Wednesday, April 5, 2017
Monday, April 3, 2017
So, I re-watched the 2016 Ghostbusters because Jamie said "I really want to rewatch the new Ghostbusters". So, we did.
I still liked it okay. It's not the original, and struggles when they have to stop goofing around and get through the actual plot.
Some of the issues on a rewatch and having had seen the original approximately 13,000 times is the mental mapping you start doing to the original as the movie is a "remake" of sorts, with tons of nods to the original in both plotting and in Easter Eggs. But this time I really felt the lack of a Dana and Louis - we never really have any point of reference characters to pull back and remind you this is happening in a mundane world.
Luckily, the cast is really funny, and likable, when they aren't cracking jokes, exactly. Even the villainous Rowan is so goofy and almost plausible (we all knew that guy at the coffee shop), he's kind of likable.
This is going to sound weird, but I think the movie should have been about 20-30 minutes longer to let it breathe. It is a fast-paced movie, and maybe too fast paced. On this viewing I caught a lot of dialog and ideas about who the characters were that I didn't quite get the first go-round (but knew from stuff I'd read online before seeing the movie). Like, this time Patty's local-history-buff part made way, way more sense.
Anyway - it's imperfect but still fun.
Sunday, April 2, 2017
For whatever reason, this has long been one of my top 5 MST3K episodes. Well, that reason is primarily Zap Rowsdower, the burly, mustachioed, Canadian-tuxedo'ed co-star of the movie. Paired with the weiniest kid to ever star in a movie, it's a match made in cinema glory.
I generally don't pay attention to this stuff anymore, because it's usually a fire that burns itself out and the world keeps on spinning, but...
The Comics Internet has been in meltdown over the weekend as word got out about the first Marvel retailer summit in two decades, which - with the best of intentions, Marvel (God bless their hearts) decided to invite in ICV2 and let them report out on some of the conversations between their senior staff and retailers.
and the part that set the internet ablaze
I'm the first person to nod and acknowledge that sometimes the unicorn dreams of the world don't add up to financial success and security for all, no matter how much we want the opposite to be true. But...
The sentence that is getting all the play:
We saw the sales of any character that was diverse, any character that was new, our female characters, anything that was not a core Marvel character, people were turning their nose up against.
I would point out, it seems like folks are ignoring all the "we like our diverse characters, and we were doing okay with them until just now" commentary surrounding that sentence. In context (and you can see the article in that third link above), it sounds more like a guy trying to grasp market forces that changed super rapidly, is looking at what's not selling and making a statement that reflects his spreadsheets. And he made some insensitive remarks in illustrating what they saw happening. Which is why you don't do that.
Honestly, I cannot believe a wing of Disney opened the door to the amateur-hour world of comics press during frank conversations. Off-the-cuff-on-the-record convos have never been the strong suit for most comics folks. In the end, the same guy had to come back and admit that some of those new characters are popular or are doing fine and he undermined Marvel's significant efforts to diversify their character base and their fan base. And that just makes Marvel, clearly, look awful.
My intention is not to protect Disney/ Marvel so much as to say - "Marvel, that was kind of bone headed on a multitude of levels" and to also say "My fellow progressives, it's possible many market forces are in play that are impacting sales on books featuring newer characters, which in Marvel's case of late, are those diverse characters because those are less established characters who don't have the foothold of, say, Spider-Man."
I'd argue that that there's probably a much more realistic reason Marvel is having issues than a sudden public disinterest in diversity.
None of this is news - but this is my "how I wandered off from Marvel" journey.
Saturday, April 1, 2017
With Kong: Skull Island checked off my "must see" list, I noted King Kong starring Jessica Lange was on Amazon Prime.
If ever a movie was a mixed bag, it's the 1976 version of King Kong. It's a movie only the 1970's could have produced, still in the echoes of the pessimistic Planet of the Apes saga but brimming with the romanticism we'd see in Superman: The Movie and Star Wars. It features two/ three stars busting out - nobody aware they'd become Hollywood icons - in Jeff Bridges and Jessica Lange and Charles Grodin, who would go on to be Charles Grodin (and that is not a complaint).
