Signal Watch Reads: Caves of Steel (1953)

I have a few books I return to every once in a while.  Frankenstein.  Fahrenheit 451.  The Hunter.  Red Harvest.  

But in this century, I haven't come back to Caves of Steel, a book I read first in Sixth grade and probably last looked at in 11th grade.  Which is odd. If you asked me if I liked it, I'd have given you a definite thumbs-up.

At the time, I was aware I was reading something published more than thirty years prior - but that wasn't entirely new to me.  I'd read kids fiction and non-fiction books written in the fifties.  I was aware of the 1950's and 60's belief in atomic energy, which had fallen apart in the wake of Three Mile Island and Chernobyl.  As a young child, I'd read speculative non-fiction about where we were headed - and firmly believed that humanity's future would be one of robotic pals, cybernetics and star-faring pioneering.

Well, two out of three ain't bad.

Sci-FI Watch: Project Hail Mary (2026)

Watched:  10/03/2026

Format:  Amazon Prime

Viewing:  Second

Director:  Lord & Miller

I've already seen Project Hail Mary (2026) once in the theater this year.

The book and movie are favorites here at League HQ, especially with Jamie.  She wanted to pick a movie, it had been six months since we'd seen this one, so I was in agreement.  

I will say, as much as I enjoyed this movie again, it was one I'd say should have been seen on the big screen.  It's a sensory experience from the elaborate visuals to the sound to the score.  It's good at home, but it was something else in an auditorium.  

I have heard the social media chatter around this movie is very weird, with edge lords who are mad that our lead character is a relatable human being instead of a gritty kick-ass guy, and then the folks who can only relate to media by turning it into wank material frustrated that there's no one to "ship" Grace with other than a rock.*

Sigh.

Anyway...  I am not going to write up a movie again that I liked perfectly well, already discussed, as well as discussing the book.

*apparently a kick-ass, brilliant woman (with a lovely shade of hair) who gets shit done is not an option

Bug Watch: Tarantula (1955)

Watched:  09/25/2026

Format:  YouTube

Viewing:  First

Director:  Jack Arnold

The only issue with this movie is John Agar.  

I mean, there's the general issue of John Agar being John Agar and I'm still mad about how he was to Shirley Temple.  But he's also a terrible actor.  He has  exactly one line delivery, whether he's inappropriately abandoning his medical practice to hit on Mara Corday or a tarantula the size of a battleship is walking toward him.

And it's a shame, because the movie has a few other actors - Leo G. Carroll who is dialing it in, and is still acting circles around him - and Mara Corday, who is doing her best to get Agar to do something other than just stare straight ahead and speak in a clipped, 1950's manly voice.

Signal Watch Reads: Children of Time

Pal Howard recommended this one.  He's a prolific sci-fi reader and eager-beaver movie watcher, and a trusted source.  He also attends ArmadilloCon each year, a convention for hardcore sci-fi literati, and we tend to get together when he's in town for that event.

A while back I asked him to recommend a favorite sci-fi book as I don't actually *read* much science-fiction.  I kind of sputtered out after Bradbury and Asimov as a kid. And I still like Asimov, Bradbury, and Dick.  I liked Solaris and Rendezvous with Rama.  But the sci-fi section of your local Barnes & Noble is not where I'm usually found.  But I figured - Howard is not going to recommend trash.  And he did not.

Children of Time is more or less what I consider hard science-fiction.  There are no wizards, no deities intervening, no space dragons.  Instead, it's all concepts with logic behind them, even if the science is speculative (at best, at times).  We're thousands of the years in the future when the book begins, and thousands more by the time the book ends.  The science injected is *possibly true* and mercifully focused in only a few areas.  One not be a polymath to follow along.

Unstuck Watch: Slaughterhouse-Five (1972)

Watched:  06/16/2026

Format:  TCM - first ever showing on the network

Viewing:  First

Director:  George Roy Hill

It's been many years since I read Slaughterhouse-Five, or the Children's Crusade: a Duty Dance with Death. So long ago that all I can say for certain is that it was post-2000 and probably before this blog was founded.  I was just old enough reading it to know my WWII history and a bit embarrassed I'd not read it earlier in life.

