Doc Watch: Fyre Fraud (2019) - the other "Fyre Festival Fiasco" post mortem doc

Watched:  01/22/2019
Format:  Hulu streaming
Viewing:  First
Decade:  2010's

This post will make no sense unless you go back and read my post from yesterday on Fyre: The Greatest Party That Never Happened (2019) , the other documentary about this same subject that was released on Netflix earlier this month.  So, please do go and read it, because I'd prefer not to rehash a lot of what was covered in that post.

After my initial post and exasperation with the Netflix doc and spending most of the post leveling suspicion at the motives of the doc makers, Paul dropped a note to me saying "hey, I think people who are involved with Fyre Fest were involved in producing that doc", which... indeed they were.  Which confirmed all my worst suspicions and made me hate everyone involved even more, but at least made me feel less paranoid and crazy.

Doc Watch: They Shall Not Grow Old (2018)

Watched:  01/21/2019
Format:  Fathom Events at Arbor Cinema
Viewing:  First
Decade:  2010s

It's fascinating to see Peter Jackson turn his eye for detail and technical achievement to the discipline of documentary film-making.  In many ways, They Shall Not Grow Old (2018) could herald a new era of popular documentary as important as the narrative innovations of Ken Burns, which have become the de facto mode for serious historical documentary for those of us who watch PBS.  Frankly, from an historical/ accuracy perspective, I have a *lot* of quibbles with Jackson's approach - but we'll get to that after praising his achievements.

Doc Watch: Fyre - the Greatest Party That Never Happened (2019)

Watched:  01/21/2019
Format:  Netflix
Viewing:  First
Decade:  2010's

(late edit: shortly after posting my initial, pretty visceral reaction to the doc, I got some new info that will show up later in the post.  It's always nice to feel less crazy.  And certainly learning what I did colors and informs literally everything about the doc.  Basically - it may be somewhat true, but it's also deeply skewed and can't be seen as having any journalistic integrity.

While I recommend reading this post first - and watching the Netflix doc first - the post on the Hulu Doc is here.)

I'm no commie, but few things leave me wanting to declare "let's just eat the rich" like the film I just finished.  And not just the subject matter they covered, but the way in which the filmmakers themselves covered it.

The lack of ability to reflect and look at the *source* of the issues around the notorious Fyre Festival is probably the weirdest part of watching Fyre: The Greatest Party That Never Happened (2019), the Netflix documentary that's been grabbing headlines.

At the end of the day, I'm just left thinking:

MST3K Watch: Lords of the Deep (1989)

Watched:  01/18/2019
Format:  MST3K on Netflix
Viewing:  First
Decade:  1980's

A mash-up of The Abyss and every space station movie you've ever seen, with terrible acting, hilariously bad lighting and direction, set-design right out of a high school play and your two leads played by "that guy" from 1970's television and Felix's wife who gets killed early on in License to Kill.  And some adorably bad puppets.

The courage it took to make this on the heels of The Abyss is just... man...

Noir Watch: Lured (1947)

Watched:  01/17/2019
Format:  Noir Alley on TCM on DVR
Viewing:  First
Decade:  1940s

Anything with Lucille Ball pre-I Love Lucy is a weird watch.

I do not know what to do with Sexy Lucy.

PODCAST! "Valerie and Her Week of Wonders" (1970) - It's a "New to me" extravaganza with AmyC and Ryan

Watched:  01/06/2019
Format:  Amazon Streaming
Viewing:  First
Decade:  1970
Country of Origin:  Czechoslovakia

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We welcome you to join Ryan as he bears witness to a "new to him" movie as Amy brings a 1970 film from former Eastern bloc nation, Czechoslovakia! A meditation and tone poem on the transition from girlhood to womanhood - forces internal and external, allegorical and real, secular and religious. Vampires, live human bonfires, magical earrings and a polecat.

This movie has everything.





Music:
The Magic Yard - Luboš Fišer, Valerie and Her Week of Wonders OST


AmyC Cinema Select Series

Catching Up Watch: Ocean's 8 (2018)

Watched:  01/11/2019
Format:  Airplane
Viewing:  first
Decade: 2010

I dunno, guys.

Catching-Up Watch: BlackkKlansman (2018)

Watched:  01/08/2018
Format:  Airplane screen
Viewing  First
Decade:  2010's

Popstar: Never Stop Never Stopping (2016)

Watched:  01/05/2019
Format:  cable on DVR
viewing: first
decade:  2010's

A lot of this movie worked for me for what it was.  I suspect the less than amazing box office (a total domestic take of $9.6 million - no international numbers reported) for the movie may be attributed to the oddball place it found itself in, demographically.  Had this movie arrived in the early 00's, I think it would have been a $60 million or more earner, but the approach hails from the 90's and 00's - where the structure is utterly predictable, it's far more about what the movie hangs on that skeleton via gags and jokes.  The stars of the film and pop scene isn't really the focus of Gen-X'ers, and, to be kind, the view of Millennials re: pop music seems to be a hearty embrace, free from irony and with a big thumbs up to being marketed to.

