Coogler Watch: Sinners (2025)

Watched:  04/26/2025

Format:  Drafthouse

Viewing:  First

Director:  Ryan Coogler

I guess Marshall is my "there's a vampire movie out, we're going" buddy.  And, really, Marshall was the ideal movie buddy for this one.  He's an avid music fan, a musician, and his rock sensibilities - when I met him in the early 1990's - were blues-based.  He's also a fan of vampire flicks, although I don't think I've convinced him to watch the Hammer vampire flicks yet. 

In addition, Marshall is well-read, and with an academic background in creative fiction, his critical analysis is always impressive.  But he refused to send me a blog post for this movie so that I didn't have to write one.  He is refusing me this one simple request, and so I am hoping if I butter him up enough with this high praise, next time, he'll do it.

Anyway - count me in with the people who loved Sinners (2025), and am excited about seeing it again.

SPOILERS

It's Morbin' Time: Morbius (2022)

Watched:  03/22/2025

Format:  FX Movies

Viewing:  First

Director:  Michael Espinosa

A movie whose reputation proceeds it, Morbius (2022) was met with critical derision, a fan base that showed up *ironically*, and a star who seemed to agree - we can all have a laugh at this movie.

I don't even really know what's wrong with Morbius - but, yes, the vibe is off.  Nonetheless, I'll speculate based on the final product.  

Unlike Madame Web, you don't have the immediate feeling "something is very, very wrong" in the first five minutes.  Morbius really takes its time to utterly fall apart and admit no one knew what to do with this character once they had him.

I'd even argue the first 1/3rd of the film is entertainingly campy - or at least made for a good laugh as I put it on whilst on the elliptical.  Jared Leto plays the very-ill but brilliant Michael Morbius, who we're to believe has grown to be a 30-something adult while requiring thrice-daily dialysis.  As a child, he befriends "Milo" - later played by Dr. Who's Matt Smith - and they have a working/ parental relationship with Jared Harris.  

Chabert Watch! The Wedding Veil Journey (2023)

the sixth of six of these.  I deserve a cookie for finishing.

Watched:  03/18/2025

Format:  Hallmark

Viewing:  First

Director:  Ron Oliver

heads-up:  If you're here for 100% Chabert content, I am going to alert you now, Lacey Chabert is a supporting character/ Executive Producer on this movie, and not the star.  But watching the Chabert filmography will mean sometimes she is not the lead.  I know.  I can't believe it either.

Job:  Art and Rarities Auction House Exec

new skill:  empathy for other humans

Man: Victor Webster

Job of Man:  Restaurateur and Chef

Goes to/ Returns to:  Goes to Greece

Event:  None, really

Food:  Greek cuisine

First, I finally figured out where I knew Alison Sweeney from - she was on Days of Our Lives when that was the go-to soap opera to watch in the 1990's thanks to Sweeney's character, Sami (who was batshit) and Deidre Hall's Marlena was possessed by a demon.  Weird, wild stuff.

On to the show:

With our couple established in the third Wedding Veil installment, we get the direct sequel here in the 6th and (mercifully) final installment, entitled The Wedding Veil Journey (2023).  

In this movie Alison Sweeney and Man are realizing their schedules as an art auctioneer and restaurateur are incompatible, and they never see each other.  In fact, they never managed a honeymoon in what we're told is three years later, meaning the movies are actually supposed to span something like 6+ years.  

Sweeney and Man head off for Greece, but their plan is bad.  They will stay only one night in a hotel and then wing it from there.  Because of flight delays, they wind up arriving late, have nowhere to stay, and wind up in a struggling but lovely resort that seems honestly super nice.  And clearly the production had the run of the place, likely due to COVID.

Animation Watch: The Wild Robot (2024)

Watched:  03/15/2025

Format:  Peacock

Viewing:  First

Director:  Chris Sanders

Well, this is kind of funny.  I wondered what had become of the writer/ director of Disney's Lilo & Stitch after watching the movie the other night, and here is as writer/ director of The Wild Robot (2024).  

