Noir Watch: Loophole (1954)

Watched:  10/12/2026

Format:  TCM on DVR

Viewing:  First

Director:  Harold D. Schuster

I dunno.  

I hate to speak ill of a movie with Dorothy Malone and Charles McGraw in it.  But Loophole (1954) didn't make a lot of sense.

Our set up:  Barry Sullivan plays a bank teller.  Clean as a whistle.  A war vet. 

One morning, the bank is visited by a fleet of bank examiners - 10 arrive at one time to perform a surprise exam.  But a clever fellow, Tate (Don Beddoe), slips in behind them as if he's part of the group.  He manages to blend in and while his accomplice (Mary Beth Hughes) distracts Sullivan, our crook snags almost $50K from Barry Sullivan's drawer - roughly $621,000 in today's dollars.

To make the movie happen, our hero doesn't tell anyone.  He just goes home for the weekend, like that money is going to just show up.  

I don't buy it.  If you saw that money was missing, it clearly has legal implications and will cost you your job.  You're telling your boss, or calling them at home and absolutely not leaving the bank.  You are removing any hint of suspicion.

Then, Charles McGraw is assigned the case - and he's a hard nosed detective for the bond company.  He thinks Sullivan did it, and even after it's clear Sullivan didn't do it - months later - he still thinks he did, and is trying to cost Sullivan every opportunity for work by telling employers Sullivan is a crook.  It's *clearly* slander, opening McGraw and the bond company up for a lawsuit.  I mean, I've seen real life detectives refuse to believe they're wrong no matter what evidence is there, but McGraw is a private detective, not a cop.  He's got no coverage.

Dorothy Malone plays Sullivans very, very, very supportive wife.

The last 1/4 is just as messy as Sullivan tracks down Beddoe and makes horrible choice after horrible choice.  Like I said, I just didn't think this movie made much sense.  The best part of that section of the movie is Hughes turning on Beddoe and trying to take control.  She's an absolute gem here.

As Noir Alley host Eddie Muller pointed out - the highlight here is really the two women in the movie who kind of keep it going.  I've seen Sullivan in several movies now, and he's... fine.  He's just never my favorite.  But he is a good choice here - his height working as a defense against McGraw's intensity.

I've seen worse, it's just not a movie that is so bad it's memorable or good enough to think about by the end of the week.