Watched: 12/12/2021
Format: On VOD from Pop
Viewing: First
Decade: 2020's
Director: Anna Dakoza
Hallmark movies have now been around long enough that you do spot spoofs and satires. This is the second one I've spotted just this year, the other I need to finish (The Bitch Who Stole Christmas, which appears to be a whole thing).
Clearly Gasteyer and Dratch had watched enough Hallmark to understand not just the beats of one of the movies, but the aesthetic, tone and low-burn insanity of everyone in a Hallmark movie. Sets, scene set-ups. Hell, the very specific music of Hallmark Christmas movies becomes a thing. As does token representation.
The plot is classic Hallmark. A driven but lonely businesswoman (Vella Lovell, who is really pretty solid here*) is asked to seal the deal to buy a quaint lodge/ inn so it can be turned into a resort (I'll let you watch to hear about the amenities). The inn is owned by the Clüsterfünke sisters (Dratch and Gasteyer) who are very deeply committed to Christmas. I don't want to explain jokes - but in a way that certainly answers the question about all of the Hallmark Channel movie inns dedicated to Christmas: what about the other 11 months of the year?
A handsome local who loves rustic shit is met, a handsome douche of a rich city dweller comes in to compete for her affections. Town squares are seen. Too many crafty holiday activities attended.
Anyway - it's a Hallmark movie. But funny. And tiny bits really show they know the material - like everyone's delight that Holly, our lead, can paint a smile on a gingerbread man.
SPOILER
I genuinely thought the film was going to end like The Wicker Man. It does not. And I have mixed feelings about that - but if it was ever in a draft, someone probably pointed out that it was a bridge too far. And this is why I am not allowed to make movies.
*she co-stars on the disappointing Mr. Mayor, but I guess was good in My Crazy Ex-Girlfriend
Vella Lovell is also pretty foxy, and that doesn't hurt anything
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