The biggest problem The Wild Robot has is that it came up against Flow in the same year in the Oscar race, and the two, curiously, share similar themes using animals as their analogy.  But, luckily, I am not an award-granting body, and have place in my brain for both movies.  And I liked this movie quite a lot.

Yes, The Wild Robot is worth seeing, if for no other reason than that the design of film is a wonder.  It's some of the finest work I've seen from a US animation studio outside of Pixar or Disney, mixing realism with painterly flourishes, with classical film-making featuring inventive use of camera movement in a way that I just rarely feel anyone outside of Pixar, in particular, really lands (I'm still not over some of the imagery in Soul).    

And, it's all in service to the story.  

Chabert Watch! The Wedding Veil Expectations (2023)

Watched:  03/13/2025

Format:  Hallmark

Viewing:   First

Director:  Peter Benson

Job:  Curator at an Art Museum

new skill:  interior decorating

Man: Kevin McGarry

Job of Man: art teacher

Goes to/ Returns to:  Stays in Boston

Event:  Museum gala

Food:  Pineapple pizza (her pregnancy craving)

If one concept needed absolutely no sequels, it was The Wedding Veil, but here we are.  

Because we're doing all of this for science, I looked up the book that these movies are all supposedly based on, and it has nothing to do with anything in the movie.  I have no idea why they keep crediting the author.  The only thing the movies have in common with the book is that there's a wedding veil.  The plot and characters seem totally different.

The author is a Texas romance writer, and seems to pen hot and heavy romances about cowboys that take place here in the Lone Star State.  At some point, she renamed the book to make it more Texas themed.  Anyway, the series is well reviewed by romance fans, so get on that, if that's your jam. 

Back to our film!  

It's an indeterminate amount of time since we last checked in with Chabert and Man.  And as we have already been told in the first installment, and mentioned in two other films - they're happily -ever-aftering.   So, as we enter this film, we must put together a movie that both has some sort of conflict and doesn't disrupt the Hallmark promise of life being great after marriage.  Thus, we have a film with multiple plot threads and issues that rise up, and then fizzle away like water on a hot plate.

Chabert Watch! The Wedding Veil - Unveiled (2022)

Watched:  03/03/2025

Format:  Hallmark

Viewing:  First

Director:  Terry Ingram

heads-up:  If you're here for 100% Chabert content, I am going to alert you now, Lacey Chabert is a supporting character/ Executive Producer on this movie, and not the star.  But watching the Chabert filmography will mean sometimes she is not the lead.  I know.  I can't believe it either.

Job:  Art Prof

new skill:  I'd say researching art, but that is literally her job.  So, I guess, making lace?

Man: Paolo Bernardini

Job of Man:  Sales and Marketing for a lace company?

Goes to/ Returns to:  Goes to Venice

Event:  None?

Food:  I am sure they ate Italian food and talked about it

Budgets on Hallmark films make no sense to me.  

We're making our way through the Wedding Veil series, I guess.  It's a five movie (to date) series about a magical wedding veil that forces people to fall in love.  Frankly - its power is terrifying.  

Three Hallmark stars (Chabert, Autumn Reeser and Allison Sweeney) buy the veil together, as their "something borrowed" item they'll all wear.  And the first movie sees Lacey Chabert fall in love with a terrible, terrible human who looks like a Bad Boy version of Mikey Day.  

This is the best the veil can do?

Regarding budgets - the first movie ostensibly took place in San Francisco and Boston, but that was clearly Canada.  Nice locales, but nothing you don't see in many-a-mid-budget Hallmark flick.  

But the sequel, The Wedding Veil Unveiled (2022) - starring Autumn Reeser - takes place all over Venice, Italy.  They left the continent and went somewhere awesome.  You even see the library from Last Crusade.

Neo-Noir Watch: A History of Violence (2005)

 

Format:  Max?