But it's also a movie with a very good mask/ make-up on a guy in an ape suit, big animatronic hands, arms and legs for Lange to cling to, and a re-writing of the premise as an Energy-Crisis-conscious abandoning of the showbiz angle of the original for something about oil exploration. And it really whittles down the wonder of Skull Island - dumping the dinosaurs in exchange for more dialog and human moments, severely diminishing the idea that this is an adventure film.
A few folks had recommended to me Altered Carbon (2002) by Richard Morgan. Likely this was due to my interests in science-fiction and detective/ noir fiction. Not a bad call, that. The book is more or less a detective story with a decidedly noirish bent set in a far-flung future of high technology and interstellar travel.
While our characters live in a fantasyland of technological wonders and possibilities, the technology the book is most preoccupied with is the digitization of the human consciousness, allowing minds and personalities to flow freely between bodies or into virtual environments as specters, even crossing the cosmos for business meetings into rented "sleeves". While mankind lives at a point where genetic and chemical manipulation of the human form is common practice, the same ills that always plague humanity are no further off. War, hunger, institutionalized economic disparity, religious mania... all still present hundreds of years from today despite the colonization of many new worlds and the discovery of alien artifacts.
Friday, March 31, 2017
This is likely the fourth time I've watched Tension, the 1949 pulp-tastic noir I was first introduced to by JSwift during a trip to SF a few years back. It aired this last Sunday during Turner Classic Movies' new segment, Noir Alley, hosted by Eddie Muller.*
Muller does what he does so well - introduce the movie, give some history and context and talk about the players in unpolished terms. This screening included an appreciation of co-star Audrey Totter, whom we at The Signal Watch think is absolutely tops, and a closer discussing the complicated life of director John Berry.
In addition to Totter, the movie also stars Richard Basehart, William Conrad, Lloyd Gough, Barry Sullivan - and, oddly, Cyd Charisse in a role where there is not a single step of dance. I mean, she's terrific - she's got some straight acting ability, but it's an odd fit for someone who appeared in roles with not a single line but a lot of dancing. That's sort of her deal.
It's a bit of a small-scale production, a tight cast working with a rat-a-tat script by Alan Rivkin, and good, twisty fun with some severely dated bits that don't seem aware they've inverted the Superman paradigm.
Thursday, March 30, 2017
Wednesday, March 29, 2017
On Monday around 3:07 Pacific Time (I was flying back from Berkeley, CA), I finished the final Parker novel by Richard Stark, Dirty Money (2008).
It's a hell of a thing to say I read all 24 Parker books, plus the four Grofield spin-off novels. That's certainly a first for me, when it comes to books. Back in the 1990's, I read about five or six books with a tight continuity by William Kennedy, and I've read a lot of Hammett's "Continental Op" short stories - but 28 books by one person feels like a lot, airplane reading though they were.
Dirty Money doesn't conclude the series except for the fact that Donald Westlake (Stark's real name) passed on December 31, 2008 without producing any additional Parker novels. Parker doesn't die, doesn't go to jail, doesn't give up on crime to have 3.5 kids and become a manager at Hardee's. Butcher's Moon, the 1974 near-conclusion of the Parker series, also didn't feel quite like a finale, although the bodycount in the novel certainly had the sort of thing you didn't imagine Stark wanting to top. But it did make for a satisfying conclusion of sorts.
Fortunately, so, too does Dirty Money make for a fantastic conclusion to the 90's-00's Parker rebirth. The story ties together the plots of the two prior books into one continuous novel of sorts, refusing to gloss over the complications that I had, as a reader, half forgiven Stark for, thinking he had maybe written the other too quickly, hadn't really paid the same attention to detail he once did in that 1960's-70's heyday that produced the first ten novels of the series.