Showing posts with label horror. Show all posts
Showing posts with label horror. Show all posts

Sunday, September 26, 2021

Modern Horror Watch: The Conjuring (2013)




Watched:  09/25/2021
Format:  HBOmax
Viewing:  First
Decade:  2010's
Director:  James Wan

So, it's not a huge secret that I'm a little skeptical of a lot of horror.  When you're like "you know that scene in Hereditary?" I'm like "Nope."  I mean, I just don't make time for it.  I'd rather be watching guys in large suits make time with dames with great hair and schemes.

But enough has been said about The Conjuring from 2013, that I finally watched it as I rev up for Halloween season.  And, I genuinely liked it.  Well, I liked about half of it.  The rest was fine.  Which I know will be taken as "bad", but that's not what I mean.  I was fine with it up to a point, and then I really liked it.

My favorite haunted house movie is and will be a tie between The Shining and 1963's version of The Haunting.  But... this one sure ain't bad.  And, as was discussed elsewhere with MBell, this is a Stefon movie.  

Monday, August 30, 2021

Horror Catch-Up Watch: Candyman (1992)




Watched:  08/29/2021
Format:  Amazon
Viewing:  First
Decade:  1990's
Director:  Bernard Rose

Interesting.

So help me, from 1992 until about, oh, 2016, I thought Candyman (1992) was just another quick, cheaply produced horror entry along the lines of (forgive me) Leprechaun.  I really thought it was horny teens saying "Bloody Mary" in a mirror and getting murdered, and that seemed.... stupid.  I don't really care about a lot of horror, and that seemed like a good one to not care about.

In college (1993) I lived on the "arts" floor in Jester West, and our two study lounges had large murals painted on the walls from students past.  One room had kinda Nagel-esque pictures of pianos or something, and the other had a (not amazing) mural of Jimi Hendrix.  One day, a very nice girl from my floor came in there while I was studying and was upset she couldn't use the other room for one reason or another, and I said "well, you can study here.  I'm just reading." and she said "Nope.  That mural looks like Candyman."  And I was like "from the horror movie?"  She nodded and backed out and that was that.  

Strong reaction, that, I thought.  

Tuesday, July 13, 2021

Watch Party Watch: The Creeping Flesh (1973)




Watched:  07/12/2021
Format:  Amazon Watch Party
Viewing:  First
Decade:  1970's
Director:  Freddie Francis

I had no expectations whatsoever of this film, but figured it might be okay as it co-starred Peter Cushing and Christopher Lee.  Anyway, The Creeping Flesh (1973) is not a Hammer Horror film, but feels like a sister film to The Horror Express.  

Why, Signal Watch? you may ask.  Well, dear reader, this movie is about bringing the remains of an unknown being from New Guinea into someone's house and then shit gets weird/ scary.  That movie is about a scientist moving the remains of an unknown being from China to Europe via the Trans-Siberian Express and, in transit, shit gets weird/ scary.  

This one has a very different take - possibly including a form of evil that's a literal virus with very pronounced flagella.  Also, a crazy daughter.   Add in Lee as an amoral scientist/ custodian of an insane asylum, and a frazzled Cushing as a gentleman scientist, and...  there's nothing not to like.  

Sunday, July 11, 2021

PODCAST: "Theatre of Blood" (1973) - A Signal Watch Horror Canon PodCast w/ SimonUK and Ryan




Watched:  07/07/2021
Format:  DVD
Viewing:  Second
Decade:  1970's
Director:  Douglas Hickox



SimonUK and Ryan take the stage to talk a 1970's Brit-horror favorite! Join us as we soliloquize on a film that goes deep on The Bard, delivers Vincent Price in fine form, gives us Diana Rigg in a look I doubt she sported much in public, and plenty of chills, thrills and camp gallows humor! It's a big cast having a grand time at the grand guignol!



