Showing posts with label audiobooks. Show all posts
Showing posts with label audiobooks. Show all posts

Wednesday, October 21, 2015

Signal Watch Reads: The Haunting of Hill House by Shirley Jackson (audiobook)

I took some suggestions via Facebook for an October read.  Every year I try to read a "scary" book during the month leading up to Halloween, and while I got a number of suggestions (many of which confused "thrilling" with "Halloween scary"), I had to pick one or two and get on with it.  I almost read The Turn of the Screw again, I went for the source material to one of my favorite scary movies, instead.  In the end, I read Shirley Jackson's 1959 book, The Haunting of Hill House.

The book has been adapted into two movies, The Haunting (1963) and The Haunting (1999).  One of these movies is directed by Robert Wise, who never made a bad movie, and the other was done by the guy who made Twister and Speed 2: Cruise Control.  If you liked those movies, your mileage will vary.



The good news is that the book diverges from both movies, and, really, after the introduction of the characters, has very, very little to do with the 1999 big budget CGI-FX driven snoozefest.  In the case of the 1963 adaptation, the movie and book match and diverge in similarity, enough so that I really wasn't sure what to expect from chapter to chapter.  Really, though, it's the perspective of the book that provides the greatest difference for the reader, and provides an experience the movie simply cannot as the camera must always show something going on, and cannot rely on the reflections of the characters in the same way.  The characters simply are on the screen, perhaps with hints of something otherwise, but the frame has to capture an interpretation one way or another.

Eleanor is a 32 year old woman who has spent her entire adult life caring for her sickly mother.  She has no profession, no friends, no home of her own as she is now in limbo, living with a sister who has inherited her mother's prickly nature and the sister's boorish husband and young daughter.  At some point in the distant past, she experienced a supernatural event as stones rained down upon her house, an act she grew up believing was the work of unkind neighbors, and perhaps it was.  We can't know for certain.

A parapsychologist, Dr. Montague, has scoured the country for those who have experienced legitimate psychic events, and has invited them to the mysterious Hill House, a 19th Century mansion built to house the family of an industrialist with what seems to have been an unhealthy parenting style for his two young girls.  The house was believed "born bad", already evil before the many deaths that occurred in the house even began.

The house itself is built with doors that hang at an angle to shut, walls that are not exactly at the right angle, and various optical illusions meant to make the house a showplace of the era in which it was built.  The effect, however, seems to unsettle and confuse visitors, not create any sense of wonder.

Of the many invitations sent, only two visitors arrive, Eleanor - who may have once had stones hurled at her by unseen forces, and Theodora, a beatnik who may be able to catch glimpses of the thoughts of others.  Also, the young man who stands to inherit the house, an idler and wanna-be playboy, Luke.

Monday, October 5, 2015

Signal Watch Reads: Arthur C. Clarke's "Rendezvous with Rama" (1973, audiobook)

After listening to the audiobook of 2001: A Space Odyssey, I got a rec from one of you (I'll assume it was CanadianSimon, as he reads 3 books a week, it seems) to read Arthur C. Clarke's novel of alien contact in our solar system, Rendezvous with Rama (1973).   In my old age, this is exactly the kind of book that is bringing me back to science fiction after a long, long time of not reading the genre.  But, then again, I was always more of a Asimov-Robot-Novel kind of sci-fi reader and felt like I was really pushing the limits of fantasy with Martian Chronicles by Bradbury.



No one is going to accuse Clarke of writing character-driven science fiction, but in imagining both a world in which space travel has become commonplace to the point of interplanetary colonies are treated like nations and how we might react to a truly alien craft entering our solar system (and what it might be like as the crew tapped to take on that challenge) all feels remarkably relevant in 2015 as I am sure it did in 1973 when the book hit shelves.

Thursday, September 17, 2015

Signal Watch Reads: If Chins Could Kill, by Bruce Campbell

I'd almost picked this book up at Borders during its hardback, first-release era, and didn't, and was pretty aware if I did buy it, I'd never sit down to read it.  So Bruce never got any of my money from this project, but I was chatting with PaulT about Bruce Campbell, and I think he recommended the book.  Anyway, I thought "well, if he reads it himself, this could be all right."



And, sure enough, in 2010 or so he did record an audiobook version.  It seems the digital version led to a new edition as there are essentially three endings in the audiobook, and I suspect that since the initial book came out in 2002 and we didn't get an audiobook til 2010, and there was a surprisingly lengthy section after I initially thought the book was over with about the book tour, something got added somewhere.

