Spooky Watch: The Vampire Bat (1933)

Watched:  08/07/2018
Format:  TCM on DVR
Viewing:  First
Decade:  1930's

Spooky Watch: Mark of the Vampire (1935)

Watched: 08/06/2018
Format:  TCM on DVR
Viewing:  First
Decade:  1930's

Well, huh

Halloween Watch 2017: The Mummy

I didn't mean to watch all of The Mummy (1932), but as so often happens, I did.

This Universal monster movie was one that, the first time I watched it, I loved the first ten minutes and then felt waning interest in everything but Zita Johann.  But, the past two or three times I've given those first few minutes a shot (because I love the opening), I've really changed my tune.  And, in fact, have to retract initial statements made about dull camera-work in comparison to the grand, gothic guignol of Dracula or the surrealist landscapes of the first three Frankenstein films.

The lighting, sets, and FX employed are far more deft than I'd originally wanted to give credit, and leave you in a murky place where you know Bey is employing mystical shenanigans, but it's hard to put a finger on what and how.  Add in Karloff's performance, as well as that of Johann, and you've got something that's been aped more in vampire movies than anywhere else the past 85 years.

Karloff is actually terrific as Imhotep/ Ardath Bey, and the overall effect of the picture is not so much horrifying as it is eerie and uncanny.  Unraveling the machinations of what he's up to (ripped off for the past thirty or forty years of Dracula movies), and it's good stuff.

Weirdly, TCM rated the movie TV-14, and for the life of me, I have no idea why.  This is one I'd watch with a kid aged 10 or up.  There's no blood, minimal on-screen violence, a lack of nudity or sexual innuendo...  But Mummies are scary, I guess.

Halloween Watch 2017: Theatre of Blood, Altered States, House of Dracula

Well, it's that time of the year, and we're watching movies about monsters and murders and transdimensional-psychotic states brought on by a rich cocktail of hallucinogens.

Hammer Watch: The Vampire Lovers (1970)

Ah.  Okay.  So.

I had a free rental for some reason at Vulcan Video, so I wanted to continue down the path of watching some additional Hammer Horror.  I was vaguely aware of the movie The Vampire Lovers (1970), maybe from a suggestion from one of you fine people.  I don't know.  What I did know was that the Hammer aficionados have a warm spot in their hearts for Ingrid Pitt, and this one was heavily featuring Ms. Pitt, so who was I to not watch this movie?

Well, goodness.

Huh Watch: Vampyros Lesbos (1971)

There's no easy way to say "this movie promised some sex and nudity, and vampires, and so I watched it" - so let's go ahead and get that out of the way.

I was sent a list of "movies that are basically not great, kind of smutty and horror movies", and on that list was a movie I'd intended to watch for quite some time as it often pops up in discussions of Italian horror directors - and that movie is Franco's Vampyros Lesbos (1971).

I'm not sure this film is ground zero for the lesbian vampire sub-sub-genre, which is definitely a thing when you consider everything from Daughters of Darkness to The Hunger, (this list rightfully points to the first Dracula sequel, Dracula's Daughter as having not so subtle undertones) - but it is, by far, the least subtley titled of all lesbian vampire films.

To be clear - it's not soft-core porn.  It is a legit erotic horror movie.

It is also very not good.

Hammer Watch: Dracula A.D. 1972

Full confession: I rented this movie entirely upon the promise of Caroline Munro who, it turned out, was a key character in the movie, but not in it nearly as much as one would hope (and I have some script notes on that which I am sure could be retro-actively applied).

Because otherwise I usually like my Dracula nice and Victorian.  Bringing Dracula into the modern age always amps the cheese factor for me (do not see Dracula 2000) and just reminds me that Dracula works best when Van Helsing and the gang don't have cell phones or modern medicine.  After all, the original novel of Dracula is sort of an exploration of the slow horror that was disease in an era when leeches and a good blood letting were about as much as your doctors were going to do for you while your body shut down on you in pretty awful ways.

