Hallo-Watch: Salem's Lot (2024)

Watched:  10/15/2025

Format:  HBOmax

Viewing:  First

Director:  Gary Dauberman

How does one make a movie that is supposed to be horrifying just weirdly annoying to watch?

Salem's Lot (2024) is here to crack this mystery wide open.  

Poor Steven King.  Probably tired of being mistaken for author Stephen King who wrote the book this movie is based on, which had a TV series or some such of it made back when I was a wee tot and missed the show.  And Stephen King has become a master of horror novels which have only been made into good movies if Stanley Kubrick takes the novel as a suggestion or its Rob Reiner making Stand By Me, which is not horror.    I do like Christine, though.  And Silver Bullet has its moments.  But neither is a patch on the books.*

Writer/ Director Gary Dauberman took a beloved American novel, wrote down "vampires" on a yellow pad, jotted down the character names from the book, and as near as Wikipedia can tell me, paid little attention to anything else.  And, instead, he wrote a nonsense script where everyone is dumb as a bag of rocks to the point where I was wondering if the movie was supposed to be a satire or spoof at times.  

Chabert Hallo-Watch: Haul Out The Halloween (2025)

Watched: 10/12/2025

Format:  Hallmark+

Viewing:  First

Director:  Maclain Nelson

Job: Copywriter/ Children's Book Author

Location of story:  Evergreen Lane - which I think is in Salt Lake City

new skill:  it's an old skill remembered - how to draw and write kid's books

Man:  Wes Brown

Job of Man:  Architect

Goes to/ Returns to:  stays in same place (this is the 3rd installment)

Event:  Halloween street fair

Food:  Cookies

Well, Ms. Lacey Chabert has released a new movie upon the Hallmark channel, and so we're back!

This is the third installment in the Haul Out the Holly Saga, a movie series which is about people who are absolutely nuts for holidays, their HOA and rules.  We've abandoned Christmas for Halloween this go-round, which - given the first movies are about going over the top with traditions - seems appropriate.  

This is, I should mention, a wacky comedy series with everything about the 'burbs heightened and zany, so don't take it too seriously.  It's a departure from Hallmark's usual "the characters are all smiling to let you know a joke happened" style of comedy, and, instead, works more like an 00's-era comedy - complete with joke-every-15-second pop culture referencing and a rap by Octogenarians.  

Parker Watch: Play Dirty (2025)

Watched:  10/09/2025

Format:  Amazon

Viewing:  First

Director:  Shane Black

Between 1962 and 2008, author Richard Stark (real name: Donald Westlake) delivered 24 Parker and Grofield novels.   Between sometime around 2010 and 2017, I read all of the Parker and Grofield books, mostly in order.  And I've re-read some since, including this year.  That's not a guarantee of anything for you, but it is a sign of something that this was the series I actually stuck with it.

Over the years, the books have been adapted here and there, but during Stark's lifetime, he had a rule that the studios not use the name "Parker" in their adaptations.  Likely because the studios always made changes, and he was protecting the essence of his character.

With Stark/ Westlake's passing, his wife allowed the studios to try another go at an adaptation, this time using the Parker name.  And, thus, we got the 2013 mid-tier film, Parker, starring Jason Statham and Jennifer Lopez.  We talked about it here and here. 

But now we have a new take... and I do not know who this is for.

Hallo-Watch: Jakob's Wife (2021)

Watched:  10/07/2025

Format:  Shudder

Viewing:  First

Director:  Travis Stevens

During the Q&A for the screening of Re-Animator, star Barbara Crampton mentioned she'd produced and starred in a horror movie recently, Jakob's Wife (2021).  I recalled the name from last year's mini-dive into Crampton's work, but didn't get to the movie.  But we've fixed that.

One fun thing about horror is that even when you say "vampire movie", it only really means a potential set of rules and maybe a gentle push a few directions.  Eggers' Nosferatu is not Coogler's Sinners is not Garrard's Slay.  You can change up the rules, and change up the look, as long as you do a few key things, usually involving blood consumption and slow discovery of evil.  But not always!