Viewing:  First

Director:  David Cronenberg

Watched:  03/01/2025

Back when A History of Violence (2005) was in theaters, I was scheduled to see it as it’s based on a comic from a briefly lived DC Comics adult-oriented imprint. I’d read and quite liked the comic, but at showtime, one of us got sick, and we didn’t see it. And then, I never got back to it.

And that’s a shame, because 20 years later I liked it. But had I seen it back then, I doubt I would have understood how much this movie reads like a 1940’s film noir, maybe something like The Killers or a Goodis novel or movie.  It kind of reflects some of that post-War noir grit where we didn't slot people into "good guy" and "bad guy" so readily.

SPOILERS  

Viggo Mortensen stars as the smalltown café owner, Tom Stall, married to Maria Bello. The pair share kids aged around 16 and 5. Like many noir films, it’s about what happens when the unbridled viciousness of organized crime intersects with the mundane lives of ordinary people - and what happens when someone among the normal people isn't so average. 

 In a different decade, the William Hurt role is played by Raymond Burr in a B picture or Richard Conte if they had more money. Ed Harris would be played by Robert Ryan, and you can imagine Burt Lancaster in the lead role.

Chabert Watch! The Wedding Veil (2022)

Watched:  03/01/2025

Format:  Hallmark

Viewing:   First

Director:  Terry Ingram

Job:  Assistant Curator at an Art Museum

new skill:  walking in 6" heels on grass

Man: Kevin McGarry

Job of Man: philanthropist

Goes to/ Returns to:  Stays in Boston

Event:  Museum Gala

Food:  mac n' cheese

So...   apparently - despite starting as recently as 2022 with this movie, The Wedding Veil, there are already 5 movies in the Wedding Veil series, and likely more on the way.  I kind of knew this series existed, and was avoiding starting the series so we didn't need to sprint through five movies on the same topic.  But we're running out of other Chabert options here on Hallmark as we speedrace our way through her non-Christmas filmography in a way I did not anticipate when I was like "you know what would entertain Randy...".  But 2025 has been 2025, so here we are.

Basically, the idea of The Wedding Veil series is something like The Sisterhood of the Travelling Pants (which I've never seen).  It's about how possession of this 19th century wedding veil will lead to true love.  Three friends, who just happen to be played by Lacey Chabert, Autumn Reeser and Alison Sweeney - three of the top Hallmark stars - find and purchase a wedding veil together, all agreeing to share the veil when they find it in an antiques shop in San Francisco.

I call shenanigans that three people would agree to look the same at their weddings in a spur-of-the-moment decision, but here we are.  And we *will* get three movies of our heroes getting married, I guess.

This movie has to do the heavy lifting for the series as it has to establish (a) the magical power of the veil, (b) who each of the three leads in the series are, and (c) what their particular deal is with romance.  Fortunately, we all know Chabert is up to this task.

NASA Watch: Fly Me To the Moon (2024)

Watched:  02/27/2025

Format:  Apple+

Viewing:  First

Director:  Greg Berlanti

What an odd movie.

This is kind of what has happened with the mid-budget romcom.  They wound up on streaming services.  I don't know if Apple wanted to be in the Scarlett Johansson business or if they bought the movie.  But here it is on Apple+, which I have for MLS soccer purposes and through T-Mobile.

This is a movie about the value of truth, that uses the conspiracy theory of faking the moon landing as it's second-half pivot, and basically only gets the names of the Apollo 11 astronauts right, tossing out the rest of what happened in actuality in order to make a cute story.  It's fine, but if you're a NASA nerd like my wife, and by extension and maybe a lesser extent, me, it will make you want to pull your hair out.

Apollo 11, the focal point of the film, may be one of the most well-documented events in human history (that's the one where they walked on the moon the first time, Howard).  To make up how mission control works, and who was working there felt... weird.  Even odd little details crop up - like, I don't know if I ever heard anyone ever refer to any part of the vehicle as "the ship", but it happens here a couple of times.  

