Watched: 08/14/2026
Format: TCM on DVR
Viewing: First
Director: Mark Robson
Well, this is *weird*. Somehow, unintentionally, I watched two movies by the same director in the same day, the other being Valley of the Dolls. Mark Robson everybody. Apparently he made Patty Duke cry a lot. I wonder if he made Boris Karloff run away weeping.
This is an historical drama with large dollops of political commentary and a dash of the horror film - we do have Boris Karloff in the movie, after all.
The movie is essentially about a young woman, Nell (Anna Lee), who is the protegee of the porcine Lord Mortimer. Mortimer is a rich idiot living well in the world of 1770's-ish England. He sees himself as a generous fellow, and one of the things he does is employ Sims (Boris Karloff) to manage a lunatic asylum, which has a different name, but is commonly called Bedlam.
"Bedlam?" you say. "Doesn't that mean chaos... or... crazy...?" Yes. And guess where we got that word, humans of 2026? Yeah, the English language is a wild ride and I am sure this will make some well-meaning people very cross, indeed.
Anyway, two things happen. 1. Nell considers herself a stone-hearted jerk immune to the suffering of others, surely a useful tool in an era where people were in rags begging for scraps as you rolled by in your gold plated wagon pulled by local urchins. She visits Bedlam, which the rich do for their personal amusement. Back in these days we called the mentally ill "idiots" and "fools" and it was all a good time. However, Nell is horrified. Shit is bad in the badly run lunatic asylum. 2. She meets a Quaker who was also there to take work as a mason. He says "I can tell you're secretly a good person", which she denies.
However, Nell *is* a good person with a conscience. She seeks to use her favor with Lord Mortimer to improve the lot of the inmates, but Sims convinces Mortimer this will be costly and if he spends the money, he'll lose favor in the Royal Court (of King George. Boo. Go, America!).
Sims contrives to have Nell put in the asylum.
There is *a lot* going on here which, 20 years ago, would have seemed like a hyperbolic echo of the misguided ways of the past, and now just feels like "oh, yeah, totally". Rich people? Who can't see other people as human? Almost impossible to imagine.
It's a good movie! Well acted, hits all the right beats, tells the story in 80 minutes, in-and-out. This sort of movie is my bag, baby. And Karloff's fate is some prime "Val Lewton was here" stuff.
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