Showing posts with label myrna loy. Show all posts
Showing posts with label myrna loy. Show all posts

Sunday, October 1, 2023

Pre-Code Watch: Thirteen Women (1932)




Watched:  10/01/2023
Format:  Criterion
Viewing:  First
Director:  George Archainbaud


So, I became aware of this movie via the You Must Remember This podcast during an episode discussing the ill-fated Peg Entwistle, the actress who famously threw herself from the H in the "Hollywood" sign when her career stalled.  I was also aware this was one of several pre-Thin Man films in which Myrna Loy (praise be her name) appears as an Asian character/ person of mixed heritage.*

It's a tight hour-long movie, and more thriller than horror, although there's quasi/ possibly supernatural elements.  

The movie was only semi-available for a while, then in the Internet Archive and other places in pieces, but now it's at Criterion and looks and sounds terrific.

Here's your story:  a group of former sorority pals are still in touch, writing chain letters (this is 1932 and facebook is not a thing).  At some point, one of them decided to start reaching out to a famed Yogi/ Swami to get her horoscope, and suggested all of the girls do the same.  But as the horoscopes trickle in, they predict death and chaos.  We see one of the girls, a sister-act circus acrobat, learn someone will die in her act, and she immediately drops her sister to her death, and goes mad.  Entwistle's characters kills her husband with a knife, I believe, and she's out of her only performance well before the half-way mark.

As more members of the friend circle are picked off, we learn there's a mysterious and exotic beauty (Myrna Loy) paired with the Swami, but she's pulling the strings using some form of hypnosis.




It's a fascinating, exploitative film relying on an absurd premise and set-up.  featuring a largely female cast - thrusting Irene Dunne into the lead as a widower who is neither overly skeptical nor biting on the power of the stars hook, line and sinker.  It's also kind of sexy in that pre-Code manner of suggesting lots of sex off-screen as Loy's character bewitches dudes who are useful to her.  

The only real mystery is the "why" of the murders and chaos.  And, as it turns out, we never really, fully find out.  But it seems the sorority had been responsible for making Loy's life hell at the school, and forced her to leave after working and scraping to get in and afford it.  A "half-caste", she's half "Hindu" and half-Anglo, and fits in with neither.  Although the movie's most eye-poppingly racist moment isn't the reveal that the women we've been so worried about were maybe terrible people in college.  It's when the cop helping them out describes Loy's character's ethnicity.  

The movie's brief run-time means we don't get to all 13 women, but that would probably feel repetitive as a film, anyway.  It also gets to the point and wraps up within seconds.  

Anyway - it's a product of it's time, but could be remade now with no problem.  

I looked into the book it's based on, and it sounds like an absolutely crazy ride.  I may check it out.



*this is Pre-Code, but nonetheless, implying or indicating romantic or sexual relations between people of different ethnicities was frowned upon (I know) unless the actors were both white and one was playing a different race (I KNOW).  It's part of how you wind up decades later with John Wayne as Ghengis Khan
 



Wednesday, August 31, 2022

Myrna Watch: I Love You Again (1940)




Watched:  08/30/2022
Format:  TCM
Viewing:  First?
Director:  W.S. Van Dyke

It's possible I've seen this movie before and simply don't recall watching it.  I believe it's in a DVD set Paul found for me years ago.  I thought I'd watched the whole set, but I don't remember this one in the slightest.

William Powell and Myrna Loy made 14 films together, and the ones I've seen are all pretty terrific.  It's impossible not to dig Powell's charm and Myrna Loy is maybe one of the funniest actors with the smallest effort in all of film, and always utterly buyable.  

Here, the pair team up in a screwball set-up as Powell plays an aggressively boring manager of a plant that makes cookware like pots who is out on a sea voyage when he bonks his head and rather than losing his memory, regains his memories from nine years prior when he was a shady con-man and crook, but loses all memory of the last nine.  During which he married Myrna Loy, who is set to divorce him for being so incredibly boring.  

That, kids, is a set-up.

honestly, pretty typical mealtime here at League HQ


Powell is in almost every shot and scene, and you will find yourself wishing there were more Loy, but when isn't that true?  The pair are firing on all cylinders in Thin Man energy, which is remarkable when you realize Powell is coming off of cancer treatment and the death of his fiance, and Loy was getting divorced.  This had to have been some terrific therapy.  

The additional cast includes familiar face Frank McHugh as a fellow con assisting Powell and giving him someone to talk to, and he's hysterical.  Edmund Lowe plays a career criminal.  Nella Walker is Loy's mother.  And a cast of familiar studio players fill other roles, including a post Our Gang Alfalfa.

The movie is light fluff and maybe a few minutes longer than it needs to be, but I can't say where they should trim.  I laughed out loud a lot.  There are some great gags, terrific word play, and I'll take a Loy side-eye any day.

Tuesday, August 2, 2022

Happy Birthday, Myrna Loy

 


Today marks the 117th anniversary of the birth of Myrna Loy.  If you don't know Myrna Loy, I am happy to help you fix that.  She's the absolute best.  