Music
Theatre of Blood Main Theme - Michael J Lewis
Theatre of Blood, Edwina's Theme - Michael J Lewis

 
Canon Playlist

Monday, July 5, 2021

PODCAST: "Midsommar" (2019) - a Signal Watch Canon Episode w/ AmyC and Ryan




Watched:  07/03/2021
Format:  Amazon Prime Streaming
Viewing:  First
Decade:  2010's
Director:  Ari Aster



AmyC and Ryan delve into the 2019 horror film that really gets into the end-result of people dressing too matchy-matchy and insisting on group activities. It's a slow burn of a film with a lot worth talking about, from amazing visuals to the unique presentation of horror elements to why it fits in our Co-Contributor Canon. Let's all take a break and not push hard enough to find out what folks are putting in the meat pies.




Music:
Prophesy - Bobby Krlic, Midsommar OST
The Sun Ain't Gonna Shine (Anymore) - Frankie Valli


Canon Playlist:

Saturday, June 19, 2021

Shudder Watch: Psycho Goreman (2020)




Watched:  06/19/2021
Format:  Shudder
Viewing:  First
Decade:  2020's
Director:  Steven Kostanski

It's been a minute since I posted.  We had guests for the first time since COVID, and we've been watching a lot of baseball and Ted Lasso, so no movies of late.

It seems Psycho Goreman (2020) is a bit of a cult favorite at the moment among horror aficionados, and I was looking for something fun to watch on my Friday night.  But aside from "sorta like an 80's family movie", "sci-fi alien" and "hilarious", I didn't really know much about it, which is my preference going into most horror.

And, yeah?  It's horror-ish.  Horror adjacent.  Sci-fi.  Comedy.  Something.  

Thursday, June 3, 2021

SimonUK Watch: Dead Heat (1988)

Watched:  06/02/2021



Format:  DVD
Viewing:  First
Decade:  1980's
Director:   Mark Goldblatt

In 1987 or 1988, when this movie *should* have been aimed directly at me, I saw the trailer for Dead Heat (1988) and took a hard pass.  I never cared much for Joe Piscopo, and I can say I had no idea who Treat Williams was in 1988.  So, alive or dead, I didn't really care to see a buddy-cop comedy starring these two.

Mostly, I'd totally forgotten this movie existed until about two years ago when Simon suggested I watch it.  But I did remember it.  Joe Piscopo.  Cops.  One of them was dead.  Probably Piscopo.  

So, last night was the first time in a year or so Simon has been to our house for a movie night (hooray, vaccines!).  Si brought an assortment of films, but I decided finally watching this movie was a thing we should do.  

Look, Simon really, really likes this movie and was generous enough to share it with me.  And I will say this - it does have a bonkers final 20 minutes.  I liked the last 20 minutes.  

It is directed by the same guy who directed the 1989 Punisher movie that me and like 20 other people have ever seen.  But apparently he's an amazing editor.  Terminator 2 and other credits.  But, man, it just *feels* like a Corman movie as much or more than anything else that came out of New World Pictures in the late 80's.  

Anyway, Simon really likes this movie, and there's no reason for us to take a knock at it.

Sunday, May 30, 2021

Horror Watch: Maniac Cop (1988)




Watched:  05/30/2021
Format:  Shudder
Viewing:  First
Decade:  1980's
Director:  William Lustig

Guys.  Guys.  Two guesses what this movie is about.

Monday, May 24, 2021

PODCAST: "The Descent" (2005) - a Signal Watch Canon PodCast with SimonUK and Ryan



Watched:  05/18/2021
Format:  Amazon Streaming
Viewing:  First
Decade:  2000's
Director:  Neil Marshall



Simon and Ryan delve deep and explore the dark passageways of one of Simon's favourite films. You never know what lurks around all the corners and what we'll take a bite out of next as we ponder the first big success by director Neil Marshall.




Music:
Into the Cavern - David Julyan, The Descent OST
Alone - David Julyan, The Descent OST


Signal Watch Canon:

Tuesday, April 27, 2021

Watch Party Watch: Voodoo Woman (1957)




Watched:  04/26/2021
Format:  Amazon Watch Party
Viewing:  First
Decade:  1950's
Director:  Edward L. Cahn

So, Voodoo Woman (1957) is a low-budget picture released through API that's more or less a jungle horror adventure aimed at teens, I think.  

