Showing posts with label star wars. Show all posts
Showing posts with label star wars. Show all posts

Friday, December 22, 2017

Star Wars Watch: The Last Jedi



If I tend to do extra-sized posts for big, monumental movies that fit into the Venn Diagram of the kinds of movies which I'll cover these days - one of the things I liked quite a bit about Star Wars: The Last Jedi is that there's so much to talk about.  And, as happened with Blade Runner 2049 and a few other movies of late, I entered with zero expectations and found myself so fully immersed for the film's runtime, I know I didn't catch it all.  I am glad to say that this movie bears a second viewing, something I was ready to do at the very moment I finished my Tuesday night screening.

Like a lot of folks, I was pleased when the reviews came out and pulled a mid 90th percentile on RottenTomatoes. And, when the movie then pulled a 50-something percent in audience reviews on RT, I said to Max, "well, this probably means I'm going to love it."*  After all, you can kind of count on people with overly strong reactions to be the most vocal and actually take to the internets to voice their opinions (this is why Yelp! reviews are nearly useless).

And the movie is both a very, very conservative Star Wars movie and something that knows the series cannot just be retreads of the original trilogy in perpetuity.

Thursday, April 6, 2017

Happy 80th Birthday to Billy Dee Williams


Happy 80th Birthday to the guy who gave me very specific ideas of what a cool guy was supposed to be like when I was about 5.

Mom never did let me wear that cape.

Just noticed - Finn has Lando's blaster in The Force Awakens.


Monday, January 2, 2017

Star Wars Re-Watch: Rogue One - a Star Wars Story (2016)



My last movie of the year I knew about well ahead of time.  Way back in September or so, SimonUK and I made a pledge to see Rogue One: A Star Wars Story (2016) together, and by November realized that it wasn't going to be us hand-in-hand on opening night as SimonUK actually works at the Alamo Drafthouse, and would be taking orders and whatnot during the first week, more or less non-stop.  So, we made a date for New Year's Eve Day.

I knew I'd see this movie again in the theater unless it dropped to Episode I depths (the only Star Wars I've only seen through once is Revenge of the Sith).

I've already written this movie up, so I'll keep my comments to what I noticed on the second screening.

Saturday, December 31, 2016

Saying Good-Bye Double Bill: Star Wars (1977) and Singin' In The Rain (1952)


Before the year (and my break) ended, I wanted to watch a couple of films as we say good-bye to a pair of women we're all going to miss.

No write up.  It was actually great seeing them both in their pivotal roles again.  We'll have these films forever, even if we've lost the women who made them.

Tuesday, December 27, 2016

Carrie Fisher Merges With The Infinite



We are devastated to say that actor and author Carrie Fisher has passed.

Man.

I can't say I knew much about Fisher as a person - same things as everyone else.  The Hollywood pedigree, the issues with substance abuse, the biting wit, her dog, Gary.

It had been a very, very long time since I'd re-watched Star Wars, which I did when The Force Awakens was released, and it's amazing to see how darn good she was in that first movie, fluctuating accent and all.  I love all the main characters of Star Wars, no doubt, but if my personal collection of Star Wars stuff is any indication, and as longtime readers will probably have figured out, I'm a fan of Princess Leia first and foremost.  



And, of course, her life seemed to be on such an upswing of late.  She would make Star Wars Episodes VII, VIII and IX, she had a book out that seemed to be moving a lot of copies, and from what I could see on social media, there was a generation of young women who were calling her "Space Mom", properly idolizing the character she'd imbued with tremendous strength, and building her social media army as she embraced them back.

She's leaving behind her daughter, Billie Lourd, a talented actress from what I hear.  Her mother, Debbie Reynolds, famed actress of the 20th Century.  Gary, too, of course.  And all of us, a planet of people who wished her the best not just as Princess Leia, but as Carrie Fisher, too.

