Wednesday, October 11, 2023
Wednesday, June 14, 2023
Monday, April 10, 2023
Tuesday, December 13, 2022
Saturday, November 26, 2022
Thursday, June 16, 2022
Saturday, May 7, 2022
|a page from Tales of the Teen Titans 50|
|Pérez's Wonder Woman|
Friday, April 29, 2022
|Meeting Adams in November, 2013|
Saturday, October 3, 2020
Format: TCM Noir Alley
Director: Irving Pichel
An interesting noir with a series of curious twists and a solid cast. Presented on TCM's Noir Alley, host Eddie Muller brought in author Christina Lane who recently released a book on the film's producer Joan Harrison, Phantom Lady: Hollywood Producer Joan Harrison, the Forgotten Woman Behind Hitchcock (which would make a welcome Christmas gift for us at Signal Watch HQ). Harrison is worth discussing for her path into the film business, sensibility she brought to Hitchcock's story-telling, and... frankly, some of the other movies she's produced - including Phantom Lady* and Ride the Pink Horse - are fantastic and owe a lot of their story strength and sensibility to Harrison.
They Won't Believe Me (1947) is framed with a murder trial. Young is the defendant, and he's telling his tale/ spilling his guts from the witness stand, trying to explain what really happened, and which looks, honestly, really, really bad for him.
Sunday, August 23, 2020
PODCAST: "The Straight Story" (1999) - featuring an interview with screenwriter John Roach! Disney History w/ NathanC and Ryan!
Director: David Lynch
For more ways to listen
NathanC returns for more Disney History - and this time he brings an interview with screenwriter John Roach! We're discussing the only G-Rated entry in the filmography of David Lynch, bringing his brilliance to a completely different kind of story. And - we have an interview with one of the key storytellers! Get some insight into this remarkable film courtesy a screenwriter who was there from start to finish! It's a very different (and special!) episode of The Signal Watch.
Laurens Walking - Angelo Badalamenti, The Straight Story OST
Country Theme - Angelo Badalamenti, The Straight Story OST
Playlist - Disney History w/ NathanC:
Tuesday, August 11, 2020
Director: Don Hahn
Let me start by saying: in a lot of ways Disney+ is much better than I ever expected. I've enjoyed the Disney "from the vaults" content, catching new material, behind the scenes at parks, movies, etc... with One Day at Disney and two series - one on the making of The Mandalorian and an exceptional doc series on the making of Frozen 2.
And, of course, then the release of Hamilton. I haven't watched Black is King yet, but that's a pretty big line in the sand for the Disney brand to put out on their flagship, no-doubt-this-is-Disney streaming service when Disney has usually just avoided anything that invites cultural critique.*
But Disney+ putting a doc about Howard Ashman, a gay man who died of complications from AIDs at the height of the epidemic, and being honest and open about his sexuality and struggle with the disease, is... kind of mind-blowing. There's something about the platform of their own streaming service and that you've already paid your money to have it that seems to have freed up the Disney Corp to tell some stories well worth telling I don't know we'd see if they didn't have this avenue.
The doc, itself, is the life story of Howard Ashman who - paired with Alan Menken - wrote the musical numbers for Little Mermaid, Beauty and the Beast and Aladdin. He also wrote and originally produced Little Shop of Horrors - which was his big breakout hit off-Broadway.
It's really a pretty great story, well told, and has the heart-breaking knowledge of what happened to Ashman in the back of your head. And, sadly, the fact he was the musical partner of Menken and that he died of AIDS was all I'd known about him until watching the doc.
I don't want to get into details too much, but as loving as it is, it isn't shy about who Howard Ashman was and doesn't make him into a saint - while illustrating pretty clearly what sort of mind he had that helped push the Disney cartoon back into prestige territory (and why Disney was flailing at the time he showed up).
For fans of animation, musical theater, or Disney-history - well worth the viewing.