The high concept of vampirism can be used to explore themes well beyond "a foreigner has moved in next door, and probably brought rats with him".  To that end, Jakob's Wife digs not just into the traditional roles of men and women, but of women as they reach a certain age, denied a life of their own in prescribed servitude.  

Our titular Jakob (Larry Fessenden) is a pastor of a church in a dying southern town.  He's leading his diminishing flock, preaching traditional values of a man's role in his family.  His wife, Anne (Barbara Crampton) is the dutiful pastor's wife.  She's past the point of youth, married thirty years and feeling life passing her by as the perpetual prop to her husband.

JLC Watch: Freakier Friday (2025)

Watched:  08/27/2025

Format:  Alamo

Viewing:  First

Director:  Nisha Ganatra

We all know I went to see this because it stars JLC, and that's fine.  I'd also finally recently watched the 2003 version of Freaky Friday for the first time, liked it much more than expected, and - now that I have the Alamo Pass, popping off to go watch a movie is not such an ordeal.  In fact, I feel pretty incentivized to use the heck out of the pass.

I am not sure if I hadn't seen the 2003 movie, though, if I wouldn't have missed a lot or even been lost.  So, watch that first.  

Here in 2025, I think we finally kind of figured out how to do these late-entry sequels no one was asking for and make it worth it.  As evidence, I'll enter in Freakier Friday (2025) which manages to expand on the set-up of the general Freaky Friday concept, do new things with it, be very funny, and feel like it has some emotional resonance at the end that I'm not sure any of the prior entries, or most body swap movies in general, tend to earn.  

Comedy Watch: The Naked Gun (2025)

Watched:  08/13/2025

Format:  Drafthouse

Viewing:  First

Director:  Akiva Schaffer

If you're wondering if The Naked Gun (2025) lives up to the original film, it's really, really close.  It's, of course, trying to recapture that same vibe, and mostly hits the mark while also absolutely having moments that will have you saying "well, that's clearly Akiva Schaffer".  And I mean that in the best way.

I won't actually do a dive on this because it's a joke every 30 second comedy, exists to be that, and does so.  There are great gags that I'll be laughing about tomorrow, and sequences that made me fold over in my chair laughing.  You'll know what they are.

And everyone is funny.  Neeson I've seen be hysterical before, so this was not a shock, but he nails the Police Squad brand of humor..  Pam Anderson has great comedy chops and I hope this pair gets a sequel to do more.  Paul Walter Houser shows up as Ed, and I'm becoming a fan.  CCH Pounder even gets to send-up very specific police chief tropes and it's just hysterical having it come from her.

If I have a recommendation, find the person in the theater who is going to laugh like a maniac and sit near them.  I was fortunate to have "deep belly laugh" guy behind me, and it helped to be in a theater and join that guy in knowing it's okay to laugh like that in a theater.

Marvel Second Watch: Fantastic Four - First Steps (2025)

Watched:  08/06/2025

Format:  Drafthouse

Viewing:  Second

Director:  Matt Shakman

Note:  Blogger added a 'add hyperlinks automatically to your post' feature, and I've tried that out with this post.  I don't think it's too annoying.

Jamie was out of town, and nonetheless saw Fantastic Four: First Steps (2025) with Dug, K and Rob.  This is how I saw the movie by myself at 9:00 AM a couple of weeks back.  But we two decided to catch it again together before it disappears into an eternal twilight of streaming on Disney+.

I was pleased to find that, even knowing what was coming - from story points, to the design, to gags and the incredible score, I enjoyed the movie quite a bit again on a second viewing.  I still want to spend more time with these characters and their problems and their world.  It is, of course, impossible to know how much of my pre-disposition to like the FF in general and want a not-terrible FF movie plays into all of this, versus how someone coming to the FF fresh might feel.  

But, my chief complaint about the movie the first time was that I wanted more of it.

Marvel Watch: Fantastic Four - First Steps (2025)

Watched:  07/27/2025

Format:  Drafthouse

Viewing:  First

Director:  Matt Shakman

Well, nothing says "I am a cool dude" like showing up for a 9:00 AM screening for Fantastic Four by yourself.  I don't know if 12-year-old me is dying inside or deeply impressed I'm still committed to the cause.