If you don't know Bruce Campbell, he's most famous for his role as Ash in Evil Dead, Evil Dead 2 and Army of Darkness.  If none of those movies ring a bell, we have nothing to say to one another.  I don't love horror, but its fair to say the Evil Dead trilogy transcends genre and is its own, hard-to-pin-down thing.

Thursday, September 3, 2015

Signal Watch Reads: Farewell, My Lovely - Raymond Chandler (1940) - audiobook



I haven't read all that much Raymond Chandler.  I read The Big Sleep more than a decade ago (specifically when I was trapped in a hotel in Las Vegas the week of 9/11 and I couldn't fly home).  And if I've read more than that, I don't really recall.  I do remember thinking "I'm more of a Dashiell Hammett guy" after reading The Big Sleep, but sooner or later you want to read some of the other stuff.

Of course you can't be into noir film and not stumble across adaptations of his work and work he adapted into screenplays (see Double Indemnity, where he gets a brief cameo).

But I figured I needed to read some more Philip Marlowe, Chandler's go-to Detective where Hammett had Sam Spade and The Continental Op.

Farewell, My Lovely (1940) is a winding mystery that starts on page 1 as Philip Marlowe fails to mind his own business when he sees a giant of a man, a white guy, walk into an African-American club and start a ruckus.  He literally sticks his nose in and gets grabbed by Moose Malloy, a heist-man just paroled and out looking for his ex-girlfriend, Velma.  Moose is stronger than he knows, stupidly violent, and single minded, and winds up killing the bar's manager.

In the aftermath, Marlowe gets wrapped up in the case, but no sooner does he decide to bail than he gets hired by a suave gentleman looking for protection as he bargains for the safe return of a lady-friend's hi-jacked jewels.  Marlowe doesn't protect him and the gentleman winds up dead, and that, in turn gets Marlowe all the more involved with his failed job.  Soon, beautiful dames, crooked cops, mentalists, shady hospitals and honestly illegitimate off-shore gambling operations all play a part.  And a bright young daughter of a former police commissioner.

Wednesday, August 12, 2015

Signal Watch Reads: Rin Tin Tin - The Life and the Legend, Susan Orlean (2011 - audiobook)

I am not entirely certain why I decided to read this book.  I've not read any prior Orlean, and I had literally never seen anything with Rin Tin Tin in it other than a few scant moments of the circa 1990 series, Rin Tin Tin: K9 Cop.  It is true that I like a happy looking dog, and I was marginally aware of a strange history of the pooch.  But after reading the Larry Tye Superman book, a topic I knew entirely too much about to ever wonder where it was going, and partially because, lately,  I've been thinking a lot about the lifespan of a media-driven concept - as the 20th Century and the first media giants fade in the collective memory, Rin Tin Tin seemed to be a good place to pick up that thread again as any.

Certainly I was curious as to what became of the media empire that I knew once existed and, today, there's not a kid out there who knows what the words "Rin Tin Tin" mean.

And, hey, it's about dogs.  I'm a fan.



Susan Orlean is perhaps most famous for the book she wrote, The Orchid Thief, which was turned into a Meryl Streep movie which I confess that I have never seen (Adaptation).  In Rin Tin Tin: The Life and the Legend, Orlean traces more than a century of history, from the ramshackle, lonely and unpredictable childhood of Lee Duncan, the man who would find a litter of German Shepard puppies in a kennel within an evacuated German base in WWI France, straight through to the modern era of DVD's and memorabilia collection.  And, of course, the tangled existence of a very real dog who became a screen legend, only to become a fictional character with his passing, and becoming the sort of property that people wind up suing one another over until the value of the property has fallen through the bottom.

Orlean weaves her own story into the book, not one that's particularly remarkable as these things go, but it gives the reader context when it comes to her research, what sparked her interest, how the misty memories of both the dog on the television in the 1950's series The Adventures of Rin Tin Tin and her relationship with an knowable grandfather echoed back to her as she tried to bring the past into the present, with things both on the screen and real.  And, it's an honest approach as Orlean necessarily frames her experience hunting down the folks who are still alive from Lee Duncan's family, those associated with the show and a Texas woman who has been breeding heirs of Rin Tin Tin in Texas, and who was smart enough to run out and trademark Rin Tin Tin when Hollywood had not.

Saturday, July 11, 2015

Signal Watch Reads: Tarzan of the Apes (1912) - audiobook

I have no idea if kids today even know the name Tarzan, and I suspect that if they do, its as one of the lesser Disney animated features.  As a product of the 70's and 80's, I was exposed to televised reruns of Johnny Weismuller films, comics, cartoons, and a general presence of Tarzan as a still-kinda-relevant pop-culture figure.  Swinging from a rope meant you had to give the Weismuller yell, climbing a tree might lead to visions of swinging from branch to branch, and being a bit rambunctious could lead to your mother calling you "Tarzan".