Hallmark Watch: Sisterhood, Inc. (2025)

Watched:  02/22/2025

Format:  Hallmark/ Amazon

Viewing:  First

Director:  Lesley Demetriades

I watched this because my allergies had taken me out, Jamie was curious, and I'd just finished The Outfit and was like "yeah, sure, whatever. Palette cleanser.".  And, look, Rachael Leigh Cook is always good, and it's a cute idea for a movie.  

Tech CEO gets fired, turns her energy to helping her slacker sister.  She does this by applying corporate structure to the problem, building a board which she chairs, with the goal to help improve her sister's life.  

The cast has to carry one of these movies, and it felt a little spendy in that department.  Rachael Leigh Cook is a name and talented, and manages to make sure a character who could be prickly is sympathetic.  The mother is played by Judy Kain, who has been in tons of stuff and is good.  The sister's pizza boss is a guy from the Sopranos.  And Jackie Hoffman is somehow in this.  Go figure.

The bit about trying to turn this personal project into a business idea feels very real.

Anyway, yes, there's a romcom element, but it's the B-plot.  The A-Plot is about sisters and family and done with a surprising bit of character.  It does not hurt that the slacker sister played by Daniella Monet was pleasantly goofy while feeling like a real character, and really pretty funny.

I had not planned to watch non-Chabert Hallmark content, but it appears we're doing that now.  And as I have always believed Hallmark makes for ideal media when you don't feel great, this movie provided evidence in support of that hypothesis.

Also, I am planning to make Jamie watch Heat and Godfather II this week, so if we're swapping in some comfort watching in between, so be it.

Magic Fish Watch: Ouija Shark (2020)

Watched:  02/21/2025

Format:  Amazon

Viewing:  First

Director:  Brett Kelly

There's a fine line between doofuses futzing about with video equipment and outsider art. Ouija Shark (2020) may inadvertently cross that line from time-to-time.  Maybe.  In little 1-3 second bursts, you may experiencing art, in-between wondering why you're watching this movie.

The movie and TV business is a weird beast.  For the past 20 years, it's been true that you really don't need money to make a movie.  You just need time, something to capture your movie with, and a computer.  Also, you require people who will keep showing up for your movie, or remain wherever you are long enough to do their scenes.  

In a world where people complain that Hallmark movies look cheap - what they mean is "this looks cheap next to Mission Impossible", which has roughly 100 - 200x the budget of most Hallmark films.  That's not an exaggeration.  So, yes, they do look cheaper.

But a Hallmark movie spending $1 million has approximately $1 million more than a *lot* of movies you see winding up on Amazon that are like Ouija Shark.  And what's amazing is - so many people think it would be fun to make a movie, the world is now littered with Ouija Sharks.  Ie:  People who get some friends together and make a movie, by hook or by crook.

Starring random Canadians, this movie is about an hour long, really, if you cut the lengthy title sequence.  It's about a young woman who goes swimming at a lake, where she finds a ouija board underwater.  

Chabert Watch! The Dancing Detective - a Deadly Tango (2023)

Watched:  02/20/2025

Format:  Hallmark/ Amazon

Viewing:  First

Director:  Stefan Scaini

Job:  Police detective

new skill:  ballroom dancing

Man: Will Kemp

Job of Man: dance instructor

Goes to/ Returns to:  Goes to Malta

Event:  Dance competition

Food:  cocktails

This movie is bonkers.  

You will never follow the premise, because it is baffling and exists to making the central conceit of the title happen - that a detective will dance!

For reasons, The Dancing Detective: A Deadly Tango (2023) is shot in Malta, a place of which I am mostly uninformed, but makes Malta seem lovely, and I'd love to see it.  It's modern, but retained its architecture, features old-world streets and buildings, and many pleasantly snoozing cats. But also because it's Malta in the middle of the Mediterranean, the sun is brutal and I pity the DP.