I'm shocked she went so young and so suddenly, and I'm genuinely very sad.  You'd think this year would have toughened me up a bit.  I'm going to miss her on the talk show circuits, freaking out the robo-hosts when she goes on a tangent or drops some truth that makes them uncomfortable, or curls up on one of their over-stuffed couches, her shoes on the floor.  I liked this era of Carrie Fisher and General Leia.

She'll always be royalty to me.


Friday, December 23, 2016

Wishing Carrie Fisher the Best


Like all of you, I saw the news about Carrie Fisher earlier today, and, yes, I also am heartbroken to hear she's ill.

I hope the love we *all* have for Ms. Fisher reaches her, can help her and speeds her recovery.  It can't hurt to have everyone on the face of the Earth pulling for you.

Here's to the lady who carries hope with her.

Monday, December 19, 2016

Star Wars Watch: Rogue One - a Star Wars Story (2016)



When those of us who grew up with the original Star Wars trilogy thought of what might happen in the long-awaited prequels, I strongly suspect most of us expected something a bit more like Rogue One (2016).   We'd only received glimpses of the pre-Luke Skywalker past, embedded in the story we'd heard about the Clone Wars, an Anakin Skywalker who was supposed to be some sort of edgy fighter pilot who becomes a Jedi...  I was expecting three movies that took place against the backdrop of The Clone Wars, which always sounded pretty rough, at least in my head.

I'd also observe - Much as the superhero comics we read grew up with us, I think maybe I was expecting a Star Wars that acknowledged the conflict from which Episode IV sprang and maybe cut a little deeper - maybe had a bit of a rough and tumble edge that Ewok-laden finales may have foregone.

So, I think it's true that the content and execution of the three Prequel films surprised a lot of us.

Rogue One, the second of these films directed by the generation that grew up on them, expands upon what we know, creating far less continuity difficulty than Lucas introduced in the Prequels, brings back familiar sights and sounds, while filling in gaps and giving us all new adventures and characters.  In this, I think you can say it succeeds with a solid A-, B+ (I spotted an issue or two, and my pal Matt brought one up I thought actually a pretty salient point).

That's not to say Rogue One hits all the right notes or was exactly what I was expecting (it wasn't).   It's interesting to see Disney seeking to expand upon the seemingly vast universe Star Wars always promised, but which we could only visit in 150 minute increments.  Here, they risk tonal differences, deliver only bits of familiar characters and try something a little uncomfortable, and, for the most part, they succeed.

Saturday, November 26, 2016

Star Wars Watch: Return of the Jedi (1983)


For no particular reason, we watched Return of the Jedi this evening.

It seems dumb to write up a Star Wars movie, so I won't.  We were going to watch A New Hope, but decided to wait til after Rogue One.

But, man, Luke is the world's biggest back-seat driver.

Saturday, August 13, 2016

Kenny Baker Merges With The Infinite


The Guardian is reporting that actor Kenny Baker has merged with The Infinite.

From a very young age, I was aware that there was a guy sitting in R2-D2 and driving him around, and like most everyone else, I suddenly got why the trashcan had so much personality.  There was an actual person putting actual thought into what was going on with that bucket of bolts.

Baker appeared in a lot of genre film, and seemed to be game for re-appearing as R2 in both film and in TV specials.

By the time The Phantom Menace rolled around, the technology was there to let Baker drive R2 around via remote control, and that continuity between the movies and R2's was a highlight of the prequels for me.  I mean, who doesn't like R2-D2?

We'll miss you, Mr. Baker.  You gave all of us a robot buddy.

Thursday, August 11, 2016

New Trailer for "Star Wars: Rogue One" Is HERE (and looks @#$%ing awesome)



AGGGGGGHHHHHHHHHHHHHHHHHHHHHHHH!!!!!!!!!!!!!!!!!!!

AAAAAAAAAGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

AAAAAAAAGGGGHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH!!!!!!!!!!!!!!!!!!!

Thursday, July 21, 2016

Still pretty jazzed about "Rogue One"



I forgot to post the new footage shared at the Star Wars Celebration. I've only really talked to JuanD about the footage so far.