But, yeah, if you're into Andy Samberg's brand of humor, this is that. For 90 minutes.  And there are so, so many cameos, many of which are almost funnier just based on the timing of when and how the star appears (hats off to Mariah Carey, in particular).   And, Tim Meadows, as always, the most underutilized, funniest guy in anything. 

This is in no way essential viewing, but Jamie watched it once and said "yeah, it's better than you think", so we watched it.  And, yeah, it did the trick for a second movie on a Saturday evening (especially after Thor 2).

MST3K Watch: Atlantic Rim (2013)

Watched:  01/03/2019
Format:  MST3K on Netflix
Viewing: first
Decade:  2010's

It's not often you see a movie and you think "this isn't a patch on Robot Jox".   Made for... someone? by The Asylum - which raises the question about the market and outlets for movies like this in 2019.

Yes, this was a quick cash grab by The Asylum to make some coin off the dummies who think Pacific Rim and Atlantic Rim (2013) must be related, and probably honestly can't tell the different between the two, anyway.  I do wonder what has to happen to you along the way to decide this is going to be what you do for money, but I also don't blame them.

In closing: I am pretty sure they made the movie up as they went along and the cast was drunk through 40-60% of the movie, and I'm not kidding.  Our lead seems pickled a huge amount of this movie.

Musical Watch: Call Me Madam (1953)

Watched:  12/30/2018

Format:  disc

viewing:  first
decade:  1950's

When we were kids Ethel Merman was still part of the popular consciousness, but I'm not sure what folks my parents' age thought of her (I can pretty much guarantee my dad found her annoying).  Merman was a Broadway performer with a brassy voice and who had a sort of streetwise persona paired with a self-deprecating wit.  I think. 

Call Me Madam (1953) was originally a Broadway show with music by Irving Berlin and starring Merman, apparently a Tony Award-winning show.  I only listened to about five minutes of the commentary, but the narrator was quick to leap on the notion "look, this was based on stuff everyone in 1953 would have just known from the news, but hasn't really remained in the zeitgeist".  Despite the fairytale-like story, apparently Call Me Madam is loosely based on a real person and events. 

Action Watch: The Raid (2011)

Watched:  12/30/2018
Format:  DVD
Viewing: First
Decade:  2010's

Catching Up Watch: Boyhood (2014)

Watched:  12/30/2018
Format:  Netflix
Viewing:  First
Decade:  2010's

I missed Boyhood (2014) during its theatrical release, and it's basically taken me this long to slog through the gushing, near-manic insistence folks had that I HAD to see this movie.*  I'm okay with some of Linklater's output, but aside from Slacker, haven't ever really responded to it the way you're supposed to.  Especially as an Austinite of a certain generation. 

Noir Watch: The Hunted (1948)

Watched:  12/28/2018
Format:  Noir Alley on TCM
Viewing:  First
Decade:  1940's

RiffTrax-Watch: Ready Player One (2018)

Watched:  12/25/2018
Format:  Rifftrax
Viewing: First
Decade:  2010's

I am not a gamer.  The only console I own is one of those 2600 emulator boxes and it hasn't been out of the closet in a year.  I get that people spend a lot of time on video games, and that I have no stones to throw about people wasting their time and money on non-real-things.  I write on a blog that needlessly analyzes movies and occasionally comics and talks a lot about comic-based movies.  Take all of the below with the necessary grain of salt.

RiffTrax-Watch: Santa's Summer House (2012)

Watched:  12/23/2018
Format:  Rifftrax
Viewing:  First
Decade:  2010's

Finally, a movie that raises infinitely more questions than it answers.

Let's start with foundational queries (that we will never answer):

What is this?  Why does it exist?  Who is this for?  How did it happen?

Poppins Watch: Mary Poppins Returns (2018)

Watched: 12/23/2018
Format:  Alamo Slaughter Lane
Viewing:  First
Decade:  2010's

Marvel Watch: Spider-Man - Into the Spider-Verse (2018)

Watched:  12/15/2018
Format:  Alamo Drafthouse South
Viewing:  First
Decade:  2010's

Noir Watch: "The Naked City" (1948)

Watched: 12/15/2018
Format: TCM on DVR (from Criterion, natch)
Viewing: first
Decade: 1940's

"There are 8 million stories in the Naked City.  This has been one of them." is probably a line you've heard used somewhere - maybe not from this movie, exactly, but from the television show loosely based on this movie that was a sort of crime-anthology series that started off in the late 1950's, aping the style of police procedural that The Naked City (1948) may not have originated, but it did get down to a T. 

Doc Watch: "Hal" (2018)

Watched:  12/12/2018
Format:  Amazon Streaming
Viewing:  First
Decade:  2010's

Hal (2018) is a documentary about prominent 1970's film director Hal Ashby, best known these days for, probably Harold and Maude, The Last Detail, Coming Home and Being There.