Wednesday, May 20, 2020

Kaiju Watch: Rebirth of Mothra/ Mothra Returns (1996)



Watched:  05/20/2020
Format:  BluRay
Viewing:  First
Decade:  1990's
Director:  Okihiro Yoneda

So, this movie was insane. 

Rebirth of Mothra/ Mothra Returns (1996) arrived with those kind of groovy Godzilla films where they were re-doing the earlier movies in a 90's context, and decided to expand the franchise with some Mothra solo flix.  It just happened to be directed by a second unit director who maybe wasn't quite ready for his own picture?

The first half has this weird vibe like an American kids movies of the late 80's - squabbling parents, a bratty younger sister maybe?  But then enter the Twins/ The Faeries from prior Mothra appearances.  And they HAVE NAMES.  (Mona and Lora.  Who figured?)  They also have a gothed out sister who went evil who rides around on a tiny dragon. 

Friday Night Tweet-a-Long: Invasion USA (1985)



Watch atAmazon Prime
Day:  Friday 05/22/2020
Start Time:  8:30 Central
Hashtag:  #invadeusa

Pause Video and Wait At:  20 seconds - as soon as the Cannon Logo locks in.

Because:  CANNON - the sign of 80's QUALITY

The 80's were a time of amazing action movies that rarely, if ever, made any sense, but did provide plumes of flame and dudes with automatic weapons taking care of business.  It was also the halcyon days of Chuck Norris before he became a meme.  But how did he become a meme and why?  We're here to find out.

Join us as America works through its paranoia and racism in the form of a land-based invasion force who seems hell-bent on... something.  But apparently a single boatload of guys in camo pants is enough to set Reagan's America on its ear!  You'll wonder how a country need be made great again when you're bad-ass enough to have Chuck Norris around to single-handedly save the nation!









Tuesday, May 19, 2020

Accidental Quarantine Watch: Jezebel (1938)



Watched:  05/18/2020
Format:  TCM on DVR
Viewing:  First
Decade:  1930's
Director:  William Wyler

Y'all should know by now I like me some Bette Davis, and one of her early-career films you hear name-dropped a bit is Jezebel (1938).  In all honesty, all I knew about the movie before hitting Play was that it starred Davis, was a period piece of some sort, a melodrama of some sort, and featured cinematography was by Ernest Haller.   I figured on a big studio budget as Davis was, by 1938, a force.  But I didn't think much else about the production.

Given the year, I assume this was Warner Bros. pre-emptive answer to Gone With the Wind, which would arrive soon after and took so long in all phases of production, Warner Bros. had an opportunity to catch up and did so by adapting a screenplay with very similar themes.  Maybe I'm wrong, but the parallels of a romance about a spitfire of a girl in the antebellum south longing after a man she can't have and playing with a bit of a cad and it all ending badly has a certain echo to it.

Monday, May 18, 2020

PODCAST: "Skyfall" (2012) - Bond Watch 07 w/ SimonUK and Ryan



Watched:  05/16/2020
Format:  BluRay
Viewing:  Unknown - maybe 4th?
Decade:  2010's
Director:  Sam Mendes

More ways to listen.

We talk a favorite of the entire Bond franchise - "Skyfall"! It's not just a perfect Adele song, it's also a movie! Daniel Craig and Dame Judith Dench protect Mother England and tangle with Javier Bardem! There's a komodo dragon! There's a mysterious island! There's a chase through tunnels! A jail cell with no toilet! Join Simon UK and Ryan as we sort through the film that was better than the films immediately before and after.




Music:
Bond Theme - Monty Norman
Skyfall - Adele



Playlist:




In a Time of Virus: Everything Out of a Can

People went crazy the last few weeks.

I don't really know how else to interpret the furious wrath of church ladies in JC Penny tops screaming about wearing life-saving facemasks.  People told their lives depend on distance and patience rushed to state capitols with rifles to stand elbow to elbow with strangers, their faces bared to cameras and virus particles, screaming hysterically about their right to...  expose themselves and others to illness and death, I guess.

It's now been going on long enough that we're getting reports of these people catching COVID-19, the occasional ironic/ cautionary tale of people's last facebook posts rants about the "hoax" of the virus before the person winds up dead.  70-odd people who went to an "open" rally in Wisconsin are believed to have contracted the virus at the event.  And today I saw something about a church in California that held Mother's Day services exposed over 180 people.

Sunday, May 17, 2020

Noir Watch: Mildred Pierce (1945)



Watched:  05/16/2020
Format:  Noir Alley on TCM on DVR
Viewing:  Unknown
Decade:  1940's
Director: Michael Curtiz


It's pointless for a schlub blogger like me to get into writing much about Mildred Pierce (1945) - it's one of the best known and most written about movies out there, still a favorite among even the most casual of classic film fans.  Anyway, there's no shortage of critical analysis out there about the film. 