The plot gives us the ruthless Marilyn (Marla English) who wants GOLD in the jungle, I think.  Anyway, she dupes a local barkeep into funding her as she talks her would-be boyfriend (Lance Fuller) into going out there, along with a hired guide/ tough guy (Touch Connors).  But - whoops - they're headed for a village where voodoo magic is melding with mad science as colonialist scientician Dr. Roland Gerard (Tom Conway) is working with local tribes people who perform voodoo to (a) prove you can transform a person into a sort of Voodoo Monster, and (b) use science to keep them in that state.

I won't bother you with more details.  It's a movie that is rigidly against more than three set-ups per scene, doesn't make much sense, but has both an AMAZING monster suit for the titular Voodoo Woman and Marla English is terrific as the scheming evil-lady at the center of the picture.  

Go in expecting a movie-serial-level production and you'll be fine!  

Sunday, April 25, 2021

Watch Party Watch: Crawl (2019)




Watched:  04/23/2021
Format:  Amazon Watch Party
Viewing:  second!
Decade:  2010's
Director:  Alexandre Aja

This is the second time I saw this.  It was a good movie for a crowd with lots of go-to jokes about injuries minor and fatal.

SimonUK and I discussed my love of movies about animals eating people on a prior podcast about Crawl.  


Sunday, April 18, 2021

Maniac Watch: Maniac (1980)




Watched:  04/16/2021
Format:  Amazon Prime
Viewing:  First
Decade:  1980's
Director:  William Lustig


One of the interesting things about horror is that it can be used to give an actor a showcase who might not otherwise get one.  Joe Spinell is not a name with which a ton of people are familiar, although he had appeared in two Rocky films. I knew him from his star turn as the villain in Starcrash.  

Spinell was in a ton of stuff, but mostly not in leading roles, and mostly played a heavy.  Maybe not the greatest way to stretch one's acting resume.  But in 1980 he was part of the creative team that wrote and created Maniac, the movie of which he is the star (but let's agree it's weird to call him a protagonist, even if he is, kinda sorta).  He created an opportunity, and he really made the most of it.

JAL recommended the film, and I'd been putting it off, but it seemed like good counter-programming to The Beautician and the Beast.  Anyhoo... I get why JAL suggested it, and I did, in fact "like" it, which is a curious thing to say about a movie where a guy kills a whole bunch of people over 90 minutes.

I'm going to recommend the movie as a terrific/ whacko character study, a truly grisly horror movie (I did not watch with Jamie), and having a hell of an ending.  

Plus, it briefly co-stars Signal Watch fave, Caroline Munro!  Just sorta being Caroline Munro - but as a photographer!  

see!  There she is!  



Anyway - no spoilers.  But if you like the grittiness of, say, Basketcase, this movie is for you.

Wednesday, April 7, 2021

Watch Party Watch: Lady Frankenstein (1971)




Watched:  04/06/2021
Format:  Amazon Watch Party
Viewing:  First
Decade:  1970's
Directors:   Mel WellesAureliano Luppi


Weirdly, this European produced take on Frankenstein co-stars film great Joseph Cotten.  I have no explanation other than Cotten wanted to have a stay in Europe for a while and this work was easy and probably wouldn't be seen by Americans, especially fifty years later on personal computers.  But here we are!  

The basic set-up for the story is that the good doctor (Cotten) is getting set for his grand experiment to bring a human to life when his daughter (Rosalba Neri) returns from med school, a fully licensed surgeon with amazing hair.  He has a sort of side-kick who helps him out in the lab, as well as the usual grave-robber types hanging about.  

But when the monster springs to life, he is super into murder, and starts with Baron Frankenstein.  Well, funny story, because his daughter Tania is way more of a freak than he.  So, as the monster runs around murdering pretty much exclusively copulating couples (viva Italia), the NEW good doctor gets to work on a plan for creating her own monster who will kill the first monster.  WHAT COULD GO WRONG?