As a Maltese-shot film, a lot of the talent in the movie is local.  All the characters sport very Anglo-sounding names while the actors mostly wrestle down a range of accents from Maltese, to multi-lingual-kinda-Spanish to Slovenian.  

The film basically exists to exploit the fact that Will Kemp, one of the Hallmark A-Listers, has a background in dance.  Lacey Chabert, who is the co-star, does not.  Chabert and Kemp are both Executive Producers on this movie, and I cannot imagine what the business dealings at Hallmark are actually like, as this is also a Bristow produced movie, like the Safari movie we caught the other day.  Globetrotters, these Bristows.

The set-up:  a suave CEO dies suddenly - and while no one else sees it but us, the audience, we know he was poisoned by someone dressed as a ninja.  It turns out he's the CEO of a company like the Arthur Murray Dance Company, which is actually global (I didn't realize Arthur Murray still existed until last year when I noticed a studio next to a restaurant where I sometimes meet my folks).  So, this is high stakes!  Someone is bumping off CEOs!  Of dance!

Horror Watch: The Substance (2024)

Watched:  02/19/2025

Format:  4K disc (SimonUK's disc)

Viewing:  First

Director/ Writer:  Coralie Fargeat

Worst.  Shazam movie.  Ever.

Let me start by saying, I quite liked The Substance (2024).  I'm not sure what's going on at the Academy that this got a best picture nom, my confusion mostly stemming from the fact this is a satirical body horror movie and that sort of thing doesn't usually get nominated over Very Serious Pictures(tm) - but I am thrilled for everyone involved and for this movie getting the nod.  

I was unimpressed with the original trailer for the movie, and then after the movie came out, Simon told me he'd already seen it a few times,* and then later said he'd seen it four - and I was supposed to see it with him on his 5th viewing. However, I went to the wrong theater.  SO.  Tonight he brought over his new disc and we watched it.

On paper, this movie is what I figured from the trailers - to a point.  And it is all along the way more entertaining, bizarre, fascinating and generally better than I expected.

The only prior Coralie Fargeat movie I'd previously seen was Revenge, which I don't remember well, just that it lost me at some point and didn't win me back.  But re-reading my own review to refresh my memory - I can see a loose breadcrumb trail that led to The Substance, and what Fargeat was doing with Revenge that maybe didn't work for me but landed well with me in this instance.  

Chabert Watch! Crossword Mysteries: Terminal Descent/ Riddle Me Dead (2021)

Watched:  02/14/2025

Format:  Hallmark

Viewing:  First

Director:  Peter Benson/ David Winning

Job: Puzzle Maker and Police Investigation Meddler

new skill:  complete knowledge of plant scientific names/ riddle show participant

Man: Brennan Elliot

Job of Man: Detective

Goes to/ Returns to: Remains in NYC

Event:  canceled puzzle contest w/ a computer, taping of a game show

Food:  Italian cooking made by supporting characters/ some diner food

I guess I should mention, Jamie was digging these movies a bit.  Her reason, and I agree, is that they're not structured like a Christmas film or romcom, and the two leads bounce off each other very well.  It's a refreshing change.

Anyway - we went ahead and knocked these two out.  You're welcome.  

I will note - the audio was pretty bad in these two movies.  I can't say what happened, but there were garbled lines, the echo of shooting on location mixed with ADR. Wind.  It was all over the place.  

With two years since our last movies, we have some new supporting cast, and we're given some lines about what happened to the former colleagues.  

Marvel Cap Watch: Captain America - Brave New World (2025)

Watched:  02/13/2025

Format:  Cinepolis

Viewing:  First

Director:  Julius Onah

It was hard to miss the negative reviews for Captain America: Brave New World (2025), which was maybe a good way to go in.  I already had pre-purchased my tickets, even knowing this movie has been delayed for months, had serious reshoots, and I'd noted Marvel was already pushing Fantastic Four and Thunderbolts as hard or harder than this movie.  