Fantastic Four is not a comic I read a lot.  I very much enjoy the first issues by Jack Kirby and Stan Lee, but kind of lose interest after that - though Mark Waid's run is mind-boggling.  I do love the idea of the team as a bunch of science-adventurers more than just caped vigilantes,* and their individual personalities and the family dynamic.  Also, my earliest memories include watching that jenky Fantastic Four cartoon of the 1960's the movie references.  

I've never seen the Corman movie, but have seen the two 00's-era movies, and the 10's body-horror movie that was Fox's "edgy" take on the FF.  The movies were uniformly not-good, no matter what your Millennial nostalgia brain is trying to Space Jam Fallacy you into believing.

Coen Watch: Drive-Away Dolls (2024)

Watched:  07/25/2025

Format:  Peacock

Viewing:  First

Director:  Ethan Coen

Is anything more telling about what the Coen Bros. each brought to their team than that when the brothers decided to do independent projects, Joel Coen made a mannered and styled Macbeth and Ethan Coen made Drive-Away Dolls (2024)?  

The mix of high-brow and low-brow - even Raising Arizona has thematic and nigh-poetic aspirations - was their hallmark, with ultra-specific characters, absurdist humor, and deeply human stories - culminating in the excellence of their track record over years and movies that had a stamp audiences recognized and sought out.  

I was vaguely aware Drive-Away Dolls received very mixed reviews, and audiences were kind of irritated with it.  

Which, no kidding.  The movie isn't overly concerned with good taste or your politics or the horseshoe turn lefties online took into agreeing with the Catholic League about how movies are for perverts if they acknowledge sex and show blood with violence.  Instead, this flick is an old-fashioned pulp crime comedy with a heavy layering of what turns out to be the sense of oddball humor that the Coens always brought, that apparently was Ethan Coen's contribution.

Vroooom Watch: F1 - The Movie (2025)

Watched:  07/24/2025

Format:  Drafthouse

Viewing:  First

Director:  Joseph Kosinski

Growing up in the US, racing has been mostly NASCAR, and I just never got into stock car racing.  But Austin is, for vaguely shady reasons, home to an F1 track, and we all went from finding it weird to being kind of proud of it.  It's not Monaco or anything, but it's a feature few other cities have.  And, anyway, I started watching some videos about F1, and it is really neat.  But I'm only aware enough of autosports to know that they are infinitely complex and I don't know how any of it works. But rocket cars go super fast and that is cool.

Something about the trailer for F1: The Movie (2025) had me sold.  But I thought I'd probably see it at home on HBO eventually.  However, SimonUK had seen it, liked it, and recommended I check it out, so we went together.

And, yeah, I dug it.  Quite a bit, if I'm being honest.  If I came to watch F1 cars zip around, it does that a lot.

After the movie was over, SimonUK stated "it's basically Top Gun: Maverick in cars, but...  it works" and that is very correct.  This movie is directed and written by the director of Top Gun: Maverick, Joseph Kosinski, so do your own math.  

Doc Watch: Jaws @ 50 - The Definitive Inside Story (2025)

Watched:  07/10/2025

Format:  Hulu?

Viewing:  First

Director:  Laurent Bouzereau

A victory lap for Jaws, this doc is an uncritical look at the movie on its 50th anniversary.  And that's great!  How many movies earn this? 

There's interviews new and old, and despite the fact I think I've seen two prior Jaws documentaries, Jaws @ 50: The Definitive Inside Story (2025) still manages to feel a bit fresh as it provides some new info but mostly how it contextualizes the movie in 1975, after, and now.  Sure, there's the "making this was rough" parts of the doc, but more details abound and how much the film is now woven into Martha's Vineyard's shared history.  How involved the whole island really was - I really didn't know until now.

Spielberg is one of *the* storytellers of the last 70 years, so of course he's captivating on camera and his stories about the movie during and after are engaging - and maybe even true.