Thursday, December 26, 2019

Holiday Watch: The Thin Man (1934)


Watched:  12/26/2019
Format:  BluRay (Warner Archive)
Viewing:  Unknown
Decade:  1930's

I finally got around to watching my new Thin Man (1934) bluray from Warner Archive.  I won't talk about the movie's plot, because I've done that a few times.  Also, it's one of the most famous movies that ever was, so if you don't know about it or haven't seen it - well, you're bad at movies.  No, I'm not kidding or taking that back.

So why did I buy this movie?  Again?  Well, I'd heard the transfer and restoration were really good - and even if you enjoy the hell out of The Thin Man, sometimes the print or transfer could look a bit rough.  The movie is 85 years old.  That's gonna happen.  But, dang, this BluRay looked phenomenal.  And who doesn't want to see Myrna Loy kinda glow even more?  See her in even more detail?

We could or should have easily covered this movie for our "Holiday Adjacent" podcasts, but did not.  Maybe next year?  It'd be fun to talk about this movie for a long time while Day Drinking.

Sunday, August 11, 2019

Myrna Watch: The Bachelor and the Bobby-Soxer (1947)



Watched:  08/11/2019
Format:  TCM on DVR
Viewing:  Second
Decade:  1940's

I guess it's considered punching down to make fun of high-school kids, especially girls (and right now, I can feel some of you out there tensing your fingers to respond why in the comments), but, I mean, c'mon.  The Bachelor and the Bobby-Soxer (1947) is a sorta-screwball comedy that hinges entirely on a particular flavor of high schooler who decides they're more sophisticated and mature than all of their classmates, and entangles a swinging post-war playboy-type.

Friday, February 15, 2019

Post-War Watch: The Best Years of Our Lives (1946)


Watched:  02/12/2019
Format:  TCM on DVR
Viewing: second
Decade:  1940's


The Best Years of Our Lives (1946) rightfully won accolades and awards upon its release, telling the story of three returning GI's in terms that try not to gloss over the hardships and adjustments those who went to war in WWII must make as they come home and attempt to re-enter civilian life.  Perhaps as much or more importantly, the movie doesn't ignore the adjustments and expectations of those who were safe at home, including arcs for the folks who didn't go, for whom life was not on pause as their loved ones - or even former coworkers - disappeared for a few years. 

Saturday, August 4, 2018

Myrna Watch: Double Wedding (1937)


Watched:  08/04/2018
Format:  TCM on DVR
Viewing:  First
Decade:  1930's

Well, it's not often that even the most telegraphed of movies puts the twist finale in the title of the movie, but with Double Wedding (1937), we have the equivalent of "He Was a Ghost the Whole Time: The Movie".

Thursday, August 2, 2018

Happy Birthday, Myrna Loy


"There ought to be a law against any man who doesn’t want to marry Myrna Loy." -Jimmy Stewart


Happy Birthday to the late actress, Myrna Loy, who would have been 103 today.

Loy is highly popular in classic film circles, and when you start making your way through her filmography, it's not hard to see why.  She's strong as both a comedic and dramatic actor, is the force-to-be-reckoned-with up against powerhouse leading men from Cary Grant to Jimmy Stewart, and, most famously, William Powell.  She's unaffected and a natural in front of the lens, whether playing a society damsel in a romantic tangle or the daughter of Fun Manchu (where it is deeply, deeply complicated to talk about how sexy she is in the role*).  And her version of side-eye should be given a copyright all its own.

Loy's career extended beyond the usual ingenue lifespan.  Like her friend Joan Crawford, she worked her entire life, remaining relevant (and never lost her looks, which, I mean, come on.  I'm human.) and as strong an actress as you're like to see when she was shuffled into playing mothers The Best Years of Our Lives, Mr. Blandings Builds His Dream House instead of sloe-eyed, knowing girls.  Or especially the judge/ spinster sister in The Bachelor and the Bobby-Soxer.

Loy was deeply involved in American Red Cross and other ctivities in support of the fight against the Axis

For people who find "old movies" too stagey or unnatural, Loy is an excellent cure for what ails you.  She's style fits in neatly, and - I'll argue - informs a lot of what came after.  In her comedies, she's hysterical, and in any movie her tone and manner captures what other actors are still trying to pull off today when it comes to presence.  Pair her with a leading man worthy of her talents, and you've got a hell of a movie.   

Happy birthday, Ms. Loy!



*yellow-face.  She's in yellow face as an evil Manchurian.  The past (and a lot of the present) is super-racist.  Just FYI.

Monday, December 14, 2015

Saturday, August 22, 2015

Myrna Watch: The Bachelor and the Bobby-Soxer (1947)


What's most certainly a light bit of fluff, and maybe not the most hilarious movie to an audience in 2015 versus the intended post-War audience, there's still a lot to like in The Bachelor and the Bobby-Soxer (1947).  Naturally I'm predisposed to a Cary Grant comedy role, and that I think Myrna Loy can do no wrong is a well-documented bias/ problem.  But, still.

