Murphy Watch: Dolemite Is My Name (2019)

Watched:  11/24/2019
Format:  Netflix Original
Viewing:  First
Decade:  2010's

Back in college my pal Shoemaker would wait til we were about four drinks in and then I'd turn around he'd have put Dolemite movies on, and so I vaguely remembered them from the heyday of the mid 1990's.  Between being four drinks in, not focusing on the movies and the passage of 2.5 decades, sadly, my memory of the movies was vague at best.

Bad kung-fu, stilted acting and gratuitous nudity were more or less what registered and stuck with me.  And, I never did listen to any Rudy Ray Moore records, just saw images of the covers.  I like blue humor as much as the next guy, I just never made the time.

When I heard Dolemite Is My Name (2019) was coming out, I decided to revisit the original film.  And, if you follow this blog closely, you'll note that there's no post for Dolemite from this year.  Because, honestly, it's a movie you should be watching with other people.  Watching it by yourself just feels kinda weird.  It is a *bad* movie, but it is a fun bad movie that asks to be talked over and discussed as it goes along.    And, yeah, my memories of bad kung-fu, stilted acting and gratuitous nudity were verified.  Way to go, 1990's brain cells!

Disney Watch: Frozen 2 (2019)

Watched:  11/23/2019
Format:  Alamo Slaughter Lane
Viewing:  First
Decade:  2010's

I liked it a great deal.

Concert Doc Watch: Amazing Grace (2019)

Watched:  11/11/2019
Format:  Netflix
Viewing:  First
Decade:  1970's/ 2010's

If asked to compile a list of the greatest popular American singers of the 20th Century, I'd assume Aretha Franklin would make the top few - if not the number one slot - for much of the US populace.

We lost Franklin in 2018, and it's unclear who can begin to fill her role in the zeitgeist, but maybe it's too soon, and maybe we don't need to.  Maybe she was a singular talent.

Shot in 1972 and unreleased until the last 12 months or so, Amazing Grace (2019) is an attempt by Sydney Pollack to record and capture the experience of Franklin recording a live Gospel album at a church in Los Angeles over the course of two nights.  Backed by a local choir and supported by the Reverend James Cleveland, Franklin takes to the pulpit and - as one would expect - nails every song before her.

Linda and Arnie Watch: Terminator - Dark Fate

Watched:  11/09/2019
Format:  Alamo Slaughter Lane
Viewing:  First
Decade:  2010's

Look, I'm on the record going to the mat for the first two Terminator movies.  And way, way less so for T3 and whatever the Christian Bale one was called.  And I never saw Genisys.  I did like the TV show, The Sarah Connor Chronicles.

PODCAST: Halloween Watch - "The Fog" (1980) and "The Mist" (2007)

Watched:  10/15/2019 and 10/20/2019
Format:  DVD
Viewing:  Second/ First
Decade:  1980's/ 2000's

Things get a little hazy as SimonUK and Ryan take on two spooktacular movies about what happens when the barometer drops, the humidity rises and things go bump in the water vapor. It's our final Halloween movie of 2019! One about ghostly seafaring folks and the other about... I dunno. It's real bad, though.



Music:
The Fog Theme - John Carpenter, The Fog OST
The Host of Seraphim - Dead Can Dance, The Serpent's Egg and The Mist soundtrack

Halloween 2019 Playlist


Halloween 2018 Playlist

Halloween Watch: Creepshow (1982)

Watched:  10/19/2019
Format:  Amazon Streaming
Viewing:  First
Decade:  1980's

No, I'd never seen Creepshow (1982), which, I guess, horror fans find to be a straight up problem.  So, I went ahead and put it on this last weekend while Jamie flew to California to see The Dug.

I like a horror anthology film!  If you're not into what's going on, you just wait til the next segment.  And, honestly, a lot of what folks try to build up as tension in horror but dragging things out in (poorer) horror, I just wish they'd get on with it - so short stories are a great way to go.

Turns out I'd seen all of one segment at some point back in the day on cable (the chapter with Ted Danson and Leslie Nielsen), and parts one or more others.  But I don't think I knew that was + when I watched it back around 1989.