Many who worked on the film have since passed, of course, but there's still many around - those who played kids are now aging adults.  Lorraine Gary even appears.  Dreyfus, always a problem child, is not in the film except as archival footage, which is odd as he's been touring for years to supposedly talk about Jaws (I think he's been canceled or something recently, so maybe that got him cut).

But the biggest delight is learning that Emily Blunt is a huge Jaws nerd.  Who knew?

Superman Second Watch: Superman (2025) - Part 1 - Likes/ Dislikes/ Punk Rock Superman

You can follow our posts on Superman at this link, and our posts on the new movie, Superman (2025) at this link.

Watched:  07/12/2025

Format:  Drafthouse

Viewing:  Second

Director:  still James Gunn

For More on the Movie:

• Super Watch:  Superman (2025) - a pre review post
• Super First Watch:  Superman (2025)
• Superman Second Watch:  Superman (2025) - Part 1 - Likes/Dislikes/Punk Rock Superman
• Superman Second Watch: Superman (2025) - Part 2 - Characters
• Superman Second Watch: Superman (2025) - Part 3 -  If You Now Like Superman, Hooray!
• Super Third Watch:  Superman (2025)

We've already posted on seeing Superman (2025) as an initial, kinda spoiler-light/ spoiler-free take that was really about how gobsmacked I was to see a Superman movie that actually cared about four-color comics and what Superman actually stands for.  

While celebrating that the movie felt like a DC comicbook in that first post, I didn't get into the issues I had with the movie, because I wanted to make sure I didn't just miss something.  I also didn't discuss the characters beyond our primary trio of Superman, Lois and Lex - plus Krypto.  Or a few other things I figured I'd cover in a subsequent posts.

In this post, I really don't want to get too much into the social media stuff happening around this film, and, believe me... it is tempting.  There is some incredibly disappointing stuff happening out there.

SUPER SPOILERS AHEAD

What did and did not work

So what didn't work (for me)

Doc Watch: My Mom Jayne - a film by Mariska Hargitay (2025)

Watched:  06/28/2025

Format:  Max

Viewing:  First

Director:  Mariska Hargitay

I don't watch Law & Order much, but for a while back in the 00's and 10's, SVU was the one I'd watch in re-runs.  And Mariska Hargitay was hard to miss as the ultra-driven cop, Detective Olivia Benson.  But it was probably in the 2010's that I figured out her parents were screen legend Jayne Mansfield and body builder Mickey Hargitay.  

Mansfield is the stuff of Hollywood Babylon legend, following a career path that feels one-part Monroe, one-part Jane Russell.  I've seen only two or three Mansfield movies, and she struck me as very good at what she did (I liked her a lot in The Burglar), but she and I don't cross paths much in my TCM viewing.  

Once I knew about her parentage, I also never could quite sort out Mariska Hargitay's domestic situation, as I couldn't believe she'd even been born when Mansfield died in a car wreck in 1967.  It seemed Mariska was a smidge older than I'd guessed (good genes, I guess) - but she was three at the time, and in the car when it happened.  But, due to her age when Mansfield passed, Hargitay didn't have memories of her mother, and she wasn't raised by her.  

The doc, My Mom Jayne: a Film by Mariska Hargitay (2025), is Hargitay coming to terms with who her mother was, learning who she really was away from the public, and embracing her relationship with the woman she never really knew.  

Musical Watch: Wicked (2024)

Watched:  06/26/2025

Format:  Peacock

Viewing:  First

Director:  Jon M. Chu

I am a huge fan of the OG Wizard of Oz.  My second biggest regret about ending the podcast was not covering that movie before we put away our mics.  In my opinion, Wizard of Oz is not just an important film, it's a key to American film and culture.  

That said - I am fine with derivative works.  Of course people want to explore this amazing world in which Wizard of Oz takes place, to consider and deconstruct and shuffle around the cultural icons of the movie, look into the characters, themes, etc...  It's a bubbling well for interpretation, commentary and America.

