Oz Watch: The Wizard of Oz (1939)

Watched:  04/11/2020
Format:  TCM on DVR
Viewing:  Ha ha ha ha
Decade:  1930's
Director: Victor Fleming

It's hard to think of a film more universal in the American imagination than The Wizard of Oz (1939).  Watching the film is as much a right of passage as Kindergarten, organized sports or name-your-item for a good chunk of America, and has been for 80 years.

We refer to it in popular culture and literature, make allusion to the film (for surely the books would now be mostly forgotten without the movie) as often as Biblical reference, Superman, and, maybe Star Wars.  It's weirdly universal for a fantasy movie about a girl who has no idea what's going on, her three goofy friends and a witch who just wants a new pair of shoes.  The songs are all familiar as Christmas carols.  People on the street will automatically know Dorothy, rainbows, little dogs, tin men, flying monkeys...

And the weird thing is how the movie really doesn't get old.  And it holds up.

It's a technical marvel, and even in 2020 and an era with CG and everything in color, that door opening on Oz still works.  It doesn't matter how many times you've seen it.  Flying monkeys remain flying monkeys, and Margaret Hamilton as the Wicked Witch of the West remains a revelation.  As is Frank Morgan in about 20 different roles.

But the kaleidoscope vision of the movie, the dialog that has become part of the American venacular (ex: "pay no attention to that man behind the curtain", "we're not in Kansas anymore", "and your little dog, too!"), is just now part and parcel of how we've taken the movie in and refract it back out onto the world.  Similar stories may get lots of nods - Alice in Wonderland, for example - but it's hard to say the movie is more popular than the book, and perhaps it's Englishness and sheer nonsense has kept it from having exactly the same impact.  As familiar a film as Gone with the Wind has aged(... poorly) it's simply not considered something everyone should have to see at least once.  Star Wars stands a chance of retaining the same level of cultural integration if Disney doesn't accidentally kill the golden goose and gives it another 40 years.

I have seen the movie run up against Pink Floyd's Dark Side of the Moon, and it is pretty crazy.  But I really do think it's a coincidence.  And, of course, we can endlessly debate whether or not Baum meant the story as an allegory for the Gold Standard v Silver Standard v Greenbacks that the liberty the studios took with the story kind of annihilates.  Still: Flying monkeys!

Anyway, it's The Wizard of Oz, and it's a sort of singular thing that is, really, everyone's favorite movie about hallucinations induced by head trauma.  But I will fight anyone who says anything negative about this movie.

45

Keep the Car Running
Arcade Fire


Every night my dream's the same
Same old city with a different name
They're not coming to take me away
I don't know why, but I know I can't stay
There's a weight that's pressing down
Late at night you can hear the sound
Even the noise you make when you sleep
Can't swim across a river so deep
They know my name because I told it to them
But they don't know where, and they don't know when
It's coming
When it's coming
There's this fear I keep so deep
Knew it's name since before I could speak
Oh, oh, oh, oh
They know my name because I told it to them
But they don't know where, and they don't know when
It's coming, oh when
But it's coming, keep the car running
If some night I don't come home
Please don't think I've left you alone
The same place that I must go when they die
You can't climb across a mountain so high
The same city where I go when I sleep
Can't swim across a river so deep
They know my name because I told it to them
But they don't know where, and they don't know when
It's coming, oh when
Is it's coming?
Keep the car running
Keep the car running
Keep the car running

Lockdown Actually: a Signal Watch Video

This was entirely Simon's idea and I blame him.

Twitter Watch: The Shadow (1994)

Watched:  04/10/2020
Format:  Amazon Streaming and tweet-along
Viewing:  Unknown
Decade:  1990's
Director: Russell MulCahy


I dunno.  I still like this movie.  It's a mess, but it wasn't what I was expecting when I saw it the first time, and while I would, one day, love a ahrd-edged anti-hero version of The Shadow to make it to TV or the big screen, this very-90's take on the character is okay for what it is, in my book.  But I am well aware, when I went to go see stuff like this back in the day, the bar was so low, you had to dig for it. 

When I first started getting *into* comics I found out you could get, for free, something called the Bud Plant catalog, which offered up stuff you weren't going to find on the Piggly Wiggly spinner rack, and they had sections dedicated to the pulp characters like The Shadow and The Spirit.  The art I saw for The Shadow made The Punisher look tame by comparison (the work was Mike Kaluta's Shadow). 

I didn't know, at the time, how far back The Shadow went - originally appearing as the voice of a nameless narrator on a crime fiction radio program in the 1920's, and eventually becoming a character in his own right, making the move to short stories and novellas, comics, movie serials, and more.  There's zero question that he's part of the inspiration for Batman.  And Orson Welles cut his teeth on a Shadow radio show. 

But I'm not sure 1994 movie audiences who were there for action-figure-spawning movies were ready for the complicated world of The Shadow.  So, things got really, really streamlined and the movie feels like a set-up so they can get on to sequels where more things happen.  Which is usually a mistake.  And while the movie did fine, it didn't do Batman numbers, and that was the end of that for everybody. 

The movie certainly feels the way too many comics projects wound up in the aftermath of Batman in 1989.  The look of the film seems to borrow a lot from Burton and Co., and they even try to replicate some Danny Elfman.  Fortunately, I think Baldwin finds his own path to Lamont Cranston (if he's not actually Kent Allard, but let's not quibble), and it's hard to complain about the cast beyond teh fairly broad performances of the kinda all-star cast of John Lone, Jonathan Winters, Peter Boyle, Tim Curry, Penelope Ann Miller and more. 

