New "Mister Miracle" #1 by King and Gerads

It has been a long, long time since I've talked much about Mister Miracle by Jack Kirby, but when I came across a black and white collection back in late 90's, one of that series one of New Gods, the comics hit my psyche like a runaway freight train.

I'll talk more about Kirby's Mister Miracle and New Gods soon (I'll be doing my own salute to King Kirby before his 100th), but today I want to suggest you guys get onboard with the new Mister Miracle series by Tom King and Mitch Gerads, which hit shelves on Wednesday.

I admit, I've not read the duo's other work to date, though I've been meaning to pick up their Vision series for at least a year.   But...

As comics keep relaunching with new #1's, I'd suggest that both publishers and creators take note:  this is how one starts a series.

Artist Bernie Wrightson Has Merged With The Infinite

Artist Bernie Wrightson of Swamp Thing, Frankenstein and Cycle of the Werewolf fame, has passed.  He had been fighting cancer for some time.

Monster Mash by Alex Ross

Alex Ross working on a Universal Monsters print set.

Comic Artist Steve Dillon Merges With The Infinite

God.  Dammit.  2016.

Comics artist Steve Dillon has passed.

Dillon was one of the finest comics artists of the past few decades, mixing an illustrative quality with cartooning and pitch perfect sense of tone and a moment.  Not only did he have one of the deftest pencils when it came to capturing the exact, perfect expression for every character in a panel - something I assume he did effortlessly as he did it in every panel - but his ability to change pacing, to whip between romance to horror to comedy within a single page remains unparalleled and may never be matched.

His pairing with Garth Ennis was a boon to the medium, from Hellblazer to Preacher to The Punisher.  I don't just consider Preacher a seminal comics work of its era - I consider it a seminal work of its era - full stop.  That said - not recommended for all audiences, Mom.

20th Anniversary of DC Comics' "Kingdom Come"

This month marks the 20th anniversary of the release of the first issue of Kingdom Come, the prestige 4-issue, oft re-issued, comic by creators Alex Ross (artist) and Mark Waid (writer).

It's extremely difficult for me to state how much of an impact this comic had on me as a reader at the time of it's release.  In fact, I'd argue it was one of the comics that came out at a particular time in my life that tilted me from an interest in comics and enthusiastic readership to... whatever it became.  Further, I'd say that Kingdom Come stands as one of the key books that pushed me from thinking Superman was pretty neat to...  whatever my deal is with The Man of Steel today.

By 1996, I just wasn't that interested in superhero comics.  It seemed like a lot of books were trying to pull things off that weren't working, and, honestly, at age 21, glancing over the covers - a sense of creeping embarrassment hit me for the first time in my life in regards to comics.  Not for the hobby or comics themselves, but it seemed that, in the mainline superhero books, writers and artists and the companies themselves had a vision they were trying to execute, and that vision felt like a 13-year-old trying on their dad's suit thinking they could con the bank into giving them a loan.

By '93, a brave new world of tough, militaristic, snarling characters had flooded the shelves.  New publishers had arrived with fully formed concepts and universes, clearly either inspired as "extreme" versions of existing characters, or taking their cues from the artwork on heavy metal album covers (which, you know, how could you fault them?).  And at DC and Marvel, familiar characters were getting changed and rebooted (see: Azrael Batman) to reflect the times.  To me, the stories themselves lacked anything resembling narrative sophistication or substance, taking a Canon Films approach to violence and vitriol and mistaking it for maturity.  The plots were sophomoric at best, and adding spiked shoulder pads to pre-existing characters did nothing to sell me on their new grittiness.  I'll never forget cackling my way through the 1994 Dr. Fate reboot, Fate, wherein the hero turns the all-powerful helmet of Dr. Fate into a knife.  So he can cut things!  To the extreme!*

Meanwhile, Karen Berger had set up Vertigo at DC and was putting out Hellblazer, Shade: The Changing Man, Animal Man, Swamp Thing, The Invisibles, and, of course, Sandman and Sandman Mystery Theatre.  I didn't think I had to look too far to see characters who were telling me they were for older readers - they simply were the sophistication (or what passed for it) that felt like the proper heirs to the Moore legacy.

Darwyn Cooke Merges With The Infinite - #RIPDarwynCooke

Just yesterday we heard that Darwyn Cooke had entered palliative care in the last stages of cancer, and by the time I went to bed, the internet was telling me we that we have lost Darwyn Cooke, comics artist and writer.

2016 seems intent on taking my favorite artists from the world before their time.

It seemed to me Cooke was properly appreciated by comics enthusiasts, and a favorite in the creator community as a solid guy.

His art is making its way around the internet, and you won't have to look far for the next 72 hours to see all of us posting our favorite pieces.  I'll focus here on his DC work and his work with Richard Stark's Parker novels.