But Vonnegut is, hopefully, something that works for you no matter your age.

As it's been a while since I read the book, I won't spend energy comparing and contrasting.  Instead, I'll just suggest watching the movie Slaughterhouse-Five (1972) sometime if you've already read the novel.  If jumping straight to the movie, it also can't hurt to pre-load your knowledge of the last year of World War II in Europe, to get what audiences in 1972 would have likely known just through cultural osmosis.  Things like "oh... Dresden" may not mean as much to some folks here in 2026 and all that you would know is coming.

I won't get into whether what Billy experiences is real or not.  Y'all can make your own decisions and I don't think the answer is that easy.

Monster Watch: The Black Scorpion (1957)

Watched:  07/31/2026

Format:  TCM on DVR

Viewing:  First

Director:  Edward Ludwig

Y'all...  You're gonna be something less than shocked when I tell you that maybe a 1957 movie about kaiju-sized scorpions rampaging through Mexico is maybe not Oscar material.  But I will say it is entertaining as hell.  

The story is basically lifting Them!, which had just been a big success.   But in this case, the volcanos that erupt throughout Mexico this time crack open the earth.*  A pair of geologists, one handsome Mexican guy (Carlos Rivas) and one lantern jawed American (Richard Denning) race to the location to scout it out.  En route they come across a police car that's been wrecked - like inexplicably shredded - food still cooking and an abandoned baby.  They also find the police officer who is dead, his eyes wide open, and leaning against a wall.

With no idea what's going on, they head to the town with the baby, and everyone is in a panic.  Cowboys are coming in from the local ranches reporting the cattle are turning up dead.  Shit is bad, yo.

Spoilers:  there are giant scorpions running around who escaped their underground layer and seem to want mammal flesh.  

Sci-Fi Horror Watch: The Quatermass Xperiment (1955)

Watched:  07/18/2026

Format:  TCM with John Carpenter and Alicia Malone

Viewing:  First

Director:  Val Guest

SimonUK kept suggesting The Quatermass Xperiment (1955) to me during the podcast era, and I can see why.  I think mostly in England, but also among sci-fi and horror-heads in the US, the Quatermass media - of which there's more than you'd think - is considered foundational or classic.  Thus, it may have inspired things like Doctor Who (which I confess I never got into) and there's no small amount of John Carpenter's early work in this movie.  

And, in fact, I watched it because Carpenter is hosting two days of movies on TCM with Alicia Malone. 

I'd also argue - Stan and Jack may have lifted the origin of the Fantastic Four from this movie in a small way.  And if you know Jack, he was constantly reworking what he saw on the street, in movies and in culture right into his comics, so it wouldn't shock me.

Franken-Watch: The Bride! (2026)

Watched:  07/01/2026

Format:  HBOmax

Viewing;  First

Director:  Maggie Gyllenhaal

I was really looking forward to the release of The Bride! (2026).  

As many know, one of my favorite movies is The Bride of Frankenstein.  This ranking is followed immediately by Frankenstein, and I tend to think of them as a two-part movie as much as a pair of individual movies.  I still re-read Mary Shelley's Frankenstein from time-to-time. In 2018, I celebrated the 200th anniversary of the book's publication by visiting a sort of display at the Lilly Library at Indiana University. 

The Bride! was released with what I'd consider a serious marketing push - a rarity these days.  And then the reviews hit and word was not good.  And then people I know saw it and were unenthused, and so I decided to wait for streaming.

I am sad to report that this was the right call.  

Here's what I think.  

Disney/Pixar Watch: Hoppers (2026)

Watched:  06/09/2026

Format:  Disney+

Viewing:  First

Director:  Daniel Chong

We don't get out to the cinema like we used to, and so it was that I missed Hoppers (2026) in the theater, despite what I'd call pretty good buzz.

It's an odd movie for Pixar, which is reeling from a few years of what I'd call unpredictable box office (which is just the industry these days).  A few movies tanked, and then a few sold like hot cakes.  If I was them, I'd be deeply unsure what to think audiences actually want in a film.