But it's safe to say my enthusiasm remains for this offshoot first film.

While it's becoming an increasingly remote possibility that this movie is all X-Wing action, and, in fact, seems to have no X-Wing action, everything else about this makes me happy as a fan of the original Star Wars trilogy, the new trilogy and film-making.

The decision Kathleen Kennedy seems to have made to make these movies on real locations and with constructed sets rather than against green screens has given the actors the tools to imagine their scenarios and give the universe the lived in, semi-plausible concrete world of living beings that was always part of the Star Wars aesthetic.  While the culture is a mish-mash from planet to planet, seeing trees and buildings actually constructed - seeing Storm Troopers on a beach - it's all part of the scope and scale of war and war films.

While we use the words "star" and "wars" together, we sort of more think of this as a cosmic family drama/ buddy adevnture, but by pulling out and following this band of literal rebels, we're going to get another peek at the greater Star Wars Universe in filmic form, and see this as a war film.  To me, that's exciting as hell.




Wednesday, May 4, 2016

Happy Star Wars Day!



Oh, what a difference a year makes.

Last Star Wars Day, I kind of shrugged.  16 years or so of ambivalence regarding Star Wars had drained me of any enthusiasm for the movies.  At most, I think, I mustered a picture of Princess Leia.

On Monday, I hung a print of the above X-Wing image in my office at work.  That's how I roll.

But, hey, The Force Awakens brought me back in to the Star Wars fold, something I, frankly, thought impossible.  I figured that even if I liked it, it'd still feel like something of an echo of something else I used to like.  But, instead, I'm as excited about Star Wars now as I was in college.

So, here's to a Star Wars day I can feel is mine, too!  And to celebrate, here's some artwork promoting the movie!  And, heck, here's to Rogue One, coming soon!

Thursday, April 28, 2016

John Williams Appreciation Post: Rey's Theme from The Force Awakens (2015)



There were many things I enjoyed in the Star Wars prequels, but the parts could never quite match the whole of what I was hoping for.  Among the bits I enjoyed - Williams' scores stayed up to snuff.  But I figured when Disney picked up the franchise, he'd be retired.  Little did I know.

I was delighted that, in his 80's, he was willing to come back to Star Wars.  He's not a kid, and we should be quite grateful that he's not just alive, but still, if the Force Awakens score is any indication, still as good as ever.

I loved Rey's theme.

It's difficult to talk about, as I lack the vocabulary for discussing music properly, but it has a Williams-ian adventure hook, but it's also got some lighter bit in the woodwinds, "feminine", lighter, more "humble" than anything.  She's a - as the track is called on the soundtrack "Scavenger".  She's one of these desert people scraping by.  She doesn't even have an Uncle Owen and Aunt Beru and pleasantly domestic existence - but she also can't leave, even if she doesn't entirely understand why.  Luke sought the great expanse beyond his twin suns.  Rey wants someone to come to her, but, instead, she has to go.

The music goes from simple woodwinds to orchestral sweeps, just as she goes out upon her adventure.  It's a complex piece, to my ear, as Rey is perhaps a more complex character than Luke was before her - at least at the beginning of her story in comparison to his own in Episode IV.  There's a lot more going on there for her here in Episode VII, with 6 movies of history preceding her, and a history that's taken place between those films.

As Luke's theme was what we think of as "The Force" theme, Rey's theme merges with The Force, and the next part of the Star Wars saga begins in earnest.



Sunday, April 17, 2016

Star Wars Watch: Star Wars - The Force Awakens (2015) round 4



I finally busted out my disk of Star Wars: The Force Awakens (2015) (or, Star Wars VII as the kids are calling it).

I'm pleased it held up so well upon a fourth viewing and a non-theatrical viewing at that, where distractions abound and I'm more likely to lean back and take a more critical view of a movie.  And, now knowing the plot reflects many milestone elements of Episode IV, all of that really falls into the background and I can just enjoy what the actors are doing, the sets, the vehicles, and all that stuff you get to like about a movie you watch over and over like Star Wars or Star Trek or, in my case, Captain America or the Superman movies.  

