Wednesday, October 30, 2019
Format: Criterion BluRay
50 years on, Night of the Living Dead (1968) continues to do more than "work" as a film. In addition to the anxiety and dread I felt rewatching the movie, almost nothing within Romero's film has aged or lost urgency.* And, of course, while the relevance as a mirror and social experiment is discussion worthy, it also demands discussion as patient zero in a cultural shift in media extending beyond horror.
Wednesday, August 14, 2019
Format: TCM on DVR
People take a lot of liberties when adapting Raymond Chandler novels to screen. It's not a huge surprise. After all, Chandler's books are winding, complicated, and don't exactly make it easy to translate Marlowe's inner-monologue or exposition in a way that's easy to cram into 90 - 120 minutes and keep the audience with you. To this day, people complain The Big Sleep is "too complicated".
It's been a while since I read The Little Sister, I think the fifth Marlowe novel and the work upon which the studio based Marlowe (1969). Between reading several Chandler novels in a row at that time and years inbetween, not every detail of the plot had stuck with me, but impressions of various characters remained, and as the movie unspooled, it did provide me with a roadmap and certain expectations for the film that gave me a leg up vis-a-vis following the plot and keeping up. A glance at some contemporary reviews suggest that even Ebert and Siskel found it a bit muddled.
Still, the story sticks surprisingly close to the novel, updating some factors for 1969 that would have looked very different in the original setting of 1949. And, I'll argue, while people feel like they've got a grip on Chandler by way of reputation, in practice his novels tend to feel like a morass of detail until the denouement. That's part of the fun (and Hammett did same in books like The Thin Man).
Sunday, July 28, 2019
The past couple of weeks marked the 50th anniversary of the first manned lunar landing, thanks to the crew of Apollo 11, Neil Armstrong, Buzz Aldrin and Michael Collins. Plus, the might of NASA, contractors to NASA, government bureaucrats, politicians and, us, the voting and tax-paying public.
From July 16th to July 24th, 1969, three brave people hurled through the void of space, two walked the face of an alien landscape, and then all returned, safely, to Earth. All of this just sixty-six years after the Kitty Hawk Flyer took to the sky and 27 years after the first V2 rocket. The scope of progress and achievement during this window was unprecedented in human history as two nations threw down the gauntlet to see who could place a boot onto lunar soil.
Friday, May 17, 2019
SimonUK finally gets around to talking about one of his favorite films, a heist film about a scrappy team pulling off the impossible with cheer and good spirits. Honestly, it's mostly just a love fest for a movie both Simon and Ryan enjoy immensely.
Get a Bloomin' Move On/Self Preservation Society - Don Black/Quincy Jones, The Italian Job OST
The mentioned poster for The Italian Job that seems to have nothing to do with the film:
SimonUK Cinema Series:
Monday, April 1, 2019
Watched: Did not
Format: BluRay/ 70mm
We get epic as Alfredo joins us for his first podcast and takes us on a journey with "Lawrence of Arabia", one of our favorite films! Settle in for a lengthy discussion as we ponder Lawrence the man and the character and how this movie blends myth and fact to create one of the most engaging films of all time.
Sunday, March 17, 2019
Format: Alamo South Lamar
This year marks the 50th Anniversary of the Apollo 11 spaceflight, during which Neil Armstrong, Buzz Aldrin and Michael Collins reached the moon and during which Armstrong and Aldrin became the first humans to ever walk the surface of our satellite.
This evening, JuanD, Jamie and I hit the local cinema to take in the spectacle that is Apollo 11 (2019), and if you can tear yourself away from whatever new shows got dumped on Hulu and Netflix on Friday, I'm going to go ahead and recommend you give this movie a go.
Thursday, March 7, 2019
SimonUK and Ryan take on that one Bond movie starring George Lazenby as 007. Bond falls in love and fights Telly Savalas on a toboggan run. SimonUK and Ryan puzzle out what sort of lady gets Bond to want to settle down, what led to an Australian men's wear model putting on the tux, and what it all means 50 years after the film's release.
James Bond Theme - Monty Norman & John Barry
We Have All the Time In the World - performed by Louis Armstrong, written by John Barry with lyrics by Hal David
Friday, December 14, 2018
PODCAST: "Rudolph the Red-Nosed Reindeer" (1964) & "Charlie Brown Christmas" (1965) - Episode 3 of Holiday Cinema Series (w/ Jamie and Ryan)
Format: DVR off network TV
Viewing: Dozens. Unknown.