Hoppers is a weird movie.  I don't mean the sci-fi concept, which is cute and fun.  A young, plucky, adorably flawed girl, Mabel (Piper Curda) is doing battle with Mayor Jerry (Jon Hamm) who wants to build an overpass for his beltway through her beloved woodland glade.  She figures out a wacky scientist (Kathy Najimy) and her team (Sam Richardson and Melissa Villasenor) have built robots and can transfer their consciousness into the animal-shaped bodies.  This is done to observe species up close.  

Golden Sci-Fi Horror Watch: Dr. X (1932)

Watched:  05/15/2026

Format:  TCM on DVR

Viewing:  First

Director:  Michael Curtiz!

I have felt that at some point I should watch every movie mentioned in Science Fiction / Double Feature, the opening tune from Rocky Horror Picture Show.  And I've done pretty well.

This viewing of Dr. X (1932) checks off "Dr. X will build a creature", I believe, leaving only Tarantula.  That said, the line doesn't at all describe the actual plot of Dr. X, but okay.  

Maybe best described as a sci-fi-horror-comedy-heavy-on-the-horror, Dr. X sees a series of killings occur in the streets of New York, the link being they all occur on a full moon and with the same surgical instrument.  The police investigate and determine the instrument used is very rare, and only purchased by a specific medical school run by a Dr. Xavier.  

Shadowed by a determined reporter (Lee Tracy) the police meet each of the kooky scientists working on their research.  

Sci-Fi Watch: Predator - Badlands (2025)

Watched:  04/24/2026

Format:  Hulu

Viewing:  First

Director:  Dan Trachtenberg

Well, this was kind of a perfect Friday night movie.  And kind of why they invented PG-13.  

I kind of love that somehow the legacy of Alien has somehow turned into "yes, but limited-autonomy for superhuman AI beings".  I like squicky xenomorphs, too.  But they don't exactly carry a story.  And whatever merging we now have between Blade Runner, Alien and Predator is not the worst thing in the world.  It's allowed for all kinds of paths for exploration.  

I'll just say: if you can give me a movie with a humanoid lead, a robot pal and their murderous space-dog - all against alien landscapes and skies?  Shit, man.  I don't really feel like I need to explore deep themes or what it says about the human condition at that point.  This is raw popcorn entertainment.  And, somehow along the way, this movie is not incredibly stupid, all while admittedly being more than a bit unironically goofy.  Way to thread the needle, movie!

Spaceballs Sequel En Route

 

Spaceballs is getting a sequel - 40 years later.

In late June 1987, I went to the Showplace 6 with a pal or two for a weekday matinee of Spaceballs.  And by the time Spaceball 1 finished passing by the camera, I was laughing so hard I was crying.  And I think it let up sometime about a week later when I quit saying "Lonestaaaaar...!" to myself.  And "because 'good' is dumb."

Since, it's probably my most-watched Mel Brooks movie alongside Blazing Saddles.  I mean, I was twelve.  I loved Star Wars and silliness.  

Everyone in the cast was on fire during that movie.  It made me a fan of Bill Pullman and Daphne Zuniga, I already thought John Candy and Rick Moranis were two of the funniest people on Earth, and it gave me respect for Joan Rivers, George Wyner and Mel Brooks.  Heck, it's the first time I ever saw generally-all-around-good-idea Brenda Strong.

In college, I got a Sharpie and wrote "Mr. Radar" on my "Mr. Coffee" individual coffee pot.  And, for my birthday Freshman year, we rented Spaceballs and watched it in the dorms.

It's just one of the greats in my book, and quotes from it fill my head as much as any other Mel Brooks movie.  "They've gone to plaid...!" is something I'll still say in my head when someone whips past me on the freeway.  When waiting for things to finish, I still whisper "come on, Schwartz...!"

Mel Brooks is 99 and has retained everything.  How involved he is with this new version, I don't know. He's involved, though.  Imagine having a career so long a movie you made in the 1980's is getting a sequel with the very grown child of  one of the original stars.  Yeah, Lewis Pullman is in this.

Will it be good?  I am sure.  Is it a little sad we've lost John Candy and Joan Rivers in the interim?  Absolutely.  But I think we can still have a great movie with new characters.  And, hey, we have so many more Star Wars movies and TV shows to spoof. Plus 40 more years of other sci-fi.

how *you* doin', Princess Vespa?

