over at the TPR site, so go check that out.

Thursday, January 31, 2019

Pixar Watch: Incredibles 2 (2018)


Watched:  01/30/2018
Format:  Amazon Streaming
Viewing:  First
Decade:  2010's

It's been forever since The Incredibles came out, and I really wanted to see this one in the theater and just never found the time.

Wednesday, December 26, 2018

Sunday, November 18, 2018

Mickey Mouse Turns 90



Happy birthday, Mickey Mouse!

November 18, 1928 Mickey made his first appearance on the screen at New York's Colony Theatre in the short Steamboat Willie.  The short holds up incredibly well, retains every bit of energy it had nine decades ago and remains just as clever, creative and funny as anything in animation today.

If you've never seen Steamboat Willie, here you go:

Thursday, November 15, 2018

Mary Poppins Watch: Mary Poppins (1964)



Watched:  10/09/2018
Format:  BluRay
Viewing:  Unknown
Decade:  1960's


I @#$%ing love Mary Poppins  (1964), man.  Both the character and the movie.  Like, unironically, unabashedly - there is not one thing I do not like in Mary Poppins.  It is, as they say, practically perfect in every way.  As is Julie Andrews.

Thursday, November 1, 2018

DISNEY HISTORY PODCAST: EPCOT - Experimental Prototype Community of Tomorrow! NathanC and Ryan talk about the park! Yesterday, today and tomorrow!




Walt Disney had a vision for an Experimental Prototype Community of Tomorrow, a city he'd build from scratch with businesses, living spaces, arts, science, universities, etc... And we got an amusement park. NathanC and Ryan delve into the history of EPCOT from concept to execution to today to tomorrow! Are we nostalgic for the future?
 

Music
Here Come the Warm Jets - Brian Eno
Innoventions - Future World - EPCOT park soundtrack
The Universe of Energy - EPCOT park soundtrack
Promise - Leaving EPCOT song - EPCOT park soundtrack
On Some Faraway Beach - Brian Eno


Disney History with NathanC

Wednesday, August 29, 2018

PODCAST! DISNEY WATCH! The Black Cauldron (1985)


Watched:  08/19/2018
Format:  DVD from San Antonio Public Library
Viewing:  First
Decade:  1980's


NathanC returns to discuss Disney in the 1980's! Ryan is kinda sick and grumpy! We talk Disney's 1985 misfire that "almost took down the studio". It's high fantasy adventure for the kiddies, but Disney's first foray into PG territory, all while Disney underwent corporate reshuffling!




Get your audio episodes at: