Shark Watch: Jaws (1975)

I kind of said everything I had to say about Jaws (1975) the other night, but hadn't had opportunity to watch the movie.  Apparently my post readied Jamie for a viewing, so I popped a disc in the ol' DVD player and gave it a whirl.

Not much else to add, so, enjoy your own screening.  Or don't.  I don't know why you wouldn't.  It's a pretty good movie.

Of course, you can't go wrong with the sequel.

Sci-Fi Watch: Logan's Run (1976)

I watched Logan's Run one other time, circa 1999, but a bottle of something with an angry animal printed on the label was consumed then and stood between me and any firm memories of the movie.  Except for Carousel.  And, if I'm being honest, Jenny Agutter.

In the future, we'll all live in airports

James Horner Merges With The Infinite

I don't need to tell anyone who follows this site how important music is to a movie.  You guys know.  And I know I don't need to tell you how important James Horner was to movies of the last few decades.  The man's IMDB page reads like a list of movies we've all seen in the theater since we were kids.

Tragically, Horner seems to have died in a plane crash.  

Rather than talk about who James Horner was and what he worked on, I'm going to invite you to drop your favorite of his works in the comments.  If you want to add a why and wherefore, feel free to do so.

I will say the first score of his that I remember consciously really paying attention to and wondering "who did that?" was the score for the 1989 Civil War film, Glory.  Certainly the score wasn't the only thing Glory had going for it. but it set a new standard for the music in historical epics and I often feel like both documentaries and more recent movies have lifted from that score, or at least learned its lessons.



and, of course, I'm a fan of many more of his works.

Spielberg's "Jaws" at 40

I'm on the road for work (hello, Houston!), and am not going to be watching any movies or be doing much reading, so I thought I'd write something up on the 40th Anniversary of one of my favorite movies, the 1975 Spielberg directed shark opus, Jaws.

I didn't fall in love with Jaws until college.  Frankly, I can't say I'm sure if I saw it all the way through until then.  There was some sunny afternoon where I was drinking beer with my brother discussing the movie and realizing, "you know, that really is a hell of a movie when you think about it."  And I picked up the DVD at some point, but hell if I know where it is now.

Of course I love the fact that Jaws plays on cable each summer almost as much as the Vacation movies.  It's the perfect summer movie, especially for those of us who kind of need a push to get to water that isn't a public pool.  Jamie's a big fan, too, so she'll always take in a viewing if that's what we're doing.

Happy Birthday to Jane Russell

Born this day in 1921 in Bemidji, Minnesota.

Sci-Fi Watch: The Thing From Another World (1951)

I'm a big fan of the 1982 John Carpenter sci-fi horror flick, The Thing, but I'd never seen Howard Hawks produced The Thing From Another World (1951) - the movie upon which the Carpenter film was based.

I recorded it off TCM at some point and finally got around to watching it, which was well timed as I'd been having a twitter-convo with some of y'all about whether remakes and sequels were really out of control.*

Screwball Watch: Bringing Up Baby (1938)

So, we started watching a different movie last night, gave up, and when I was about to start up Monkey Business (1952), Jamie mentioned she'd never seen Bringing Up Baby (1938).  Which...  we've been together for 20 years, so I'm not clear on how that happened.  I know I've seen it a couple of times, but I also remember watching it with my roommate back in film school, so that accounts for at least that screening.

So, we fired up the Roku and Amazon streaming services and watched the Katharine Hepburn/ Cary Grant, Howard Hawks-directed comedy.

if you ever want to see the world's worst Katharine Hepburn impersonation, I'm your man

Very much of the school of both Hollywood screwball comedies and the Broadway domestic comedies of the 30's and 40's, Bringing Up Baby is not, as you would expect, about a young couple fumbling with an actual baby.  It's about a daffy paleontologist who meets an even daffier socialite who immediately falls in love with him and isn't going to let the fact he's supposed to get married the next day slow her down.

