Wednesday, April 30, 2025

Chabert Watch: Being Michael Madsen (2007)




Watched:  04/29/2025
Format:  Legitimately obtain video
Viewing:  First
Director:  Michael Mongillo


There's nuggets of a couple of ideas in Being Michael Madsen (2007) that are very good ideas.  Unfortunately, this was not the movie to execute on those ideas.  And you know you're in trouble from the very start when the faux-documentary alerts you it will be bleeping out *real* brand names for legal reasons (sigh) and then rolls like three quotes before the first shot of video.  

Yeah, this is a fake documentary - about a documentary that we will never get to see.  Or is it the documentary?  It's not clear.  I do know this movie is also a weird mix of wildly pretentious nonsense that believes it's very clever and maybe poking fun at itself for being pretentious.  But, hoo boy, it's kind of like when someone is being pretentious but isn't quite smart enough to actually pull it off, but they're Dunning-Kruegering their way into believing they're the smartest person in the room.

Monday, April 28, 2025

Chabert Horror Watch! The Ghost of Goodnight Lane (2014)




Watched:  04/27/2025
Format:  Tubi
Viewing:  First
Director:  Alin Bijan

Goodnight Lane is a very real street in northwest Dallas, where the Ghost of Goodnight Lane (2014) takes place, and was filmed, at least in part.  And if there's one spooky thing in this world, it is Dallas sprawl and suburbs.

The best thing about this movie is that Billy Zane is having a good time.  He knows what this movie is, and he's just happy to be there and dick around.  And, really, this movie is just an excuse for the filmmakers to have a good time and make a low-stakes horror-comedy.  It is silly.  It knows it's silly.  It is critic and taste proof.  If you don't like it, that's kind of on you, audience.  And the fact this exists in this form is proof I don't know how movie-making works.

The Ghost of Goodnight Lane is weirdly full of B to Z list working actors out of LA.  I say this, because this movie has the vibe that it doesn't feel like it should have anyone in it but local talent from the DFW area.  But it has Billy Zane and Lacey Chabert.  And still manages to look like a movie shot by people playing with equipment more than a movie that came out in 2014.  Like, it's weird to see real actors in set-ups and with lighting I associate with movies made by folks usually casting their pals, just something fun to enter into horror film festivals.  

It's maybe not Ouija Shark bad, but... 

So I wonder about the proposition for getting the financing - provided our writer/ director didn't finance himself. Did they blow it all on getting who they got?  The FX?  Which are brief but pretty okay for what this is?

Sunday, April 27, 2025

Coogler Watch: Sinners (2025)




Watched:  04/26/2025
Format:  Drafthouse
Viewing:  First
Director:  Ryan Coogler


I guess Marshall is my "there's a vampire movie out, we're going" buddy.  And, really, Marshall was the ideal movie buddy for this one.  He's an avid music fan, a musician, and his rock sensibilities - when I met him in the early 1990's - were blues-based.  He's also a fan of vampire flicks, although I don't think I've convinced him to watch the Hammer vampire flicks yet. 

In addition, Marshall is well-read, and with an academic background in creative fiction, his critical analysis is always impressive.  But he refused to send me a blog post for this movie so that I didn't have to write one.  He is refusing me this one simple request, and so I am hoping if I butter him up enough with this high praise, next time, he'll do it.

Anyway - count me in with the people who loved Sinners (2025), and am excited about seeing it again.

SPOILERS

Saturday, April 26, 2025

Chabert Watch! Mean Girls (2004)



Watched:  04/25/2025
Format:  Paramount+
Viewing:  second
Director:  Mark Waters

Back when we were doing the podcast, we should have done this movie as part of our "high school movies series".  Alas, we didn't get to it.  

But if you listened to those episodes, you would have come across my inability to access a lot of high school movies, largely because I felt they offered a false proposition:  that in high school, there existed a clique people aspired to join or who were a group to emulate or who had influence.  And that those people were varying levels of mean.

I have since learned:  no, man, that may have just been you (me).    Maybe because I moved to a new school and no one explained to me who was supposed to be "popular".  And if that was going to shake out at the first high school I attended, I missed it gelling as I moved away after Freshman year.

So, that was my context the first time I watched this.  I've kind of accepted since that some people very much felt in and out of groups in high school, and carry that feeling for life.  I think it's why everyone - if you ask them - will tell you how they were an outsider in high school, but the math doesn't add up.  You can't have 99% outsiders.  And I've never heard anyone say "actually, I was super cool in high school".

Noir Watch: Tension (1949)




Watched:  04/26/2025
Format:  TCM
Viewing:  lol
Director:  John Berry

Whoops, I watched Tension (1949) again.

In my defense, it stars both Audrey Totter and Cyd Charisse and I really had no choice.









Friday, April 25, 2025

Chabert Watch: In My Sleep (2010)

"genuinely suspenseful"



Watched:  04/25/2025
Format:  Tubi
Viewing:  First
Writer/ Director:  Allen Wolf


Oh my.  Spoilers.

This is an entire movie about a guy who should have done very obvious things when confronted with monumental problems.  But then we would not have a movie.

I get it.  This is a movie that started as someone's desire to create a "Hitchockian" mystery thriller, found a premise, and worked backward from there.  The premise no doubt started as "how do you tell a story about a guy who needs to solve a murder, but he may have committed said murder himself?"  Ah ha!  I saw cartoons. Sleepwalking.  Sleep driving.   Sleep sexing!  This guy does it all!