I also had this comic magazine, Marvel Super Special #29.


It turns out, this was a pretty much direct adaptation of the original novel, including captions from the book, but only the first 1/2- 1/3rd of the book, choosing a solid ending point when Tarzan asserts himself as King of the Apes.  Mark Evanier is listed as the writer, but he mostly reframed the original novel into a graphic novel form, and that cover seemed absolutely amazing to me when I was a kid.  It also meant that, as the book went along, I had more or less already read the first 1/3rd.

I haven't read much in the way of Edgar Rice Burroughs, just the first three John Carter-Barsoom novels, but I certainly grew up knowing Burroughs' name.  I just...  I dunno, I never read the book or books (there are about 20 of them, I think).  But, we're in a reading pattern right now that's about making up for old sins and checking in on some of these old-school favorites, and I'd put off reading Tarzan for long enough.

Sunday, June 28, 2015

Signal Reads: Superman - The High Flying History of the Man of Steel (audiobook)

When I was driving between Indianapolis and Metropolis, Illinois, I cooked up a plan to listen to the audiobook of the fairly recent Larry Tye book Superman: The High Flying History of the Man of Steel.  I've read a few comic and Superman histories before, and still hold of the Les Daniels book as the gold standard, with Gerald Jones' Men of Tomorrow:  Geeks, Gangsters and the Birth of the Comic Book as absolute and required reading.  But it'd been a while since I read either and there's been a lot of history since then.



The book is very well researched and is a fairly complete and comprehensive but detached history of the character as a property, focusing on the origins and multiple iterations of the character from the influences on Jerry Siegel and Joe Shuster to the multiple forms of media the character has taken on and arguably conquered, to the ever-changing nature of Superman and the societal factors at play.

Friday, June 5, 2015

Signal Watch Reads: Red Harvest by Dashiell Hammett (audiobook)

This isn't the first time I have read Red Harvest (1929) by noted crime and detective author Dashiell Hammett.  In fact, it was the first Hammett I ever read, but it was about fifteen years ago and over the course of a few plane rides, and after reading my fair share of Hammett since, I could only remember snippets here and there and the general plot and tone.  But with Hammett's birthday recently passed, I decided that was my cue to revisit the book.



It would seem this novel inspired a whole lot of other stuff from general tone to dialog to whole films, but to my knowledge it has never been translated into a movie of the same name with the same characters.  And it's just as likely the things the book inspired were, in turn, the inspiration for other works.  There are certainly similarities to the book in the Kurosawa movie Yojimbo (but Kurosawa states he was inspired by The Glass Key, a different Hammet book turned into a movie with similar themes - and the movie has Veronica Lake, natch), which in turn would have inspired A Fistful of Dollars and the mediocre as hell Last Man Standing.

I'd argue that the Coen Bros. were obviously nuts for Hammett, and Miller's Crossing is essentially a particularly strong blend and distillation of Red Harvest and The Glass Key, in everything from plot similarities to character archetypes to Hammett's very specific dialog and use of slang.  Further, the term "Blood Simple" is used more than once in the book, and is - not coincidentally - the title of their debut film.

Hammett had a favorite character, a detective who refused to name himself (cough... Man With No Name... cough) in his narratives.  The character appeared in what must have been dozens of short works published in magazines like Black Mask and which are known as The Continental Op stories.  A private detective employed by The Continental Detective Agency usually solves crimes around the Bay Area during the 1920's - the period during which Hammett was writing (and drinking, one assumes).

Thursday, May 21, 2015

Signal Watch Reads: Hitchhiker's Guide to the Galaxy (audiobook - read by Stephen Fry)

First of all, don't panic.

I'll start by saying - I enjoyed this reading experience, and you can all go about your business, secure in the knowledge that I will not be disrupting your very fond memories of what is now considered a modern classic.


Like all of you, I read the book when I was in middle school, and I believe I got through three of the four books before I forgot to buy the fourth, and here we are, 27 years later.  Oddly, I do think I read this one more than once, but I couldn't reconstruct the plot in my head at all.  Just details.  42.  Something about a sperm whale.  Mice.  Zaphod.  Laying in front of bulldozers.  Babel fish.  Earth as a computer.  Improbability.

But, again... no idea what the book actually did.