Perhaps the best known of his works is DC's New Frontier, the Jet Age re-imagining of the origin of the Justice League of America, featuring all the mainstay players and some more-forgotten characters of the JFK/ pop explosion era of DC.  If you've never read it, it's available out there in print and digital.  And, it was adapted into a feature length cartoon film a few years back.

Cooke's art tilted toward iconographic cartooning, and fit no house style at DC, even as it clearly fit the aesthetic and mood of the DCU on the sunniest of days.  Both retro and modern, his style borrowing heavily from the pop-art style of late-50/ early-60's illustration, with the nuance of line to manage expression and convey more in a face than 95% of comics artists.

During an era when DC Comics and comics in general are on a swing back toward projecting a world view of fire, chaos, and gnashing teeth for all of their characters, Cooke still found a place in the comics world to show a DC Universe infused with hope.

Frank Miller Takes Over the World

I have an employee who is into geek-culture stuff in a way that doesn't include actual comics.  She likes horror movies, Army of Darkness, and watches the TV shows and movies based on comics.  She just finished watching Daredevil (so say we all), and she was wearing a Teenage Mutant Ninja Turtles shirt with art from the 90's cartoon while she was talking to me about the show.

"You know," I said, "Teenage Mutant Ninja Turtles is a by-product of Daredevil."
She eyed me, somewhat skeptically.
"Frank Miller made ninjas cool in comics via the Daredevil comics run they're adapting for the show.  After that, ninjas were everywhere in comics, but Miller did them best.  It was the 1980's and Eastman and Laird were drinking beer and figuring out what might be popular for a comic and, hey, NINJAS.  The 'Teenage Mutant' part is referring to some X-Men stuff.  New Mutants, I think."
The look of skepticism was giving way to a bit of fear.
"Yes, I think you can argue that Bruce Lee started the craze, but in comics, I point to Frank Miller."
"Okay."
"Yeah," I said, refusing to let it go.  "The crazy turtle uses sai, right?  Elektra!  That's Miller.  What's the name of the bad guys the Shredder works with?"
She felt a trap.  "The Foot?" she ventured.
"Uh huh.  And the name of the ninjas in Daredevil?"
"...the Hand?"
"Right.  Now... let's talk about how Frank Miller is responsible for Batman v. Superman."
She was not impressed.
"Directly or indirectly, Jack Kirby and Frank Miller are responsible for everything in media right now," I concluded.
I don't think she bought a word of it.

In general, I'd argue the conversations the comics kids are having online these days don't seem to talk so much about what's happening in their comics as they do the characters in broad strokes, undergrad 101 media criticism of race and gender (which I welcome) and the creators, like they're following demi-celebrities who might talk back to them.*

Harper Lee Merges With The Infinite

According to The New York Times, author Harper Lee has merged with The Infinite.

Of all the books I read in K-12 as assigned reading, To Kill a Mockingbird one of only two I picked up again and again after the assignments were over and done (the other being Fahrenheit 451).

The book is so profoundly and stunningly... American.  But, I assume, also universal.  And as important as it is, in general, its also so, so important to share with young people as they move from childhood onto the path to adulthood.

But I don't need to tell you about the book, or its impact.  Heck, it's written above the title in the image of the cover I've posted above.  And, it's assigned reading in every school district in the US, I assume.

For all the work so many authors put out there, it's fascinating to know Harper Lee released her one novel and then retreated, only releasing new material in the last year, and under shady circumstances.  And, yes, I have chosen not to read the other book, which i do not believe she would have intended to release while alive.

Happy Birthday, Jack Kirby! Design Aesthetic

One last shout out for The Kirby4Heroes/ Hero Initative event today in honor of Jack Kirby's legacy.

Nobody did it like The King.  Nobody before and nobody since.

More Happy Birthday to Jack Kirby - Marvelous Marvel

A friendly reminder that in honor of Jack Kirby's birthday, you can donate today to the Heroes Initiative, an organization that helps freelance comics folk with financial support in times of need.

Click here to donate and see what else is going on today thanks to the Kirby4Heroes Campaign.

So, Jack Kirby more or less made up about 90% of the Marvel Universe that anyone cares about.  He didn't do Spider-Man and had limited contributions to Iron Man, but he drew up a whole lot else.

Way back before World War 2 and his own enlistment, Kirby went ahead and made-up a superhero to throw a punch at Hitler as a proxy for the slug Jack would have gladly thrown himself.

Happy Birthday, Jack Kirby! Some Favorites from his time at DC

Today marks Jack "King" Kirby's 98th birthday.

Jack's granddaughter runs to Kirby4Heroes Campaign, which is an annual event focused on raising money for The Hero Initiative.  The Hero Initiative raises money for freelancer comic artists and creators who may need some financial assistance.

Let's honor Jack Kirby by donating today!