Wicked (2024) came in riding decades of popularity as a stage show and soundtrack.  Idina Menzel and Kristen Chenowith were launched to super stardom with the show and became fixtures.  People who don't care about Broadway probably already knew two of the songs by osmosis before ever buying a movie ticket.  It's one of the few 21st Century Broadway shows to break into the pop consciousness like 20th Century shows like Oklahoma!, Phantom, Cats or Les Mis.  

This film adaptation did great at the box office and was at least an American phenomenon.  It did fine overseas, but likely suffered from being an English-language musical about a play that probably hasn't been getting seen in Beijing, etc...  quite yet.  And who knows if they care about The Wizard of Oz in Lichtenstein?

But in the states, it made almost half-a-billion dollars.  As the movie was released in late Fall, Christmas season 2024 was pink and green with the movie's merchandise and imagery everywhere.  It was kind of neat.

Doc Watch: Implosion - The Titanic Sub Disaster (2025)

Watched:  06/21/2025

Format:  Max

Viewing:  First

Director:  Pamela Gordon

Friday when I wrapped work, Jamie informed me that there was, in fact, a different documentary about the Titan submersible disaster currently playing on Max (part of the Discovery/ HBO partnership).  And so it was we put on Implosion: The Titanic Sub Disaster (2025).  

Just a couple of days ago, we wrote about Titan: The Oceangate Disaster which we watched on Netflix, so, yes, this is a second doc on the same topic.

Thanks to streamers seeing documentary as a fairly inexpensive endeavor, we often get more than one documentary on the same hot topic - and since the Fyre Festival adventure, I've liked watching dueling docs.  It gives me a chance to get more than one POV on a topic, and you do start feeling like you're triangulating on some version of reality as different film makers will pursue different angles.

In that prior write-up, I sort of raged against the myth of the maverick entrepreneur, so I won't repeat myself here.  

This doc is actually a great companion piece to the Netflix film with different interview subjects, some of whom share more of the mentality of Stockton Rush, some of whom were on the boat and are not covering their ass, and some saying out loud what you kind of have to suspect based on the evidence provided in both films, but which we still don't know for sure.

Doc Watch: Titan - The Oceangate Disaster (2025)

Watched:  06/18/2025

Format:  Netflix

Viewing:  First

Director:  Mark Monroe

(blogger's note:  we did also watch the other doc on this topic over on MAX)

Well.  This was horrifying.

I woke up this morning to another Space X rocket exploding on the pad.  Which is kind of normal when you're figuring out gigantic rockets (see the Atlas rocket program).  But the failure rate of Space X is starting to be a real stunner as booster after booster goes en fuego.  As is the insistence we get Tesla robot taxis on city streets when those taxis don't seem to recognize things like children in the road.

Also, I've worked for difficult people.  I have been a difficult people to work for.  What neither I, nor those people, have done is ignore and fire anyone who was coming along to warn us of catastrophe.  Especially catastrophe that would murder me 4000 meters beneath the ocean waves.

What Titan: The Oceangate Disaster (2025) manages to do is show how one ego run amok - and an absentee board, I'd argue - led directly to the death of five people for absolutely no reason.  

It's a story of a small kingdom, one with life and death stakes, where one guy's Ahab-like vision meant that employees needed an almost religious faith in a technology that clearly was not meant to do the thing it was required to do.  And our Ahab would ruin you if you crossed him.

I think in the wake of the news stories on Titan, we all had a pretty good idea that there had been signs.  What it was hard to know was how numerous, obvious and devastating the indicators of coming disaster had been and for how long.  

In simple terms, the doc lays out the case that systems we assume will be there didn't just fail, they don't exist.  

SPOILERS

Chabert X-Mas Watch: The Christmas Waltz (2020)

no idea why dude looks like he's about to abduct Chabert

Watched:  06/07/2025

Format:  Hallmark

Viewing:  First full time through

Director/ Writer:  Michael Damian

Job: Attorney 

Location of story:  Manhattan

new skill:  Waltzing

Man:  Will Kemp

Job of Man:  Dance instructor

Goes to/ Returns to:  It's all in Manhattan

Event:  The Christmas Dance show

Food:  Wedding cake?  

