|This is an infograph of how much you'll care about each character|
Sunday, September 12, 2021
Tuesday, June 1, 2021
Friday, April 23, 2021
Tuesday, April 6, 2021
Sunday, November 1, 2020
Tuesday, October 27, 2020
Sunday, October 25, 2020
Friday, October 23, 2020
Director: Roy Ward Baker
Thursday, October 22, 2020
PODCAST: "The Mummy" (1932) and "The Mummy" (1959) - Universal and Hammer Horror for Halloween 2020! w/ SimonUK and Ryan
We get wrapped up in some positively ancient horror favorites; two takes on the ancient dudes coming back and causing a lot of problems for colonial pillagers of ancient burial sites! First up is the weirdly undiscussed 1932 Universal feature starring Boris Karloff as a former clergyman who would do anything for love, then we talk the 1959 version starring Christopher Lee in a similar role - but this time opposite Peter Cushing. We'll walk a Nile in their shoes as we dig deep and discuss two horror classics!
Saturday, October 17, 2020
PODCAST: "Phantom of the Opera" (1925) and (1962) - Universal and Hammer Studios! - Halloween 2020 w/ SimonUK and Ryan
Thursday, October 15, 2020
Monday, October 12, 2020
Director: Terence Fisher
PODCAST: "The Wolfman" (1941) and "Curse of the Werewolf" (1961) - Universal/ Hammer Halloween 2020 w/ SimonUK and Ryan
Watched: Wolf Man 09/26/2020 Curse of 09/27/2020
Format: BluRay/ Amazon Streaming
Viewing: Unknown/ Second
Decade: 1940's/ 1960's
Director: George Waggner / Terence Fisher
Tuesday, October 6, 2020
Format: Amazon Streaming
Director: Terence Fisher
Sunday, October 4, 2020
PODCAST: "Frankenstein" (1931) "Bride of Frankenstein" (1935) and "Curse of Frankenstein" (1957) - Halloween 2020 w/ SimonUK and Ryan
Format: Amazon Streaming, BluRay
Viewing: Third, Unknown, Unknown
Decade: 1950's, 1930's
Director: Terence Fisher, James Whale
Halloween and Horror
Saturday, October 3, 2020
Wednesday, September 30, 2020
Time: 8:30 Central
Tuesday, September 29, 2020
Format: Amazon Watch Party
Director: Brian Clemens
I kinda like this goofy movie.
Hammer had the not-all-that-bad idea in a post-James Bond era to frame a new character as one of the disaffected antiheroes that had made their way into film. I am certain this was intended to be the first of several films starring Captain Kronos, but Hammer studios was on the verge of collapse and wsn't able to continue the adventures of the good Captain.
The movie is also - I learned - part of the Karnstein vampire saga which began with an adaptation of the 1872 novel Carmilla starring Ingrid Pitt and retitled The Vampire Lovers. As an alternative to the Dracula films, Hammer had found new angles on the Karnsteins across 3 films in 1970 - 71 before the incredibly iffy return of Drac in 1972.
This film sees a vampire that haunts the woods outside a remote village. The local doctor calls in a friend from "the war", an expert swordsman who pairs with a Van Helsing-like expert in vampire affairs to root out and eliminate the fiends (and in Hammer, especially, the vampires are not just misunderstood weirdos or X-Men with a blood addiction). Kronos is Hammer's version of a bad-motherf@#$er - chain smoking his way through the film, rescuing a grateful Caroline Munro from her small-minded fellow villagers and bringing her along for the inevitable sex scene and to fawn over him throughout the movie.
For their part, the vampire is draining young girls of their youth and essence. Meanwhile, clues start mounting up pointing at the wealthy rich family in town.
All in all, it's pretty straight-forward stuff. Hammer was looking to get a bit more action-adventure with their movies and maybe push their aging cast of Christopher Lee and Peter Cushing as the leads for young film fans to enjoy. It's actually a good enough formula that a smattering of non-Dracula vampire movies of the past thirty years have borrowed the idea of cool vampire hunters, from Vampire Hunter D to Vampire$ and a bunch I'm not thinking of. But - Blade the Vampire Hunter appeared in Marvel comics a year before this movie arrived in theaters. Pretty wild. Something was in the air.
The movie does include some swordplay, but it never quite reaches Errol Flynn-ness. And maybe suggested a cantina scene to a certain Mr. Lucas.
There's no, like, deeper themes to the movie. It's pretty straightforward, sets up Kronos and his pal and what their adventures look like, and then mic drops. If you're looking for something that does some good genre bending and is clearly having a good time doing it, sure!