And, it's kind of fun.  Baldwin's take on Cranston isn't exactly camp, but more of a battle of wits where he can't help but be a smart ass.  Which, you know, he *is* a guy who laughs while in life or death situations.  Not that I think there's deep character stuff going on here, but it's not a flawed performance.  But it does give for some questions as to what everyone involved thought this movie was as it was being produced.  It's kinda brutal in some parts even as they will have incredibly jokey parts in the next shot.

Anyway - We watched it and tweeted it!  You should have been there.

PODCAST: Quarantine Media 01 - "Love is Blind", "Tiger King", "McMillions" and more - w/ Jamie, Maxwell and Ryan

Watched:  I mean.. kind of since March 13 - April 5
Viewing:  Firstish
Format:  Netflix, HBO, etc...
Decade:  2020

Things have gotten really strange as we've sheltered in place in our homes. Life is upside down, and we're all worried for the state of the world. But in a time of existential crisis, it doesn't mean we aren't watching some TV. Maxwell joins us to talk "Tiger King", "Love is Blind", "McMillions" and whatever else we're watching as part of our self-care regimen. Or what our kids are putting on, at least.

Trek Watch: Star Trek - Generations (1994) & First Contact (1996)

Watched:  04/06 and 04/07/2020
Format:  Amazon Streaming
Viewing:  Third?  Second?
Decade: 1990's
Director: David Carson/ Jonathan Frakes

I still remember walking out of Star Trek: Generations (1994) and roughly saying "what the @#$% was that?"

A cheap looking movie with a singularly ridiculous end for one of my childhood fictional heroes, and a ludicrous A plot that went nowhere, meshed with a B plot that only Data got to experience.  It genuinely just felt like a very expensive episode or three of the series that spawned it - but not even a particularly brilliant episode or arc.

FRIDAY NIGHT Tweet Along: "The Shadow" - 1994! JOIN US

Who knows what evil lurks in the hearts of men?  The Shadow!  He's perfectly aware that the weed of crime bears bitter fruit, and he's here to clean up New York City!  Alongside his network of trusted assistants, The Shadow lives a dual life as Lamont Cranston, millionaire playboy - but at night, hunts the wicked men of the city!

Location:  Twitter
Day:  04/10/2020
Time:  8:00 Central
Watch on Amazon Streaming:  https://www.amazon.com/Shadow-Alec-Baldwin/dp/B002CSR45W
Our Twitter Hashtag:  #bitterfruit

Sign up in the comments so we know who is coming!

It's 1994!  Marvel was still making straight-to-TV and video movies in the mid-90's, DC was pumping out increasingly iffy Batmans, and studio heads were greenlighting the costumed heroes of their youths.  In an era before X-Men, Spider-Man and Iron Man reset what we thought of as superhero entertainment, we got some pretty interesting stuff!

Starring Alec Baldwin, Penelope Ann Miller, John Lone, Ian McKellan, Jonathan Winters, Tim Curry, Peter Boyle - and more! 

It's a Post-Batman splurge into the pulp world that spawned the very idea of comic book superheroes!  Delve into the 1990's grappling with early 20th century takes on Eastern Mysticism!  Watch Alec Baldwin try not to be handsome!  Behold: Penelope Ann Miller!

I had forgotten Taylor Dayne had a single supporting the film! Here's the video - which contains scenes from the film and Ms. Dayne herself.

In a Time of Virus: Days With No Meaning

I'm not writing these posts so much for all of us going through this *now*.   When this is over, I'd like to remember what...  happened.  Because, like any trauma, we're going to collectively want to block this out.  And what there is to remember will be so vague and weird, and our timelines will be skewed.

We all kind of laugh about how days lose all meaning in that period between Christmas and New Year.  At least once a day, someone will ask "what day is it?" and sometimes you may have to think about it.  With nowhere to be, no one looking for you and the weekends looking like a weekday, it takes no time at all.  And while we have weekends, when you're looking at the same walls and people, days do sort of lose their meaning.  Last week on Friday, I had to be told at least once it wasn't Thursday.

Disney Watch: Timmy Failure - Mistakes Were Made (2020)

Watched:  04/04/2020
Viewing:  First
Format:  Disney+
Decade:  2020's
Director: Tom McCarthy


My guess is that you're sleeping on Timmy Failure: Mistakes Were Made (2020).  This would be a mistake.  This will be one of the finest movies you could watch this year.

Honor Blackman Has Merged With The Infinite

Honor Blackman, who starred in Goldfinger and on TV's The Avengers has passed at the age of 94.

For me, Blackman sets the bar for all "Bond Girls", up to and including Diana Rigg and Eva Green, and remains my favorite (she literally saves thousands of lives in Goldfinger while Bond is in jail).  Look, Blackman was a stone cold fox who could make a white pantsuit sing, but she also plays the role of Pussy Galore to perfection.  She's among the few female costars who ever gave a Bond a run of their money, and there's a reason (beyond the colorful name) that she's remembered so well 50-odd years later.

It was always great to know she was out there, and she'll be missed.

I mean, purple works, too

You can hear me wax rhapsodic about Pussy Galore on our Goldfinger podcast.