As rings all too true from working at a university, Cary Grant's scientist is in pursuit on $1 million for his museum, plus he's receiving the final bone for his brontosaurus in the mail.  Golfing with the attorney of his potential patron, Grant meets Hepburn (or, David meets Susan), there's some confusion, destruction of a car, etc..  Susan, deciding she's in love with David, involves a tame leopard her brother has sent her from South America - a leopard who happens to be named "Baby" and who really likes the tune "I Can't Give You Anything But Love".

Anyway, just watch it.  As with many screwball comedies, describing it will make you feel like a lunatic.

I have some very favorite scenes from the movie, including the dinner sequence.  For whatever reason, this sort of comedy really works for me.  Sure, I love a good Mel Brooks movie with the cheap gags and all, but there's something pretty great about original formula for situation comedies that rely more heavily on absurdity and character-driven gags, and it's not necessarily the set up/ laugh/ set up/ laugh of the television sitcom.  It can be as complicated as keeping up with a Raymond Chandler story to keep the threads straight, even as characters are very clear about their motivations.

It's a pretty darn good movie, and there's a reason people keep coming back to it well after 1938, whereas, I'm not sure we'll still be revisiting the American Pie franchise in 20 years.  Then again, the kids keep surprising me when they're building the mythology of their own definition of classics.*




*@#$%ing Space Jam?  Really?

Comedy Watch: Caddyshack (1980)

I'm not a die-hard Caddyshack fan.  As much as I enjoy pointlessly killing time in ugly pants, I don't play golf, but the movie doesn't require any tremendous knowledge of the game to enjoy it, nor must one find themselves playing golf in order to find opportunity to quote the movie.

I really don't know when the last time I watched Caddyshack, but it's been at least a decade.  Possibly two.

The movie offers up a great snapshot of comedy in the US circa 1980.  Chevy Chase at his Vacation-era best, Bill Murray doing that thing, Ted Knight as Ted Knight, Rodney Dangerfield as Rodney Dangerfield, Harold Ramis directing, Bryan Doyle Murray playing Bryan Doyle Murray and also lending his talents to the script.  And let us not forget Cindy Morgan, who totally made sense in context.

Musical Watch: West Side Story (1961)

the plot in a nutshell

If you haven't seen the 1961 film, West Side Story, coming into it cold in 2015 will feel like you're watching a movie about an alien world, but it's a musical that comes from a time and a place, and I'd hope that at least the music, choreography and cinematography would work for you.  Maybe not.  The oh, so clever audiences of the modern era have cleverly deduced that people don't actually sing and dance spontaneously and have rejected the genre.

For those of us who kind of grew up with the play and/ or movie (I saw it the first time at a local theater in Austin when I was about 13, the movie at least twice in high school and have seen the movie now about five or six times by my reckoning), it can be easy to take a lot of the actual story for granted.  I know I was shown the movie in high school alongside Romeo and Juliet as we compared and contrasted the two stories as a class, and that's a good starting point.  But I can't help but notice that being 40 and watching a story about the passion of teen-aged romance is a whole other burrito from watching the movie when your hormones are firing a million miles an hour and wanting to talk to girls and punch things are the two driving factors in your teen-age brain.*

Noir Watch: Nightmare Alley (1947)

I like a movie that starts at the circus, and especially anything that starts on the Midway.  Probably because I know that if I were born 100 years prior, I'd have been some roustabout working behind the scenes of a freak show and hanging around the pinheads.

Nightmare Alley (1947) stars a whole lot of people I'm not overly familiar with, from Tyrone Power (who I think of as being a pirate-y and shirtless), and Colleen Gray.  The movie also stars a 41 year old Joan Blondell as a formerly hugely successful mentalist now working the circus sideshow circuit with her former partner assisting (now a shambling drunk) and Tyrone Power flirting with her/ trying to figure out her angle for his own gain.