It's also funny to see how I relate to the new characters in comparison to the Episode IV - VI characters I grew up with.  My feelings regarding Rey and Finn are oddly... paternalistic.  My "empathy" characters, the ones I understand or relate more to at this point in my life are still Han, Leia, Chewie and Luke.

I'm incredibly impressed with the talent of John Boyega and Daisy Ridley and love the characters created by the actors and behind-the-lens crew.  These are fun characters to follow, not an obligation because that's who the camera is pointed at in a movie called "Star Wars".

Certainly, one can imagine Lawrence Kasdan and his contemporaries involved know a bit more about kids, failed marriages, etc...  now than they did 30 years ago.  And, at its heart, Star Wars is a family melodrama about a very messed up clan.  So there's quite a bit for the old favorites.

But I watch Finn and Rey discovering the Millennium Falcon and even finding each other not with skepticism, but excitement at the passing of torches, of new characters I can enjoy, if not identify with (or, wish to be).  Alas, my heart doesn't go pitter-patter for a girl young enough to be my daughter, but still for Princess Leia stepping off that Resistance command ship.  But, man, watching Finn has all the hallmarks of how I saw myself faking it as a younger me.  "We'll use the force!"

And, yes, I still take a little kid's delight in all the spaceship battles, whether its the amazing "graveyard" sequence with the Falcon on Jakku or a squadron of X-Wings coming in low over a lake on Takodana or storming Starkiller Base, and watch lightsaber battle with popped eyes, especially among rookies taking up the only fight that matters.

Here's to Star Wars being back and something I care about all over again.

Friday, April 15, 2016

John Williams Appreciation Post: Star Wars - The Force Theme



One of the curious things about watching all 16 hours of Richard Wagner's Ring Cycle of operas was realizing (a) Williams may have had some idea how he could pull this thing off by looking at an old pro dealing with a multi-generational story, magical themes and heroic quests and (b) how themes and motifs can really work to convey story in ways both overt and subliminally.  In short - the music tells the story.

That's not a knock on Williams.  Too few composers have applied this hard won knowledge effectively in the world of film.  In fact, I think we should be quite satisfied with applying the term "Space Opera" when it comes to Star Wars.

"The Force Theme" is not the fanfare of the titles or the finale awards ceremony.  "The Force Theme", to me, rings with a certain melancholy, maybe that same look that's all over Luke's face there at the end of The Force Awakens.  There's greatness there, but it comes with a sense of tragedy, perhaps derived from the weight of responsibility and the gift's inherent "otherness" that will set you apart now.  There's a swelling undercurrent in the music, a ring of promise that comes after the opening bars, but it's muted, expressing something beyond joy or anger or sorrow.

It's a hell of a piece, and it's the tear jerker of the Star Wars music for nostalgic reasons, sure, but there's something there that hits you dead center as it pushes the story along.

Wednesday, January 20, 2016

Star Wars and Mythology via Marketing



A curious thing has happened in the past month of the release of Star Wars: The Force Awakens.  Most of my facebook friends are in my age range, and they've got kids in a wide range of ages.  Not all, but many of them, made sure they and their family partook in a screening of Star Wars.  That's a normal thing.  (A) If I have learned one thing, it's that parents mostly take kids to the movies for the possibility of silence and peace in their lives for 20- 90 minute stretches, otherwise unknown while the kids are awake, and (B) people take their kids to see Star Wars, in particular.

But I saw the families dressed up in Jedi garb, the post-Christmas-Day pics of kids in Kylo Ren masks waving $10-40 plastic lightsabers, and the joy in the posts as people proudly showed off how they'd passed down Star Wars - something I've seen even with the weaker Prequels, which I am always amazed to hear the kids like just fine.*

We are certainly in the age of multi-generational media.  Or, rather - we have re-entered an age of multi-generational storytelling.