Saturday, September 14, 2019
Format: Amazon Streaming
I wouldn't say this movie was mismarketed, exactly. But how reviews I read described it made it sound exceedingly joyless, but interesting. The premise held enough promise that I planned to get to it eventually, but wasn't in a mad dash to do so. However, Jamie watched it somewhere along the line when I was off at a breakdance party or whatever I do, and informed me it was very much in my wheelhouse, and, indeed, she was correct.
Can You Ever Forgive Me? (2018) is the true story of Lee Israel, an NYC based writer of bios of celebs of bygone eras (she's working on a Fanny Brice book during the movie's circa 1991 timeframe), which don't really sell, so she tries to hold copy-editing positions, etc... to pay the bills. But as a caustic, misanthropic drunk, turns out holding a job can be tough.
She becomes re-acquainted with a down-on-his luck bon vivant, played by the always-amazing Richard E. Grant (a charming drunk, here), just about the time she has some bills due (cat gets sick), and has to make some money, quick. Through a series of small discoveries, she learns of the world of memorabilia and letter collectors, and begins forging letters supposedly penned by luminaries long since passed, including everyone from Noel Coward to Louise Brooks.
Melissa McCarthy stars as Israel, and it's not exactly a revelation to see her this good - I think she's kinda brilliant as a comic actor, so seeing what she can do with a dramatic part was a "well, sure" revelation. She's always been so specific, with undercurrents and layers of sympathy, pathos, and thoughtfulness, even in goofy stuff like The Heat (which I really enjoy, y'all), doing same but for a dramatic role makes sense. And, it seems, the work done here by she and Grant earned them both Oscar nods.*
Because the arc of the film is fairly obvious, I'll refrain from spoilers. Instead, I'll just tip my hat to the actual technical work, character work, and script. Director Marielle Heller has a sparse directing and acting filmography, but seems to know how to get a performance, and I'm now doubly interested in the A Beautiful Day in the Neighborhood Mr. Rogers biopic coming, as she's the one wearing the puffy director's pants there, too.
I also quite liked the DP work by Brandon Trost, and almost laughed out loud seeing this is the same DP as the Crank movies, which I'll just let all of us ponder if we think we ever have someone's style nailed down.
Anyhoo... I'm just recommending this one. Give it a go.
*which... honestly, we should be expecting movies with these levels of performance in movies all the time, but that's reserved for TV these days.
Friday, September 13, 2019
|The man, the myth, the manager - our own Brandon Zuern|
We're trying this thing out where we're trying to stray a bit from the "let's talk about a movie" formula and we delve into comics and the people who love them.
It's the launch of "Secret Origins", where we talk to comic-folk about how they got into comics and how they got to where they're at as collector, creator, comic retail pro, etc, et al. We start off by visiting with the manager of what's been our longtime LCS (Local Comic Shop, for you new kids). Get to know Comic Book Brando, our own Brandon Z! Learn about Austin Books and Comics, its sister stores, and two guys discussing the winding paths to comics fandom.
For more Kryptonian Thought-Beast, you can always visit our, uh, satellite site? Something like that. OR our sister Soundcloud.
The Center of Austin Fandom below...!
Thursday, September 12, 2019
Format: TCM on DVR
There are a whole bunch of movies that are not the same movie that I thought were the same movie that came out between 1980 and 1987, that all have sort of meaningless names, and I thought were the same movie. Brainstorm (1983) is one of these movies.
The thing is, I'm not even sure what is what, but these movies all had pictures of people wearing headgear or having lasers pointed at their brains and often had to do with virtual realities, walking around in people's dreams, stuff like that. I guess. All I know is that, from this pile, I had never seen Brainstorm despite very much remembering the box collecting dust at Video Station and Video III when I was a kid.
Monday, September 9, 2019
Viewing: Oh, gosh...
We turned to our wife of more than 19 years and realized we were heading into tricky territory as we asked "What is Love?" Fortunately, she came back with "Star Wars". Join Jamie and me as we use The Force and talk what was maybe the first great movie romance a lot of us clicked to: Leia, Han, a broken down ship and some mynochs to keep it interesting.
Han Solo and The Princess (Love Theme) - John Williams, Star Wars Episode V: The Empire Strikes Back OST
Han & Leia Suite (Theme) - John Williams, Star Wars Episode V: The Empire Strikes Back OST
"What is Love?" Podcast Series
And, snowsuit Leia