I got not much to say.  It was fun.  I liked the part with the crate monster best, I think.  But it's a highly quotable movie that I'm not sure gets quoted. ("I want my cake!" should be a horror catch phrase.  Is it one?  Is it T-shirt slogan worthy?)

Anyhoo... some terrific make-up effects and some good practical and puppet FX, too.

Noir Watch: The Harder They Fall (1956)

Watched:  10/20/2019
Format:  Noir Alley on TCM on DVR
Viewing:  First
Decade:  1950's

Noir Alley host Eddie Muller knows a thing or three about boxing.  His father (the senior Eddie Muller) was a longtime sports writer for the Examiner, and a prominent boxing reporter.  As he said in talking about this movie - there are movies about boxers and which occur around boxing (Wise's The Set-Up is straight up a great film), but The Harder They Fall (1956) is *about* boxing.  And, hey, bonus, it's a really good movie.

The movie features a dynamite cast of actors pulling from old school and modern traditions, as well as former boxers and players from the boxing world all working from a tight script and with a terrific crew behind the camera.

Catch-Up Halloween Watch: Get Out (2017)

Watched:  10/19/2019
Format:  Amazon Streaming
Viewing:  First
Decade: 2010's

Look, this is one of the most written about movies of the past decade.  I'm not really sure I have anything new to add.  But I finally saw it, and it was very good.  Frankly, it was exactly what I was expecting from seeing the trailers, and I only was marginally off in two guesses I made while watching the film.  Still, it's an ambitious film and an uncomfortable film, and I can see why Peele is Hollywood's favorite new director. 

Amazon Streaming is including the alternate/ original ending of the film, and, frankly, I think they should have kept that as the final word, but no one is asking me. 

Halloween Watch: Night of the Creeps (1986)

Watched:  10/18/2019
Format:  DVD
Viewing:  First
Decade:  1980's (so, so 1980's)

I've been meaning to watch this one for a few years as I've not seen much of the work of Monster Squad director Fred Dekker.  Dekker both wrote and directed Night of the Creeps (1986), and it does feel like part of the lineage of films by the likes of Landis and Joe Dante - a sort of boutique film by horror movie dorks by horror movie dorks.  But it's still broad enough to work even if you don't realize the entire movie is a collection of references frankensteined together to make a narrative.

First - I found this movie to be straight up Rated-R horror movie fun.  And I guess, deep down, if a horror film doesn't have anything in particular to say, or isn't going to be a cinematic tour-de-force, give me a good time at the movies.  Night of the Creeps absolutely delivers.  Aliens.  1950's flashbacks with "the escaped axe murderer" trope on Lovers Lane.  Dorky college dudes trying to get into an incredibly d-baggy frat (in my old age, 1980's frat dudes are just absolutely delightful).  And references.  So many references. 

PODCAST: Vampire Halloween Watch: "Vampire Circus" (1972) and "Innocent Blood" (1992)

Watched:  09/13/2019, 09/0152019
Format:  Amazon Streaming/ DVD
Viewing: Second/ First
Decade:  1970's/ 1990's

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SimonUK and I rise from the grave with two more takes on the Vampire Genre! In the first film, vampires make a killing running a circus while carrying a grudge and harassing a small European town. In the other, Italian mafia stereotypes collide with a French vampire in a 90's-tastic take on The City of Brotherly Love, and we can't figure out which sangria anyone is drinking. It's a Halloween vampire fest!





Music:
Vampire Circus Suite - David Whitaker, Vampire Circus OST
Night - Jackie Wilson, A Woman, a Lover, a Friend


Halloween 2019



Halloween 2018

PODCAST: High-School Halloween Watch: "Carrie" (1976) and "Jennifer's Body" (2009)

Watched:  Carrie 08/11 - Jennifer's Body 08/12
Format:  Amazon Streaming
Viewing:  unknown, many/ First
Decade:  1970's/ 2000's

Maxwell and Ryan double dip on Halloween films and High School films for a frighteningly festive film review! We take a look at two films where two very different high school girls both manifest powers! What do these films examine? What's tucked in there between the, uh... murders and more murders? Maxwell takes the reins and Ryan tries to keep up as we ponder a horror classic and a new cult favorite!



