Saturday, October 20, 2018
Sunday, October 14, 2018
Friday, October 6, 2017
I didn't mean to watch all of The Mummy (1932), but as so often happens, I did.
This Universal monster movie was one that, the first time I watched it, I loved the first ten minutes and then felt waning interest in everything but Zita Johann. But, the past two or three times I've given those first few minutes a shot (because I love the opening), I've really changed my tune. And, in fact, have to retract initial statements made about dull camera-work in comparison to the grand, gothic guignol of Dracula or the surrealist landscapes of the first three Frankenstein films.
The lighting, sets, and FX employed are far more deft than I'd originally wanted to give credit, and leave you in a murky place where you know Bey is employing mystical shenanigans, but it's hard to put a finger on what and how. Add in Karloff's performance, as well as that of Johann, and you've got something that's been aped more in vampire movies than anywhere else the past 85 years.
Karloff is actually terrific as Imhotep/ Ardath Bey, and the overall effect of the picture is not so much horrifying as it is eerie and uncanny. Unraveling the machinations of what he's up to (ripped off for the past thirty or forty years of Dracula movies), and it's good stuff.
Weirdly, TCM rated the movie TV-14, and for the life of me, I have no idea why. This is one I'd watch with a kid aged 10 or up. There's no blood, minimal on-screen violence, a lack of nudity or sexual innuendo... But Mummies are scary, I guess.
Wednesday, October 4, 2017
Well, it's that time of the year, and we're watching movies about monsters and murders and transdimensional-psychotic states brought on by a rich cocktail of hallucinogens.
Saturday, October 1, 2016
There's no easy way to say "this movie promised some sex and nudity, and vampires, and so I watched it" - so let's go ahead and get that out of the way.
I was sent a list of "movies that are basically not great, kind of smutty and horror movies", and on that list was a movie I'd intended to watch for quite some time as it often pops up in discussions of Italian horror directors - and that movie is Franco's Vampyros Lesbos (1971).
I'm not sure this film is ground zero for the lesbian vampire sub-sub-genre, which is definitely a thing when you consider everything from Daughters of Darkness to The Hunger, (this list rightfully points to the first Dracula sequel, Dracula's Daughter as having not so subtle undertones) - but it is, by far, the least subtley titled of all lesbian vampire films.
To be clear - it's not soft-core porn. It is a legit erotic horror movie.
It is also very not good.
Monday, September 19, 2016
Full confession: I rented this movie entirely upon the promise of Caroline Munro who, it turned out, was a key character in the movie, but not in it nearly as much as one would hope (and I have some script notes on that which I am sure could be retro-actively applied).
Because otherwise I usually like my Dracula nice and Victorian. Bringing Dracula into the modern age always amps the cheese factor for me (do not see Dracula 2000) and just reminds me that Dracula works best when Van Helsing and the gang don't have cell phones or modern medicine. After all, the original novel of Dracula is sort of an exploration of the slow horror that was disease in an era when leeches and a good blood letting were about as much as your doctors were going to do for you while your body shut down on you in pretty awful ways.
In truth, I basically rented the movie for a laugh, not expecting much, and wound up genuinely enjoying the thing. I absolutely love it when something turns out not to be the dud I thought it would be. My exposure to Hammer Horror is limited, and while this one isn't exactly scary - it understands horror, vampires and the core of why they can be great villains when they aren't sparkling or sitting around looking like the H+M catalog exploded on a CW show.
Thus, this is a post about how I enjoyed Dracula AD 1972 (1972), a pretty-not-great movie that was sadly lacking in greater Caroline Munro screentime, but nonetheless a fun movie.