In truth, I basically rented the movie for a laugh, not expecting much, and wound up genuinely enjoying the thing.  I absolutely love it when something turns out not to be the dud I thought it would be.  My exposure to Hammer Horror is limited, and while this one isn't exactly scary - it understands horror, vampires and the core of why they can be great villains when they aren't sparkling or sitting around looking like the H+M catalog exploded on a CW show.

Thus, this is a post about how I enjoyed Dracula AD 1972 (1972), a pretty-not-great movie that was sadly lacking in greater Caroline Munro screentime, but nonetheless a fun movie.

Monster Watch: The Monster Squad (1987)

When I was about twelve, one of the signs that The Admiral was secretly listening to me, and not just thinking up new and interesting fatherly pearls of wisdom to dole out, was when he took the afternoon off from work to take me to see The Monster Squad (1987).  I'd wanted to see the movie, no one else did (except for him, I guess), and so one day he took the afternoon off in the middle of the week - I guess it was summertime - and we hit the Showplace 6, ate some popcorn and watched Wolfman take one in the crotch.

I recall we both liked it, it was darker than I expected, maybe even a little grittier, and Dracula was straight up frightening in my twelve year old eyes.  And, as anything you consider to be not-dinner-table-conversation occurred, I sort of cringed at having to let my dad know I knew what a virgin was outside of the Christmas story.

The prior year, he'd also taken me to see Little Shop of Horrors when no one else wanted to go, so apparently The Admiral was into taking me to see movies that would bomb at the theater, but gain a following on home video.  But he also got really jazzed at the opportunity to watch old sci-fi movies like War of the Worlds with me, and was always up for a trip to see something like The Last Starfighter or The Untouchables.  Way to go, man.

But, man, it really seemed like nobody else but The Old Man and myself had seen this movie until the last fifteen years.  Although, eventually friends did see it on VHS or cable, as did I.

At some point, maybe in 2008, pal JackBart and I caught a screening at The Alamo Drafthouse with a good chunk of the cast, director Fred Dekker and screenwriter Shane Black in attendance.  The place was packed, the Q&A was great, and the cast and crew pretty forthcoming with details.  I was one of five people who let out a loud whoop when Black mentioned he was working on Doc Savage.

One thing that really stuck with me from that screening was the honest recollection of studio compromise, of what was originally envisioned, and a script that the director felt had been very watered down to serve studio hopes for a Goonies-type film leading to franchise dreams, rather than a movie about adolescents growing up when you know, Dracula shows up.  I'd love to read that original script some day.

Television Weekend: "Wet Hot American Summer - First Day of Camp" and "Penny Dreadful"

I don't often "binge watch" TV, but when you can get through a whole season of a TV show in four hours, sign me up.

The 2001-era movie, Wet Hot American Summer, has, apparently, become a staple of Netflix viewing.  Or something.  Because, for some reason, 14 years later, Netflix has doubled-down and produced 8 episodes of a TV show that should be insanely expensive to produce, just off actor's salaries.  My guess is that everyone is working at scale or something, because, really, what was a herd of mostly up-and-coming actors in 2001 are now established either in Hollywood or smaller comedy circles.  The Netflix series has also added a bucket-load of additional actors in other roles, including Jon Hamm (who has just shockingly good comedy chops, as he's demonstrated multiple times over the years), Michael Cera, and a few I don't want to spoil.

If you missed the original movie, the conceit was a play on "the summer camp picture", which was a staple of the 1980's, from comedies to horror films.   The adult-aged actors played 16-year-old camp counselors, and, Friday the 13th aside, worked not just aspects of those movies, but of camp, in general.*

The original movie squishes a lot into a relatively short running time.  It's a great ensemble piece playing out over the last day of camp as everyone concludes their unfinished business, from romance to preventing a rogue satellite from landing on the camp.  You're either with the movie or you're against it.

October Watch: Dracula (1931)

With the arrival of the Universal Horror Blu-Ray set, I wanted to get Dracula (1931) in before Halloween.

I first saw Dracula back in high school when it was going through a bit of a renaissance, probably because of those @#$%ing Anne Rice books that I kind of blame for leading to Twilight.