Music:
The Haunting Main Theme - Henry Searle
Carrie's Theme - Pino Donaggio, Carrie OST
Through the Trees - Wilding as Low Shoulder, Jennifer's Body OST

Playlist - Halloween 2019


Playlist - High School Movies

Bette Noir Watch: The Letter (1940)

Watched:  10/01/2019
Format:  Amazon Streaming
Viewing:  First
Decade:  1940's

I am well aware of the hurricane force that is Bette Davis, but for whatever reason, I don't wind up taking enough advantage of her expansive filmography.  Sometimes I feel genuine guilt in regards to this deficiency, and - as this Davis-induced-remorse had occurred once again recently - I decided to remedy the issue by force-marching Jamie through a 90 minute movie that, frankly, I knew nothing about.

A prestige picture of sorts from pre-war Warner Bros., The Letter (1940) makes not just for an interesting time capsule, but a fascinating melodrama and noir, punctuated by Davis' terrific performance.  With a script based upon a 1927 play (and previously made into a movie during the silent era), the material of the film is well honed, a tight, taught narrative with a number of fascinating characters and smart dialog.

Thriller Watch: A Kiss Before Dying (1956)

Watched:  09/30/2019
Format:  TCM on DVR
Viewing:  First
Decade:  1950's

I tell you kids, sometimes mid-century cinematic gender roles are a real killer.

Noir Watch: Nocturne (1946)

Watched:  09/30/2019
Format:  Noir Alley on TCM on DVR
Viewing:  First
Decade:  1940's

Look.  They can't all be winners.  And, frankly, whatever draw George Raft had at one point as a huge movie star, I just... do not get.

The pieces are there for a solid noir film, but every scene feels like it's the second take after maybe three run-throughs.  Raft is wooden in the best of circumstances, but he sort of sets the tone for everyone else, bringing down the energy around near everyone but Queenie Smith, whom Raft seems to just sit back and enjoy during their shared scenes.

The movie follows the investigation of the suicide of a well-known song composer who also happens to go through women like they're on a conveyor belt coming to his door, not bothering to learn their names and calling them all "Dolores" (which never gets resolution or meaning in the film).  Raft plays the milk-drinking cop who becomes obsessed with the idea the guy was plugged.  Lynn Bari plays the dame who maybe did it.  Who, for reasons that are not at all clear, Raft decides he's fallen for.

The titular "Nocturne" is a song written by the composer, left unfinished when he died.

That's it.  That's the movie.  Raft running around questioning people, fighting improbably with his own bosses, and having his mom do all the real detective work.

Sure, the movie looks good - RKO knew who to put behind the camera (Harry J. Wild was no slouch in my book), and there's a good idea in there somewhere about a good cop who doesn't think a suicide is just that and wants to investigate it for murder.  But at the end of the day, we don't know much about the victim, we know less about the cop's dogged motivation, and the movie tips its hand as to what's happening at the 30 minute mark.  Honestly - that's just strange.

I really, really did not like this movie, so I think I will stop writing about it now.

PODCAST - Halloween Watch: "An American Werewolf in London" (1981)/ "Ginger Snaps" (2000) w/ SimonUK and Ryan

Watched:  08/16/2019
Format:  BluRay/ DVD
Viewing:  unknown/ First
Decade:  1980's/ 2000's

It's Halloween 2019! SimonUK and Ryan kick off the spooky season with a pair of scare-tacular films about coming to grips with change. And, of course, discovering you're now kinda undead and become a blood-thirsty kill-machine when the moon is particular round. We talk new-classic An American Werewolf in London (1981) and horror-icon-contender Ginger Snaps (2000).