*Disney tends to get lambasted no matter what they do, and I've stood there and listened to lines of people parrot back the criticisms of Aladdin, Lion King and Little Mermaid during 3 summers at The Disney Store. I would invariably listen and then say "well, I make $4.50 an hour working here and while I'll tell my manager... really, your best bet is writing the studio in California."
Monday, July 6, 2020
Ennio Morricone, famed composer of film scores, has passed at the age of 91.
It's hard to measure the impact of Morricone's work. He scored hundreds of films, shows and other works with a seeming endless variety to his work. For American ears, he broke onto the American film scene as he shattered our expectations of what a Western might sound like and created an entirely new aural concept to match Leone's vision of the world of gun slingers and pioneers.
To this day, I'm uncertain what instruments were deployed for some of his most famous music, but he wasn't yoked to a symphony - though he was quick to employ one, and a chorus, or - maybe most famously - a solo singer. While listeners may often pause while watching a film and guess rightly "is this Morricone?", the diversity of approaches from The Thing to Once Upon a Time in America to Days of Heaven can defy categorization. From electronic instrumentation to oboes to you-name-it, he found the sound of the soul of a film, and made them sing.
Friday, June 12, 2020
I am terribly, terribly sorry to report that Dennis "Denny" O'Neil has passed. I am often genuinely saddened when I see someone has gone on to their reward, but sometimes it hits harder.
It is difficult to measure the impact O'Neil had on comics, popular culture and culture writ-large. And I doubt many people outside us comics nerds (and possibly only comics nerds of a certain age) know his name. O'Neil was one of the giants, someone I "liked" as a kid when I'd read his stuff, but as an adult and went back through the history of DC and saw all he'd accomplished?
O'Neil is one of the creators largely responsible for the version of Batman you know and love. He revitalized and solidified Hal Jordan (Green Lantern) and Oliver Queen (Green Arrow), making them relevant as sounding boards for the issues of the day. He updated Superman and took on the challenge of turning Wonder Woman into a secret agent (with mixed results). You may know the long runs on Batman that wound up informing Batman: The Animated Series, or the famous "Hard Travelling Heroes" period of Green Lantern/ Green Arrow. His run on Superman is actually pretty well written, if unsustainable. The run on Wonder Woman is flat out wild and strange, and - issues though it may have - it's a fascinating attempt to try to update (and maybe a good cautionary tale for every time the internet tells DC to update Wonder Woman).
I first learned his name, I believe, on the cover of The Question (along with Denys Cowan), and soon I looked for his name in association with a certain level of storytelling I thought surpassed most of what was on the rack.
O'Neil didn't just tell stories that took DC heroes on new journeys and challenged them in new ways, he invented a large number of characters for DC and more. Those characters were a huge part of comics of my youth from O'Neil and others, and wound up in cartoons, movies and more. Scroll down this page to see a list of his contributions.
It's odd to see the passing of someone who was part of the second generation to enter comics, the folks who were handing off the torch as I was showing up as a reader. But O'Neil in particular is going to be missed. But us comics folk aren't the type to forget a person's contribution or what they did to advance the narratives that inspire and entertain us. And inspired others to create more on the foundations they built.
We'll miss you, Denny.
Monday, May 11, 2020
Every once in a while you read a comic that you know is just going to stick with you for a long, long time.
Novelist Neil Gaiman of course broke into the public consciousness through Sandman, the perennially popular comic series that, frankly, got me back into comics when I'd wandered off to spend my money elsewhere. What we don't talk about nearly enough is that, in addition to Gaiman's scripts and plots, he was paired with some of the finest artists to grace the business (you can thank editor Karen Berger), among them Colleen Doran.
Sunday, May 3, 2020
Format: Amazon Streaming
Director: Jack Bennett
I forgot to write this up a month ago when I watched it. A really fun doc on a great movie, and with terrific participation from darn near everyone who was in it or worked on it. And, as always, Sigourney Weaver is the coolest.