I also know that taking to social media and bravely saying "this new Marvel movie isn't very good" is the current cool thing to do, whether it's Quantumania, which fully deserves every iota of hate it got, or Deadpool and Wolverine, which was amazingly meta and a fun Saturday afternoon at the movies (and richly rewarded for the effort).

After numerous misfires and mid-level efforts, it's fair to say Marvel hit the point where the quality of what they do has slipped.  What I think folks fail to appreciate is that Marvel's long run of putting out fun, watchable stuff was singular and extraordinary.  No one else has come close.  And if you're younger, that's hard to appreciate.  In a couple dozen movies - they became an institution almost as much as the idea of the Western or Costume Drama.*   And, of course, being an institution rightfully means they're the ones to take down/ make fun of/ be skeptical/ cynical of, especially in their modern work.

At the core, I think the same problem plagues Marvel movies that plagues Marvel (and DC) comics themselves - which is that there's a crippling level of continuity in their sprawling universe, and that can be paired with the fact that Marvel seems unwilling to build any second-generation characters in the old-school fashion with their own mythologies, rogues gallery and *personal* continuities.  Characters like Sam Wilson just kinda loosely fit into the big picture and exist in the Marvel Comics U.  And that is how this movie feels.  Captain America: Brave New World operates more as a sequel to 2008's Hulk and other MCU continuity threads than it is a Captain America film.  Arguably, Sam Wilson is not the star of his own movie in much the same way, Steve Rogers was one of many characters with understandable motivations in Civil War.

Why Did I Do This Watch: Madame Web (2024)

the derp crew

Watched:  02/12/2025

Format:  Netflix

Viewing:  Second

Director:  SJ Clarkson

I swore I'd never watch Madame Web (2024) again, but I did.

A year on, it's horribleness has already reached mythic status in the superhero movie nerd community, and it's just growing in stature as Sony piles on Morbiuses and Kravens.  

I stand by every word of this lengthy discussion from last year.  

What I was trying to sort out was whether I just misunderstood the movie the first time, had I missed something?  Worse - was this just such a new take, and maybe a female-centric one I didn't get, that I was too hard on this movie?

Action Watch: Mission: Impossible - Dead Reckoning (2023)

Watched:  02/09/2025

Format:  Amazon Prime

Viewing:  First

Director:  Christopher McQuarrie

This whole movie could have been an email.

Dug tells me this movie has a 96% on Rotten Tomatoes, and I have no idea why.  It is true the entire Mission: Impossible franchise has been a struggle for me, going back to MI:2.  The movies are mostly Cruise running around and not getting his MacGuffin, punctuated with Ving Rhames reiterating the threat, so you don't forget what we're doing here, and Simon Pegg giving objectives for the next action sequence.  However, the action sequences go on so long, I completely forget what the objective was by the end.  Between the cut-scenes explaining things and the long, overly complicated action bits - it is very, very, very much like watching someone else play a video game.

The cast is impeccable.  The globe-trotting locations tremendous.  Cruise looks 45 at age 60.  Stunts are stunty.  

The plot is that an AI has gone rogue - and seems conscious.  And devious!  It has failed QAT, and apparently the dev team had never seen a Terminator movie.  The MacGuffin is a literal key that exists in two pieces that will *possibly* help control the AI.  People keep having it and then not-having it.  No one wants to just put it somewhere safe.  Hayley Atwell* shows up as one of those thieves that exist in movies like this.  She's not a spy, she's just big on ripping people off.  Vanessa Kirby, the latest addition to the Marvel U in this summer's coming Fantastic Four movie as Sue Storm, appears as The White Widow, just as she has for a couple of these movies.  Rebecca Ferguson shows up, and has like two lines, and I struggled to remember why she was important, but I think she's been in several of these.  Pom Klementieff shows up as our sexy, silent awesome hitwoman (and it feels like they let her dress herself, which I applaud).