The curious thing about the Will Kemp/ Chabert movies is that (a) Chabert is *not* a classically trained dancer, and (b) Kemp is, like, 9 inches taller than her.  So it's not a traditional ballroom couple.  But it does fulfill some vision of a graceful man taking the audience's stand-in in Chabert and making sure you CAN dance.  And isn't that what it's all about?

The Christmas Waltz (2020) is about power-lawyer Chabert figuring out her perfect life and Christmas wedding are not happening when her absolute shitheel of a fiancé decides to take a promotion and move to Boston less than four weeks before their wedding.  I mean...  honestly, guy.

Chabert has signed them up for dance lessons for their wedding dance, but winds up using the lessons for herself, remembering she loved to dance as a child and walked away from it to lead the perfect life her fiancé just poured gasoline on, and then tossed a match.  

Comedy Watch: Summer of 69 (2025)

Watched:  06/06/2025

Format:  Hulu

Viewing:  First

Director:  Jillian Bell

So, Hulu has sort of decided to corner the market on horny teen comedies and stoner comedies through the American High company.  

We have a six-degrees-of-separation connection here as someone we know worked on the film, and I wanted to check it out.

This is a "not aimed at me" movie, and that's cool.  I'm a 50-year-old dude, and not a young woman.  But I still found it pretty funny.   But, yeah, this is a movie that seems to be speaking to the awkwardness of being a teen girl - especially a "good girl" teen girl, something I am unlikely to ever be.  But it's not like everyone was speaking Romanian, so I basically got it.  

Doc Watch: Pee-Wee as Himself (2025)

Watched:  05/26/2025

Format:  Max

Viewing:  First

Director:  Matt Wolf

Watching Pee-Wee as Himself (2025) is a strange journey.  There was a lot I didn't know up until when he joined The Groundlings, and then there was what I did know -  including the two arrests.  But in the end, the film kind of unravels a bit in a way that seems almost inevitable - surely director Matt Wolf laying the trail to let us know this is coming.

Beyond that, the doc faces the same problem that I found with the recent Steve Martin documentary.  It's a lengthy film, it criss-crosses the years and draws connections, but the subject is so practiced at maintaining their inner-selves, and their privacy, that even at the end, you feel like you barely saw anything even after 3 hours.  

Jumbles of photos from a childhood are interesting, but don't tell a story.  Talking heads commenting on what they're already framing are useful, and provide color, but it feels very carefully managed - we're told it's carefully managed.  We keep seeing the collections, but there's no discussion of what's in there, or why (and as a collector, I know there's a story behind everything).  We see his parents, but they won't ever come out and discuss them beyond "his dad was macho and may not have liked Paul's lifestyle".  His mother is a non-entity.

Both Paul Reubens and Steve Martin, who agreed to let themselves be known via documentary, still want to control, and so we get a look through a very narrow lens, which is better than nothing, but it feels more questions are raised than are satisfied.  If you want to spend time with how Pee-Wee came to be - then we've got a great film for you.  If you want to know Paul Reubens, that may not really happen.  

Marvel Re-Watch: Thunderbolts* (2025) - in which we really talk about Marvel in 2025

Watched:  05/25/2025

Format:  Drafthouse

Viewing:  Second

Director:  Jake Schreier

We had already seen Thunderbolts (2025) in the theater when the movie opened, but Jamie in particular wanted to see it again, and I'm a fun guy, so why not?

I enjoyed it on a second viewing maybe more than I initially liked it.  It really is a tight script, and I kind of reveled in the fact that the big set piece at the conclusion of the movie takes place without a shot fired.  This is near Doom Patrol territory in how we're approaching super-stuff.  

I've seen complaints about the palette of the movie, a gripe which seems to be missing the way movies work, and instead of saying "the aesthetic looks ugly.  They did it wrong" failing to ask "why does it look the way it does?  We know this was intentional."  Because the conclusion there is pretty @#$%ing obvious, and you're so close.

But we know all this.  So I want to talk about where we are with Marvel in 2025.

Box office for the movie is not amazing.  It's made something like $330 million, which I would happily take, but which is a pretty far cry from billions of dollars Marvel hopes to make with every movie.  But...