Loy plays a by-the-book judge who is raising her sister (Shirley Temple), a 17 year old girl in the post-War era at the dawn of the concept of the American Teenager.  Temple believes herself mature beyond her years, the boys her own age not worthy of her sophisticated mentality, and swings wildly in her infatuations, landing on visiting speaker to her high school, an artist played by Cary Grant.

Wednesday, March 11, 2015

SW Watches: Love Crazy (1941)

The relationship America had with movie stars was a bit different back in the day.  For actors like Myrna Loy and William Powell, I suspect the pair were considered a bit like to-flight sitcom talent from the 90's.  And as the concept of episodic stories at the time were confined to the radio and matinee serials, outside of the Thin Man series (which, if you've never watched them pour yourself a whiskey and enjoy), the two were paired repeatedly due to their chemistry, but as new characters in new settings.



Love Crazy (1941) was the fifth movie in a Loy/ Powell box set Paul gifted me a while back, and one I'd somehow just forgotten to watch.  It's comfort food from jump, a movie for folks who'd been fans of Loy and Powell since before The Thin Man would cement their place in cinema history.

Monday, May 20, 2013

Some weekend catch-up - movies, TV and comics

If you follow me on social media that is not this blog, you might have heard I had a touch of the food poisoning over the weekend.  A bad salad or pizza, I think.  Worst greek salad I've ever eaten, but it seemed fresh, so what do I know?

Well, I know what it feels like to get kicked in the stomach from my karate days, and this felt sort of like that, going on and on for quite a while.  So, I want to thank Jamie for the 2:30 AM run to Walgreen's to grab me some OTC meds and being a great help to me over the course of the weekend.  For a dialysis patient, it seems like the last year she's been taking care of me more than me of her.

I was sidelined from a planned viewing of Star Trek: Into Darkness, but I did catch a few movies over the weekend on cable and DVD.

Manhattan Melodrama with Myrna Loy, Clark Gable and William Powell was actually very, very good.  Thanks to Paul, who handed me that DVD on Friday.  Some 30's-era moral-minded civics lessons wrapped up with gangsterism and Myrna Loy in some great hats and dresses.  The title is dated, so don't expect organ music and fainting.  It's a bit more of a personal drama sort of movie.

The Campaign with Will Ferrell and Zach Galifianakis was probably released at the wrong time, when we were in the middle of election season and everyone was so deadly serious about politics.  It's a lightweight movie in the Semi-Pro or Step Brothers model.  But it's pretty funny stuff, if pretty blue.  Speaking of, though it's two GOP candidates, I think you could have done this with any two candidates, aside from a few points.

Wednesday, February 20, 2013

Two Movies Make me Ponder the Nature of Showbiz Stardom: The Great Ziegfeld (1936) and Fame (1980)

On Sunday and Monday I watched the 3 hour marathon that is the 1936 film The Great Ziegfeld.  I taped this one off TCM a few days ago as I knew it co-starred William Powell and Myrna Loy, and I was pretty keen to see more of both now that I'm out of Thin Man films.  I was also actually very curious about the historical figure Florenz Ziegfeld who brought into being the Ziegfeld Follies and pioneered much of the modern showmanship of American big theater and the now lost art of "glorifying the American girl".

Top that off with some famously complicated technical numbers, and what wasn't there to want to see?


Well,again, the movie is three hours.

That doesn't mean it doesn't cruise along at a good clip, but, you know, block off three hours of your life for an absolutely stunning visual treat, the kind they quit making around the late 1950's.

One of the great lost commodities of the early 20th Century, a phrase that probably rings familiar but you aren't sure why, is Ziegfeld Girl.  Lifting his idea from Paris revues, Florenz Ziegfeld filled his shows with dozens of young women to dance and sing in a fashion that would be imitated in Hollywood musicals for years in huge chorus productions that, today, I suppose, is mostly associated with Busby Berkeley films.

What's amazing is how many names were once Ziegfeld girls, including Barbara Stanwyck, Norma Shearer, Lucille Ball, Joan Crawford, Louise Brooks and countless more.

The movie spanned Ziegfeld's adult life, from carnival barker at the 1893 Chicago World's Fair to his death in the early 1930's.  The movie bills itself as tracking the "romances" of Ziegfeld, and it does, at that, politely skirting around any shenanigans.  Less politely poking fun at is mismanagement of money.  Powell is actually pretty great, and if you've got the time to kill, it's not a bad way to spend your time.

Tuesday, October 16, 2012

Thursday, October 11, 2012

Signal Watch Watches: Test Pilot (1938)

This was a pretty great movie.

Clark Gable, Spencer Tracy and Myrna Loy star in Test Pilot (1938), a movie that sets the tone for a lot of future films, right up to and including one of my favorite movies of all time, The Right Stuff.*  Gable plays the titular test pilot, Jim Lane, in the post-barn-storming days as aviation was really hitting its stride and the technology and engineering in airplanes was revving up for the incredible feats of technology that came with WWII.  Tracy plays his side-kick/ mechanic/ nanny who is all too keenly aware of the endgame that comes with taking a job that's all about going out and cheating death.

Clark Gable will haunt your dreams...