She first seduces and marries her father's invalid sidekick, then convinces him to undergo a brain transplant into the local handsome moron.  

You guys, I'm not gonna lie.  This movie has a ton of nudity and sex, and then you remember "oh yeah, this is an Italian horror movie.  They think Americans movies are way too tame."  And so.  But it also creates a certain very dark take on the proceedings as Lady Frankenstein herself manipulates the men around her and seems to thrill in the more sadistic elements of what's going on - leading to an ending that had our watch party basically saying "well, huh" as the film wrapped.

It IS a horror movie.  Horrible things happen!  Some of it was some weirdly dark content I did not expect from what seemed initially like a goofy Hammer knock-off.  Because, man, there are some sharp turns there in the second half.  

I'll at least say: it was never boring!  But it is absolutely not for everybody.  Did I like it?  I mean, I was entertained.  I'm not sure it was a good movie, but it at least surprised me and wasn't entirely camp.  So.  I dunno.  

Sunday, April 4, 2021

Amazon Watch Party Watch: Piranha (1978)




Watched:  04/02/2021
Format:  Amazon Watch Party
Viewing:  First
Decade:  1970's
Director:  Joe Dante

You can't discuss Piranha (1978) without pointing out that it's the first film by director Joe Dante- and is already very Joe Dante.  And that it's also written by indie film director and writer John Sayles.  

Here in Central Texas, we also always mention "you know, they filmed this partially around San Marcos".  But I didn't know the final bit occurred at now-defunct water park Aquarena Springs, which was a feature of summer-time-life for the strip between Austin and San Antonio along I-35 for decades, and then - somewhat inexplicably, went belly up while I was in college as parents decided it was no longer hip, I guess.

But, yeah, the movie is about a skip tracer looking for some kids who went missing (the young lady who played Louisa in Sound of Music), and who winds up pairing up with an alcoholic to learn a mad scientist has been breeding particularly nasty fish in a tank near his house.  And, whoops, he and Louisa accidentally release them into the local river that people live on, contains summer camps, etc...

And, of course, this being a horror movie, things go poorly.  

The movie includes Kevin McCarthy, Keenan Wynn, Dick Miller, Paul Bartel, and for some reason, Barbara Steele.

Anyway, it's a lot of fun, the fish make buzz-saw/ bee sounds, and you see some pre-80's Texas.  

Here's a link to a trailer for a doc on Aquarena Springs, and they kinda talk about Ralph the Swimming Pig, which was something I desperately wanted to see in 4th grade, but didn't see til 7th.  You know what?  It lived up to the hype.

Tuesday, December 8, 2020

PODCAST: "Anna and the Apocalypse" (2017) - a Xmas Genre Xrossover 2020 episode w/ SimonUK and Ryan



Watched:  11/21/2020
Format:  Amazon Streaming
Viewing:  First
Decade:  2010's
Director:  John McPhail


SimonUK and Ryan have a holly jolly time biting into the 2017 multi-genre cult fave that has them singing and dancing in the aisles. Join us for a yuletide discussion of a newer film that might just be the Christmas treat you're looking for - it's a real slay ride. 
Christmas Means Nothing Without You - Roddy Hart, Tommy Reilly 
Hollywood Ending - Roddy Hart, Tommy Reilly 
 
Xmas Genre Xrossover Playlist

Wednesday, December 2, 2020

Watch Party Watch: Day of the Triffids




Watched:  09/18/2020
Format:  Amazon Streaming
Viewing:  First
Decade:  1963
Director:  Steve SekelyFreddie Francis

I forgot to write this up in September, and now it's too late.