And what better way to celebrate the man and artist than with a glimpse of his amazing work.  We're doing more than one post on Kirby, so look for two more today.  But we're starting with DC as I first went from "that's Jack Kirby" to appreciating Jack Kirby, specifically via his Fourth World work and that era of DC output.

Let's start with one of my favorite DC characters, and an original Kirby creation...

So, Miller is making it a Dark Knight Trilogy? All righty, then.

What do you even say when you see DC has signed up Frank Miller to create a third installment in the vein of Dark Knight Returns/ Dark Knight Strikes Again?  I think you say "DC needs a hit for the 3rd Quarter or Dan Didio will need a new jobby job."

And that's okay.  I'm a little past the point of hoping that DC Entertainment, a division of Time Warner, Inc., is really all that invested in the artistry of comics in 2015, but it's not like comics haven't recycled ideas before.  These sorts of short term stunts have generally paid off for Didio, and he's certainly running out of his usual bag of tricks now that he's exploited all of his predecessor's successes so many times over that he had to throw bags of gold at Frank Miller (or really pray Sin City 2 would do exactly what it did at the box office) in order to get him back at DC writing comics.

Happy Birthday, David Byrne

Happy Birthday to David Byrne.  Writer, musician and artist.

Today, David Byrne is 61.

Byrne is best known for his tenure with The Talking Heads, the art-punk band that was part of the late-70's, early-80's scene out of CBGB's.  He has written a few books, from The Bicycle Diaries to Strange Ritual.  His lyrics are rarely about the usual topics of newfound love, love gone wrong or partying all night.  Even in his most recent collaboration with St. Vincent, he's still singing about his relationship with television and mass media.

Ray Harryhausen Merges with the Infinite

I think I only checked out five books from the library at UT for pleasure reading while I was a student and, two of them were on Ray Harryhausen.  In college, I had dreams of becoming an animator- and then computers happened.  But until then, I really wanted to know how Harryhausen became the master he undoubtedly was when it came to creating fantastic imagery for the silver screen.

I was sad to hear of Harryhausen's passing when a tweet or two mentioned it and I saw the headline when I got back to my hotel room.

If you don't know Ray Harryhausen, he's easy enough to investigate.  He was one of the greatest FX artists in the world, spawning a world in which we eventually had movies with AT-ATs and Terminators, and his understanding of motion foretold what the CGI era would bring to the big pictures.  But he did it with tangible artistry in stop motion effects.

Harryhausen brought us Greek Titans, dinosaurs, Venusian aliens, angry skeleton armies and an endless stream of characters that mingled with live action players and fired the imagination.

I've only seen a handful of his movies (and I'm not even sure which Sinbad movies I have and haven't seen... I'd have to watch them again), but Clash of the Titans came out in 1981, and all we knew was that it was amazing.

If you've never tried to film animation by hand, it's a frame-by-frame feat of utter concentration and requires determination and love for what one is doing on a scale there whipper-snappers and their computers and whatnot from today probably get, but they do it at a monitor, not hunched over a table with lights, moving the neck of the monsters a tiny, tiny increment for every exposure - and every frame could be the last if something happens between clicks.

It's obsessive work, and craftsmanship that's fading from mainstream American film - especially as the

So long, Mr. Harryhausen.

Some artists I think handle Wonder Woman really pretty well

As a comic strip character, Wonder Woman is a tall order. Especially for the many comic artists who have, more or less, one or two styles of women they can draw, and then mix it up with clothes and color. We know what Wonder Woman might look like in our mind's eye, but, like Superman, mostly we know when its wrong.

The comics describe Wonder Woman as:

Beautiful as Aphrodite, wise as Athena, swifter than Hermes, and stronger than Hercules

How do you draw that?

If you're many artists, you chuck the icon and start drawing a swimsuit model in a "sexy" pose.

As an example, DC took some ribbing thanks to the "variant" cover for JLA #2, which featured the usually tough-looking male members of the JLA, and then a kind of youngish, kittenish version of Wonder Woman. I don't know that there was a better way to make the point that WW needs to be portrayed as a peer to her JLA colleagues and not as the resident cheesecake, but in response fans created the "what if male superheroes posed like Wonder Woman" meme.  You sort of hope DC brass hears about these things and applies changes as they go along.

I wasn't a Wonder Woman reader until way late in the game.  I was vaguely embarrassed then (and now) to pick up "sexy" covers on comics, and during the 90's, when I was curious about the character, DC was in the middle of experimenting with both good girl and bad girl art on the title.  But when Phil Jimenez came on Wonder Woman,  I couldn't help but notice the covers weren't cheesecake, the stories were different from everything else I was reading, and when I flipped through the comics, the art was absolutely stunning.  I became a fan of the character thanks to the work of Jimenez, and then had a lot of work to do catching up.