It's time to talk TV Christmas specials! Jamie brings us back to kid-hood with "Rudolph the Red-Nosed Reindeer" (1964) and "A Charlie Brown Christmas" (1965). We ponder these two perennial favorites for all ages, how they look now and what we still get out of them.
Christmas Time is Here - Vince Guaraldi Trio from A Charlie Brown Christmas
Rudolph the Red-Nosed Reindeer - Burl Ives, Rudolph he Red-Nosed Reindeer OST
Hark! The Herald Angels Sings - Vince Guaraldi Trio and children's choir from A Charlie Brown Christmas
Silver and Gold - Burl Ives, Rudolph he Red-Nosed Reindeer OST
O Tannenbaum - Vince Guaraldi Trio from A Charlie Brown Christmas
Holiday Cinema Series Playlist
Thursday, November 15, 2018
I @#$%ing love Mary Poppins (1964), man. Both the character and the movie. Like, unironically, unabashedly - there is not one thing I do not like in Mary Poppins. It is, as they say, practically perfect in every way. As is Julie Andrews.
Sunday, November 4, 2018
Friday, November 2, 2018
Format: TCM (live, for once)
Again, still pretty tired. A Roger Corman produced Poe-derived horror film starring Vincent Price. It's been a long time since I read the story of Masque of the Red Death, but this movie... doesn't really do that. Kinda weird that the one, 30 second scene in Phantom of the Opera captures the spirit better than a whole film with that name.
Apparently this is a mix of Poe stories I haven't read, so... maybe I need to get back into reading some Poe.
Still, visually striking and with some complexity to the exploration of morality in an inscrutable world, it's not half bad. Not 100% my thing, but I'd watch it again for how good Price is here in a non-camp role and how much I was digging the script.
Sunday, October 28, 2018
Sunday, October 21, 2018
Watched: Curse of the Demon 09/27/2018 & The Haunting 09/28/2018
Format: Amazon Streaming/ BluRay
Decade: 1950's and 1960's
Viewing: Second/ Seventh or so
SimonUK and Ryan wind up their Halloween movie discussions by taking on two movies about scientists (and friends) coming up against the supernatural - is it all in their minds, somehow? OR is it ghosts and demons?!! It's bone-chilling look into what works in two horror classics, and some discussion of stuff in other movies that's just annoying.
Bride of Frankenstein Theme - Franz Waxman
Blue Ghost Blues - Lonnie Johnson
Science Fiction Double Feature - Rocky Horror Picture Show Soundtrack
Hounds of Love - Kate Bush
Stroker Ace - Charlie Daniels Band
Swan Lake - Act 2: No. 10 Scene - Tchaikovsky
Featured: Signal Watch Halloween 2018
- Amy and Ryan Watch 50 Shades!
- Bond Watch! James Bond movie discussion
- Avengers Chronological Countdown w/ Jamie and Ryan
- Disney History w/ NathanC and Ryan
- High School Movies w/ Maxwell
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Monday, September 3, 2018
Sunday, July 22, 2018
Viewing: Unknown - maybe 7th?
It's a PODCAST!
(possibly NSFW) It's "Goldfinger", Ryan's favorite Bond movie. SimonUK is back to help Ryan sort out how much he can say Honor Blackman's character's name out loud whilst being recorded. Join us as we say a lot of nice things about this iconic/ seminal film in the Bond franchise, some of its oddities and how it is just super problematic in 2018.
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Wednesday, June 27, 2018
Tuesday, June 26, 2018
Wednesday, April 18, 2018
Monday, April 2, 2018
Format: TCM on DVR
It's been a long time since I sat and actually watched Breakfast at Tiffany's (1961). Certainly more than a decade. I am unsure if the movie still holds the allure for college-aged folk these days that it did in the mid-90's, but whatever was going on back then led to a catchy pop tune you're not supposed to like, but which is... fine? by white-boys-on-acoustic-guitars standards. I saw the movie prior to the song's release, but I'll be honest - the song sorta made me want to rethink how much I wanted to advertise any feelings about the movie whatsoever.