Saturday, April 6, 2019
TL;DR: Spielberg, Netflix and Cinema - You're All Wrong On This One
Most people suck at going to the movies. I don't know how or why this is, but you do.
Literally every movie you go to see, theaters ask you to please not talk, to turn off your phones, and to basically please not cause any distractions for the hundred or so other people in the room. Despite the fact this is done for very good reasons, somehow, a good 1/3rd of people can't seem to follow these basic guidelines. Chatting, looking at phones, not turning off ringers, or, my favorite, actually taking a call.
My point is - going to the theater is a nightmare of our own making. Most people treat the shared space of the theater, of the multimillion-dollar production in front of them, in a room designed specifically for an ideal experience, surrounded by people they don't know, the same as if they were watching a film on a laptop in their living room, and with all the same behavior that's totally fine if you're at home under a blanket and not surrounded by dozens of strangers.
Which is weird, right?
Whatever magic-of-the-cinema films like Cinema Paradiso or Hugo try to capture about the theatrical experience is not part of the common religion in an era when movies are something you let the kids put on over and over so they give you 30-90 minutes of peace, or you consider movies one way to zone out while you're crammed into an airplane seat.
Thursday, April 4, 2019
Marvel Watch: Captain Marvel (2019)
Format: Alamo Slaughter Lane
(editor's note: I wrote most of this post and then forgot to post it, so consider this my thoughts from a week ago or so)
Normally I wouldn't do a write-up of a movie about which I've already done a podcast, but I also know a whole bunch of you read posts and don't listen to the Marvel podcasts. So... hey... here we go.
Look, I'm not going to come out and say Captain Marvel (2019) is or was the *best* Marvel movie. We are living immediately in the wake of when Black Panther just showed up at the Academy Awards for Best Picture nominee, and which may have skewed our expectations a tad. Pretty far cry from being delighted Marvel didn't poop the bed with Iron Man.
What I will say is - I've seen a whole lot of dudes, good dudes, shrugging off Captain Marvel as muddled, not that great. And, my dudes, you don't have to like Captain Marvel, but I am going to suggest that from comments some have made in my general direction - maybe you misread the movie.
Tuesday, April 2, 2019
Cyborg Watch: Terminator 2 - Judgment Day (1991)
Format: Alamo Ritz
Viewing: oh, god... who knows?
Decade: the 1990's, buddy
I saw Terminator 2: Judgment Day opening weekend in the theater with my girlfriend at the time, who, upon seeing a Terminator endoskeleton crush a human skull turned to me and said "that's a REAL man" (she was kidding), thereby hitting the nail on the head, in her own way, for what this movie was going to be on so many levels. Despite its fame as a CGI pioneer and predictor of Marvel's weirdly death & bloodless ultraviolence, there's an actual story about mothers and sons and overcoming juvenile distrust of your parents once their flaws are exposed, and how a cyborg learns to laugh and love. Indeed, the Judgment Day may be the friends we made along the way.
Also, so many gasoline-fueled fires making just huge, puffy blossoms of red and orange with lots of loud ka-booms.
Monday, April 1, 2019
PODCAST: "Lawrence of Arabia" (1962) w/ Alfredo4
Watched: Did not
Format: BluRay/ 70mm
We get epic as Alfredo joins us for his first podcast and takes us on a journey with "Lawrence of Arabia", one of our favorite films! Settle in for a lengthy discussion as we ponder Lawrence the man and the character and how this movie blends myth and fact to create one of the most engaging films of all time.
The Dropout - Podcast and ABC 20/20 feature
I'll be honest - after watching the Netflix doc The Inventor, I'm still stuck on the saga of Theranos and Elizabeth Holmes.
At Maxwell's recommendation, I turned to a multi-part podcast called The Dropout to see what wasn't in the Netflix doc, which seemed to just raise questions without ever really providing answers. Produced by ABC news, The Dropout covers much of the same territory and the same figures, gets more on-the-record interviews, details more of what occurred, giving specific stories, certainly revealing points that I'm surprised the Netflix doc left out, and generally does a good job of building a solid case for what - at least transactionally - happened at Theranos.
But... I'm still baffled by how this even got started in the first place.
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