As a kid my concept of Dracula the character was fairly benign and drawn from things like The Groovy Ghoulies and the 70's-monster-plosion.*  But Dracula never seemed to be available on VHS, and I sure as hell wasn't going to read a whole book, but thanks to the monster-magazines and books I always seemed to have growing up, I already knew the story, including the character names and basic plot elements.

I was surprised how spooky I did find the film the first time I saw it.  I've always been of the Ed Wood school of willing-suspension-of-disbelief, even in movies which have long traded on literalism for the most part.  If I see a giant fake bat on a string, I guess I just buy that that's supposed to not just be a bat, but Dracula travelling incognito.  If there are armadillos in Castle Dracula, then, by gum, Transylvania must be overrun with cousins of my fellow Texans.  I dunno.  As long as I'm enjoying the film, I've always been willing to forgive a lot.**

Happy Birthday, Bela Lugosi

Today is Bela Lugosi's 130th Birthday.

Born Béla Ferenc Dezső Blaskó in Hungary, Lugosi arrived in America in the early 1920s. By 1927 he was cast as Count Dracula in a Broadway show.

Most famous for his role as Dracula in the 1931 film, Lugosi found himself typecast and caught in a strange whirlwind of the Hollywood system which kept him in spook pictures, more or less, his entire career.

It's the Halloween season.  Go out and get yourself a copy of Dracula if you've never seen the original movie.  He's pretty darn good.

October Watch: Abbott & Costello Meet Frankenstein (1948)

Probably the weirdest thing about this movie, an all ages movie featuring classic Universal Monsters at their least scary meeting the comedy duo of Abbott & Costello, is that there's a sort of continuity to the Universal Monster pictures, and this movie is absolutely a part of the long narrative tied together by meetings of Frankenstein, Wolfman and Dracula.

In fact, in addition to the stars in the title, this movie also features Bela Lugosi as Dracula, Lon Chaney Jr. as Talbot/ The Wolfman, and Glenn Strange as Frankenstein's monster (who he'd played in at least 2 prior films).  It's 17 years after the first Dracula film and 16 years after Frankenstein (and 7 years after The Wolfman, so you don't need to look that up).

October Watch: Dracula's Daughter (1936)

I can't remember if I'd watched this movie before or not, because bits looked familiar, but I'm counting this as my first viewing of Dracula's Daughter (1936).

Following quickly on the heels of 1935's Bride of Frankenstein, this movie took a different angle from the Frankenstein sequel, and this one features a lot of the titular character instead of a scant few minutes and mostly hissing at Karloff.  However, it lacks any of the over-the-top insanity of Bride.

Halloween Interactivity! Day 8: The League - Part 2 ("Count Dracula, Jr.")

My brother will readily point out that, especially as a child, I'd pursue an idea right into the ground, based upon the promise of the idea far, far more than whether the idea were practical or matched up with reality.  In the manner, I went to college and got a film degree.

Insert drum fill.

So it came to pass in 3rd Grade that, after having been a "cute" character for Halloween in 2nd Grade, I was ready to be something a bit more scary in 3rd Grade.  

That prior year, we were all riding high off the release of ET: The Extra-Terrestrial, and my grandmother, having no idea what an ET was, sewed me an ET costume.  I was freaking cute as hell, but it was also a warm autumn in the Spring, Texas area, and I'd mostly remembered sweating through the shirt I'd work under the costume and wanting to take the mask off at every opportunity so I could release some of the heat building up inside.  It was like wearing a ski-mask in 80+ degree temperatures.

So, somehow the summer before 3rd Grade, I began considering going out as Dracula.  Both The Wolfman and The Mummy seemed to have the same "mask in humid Houston" issue, and I couldn't figure out where to secure a Frankenstein head except via a paper-mache project I was fairly certain I'd just sweat through, anyway.  

I made a list of what I'd need to become Dracula, looked at pictures, and was certain that my Dracula would not be a plastic-apron-costume variety with those pokey plastic face masks.  But...

1)  Dracula's opera-tuxedo costume was not something one could easily get their hands on, and 

2)  the more I looked at Dracula, the more I felt he was a bit of a dandy in our modern, 80's, Casey Kasem-driven-era

And so was born my own, unique, concept - Count Dracula, Jr.