The first obvious thing - He kinda/ sorta begins to seek treatment for this condition with medication at the beginning of the film - but only after he somehow sleep-sexes his best friend's wife.  Btw, she's far from the first woman he's apparently had luck with whilst sleepwalking, we're told.*  Also: He's been driving.  He's been wandering around in his undies.  He is a mess.  He keeps waking up in odd places.  With 0% bodyfat.

After a birthday party, attended entirely by his married pal and women he has slept with (I mean... honestly... why?) Our Hero learns the best friend's wife was murdered and found by his father's grave.  Kinda sus.

Thursday, April 24, 2025

Chabert Watch! Fatwa (2006)

love the US flag pine tree deodorizer.  Feels very 00's



Watched:  04/23/2025
Format:  Midnight Pulp
Viewing:  First
Director:  John R. Carter

An absolutely bizarre movie that sees the intersection of 
  • the 1990's and 00's-era post Pulp Fiction crime flicks
  • the success of shows like 24
  • the belief that shooting on consumer video will lend an immediacy to the film (this is not correct)
  • a first time director
  • established actors
  • unyielding pretentiousness
all in one neat package that winds up as one of those 90 minute movies that seems like it's been at least two hours, and so you check, and it's got another 30 minutes to go...  It's also one of those movies where everything seems very disconnected and then wants to make everything tie together in the last 20 minutes or so, but when put together, just starts stretching credulity way past the breaking point.

Fatwa (2006) is a post 9/11,  post fall of Iraq indie thriller/ political commentary.  It follows a desperate would-be terrorist in DC who is planning *something* - it's hinted at early on he's going to make a nuclear device using household objects.  He's specifically targeting a US Senator played by Lauren Holly.  (Holly is also an Executive Producer, but I assume that was her negotiating and more of a ceremonial role.)

Tuesday, April 22, 2025

Happy Birthday, Sheryl Lee

 


April 22nd marks the birthday of actress Sheryl Lee.  

Lee, through her relationship to both Twin Peaks series and the movie Fire Walk With Me has filled an inordinate amount of my brain space since I was 15.   

Lee, herself, only works in film sporadically these days.  Some ink was spilled when Twin Peaks: The Return hit in 2017, sorting out where she'd been and what she'd been up to.  She has some health issues that make acting a bit difficult, but she does do it.  

But I think wrecking me during Twin Peaks, Fire Walk With Me, and then devastating me during Twin Peaks: The Return was probably enough for one lifetime.  And when I think about her now - after we spent COVID pondering nostalgia and what made for the best of our generation - going through reunions of youth-friendly media, identifying Gen-X favorites, I don't really recall Twin Peaks getting included.  But in her way, maybe Lee's creation with Lynch and Frost, Laura Palmer, was the ultimate Gen-X icon.

Laura had loving parents, she had a house in the 'burbs, dressed in the clothes of a different generation, and as a youth of the era, still ran wild, unknown and unknowable, what she was up to only really discovered when she was no longer there.  And, of course, the scream of Laura Palmer/ Sheryl Lee when she returns to where she's told she belongs?  Someone else is there.  And she never quite existed, but went along to find out.  Middle-aged and displaced, being told she was someone she was not.

There's a parallel in there somewhere.

Sheryl Lee isn't Laura Palmer, of course.  But she did bring her to life.  And as she's never been one to hog the spotlight, she's maybe her own version of unknowable.  

But we're going to wish her a happy birthday anyway.





90th Anniversary of "The Bride of Frankenstein"



Today - April 22nd, 2025 - marks the 90th anniversary of the release of one of the greatest American films ever put to celluloid (created by and starring mostly Brits), The Bride of Frankenstein.  Not just a great horror movie, or horror-comedy, but a great film.  If you've slept on it, you're missing out.

Long time readers will know that Bride is one of my absolute favorite films.  I think I've watched it every Halloween for over a decade at this point, and had seen it numerous times before I started that habit.

If you've never seen it, it's short!  You should absolutely watch it.  But do watch Frankenstein first.  They're essentially a Part 1 and Part 2, much like the Godfather films.  


always cool when two dudes find common ground


Bizarre, hilarious, campy, frightening, insightful...  The Bride of Frankenstein has a bit of everything, including incredible set design and make-up.  It's still astonishing just to look at it nine decades on.  All this, and I think it has a phenomenal story with an ending you'll never see coming if your knowledge of The Bride comes from pop culture osmosis.  It's a shockingly modern film in many respects.

Anyway, I won't go on too long.  Even if you think you don't like old movies, I think this one is essential viewing.  

Also, shout out to Elsa Lanchester for making this look seem like a great idea.



Noir Watch: The Set-Up (1949)

we always stan Totter and Ryan



Watched:  04/21/2025
Format:  Noir Alley on TCM
Viewing:  fourth?  fifth?
Director:  Robert Wise


It's been years since I watched The Set-Up (1949), and while reading Eddie Muller's new book, an updated Dark City Dames - a collection of bios of several stars of the noir movement, I was pondering rewatching it when TCM's Noir Alley showcase went ahead and programmed the film for last weekend.  

It's no secret we're fans of stars Robert Ryan and Audrey Totter, or director Robert Wise.  But because Robert Ryan and Audrey Totter aren't really household names, and it's a grimy boxing picture of its surface, I'm not shocked if you haven't heard of or seen this one.  

The film comes in at a taught, trim 73 minutes.  And, novel for its era, the movie unspools in an approximation of real-time - taking place in one night of crisis for an aging boxer and his wife, who can't take watching him get beaten every night.  Not anymore.