Saturday, December 15, 2018
Format: Big screen at Austin Film Society
Viewing: unknown. Fifth?
I'm not actually going to write up this movie. You should watch it. And behold Bacall. I need to re-read the novel. It's been a long time.
Monday, December 10, 2018
Format: streaming on Prime, I think
Viewing: 7th or so
Holiday Inn (1942) is a terrific movie, except for the deeply problematic blackface sequence.
Friday, December 7, 2018
Format: Horrendous colorized version streaming on Amazon, I believe
Viewing: Unknown. Dozens.
NathanC and Ryan take on the big Christmas classic about a guy who meets an angel who deeply improves his Christmas Eve. "It's a Wonderful Life" (1946) is an annual favorite, but it's also a movie that gets pretty dang dark. We take a look and ponder why the film has endured.
Christmas Time is Here - Vince Guaraldi Trio from A Charlie Brown Christmas
Main Title/ Heaven - Dimitri Tiomkin, It's a Wonderful Life OST
It's a Wonderful Life (finale) - Dimitri Tiomkin, It's a Wonderful Life OST
O Tannenbaum - Vince Guaraldi Trio from A Charlie Brown Christmas
~29:55 articles on gender and libraries (nowhere near complete on the topic)
- Father of Modern Libraries Was a Serial Sexual Harasser
- The Stereotype Stereotype
- Women's Values, Vision And Culture In The Transformation of American Librarianship, 1890 -- 1920
Holiday Cinema Series Playlist
Thursday, November 29, 2018
I started reading All the Answers (2018) a couple of weeks ago, got ten pages in and realized that I wouldn't have time to read it cover to cover in one sitting, the way one generally wants to watch a film, and so I put away the book and picked it up again when I had uninterrupted time.
Written, researched, drawn and lived by Michael Kupperman, a cartoonist and artist I've followed for well over ten years at this point, the book is more than a minor pivot from a particular brand of humor comic that I would fail to capture here if I tried (and what is explaining a joke, anyway?) - this is also a biographical and autobiographical graphic novel. I believe Snake n' Bacon strips were my entree into Kupperman's work, followed by Tales Designed to Thrizzle - something that should be a staple in any comics-studies course. And, of course, Mark Twain's Autobiography, 1910-2010.
Sunday, November 11, 2018
Wednesday, October 31, 2018
Format: TCM/ DVR
Well, I finally watched Cat People (1942).
I wish I had not been so tired when I put it on, but I figured "now or never" as I was winding down my Halloween night, post trick or treaters and family heading home.
Sunday, October 28, 2018
Wednesday, October 24, 2018
Thursday, September 20, 2018
Wednesday, September 12, 2018
Format: Noir Alley on DVR
The Locket (1946) gets name dropped a lot in noir circles, but not always with a lot of context. It starred no particular favorites aside from Mitchum, and didn't happen to cross my path til it aired on Noir Alley, so I'd not made a tremendous effort to watch it. Turns out, The Locket is a hell of a movie with some terrific qualities, from the performances to the direction and cinematography, but it starts with a story and script that - while maybe a bit rudimentary in applying psychology as a science (a common trope of this era) - tells a unique, engaging, tragic story via unconventional techniques - and puts a new spin on the "femme fatale" (if that's accurate here, and I'll say it is) that's fascinating to watch unfold.
Tuesday, August 28, 2018
Watched : 08/28/2018
Format: DVR/ TCM
Audrey Quotient: Nowhere near enough Audrey!
This isn't a noir film! Nope. This one is an historical drama about the creation of the atomic bomb. So, you know, fun stuff.
Thursday, August 16, 2018
Format: TCM on DVR
Audrey Quotient: mid-range. A tad low. She plays "the daughter" in an ensemble comedy.
Monday, August 6, 2018
Friday, June 22, 2018
Format: TCM Noir Alley on the DVR
This was the second time I'd watched Pitfall (1948), an indie produced noir starring Dick Powell, Raymond Burr and Lizabeth Scott.
Wednesday, June 13, 2018
Monday, May 21, 2018
Format: Noir City Austin at Alamo Ritz in 35mm
Viewing: fourth/ first
We attended two films on the final day of Noir City Austin, The Unsuspected (1947) and The Threat (1949). Two extremely different movies, but both a real treat. The Film Noir Foundation isn't just Eddie Muller, and as he had to depart, we were lucky to have author Alan K. Rode in attendance to introduce the films.
Sunday, May 20, 2018
Viewing: First/ First
Format: Noir City Austin at the Alamo Ritz
Decade: 1940's/ 1950's
Both films were shown as part of Noir City Austin, hosted by TCM Noir Alley host, Eddie Muller and presented in 35mm.
Saturday, May 19, 2018
Format: Noir City Austin at Alamo Ritz
Viewing: Second/ First
It's Noir City Austin 2018 down at The Alamo Ritz! As in prior years, Eddie Muller - the Czar of Noir and host of TCM's Noir Alley series is in attendance. As he does so well for Noir Alley, Eddie introduces each film, providing Hollywood history and necessary context, as well as any anecdotes he's dug up over the years, often from first-hand interviews.
I can't make it to all the movies this year, but I am trying to make it out to see a few. Friday night SimonUK and I took in the first two films, I Wake Up Screaming (1941) and Quiet Please: Murder (1942).
Monday, May 7, 2018
Format: TCM Noir Alley on the DVR
If you're wondering why I have three names listed for this movie, it's because this movie was released under three different names at three different times - but I think it was first released under Hollow Triumph (1948). However, I can't find a poster I like better than the one for The Scar, so.. behold!
This movie was a *lot* of fun. It's not a glossy studio movie, but acting talent, direction and cinematography carry you really far in a picture.
Thursday, April 26, 2018
Format: TCM on DVR
Decade: 1940's (wartime)
The Hard Way (1943) is a wartime melodrama and probably counts as a "Women's Picture", which was a thing, as it starred women, had them front and center as career-centered ladies with romance as a conflict.
It's not a genre with which I have a lot of experience, and I'm not a huge follower of soapy melodrama. "So, The League," you say, "Why did you watch it?"