Carmine Infantino Races into The Infinite

Reports are coming out that Carmine Infantino, original artist of the Silver Age Flash comics - and so, so many other comics - has passed.

If you can, pick up the Flash Chronicles books or the Showcase Presents: The Flash collections.  It's not just the stories that are great (and they are), but it's Infantino's visualizations of Barry Allen's powers brought to life, managing the panel-by-panel aspect of comics to keep the reader on pace with Barry when necessary and coming up with other techniques - like the "many Flashes in a single panel" technique that was even spoofed in an early episode of The Big Bang Theory.  

Today is Carl Barks' B-Day!

Carl Barks is largely responsible for the Uncle Scrooge and Donald Duck comics as we know them today.  We were lucky enough to also have the amazingly talented Don Rosa pick up where Barks left off, and I am truly in awe of both their efforts.

You'll hear of Carl Barks referred to as "The Good Duck Artist" as, back in the day, all the comics put out by Disney obfuscated the names of the creators.  But fans knew there was one artist working on those comics who was particularly great as artist and storyteller.  They just didn't know the name of the man behind the pen.  Thus, he became known as "The Good Duck Artist".

Born this day in 1901, Barks created great Duck stories, and also worked on other characters, including Barney the Bear.

In recent decades, Barks' name became known and he's now a legend among comic aficionados.  We're lucky to have had Gemstone, Boom! and Fantagraphics collecting his work the past few years, in increasingly lovely volumes.

Here's a bit from "Lost in the Andes".

Finally getting around to comics again

This is how I know the schedule for the past two months was a little wacky.

I haven't been to the gym for at least four weeks, and I was sorting my unread comics, and I have three months' worth of some titles backed up.  No working out - which is it's own funny story - and no time made for comics in the evenings.  At least not those floppies, as I have read some collections.

The nice thing is:  Looking at this pile on my coffee table, I actually want to read all of these comics.

In the past when I'd hit a point where I was too busy to read comics, it was always instructive to look at what I didn't want to read in multiple issues at a time.  That usually meant I was dropping the title.  But with the limited number of titles I'm buying as floppies these days, (a) I know I can catch up, and (b) the spark still seems to be there as I'm sorting through my comics to start cutting down the pile.

Happy Birthday to Jack "King" Kirby

Today would have been the 95th Birthday of Jack Kirby, the greatest comics creator of the 20th Century.

Kirby's family is supporting The Hero Initiative, a non-profit that helps support veteran comics creators facing tough financial times (there isn't much of a retirement or healthcare plan for freelancers).

We recommend checking out The Hero Initiative website and maybe donating a bit to the fund.  Make Jack proud.

Signal Watch Reads: The Underwater Welder

Jeff Lemire is currently doing a tremendous amount of work at DC Comics, and not just his series Sweettooth.  Prior to the New 52 he took on Superboy, and was doing a great job - certainly telling less headache-inducing stories than what we saw starting last September.

But many of us came to know him from his work on the Essex County trilogy, meditative, ethereal stories of past colliding with the present.  His latest book, The Underwater Welder feels a bit like a fourth installment in the Essex books, but in a new location (the hard cut coast of Nova Scotia), with water and diving a significant and ongoing theme rather than the wide open prairie/ near tundra of Essex County.

Jack Joseph is 33 years old and has made his living as a welder on the oil rigs that can be seen from the shore of his hometown.  His wife is very, very pregnant as he heads out for one last stretch of work before the baby is born - all in the week around Halloween, a day that resonates with Jack back through the years.

Lemire recognizes that past informs the present, and unlike the previous books in the Essex trilogy, the anxiety of the coming of fatherhood informs the future.  Despite the 224 pages of book, the comic feels much more like a particularly dense short story, in part because of Lemire's elaborate sense of pacing through visuals.  While far from an illustrative approach, Lemire's work stays on model in its' scratchy/ sketchy style, but paced brilliantly over the page count as each panel holds significance to the forward motion of the story - panels breaking up time, changing from one object to another, or otherwise manipulating the reader's point of view.

I hesitate to give up too much about the book, but it feels like Lemire is moving onward and upward with his work, instead of continuing to repeat himself - especially in the denouement of the book.  Rightly so, TV writer Damon Lindelhoff intros the book as an episode of The Twilight Zone, which featured tight vignettes that took characters through a strange or supernatural occurrence that provided some greater relevance in their life or gave the audience a moment to think a bit about what it meant for the character (I am still haunted by the idea of the man who wanted time to read, and in the wake of nuclear holocaust had all the time in the world.  Until he broke his glasses.  I probably think about that at least once a week.).

The story reads like fable or myth, and that's to its strength.

I did wonder how rushed Lemire felt to finish the book with his other assignments in queue.  The ending, while entirely satisfactory, lacked the pacing of the preceding set ups.  But perhaps I read the book too quickly.

Anyway, recommended.

And now I have to finally read The Nobody.