Thursday, February 27, 2020
Friday afternoon, I saw news that Dan Didio, former writer, promoted to Executive Editor, then promoted to Publisher at DC Comics, was no longer with the company. No circumstances regarding his departure have been reported from DC or Didio, so at this time, it's safe to say Didio's exit was possibly due to a difference of direction from WB and/ or the head of Warner Bros. Global Brands and Experiences - Pam Lifford, who took over DC leadership when Diane Nelson resigned and the structure of DC Entertainment was folded back into WB. There are also rumors about the perceived impact of the coming "5G" event and reshaping of DC Continuity, which, frankly... sounded exhausting as a reader. Other possibilities included workplace issues and the good old fashioned lay-off as ATT goes about restructuring WB.
A lot of artists and writers took to twitter to talk about how Didio had done good by them, with a few popping off here and there. Honestly, some of what I saw about how Didio is a great guy just sounded like basic human decency or Management 101, which really makes me wonder what the heck it's like actually working in comics when "he said he'd take responsibility for the thing he is responsible for" is the bar for a great humanitarian in comics. But, still, the expressions seemed sincere, and while I'm aware there's a tendency in creative fields to not burn bridges and overly laud anyone exiting, I'll take these creators at their word.
Longtime readers will know - I am not a fan of Dan Didio.
Monday, February 17, 2020
Today marks the 100th birthday of the late, great Curt Swan. For those taking any kind of deep dive into Superman as a long-running comic book character, it doesn't take long before you start producing your list of giants associated with the character's creation and adventures - and Curt Swan is top of the list.
Siegel and Shuster created Superman, but eventually many of the art duties fell to first Wayne Boring, and then as we transitioned into the mid-Silver and Bronze Age, Swan became the primary pencil behind Superman. For about three decades Swan drew covers and interiors of Adventure Comics, Superman and Action Comics, and saw the end of his reign with the new era that began post COIE. In his tenure he created such characters as Supergirl, Titano, Lucy Lane and many more.
I became familiar with his work through a mish-mash of back-issues and collections of Silver Age comics, and he's very much locked in my mind as one of the best of the best. It's astounding to see the care put into every panel of his art and how his own style evolved to meet (and often exceed) the times.
More about Curt Swan from Comic Vine and Wikipedia.
Tuesday, February 4, 2020
Today is the birthday of Ida Lupino, born this day in 1918.
A phenomenal actor, she also went on to direct and produce - while continuing to act. While kinda unknown to the general public these days, she has her die-hard fanbase among film fans.
Be cool. Get to know Ida Lupino.
|get you a girl who can do it all|
Monday, November 18, 2019
Format: TCM on DVR
It's odd how little we talk about cinematography. Of course we discuss actors and dialog. FX are a big topic. We talk about soundtracks and directors. When we're feeling like showing some insidery-type knowledge about film, we'll talk editors. But I'm not sure we always notice the names of the people who actually sit behind the camera, working out the actual look of a movie, which, as we're not listening to radio or watching a play, seems kinda key.
From composition to placement to depth of focus to lighting to movement of perspective... and probably 9 or 10 other factors I'm not thinking of, what we see in a movie is defined by someone who thought about every shot (in theory). Sometimes it draws attention to itself, but more than 95% of the time, when we talk about a movie, we seamlessly discuss story and how we felt, basing it on any of those factors above, but how often do we discuss what the camera did? Or where it was placed?
Sunday, November 3, 2019
Format: Criterion BluRay
Viewing: 4th, I believe
Back in the go-go 1990's, I stumbled across John Sayles, as one was want to do if in film school at the time. People would name drop him as he had a rep as the same guy who wrote Piranha, Alligator, The Howling and other more mainstream flicks, but was basically funding his ability to also write and direct independent film. It's something he still does (apparently), but given the number of times I've heard his name or seen it online or in print the past twenty years, he's fallen away from film-nerd discussion, I suppose - which makes me really wonder who else we've forgotten.