Music:
The Haunting Main Theme - Henry Searle
An American Werewolf in London Suite - Elmer Bernstein, An American Werewolf in London OST
Bad Moon Rising - CCR, man, Green River


Halloween 2019 Playlist



Last Year's Halloween episodes:

Netflix Watch: Between Two Ferns - the Movie (2019)

Watched:  09/22/2019
Format:  Netflix
Viewing:  First
Decade:  2010's

I am well aware that Zach Galifianakis is not a fit to everyone's comedy palette.   I may be one of two people I know who is sad that the FX series Baskets has drawn to a conclusion (and both of those people live in this house), and while I am aware people liked him as a supporting player in The Hangover films, that hasn't necessarily translated into leading-man-comedian status after several mid-budget Hollywood films came and went. 

Not long ago, SimonUK and I were discussing the difference between American comedy and British comedy, and the conversation boiled down to "I think Americans like a trickster underdog who gets it over on a pompous bully, and Brits like a buffoon who has no idea he is his own problem."  Galifianakis's Funny or Die based web-series Between Two Ferns sits somewhere uncomfortably in the middle - Galifianakis playing a version of himself as a local basic cable public access host who somehow lands everyone from Charlize Theron to former (and then sitting) President Barack Obama.  It's punching up comedy - he's deflating any sense of self-importance a Hollywood-type might have - but doing so as a buffoon lacking any notion of the impact of his questions, and - amazingly - he's pretty irritable with his guests. 

The web series makes for a fascinating watch, partly because you can see which Hollywood folk are comfortable enough in their own skin to actually sit through one of the interviews, which can actually deliver some devastating questions (the only direction the guests seem to be given is: deadpan).  Some engage, returning the favor, others simply go blank, and it's always just a long, awkward gag. 

There's something of a story to Between Two Ferns: The Movie (2019) - essentially it posits that Galifiankis is a NC-based public tv host who has been picked up by Funny or Die, and coked-up CEO of FoD, Will Ferrell, sends his Hollywood pals to do the access show as a gag and to drive clicks.  A taping goes horribly wrong, but as the outcome, Ferrell sends Zach and his crew on the road to get 10 new episodes recorded in 2 weeks.  If he makes it, he gets a fancy late night talk show.

As one would assume, the film is more or less a road picture as the crew heads East to West, catching celebrity interviews along the way (Jon Hamm, Benedict Cumberbatch, Brie Larson, etc...), en route to deliver the episodes to Ferrell's desk.  So, if you like rough sketches on the road and the web-interview format of Between Two Ferns, I have some good news for you. 

The supporting cast of Jiavani Linayao, Ryan Gaul and Lauren Lapkus really are pretty hilarious, but so are a lot of the interviewees, whether it's the interview clips or the ostensible documentary footage that we're supposed to be watching.  Special hat tip to Chrissy Tiegen for her part (and, of course, John Legend).  And I hadn't seen Mary Scheer in anything in a decade, but I swear she makes the absolute f'ing most of her 2 minutes of screentime.  holy cats.

I dunno.  I thought it was hilarious, but this is a true Your Mileage May Vary film.  I assume many people do not care at all for Between Two Ferns, in which case... this isn't going to improve that for you.

Horror Watch: Hello Mary Lou - Prom Night 2 (1987)

Watched:  09/14/2019
Format:  Amazon Prime Streaming
Viewing:  First
Decade:  1980's

I sometimes listen to the How Did This Get Made? podcast, but usually only to episodes featuring movies I've seen.  And it may be a testament to my poor choice in movie viewing that I've seen about 2/3rds of the movies the show covers.  But, I had not seen Hello Mary Lou: Prom Night 2 (1987), which they covered with very special guest stars, Seth Rogan and Charlize Theron.

I'm not sure I share their unbridled enthusiasm for the movie, but as a post-Carrie, post Nightmare on Elm Street, mid-horro-budget Canadian horror film - I could see the charm in the movie.