Tuesday, November 24, 2020

HOLIDAY PODCAST: "3615 code Père Noël"/"Deadly Games"/"Game Over" or even "Dial Code: Santa Claus" (1989) - A Xmas Genre Xrossover 2020 episode w/ JAL & Ryan

 


Watched:  11/07/2020
Format:  Shudder Streaming
Viewing:  First
Decade:  1980's
Director:  Rene Manzor


It's French. It's Christmas. It's got a deranged Santa and a kid who has seen a lot of 80's action films. It's like "what if 'Home Alone' were infinitely @#$%ed up?" Justin and Ryan take a deep dive into a movie that feels like it's about to break as a cult classic, and features a very Bonnie Tyler Christmas song. You may know it as "3615 code Père Noël", "Deadly Games", "Game Over" or even "Dial Code: Santa Claus". But it's a frikkin' delight, this thing. 
Merry Christmas - Bonnie Tyler

Xmas Genre Xrossover 2020:

Thursday, November 19, 2020

Spooky Noir Watch: The Seventh Victim (1943)




Watched:  11/18/2020
Format:  Noir Alley on DVR
Viewing:  First
Decade:  1940's
Director:   Mark Robson


A Val Lewton horror film - that means a lot of atmosphere, mystery, wild plotting and not a lot of blood or outright frights - The Seventh Victim (1943) is a study in building a sense of dread and doom.  It's a strange, strange film, following one lead character for much of the film before putting her in a corner and finding other characters more interesting to watch.  

The film marks the movie debut of Kim Hunter*, who plays a private school girl who learns her bills aren't being paid by her sister - and her sister seems to have disappeared.  She hits the big city and learns her sister has sold the cosmetics company she owned, her shrink hasn't seen her in a bit, and she was romantically hooked up with Ward Cleaver (see a young Hugh Beaumont as a sort of romantic character!).  

Seems her sister fell in with a bunch of devil worshippers, and that's no gone great.  In fact, when paired with a private eye who decides to do the work pro bono, he gets bumped off.  At some point, we find the sister, and she's on a path that none of the men around her quite understand as they try to save her.  

But, I'm selling the film short.  Being a Lewton produced film, it's all about ideas and what you can't see in the shadows.  There's a Lynchian dream-like quality to portions, and the horror of what you realize must be happening (from people getting away with murder right in front of you) to rooms full of people trying to talk you into suicide that's far weirder than any makeup or jump scares.  Really, the closest thing I can think of in a "we're gonna watch someone end badly" closest to this film was Fire Walk With Me.  

Included as a Noir Alley entry - it works.  The film's aesthetics rely on expressionism, deep shadow, etc...  There's certainly a doomed quality and an underworld scratching at the edges of polite society.  In this case, an underworld that's what polite society does after 8:00 PM.  



*Kim Hunter is much beloved at The Signal Watch as the actor who (a) appeared as Zira in some Planet of the Apes films, and (b) as Stella Kowalski in A Streetcar Named Desire.  




PODCAST: "Krampus" (2015) - a XMas Genre Xrossover 2020 Special w/ Marshall and Ryan

 


Watched:  11/04/2020
Format:  HBO, maybe?
Viewing:  Second or third
Decade:  2010's
Director:  Michael Dougherty


Tis the season for genre mashes! It's horror with Christmas joy! Join us as we peek in on a family that has lost its Christmas spirit - and is now facing a giant beastman-shaped reckoning. Marshall and Ryan talk the 2015 holiday horror hit that's become a bit of a perennial favorite (already!) - which reflects on how the holidays with family can really be a nightmare.


Music:
Krampus Main Theme - Douglas Pipes

Xmas Genre Xrossover 2020 Playlist

Sunday, November 1, 2020

Watch Party Watch: House on Haunted Hill (1959)




Watched:  10/30/2020
Format:  Amazon Watch Party
Viewing:  Unknown
Decade:  1950's
Director:  William Castle

We were trying to find an ideal movie to prep friends for Halloween, and I think a William Castle spooktacular starring Vincent Price is a pretty good option.  

House on Haunted Hill (1959) is a classic in part because it's an examplar of Castle's interactive theatrical experiences (I believe during this movie, he released a skeleton over the audience on wires) and because it seems to be in the public domain.  But, I dunno, I kind of like it.  It's cheesy, it's giddily malicious, and it makes no sense unless you say "I guess maybe the house WAS haunted?"

Anyway - it's not high art, and doesn't have quite enough spooky scenes, but it's still a fun one.