Saturday, May 16, 2020

Fred Willard Merges With The Infinite



Fred Willard has passed at the age of 86.

Willard was one of the funniest people to appear in TV and movies, full stop.

When I was in high school, Nick at Nite sprang into being and shortly thereafter brought on old episodes of Fernwood 2-Night, which, as a kid who could never sleep (or an adult who still won't go to bed), I found myself watching when I'd get a chance.  And then, of course, his appearances in Christopher Guest movies of the mid-90's just sealed the deal.  The man was hysterical.*

I'm really going to miss knowing he was out there, his guest appearances on shows, his recurring roles on others, and basically just having Fred Willard in this universe.


*those doubters should immediately view Best in Show, and then tell me Willard's role wasn't the inspiration for how today's dog shows on TV are broadcast.


Comedy Watch: 21 Jump Street (2012)



Watched:  05/15/2020
Format:  Amazon Streaming
Viewing:  First
Decade:  2010's
Director:  Phil LordChris Miller


As it starred neither apes nor robots, I was never a watcher of the original 21 Jump Street when it was on TV.  I knew roughly what it was about, but I don't believe I've ever seen an episode.  Between this fact and the massive pile of comedy remakes that had been hitting since the mid-90's Brady Bunch revival, I was in no particular rush to see this movie. 

But, then I learned it was a Lord & Miller movie and gave it a shot.  All in all, an ideal Friday-night comedy with enough Lord & Miller stuff to make it really work.  The cast is great (special shout out to Ellie Kemper) and there's a ton of really good stuff packed into 90 minutes, even with some pretty pat "high school kids sure are different now!" stuff that's a little hard to buy with only 7 years passed since our heroes supposedly graduated high school.

Pretty clearly there was a lot more shot, as a few things are referred to and it looks like some unused stuff wound up in the credits.  Which makes me reflect on the assignment of Lord & Miller to the Solo Star Wars movie, and their eventual firing.  What did Disney think they were getting, again?

Anyway, the movie is exactly what you think it is, maybe funnier than you'd guess. 

Catch-Up Watch: Good Boys (2019)



Watched:  05/16/2020
Format:  Amazon Streaming HBO
Viewing:  First
Decade:  2010's
Director: Gene Stupnitsky

Look, the secret life of boys on the verge of teenhood is hard to capture.  The last time I remember thinking anyone got it was parts of Boyhood and Stand By Me.  It's the last time you're friends with kids who you might not have all that much in common with before you hit middle and high school and become more yourself.

Good Boys (2019) doesn't avoid that idea, but it does show the potty mouthed, sheltered dopes boys are at around age 12, with confused ideas about masculinity, an overpowering need to demonstrate their worldiness and maturity, and one foot firmly on the side of kid-hood and one foot on the side of becoming a teen.  In short, you're a @#$%ing mess.

I don't want to overthink what is a "well, this worked very well at least the first time, but maybe not so well on the second once the shock and surprise value is lowered" comedy, but this movie was, indeed, funny.  And I can just imagine all the explaining parents and those on set had to do with the kids (if they did any at all) about half the things in the movie.

Anyway, writing about what is and is not funny and everyone's sense of humor is all over the place, but some of this felt very familiar, indeed, from a certain age (about 5th grade).   A quick glance at Metacritic is pretty much a roadmap of how this movie just isn't going to land with everyone.  Some seem to think it's just being outrageous and that's bad.  Others seem to have a, shall we say, interestingly sociopathic idea of what *would* have been funny.  I will say, regarding one flavor of complaint I read - it doesn't hurt to know that one of the laws of comedy is stupid repetition.  Or, in fact, if you repeat something, it just gets funnier.  Sort of the way that if you keep doing something, it just increases the comedy value.

But, that's the thing with comedies.  I looked at Amazon to see what was on there, and, man, are there a lot of 90 minute movies out there that just look painful to watch.  And a lot of it is - I have no idea what world the filmmakers are living in where they thought "yes, let's make this movie and, from coast to coast, a lot of people will find this hilarious".  Like, sometimes you're just funny to your friends.

Anyhoo...  this is a very Rated-R movie, so do not watch with the kids. 

Friday, May 15, 2020

Kaiju Watch: Godzilla - Tokyo SOS (2003)



Watched: 05/14/2020
Format:  BluRay
Viewing:  second or third
Decade:  2000's
Director: Masaaki Tezuka


This Godzilla film is a direct sequel, sort of, to Godzilla Against Mechagodzilla.  But in the tradition of Godzilla movies, the humans in the foreground are not the same as those in the prior film, minus a cameo and a return of the same Premier of Japan.

This one follows up, basically, with the rebuilding of Kiryu - the Mechagodzilla built by humans to protect Japan - smartly made from the bones and DNA of 1954 Godzilla.  The flight team from the prior film is shipped off for additional training and so we get a new flight crew.