Valentine Chabert Watch: An Unexpected Valentine (2025)

I am profoundly upset by how this is not the color, make or model of the car in the movie

Watched:  02/01/2025

Format:  Hallmark

Viewing:  First

Director:  *unlisted at time of this writing*

Job: Chocolate scientist 

new skill: picking up Lyft drivers
Man: Robert Buckley
Job of Man: Lyft driver/ mediocre artistic photographer
Goes to/ Returns to: just drives in circles, really
Event: product reveal gala?/ gallery show
Food:  baked goods and peanut butter chocolate cookies

This is a movie about a woman who is so lonely on Valentine's Day, she sleeps with her Lyft driver.

I'm sorry, you can dress it up any way you want, but that's what this movie is about, and I'm okay with it.

We watched this movie on a slight delay during its broadcast premier as Hallmark pivots to a two week extravaganza hoping people can believe Valentine's Day, the worst holiday, is as big a deal to people as Christmas, which is a lie, Hallmark.  A terrible lie.

In this movie, which has a script that needed several more passes and major issues with what we like to call "pacing" in the movie-blogging biz, Chabert plays a New York City-based food science person who specializes in chocolate (please remember the chocolate detail).  

I feel like the script was written by AI or a MadLib, because it does follow some oddly specific Hallmark tropes but then refuses to make sense.

Chabert's chocolate scientist starts the movie, as happens A LOT in Hallmark movies, giving a speech to colleagues around a table about their corporation's widget of choice.  In all Hallmark movies, often in Chabert movies, people are blown over by the set-up of a lukewarm corporate presentation explaining the hero's job and that she is good at it.  Her colleagues and bosses will lose their minds and offer promises of better jobs.  A rich fantasy.

In this case, I would believe the script is written by AI as the product Chabert is showing off is: a chocolate purse.  

Oscars Cartoon Watch: Flow (2024)

Watched:  01/27/2025

Format:  Amazon

Viewing:  First

Director:  Gints Zibalodis

If you want to know what moves me and can make me want to cry for the entire runtime of a movie - put an animal in danger.  Especially an animal with personality that manages to still recognizably act like an animal.

I'd heard a few trusted sources gives a thumbs-up to Flow (2024), and then it got nominated for a 2025 Academy Award for Best Animated Feature.  And, yes.  Consider this the highest level of recommendation I'm likely to give a movie for pretty mush anyone and everyone.  Go watch Flow.  

This post will be short.  I loved this movie so much, I don't want to ramble on and I don't want to spoil it.

Chabert Watch: Sweet Carolina (2021)

Watched:  01/25/2025

Format:  Hallmark

Viewing:  First

Director:  Peter Benson

Job: Marketing VP

Location of story:  North Carolina

new skill: parenting

Man:  Tyler Hynes

Job of Man: basketball coach/ horsebarn attendant

Goes to/ Returns to: Returns to

Event: funeral? bake sale? middle school dance?  

Food:  Baked goods - especially scones

My first foray into a full Hallmark tragedy/ drama!  Also, I note Chabert co-wrote this one, so good for you, Lacey!

If I tipped my hat to Lacey Chabert milking Hallmark for nice vacations when discussing the Hawaii movie, I must also salute Hallmark for using the same Canadian locations and insisting they're various parts of the US with about ten seconds of establishing shots purchased from some establishing shot clearing house.  And then going hard with the movie's branding around the supposed location while remaining very non-specific about how this is, say, North Carolina and why it matters.  

But, yeah, this same Canadian high school was used for Three Wiser Men and a Boy released this Christmas.  Kimberley Sustad and Lacey Chabert are like ships in the night, passing through the halls of this school.  

In Sweet Carolina (2021), Chabert is a successful marketing exec from New Hope, North Carolina (the titular sweet Carolina, so suck it South Carolina.  You salty.).  After introducing her family in Canada North Carolina, the film immediately kills off her sister and brother-in-law, and during Chabert's trip home, she learns her sister named her, a career-driven-city-gal, as the guardian for her children.