Catch-Up Watch: Can You Ever Forgive Me? (2018)

Watched:  09/11/2019
Format:  Amazon Streaming
Viewing:  First
Decade:  2010's

I wouldn't say this movie was mismarketed, exactly.  But how reviews I read described it made it sound exceedingly joyless, but interesting.  The premise held enough promise that I planned to get to it eventually, but wasn't in a mad dash to do so.  However, Jamie watched it somewhere along the line when I was off at a breakdance party or whatever I do, and informed me it was very much in my wheelhouse, and, indeed, she was correct.

Can You Ever Forgive Me? (2018) is the true story of Lee Israel, an NYC based writer of bios of celebs of bygone eras (she's working on a Fanny Brice book during the movie's circa 1991 timeframe), which don't really sell, so she tries to hold copy-editing positions, etc...  to pay the bills.  But as a caustic, misanthropic drunk, turns out holding a job can be tough. 

She becomes re-acquainted with a down-on-his luck bon vivant, played by the always-amazing Richard E. Grant (a charming drunk, here), just about the time she has some bills due (cat gets sick), and has to make some money, quick.  Through a series of small discoveries, she learns of the world of memorabilia and letter collectors, and begins forging letters supposedly penned by luminaries long since passed, including everyone from Noel Coward to Louise Brooks. 

Melissa McCarthy stars as Israel, and it's not exactly a revelation to see her this good - I think she's kinda brilliant as a comic actor, so seeing what she can do with a dramatic part was a "well, sure" revelation.  She's always been so specific, with undercurrents and layers of sympathy, pathos, and thoughtfulness, even in goofy stuff like The Heat (which I really enjoy, y'all), doing same but for a dramatic role makes sense.  And, it seems, the work done here by she and Grant earned them both Oscar nods.*

Because the arc of the film is fairly obvious, I'll refrain from spoilers.  Instead, I'll just tip my hat to the actual technical work, character work, and script.  Director Marielle Heller has a sparse directing and acting filmography, but seems to know how to get a performance, and I'm now doubly interested in the A Beautiful Day in the Neighborhood Mr. Rogers biopic coming, as she's the one wearing the puffy director's pants there, too. 

I also quite liked the DP work by Brandon Trost, and almost laughed out loud seeing this is the same DP as the Crank movies, which I'll just let all of us ponder if we think we ever have someone's style nailed down. 

Anyhoo... I'm just recommending this one.  Give it a go.


*which... honestly, we should be expecting movies with these levels of performance in movies all the time, but that's reserved for TV these days.

Sci-Fi Watch: Brainstorm (1983)

Watched:  09/10/2019
Format:  TCM on DVR
Viewing:  First
Decade:  1980's

There are a whole bunch of movies that are not the same movie that I thought were the same movie that came out between 1980 and 1987, that all have sort of meaningless names, and I thought were the same movie.  Brainstorm (1983) is one of these movies.

The thing is, I'm not even sure what is what, but these movies all had pictures of people wearing headgear or having lasers pointed at their brains and often had to do with virtual realities, walking around in people's dreams, stuff like that.  I guess.  All I know is that, from this pile, I had never seen Brainstorm despite very much remembering the box collecting dust at Video Station and Video III when I was a kid.

Gaiman Watch: Stardust (2007)

Watched:  09/06/2019
Format:  Netflix
Viewing:  First
Decade:  2000's

I have to say - the marketing team absolutely dropped the ball advertising Stardust (2007).  I recall hearing the movie was coming, based on Gaiman that I hadn't yet read, saw the trailer and decided: eh, I'm good.

My memory of the trailer was that it looked like a doofy guy trying to woo Claire Danes in the basket of a hot air balloon or some such.  I wouldn't say I took a hard pass, but I didn't see it til 2019, so...

Very, very Neil Gaiman in character and ideas, the movie has the feel of a familiar fairy tale or legend, but spun from pieces of zeitgeisty-concepts and all new notions.  Castles, kings, pirates, magic, rights of ascension...  There's the matter-of-factness of a 19th Century story for children in the telling, which uses that semi-lecturey tone to insist "of course there's a fairy-tale land with witches.  Everyone knows this."   And whether we respond to this as adults out of nostalgia or training, I can't say - but it's a great way to frame a story.