Monday, May 4, 2015

Signal Watch Reads: Ready Player One

Welcome to The House of Unpopular Opinions, in which I attempt to alienate all of my longtime readers, many of whom I consider good pals.

It's not that Ready Player One won't make a decent enough movie when Steven Spielberg supposedly brings it to the big screen in the next couple of years.  I think it will be a visual spectacle of a movie, and I'll pay good money to see it.  It's just that when The Hunger Games feels like deep, societal commentary and introspection in comparison to your book, I kind of wonder what I'm reading.



The story:

Wade Owen Watts is a kid living in "the stacks", a sort of slum comprised of towers of mobile homes erected tens of stories high outside of Oklahoma City.  He's grown up poor in a near-future America dealing with an energy crisis of crippling proportions, and a state that's given over significant power to corporate interests right up to the point of re-starting indentured servitude in place of debtors prisons.

Almost everyone in America, and, indeed, on Earth, uses the OASIS, a virtual reality gaming system that has grown to undreamed of proportions and become a way of life.  While the world falls apart around them, humanity wears visors and haptic gloves (and suits, and immerses themselves in full rigs) to role-play their lives in the OASIS in whatever setting they like, moving between worlds created and custom built, largely around 20th Century ideals of science fiction and fantasy.

The creator of the OASIS - a cult figure that's part Steve Jobs, part Bill Gates, part Gary Gygax, part John Hughes, part Howard Hughes - has passed.  His obsessions with the ephemera of the late 70's - early 90's, the period of James Halliday's own youth, are integral to the OASIS.  In the wake of his passing, a contest is announced - whomever can find three keys hidden on the OASIS and find the final "Easter Egg", will become heir to Halliday's interest in his company and rule the OASIS.  The trick being, one must become utterly familiar with 1980's pop-culture, and more specifically, geek pop culture, in order to complete the quest.

This creates a subculture of users, Egg Hunter/ Gunters, who seek the egg, as well as nefarious, well-funded corporate types who set up a virtual army in order t capture the prize and basically own the internet.  All are consumed with 1980's pop-culture, an artifact now 60 years out of date but extremely well-documented and a source of never ending fascination and compulsive study by the Gunters.

Got all that?

Thursday, April 9, 2015

Signal Watch Reads: Mother Night

Between longer audio books, I'll sometimes do a Vonnegut book.  After finishing a 37 hour book-listen, taking on a decent audiobook that's at a mere 6 hours can feel like a downright vacation.  Sure, I know I'm missing a lot by not seeing Vonnegut's doodles and intentional use of the page, but, I figure, better this than the fact I'd never get around to it as a sit-down read.

Mother Night (1961) was released a few years prior to Slaughterhouse Five, and also deals with the lives of participants in World War II during and after the war.



Told as an account by Campbell himself, as evidence to present at his coming trial in Israel, the book makes interesting use of time, assuming the audience will not be surprised by many aspects presented and revealing many things immediately rather than at key points to create surprise, were the story a straight chronology. It certainly has the matter-of-fact quality I've come to recognize in Vonnegut's work.

Friday, January 30, 2015

SW Reads: Mystic River

blogger's note:  For some reason, this post gets a lot of traffic.  Can someone tell me how you got to this page?  I find the hit count on this post perplexing.

I just finished the audiobook of the Dennis Lehane novel Mystic River, the basis for the 2003 film which drew plum nominations and won a few Academy Awards (and which earned a bucketload of other awards).

Frankly, I never saw the movie, and I really had no idea what either the book or movie were about.  No, I have no recollection of 2003 and what I was doing.  Working, I guess.

There's a guy who works security sometimes in the building where I show up every day, and I think his story is that he does security as his day job (because he can sit there and read), and he goes home and works on his own crime novels.  I admire the hell out of that, and he recommended the book to me about two years ago, and so I finally got around to reading/ listening to Mystic River this year.



Audiobooks are a strange experience.  You're dealing with an actor's interpretation of how this should be read, and sometimes I just feel like maybe the reader missed the mark.  And, this may have been one of those times.  I think he went for "overwrought" and melodramatic when, maybe, he could have pulled it back a bit for a different impact.  I believe I listened to Scott Brick, who also read The Devil in the White City, which I listened to last year, and which I felt was fine, if memory serves.  But this book required a lot more acting and interpretation.

I don't know how I felt about the book.  I guess I'm a little surprised this particular story was thought of so well as to earn Oscar nominations, so I'd like to see the movie soon to see how it worked as Oscar bair.  And it certainly is not the first time a book that maybe wasn't the most inspiring source material worked stunningly well as a movie.  This was certainly nowhere near my favorite book, but what it did, it did well.