It's for the best Spaceballs didn't suffer the fate of so many 80's comedies that tried for sequels at the time - it was always diminishing returns.  But I'm glad we can take a new swing.  

And, hey, if I can have Zuniga *and* Rick Moranis back?  That's a very good thing.

  

Canon Watch: RoboCop (1987)

buy this poster here

Watched:  04/10/2026

Viewing:  ha ha ha ha ha

Format:  BluRay (Arrow Deluxe)

Director:  Paul Verhoeven

For some reason my Threads.com algorithm kept showing me people discussing RoboCop (1987), and I realized that it had been some time since I'd actually watched the movie.  Not that I have to.  It's one of the movies I've seen so many times I have recall of every scene in the movie - if not the exact dialog, I have the imagery of each scene locked in my brain.  

Why RoboCop?  I know I've mentioned this, but when I was 12, we were visiting my grandparents and my mom wanted us out of the house to talk about something with my grandparents, so we were taken to a one-screen theater in Ishpeming, Michigan where my brother and I watched the movie. 

Wise Sci-Fi Watch: The Day The Earth Stood Still (1951)

Watched:  03/23/2026

Format:  YouTubeTV

Viewing:  3rd or 4th

Director:  Robert Wise

Hey!  Happy 75th birthday, Gort!

The Day The Earth Stood Still (1951) is a landmark for science fiction, especially in cinema, and would help launch a thousand imitators in the years to come (thanks, Ed Wood!).  It's also an A picture, which for Sci-Fi in the post WWII era must have been something.  We're still five years before Forbidden Planet would launch the notion that would birth Star Trek.   Notably, it was released the same year as the doomsday epic, When Worlds Collide.  

A flying saucer arrives and circles Earth, eventually settling on the lawn across from the White House.  The whole world knows this is happening, and we get international news reports (is this the first use of this trope in a scifi movie?).  Hours after landing, the craft opens and a man in a space suit emerges, who a soldier waits all of about 45 seconds to shoot for no reason.  A giant, metallic robot emerges, threatening everyone with weapons - atomizing guns, tanks, cannons, etc... with a beam from its face.

Our hero, Klaatu the space man, turns out to be Michael Rennie - He looks and speaks just like a normal man.  When world leaders refuse to meet to hear him out, he becomes frustrated, steals some clothes and bolts from Walter Reed.  With great luck, he winds up in a boarding house where Patricia Neal is dwelling with her son, and he uses the name "Carpenter".

Sci-Fi Watch: Project Hail Mary (2026)

Watched:  03/21/2026

Format:  Regal

Viewing:  First

Director:  Phil Lord & Christopher Miller

Not so long ago, we read the novel of Project Hail Mary, which we discussed here at the ol' interweb log.

I enjoyed the book a great deal - just as I'd enjoyed Weir's first book, The Martian.  And like that book, it received the big screen treatment, which I thoroughly enjoyed and have rewatched in part and in whole.

First:  Go see this in the theater.  It will be fine on your TV or laptop, it is - however - a movie designed for the big screen and benefits from the image size and quality, plus the audio experience.  And maybe even the audience reaction.

Like the novel, the book is told in the present as an amnesiac awakens in a spacecraft with the other two crewmates deceased and, as he discovers, light years from Earth as the craft he's in approaches a nearby star.  Grace recovers his memories in flashbacks that fill in the gaps for himself and the viewer as he progresses, eventually realizing things about himself.

The impetus for the trip is that the sun has seen something called The Petrova Line form between Earth and Venus, and something about that effect means the sun is starting to dim - the predictable effects meaning Earth will become a frozen wasteland within 3 decades.  The star he's heading toward is not fading, and Earth needs to know why.

80's Regret Sci-Fi Watch: Millennium (1989)

this is a movie about Cheryl Ladd's hair

Watched:  01/30/2026

Format:  YouTube

Viewing:  Second

Director:  Michael Anderson

So, in 1989, I was 14 and just started high school.  During the summer, at B. Dalton I'd picked up some Starlog-type magazine that had gone all-in on how we should all go see Millennium (1989) upon its release.  I knew who Kris Kristofferson was (I'm from Texas, he's from Brownsville), but not Cheryl Ladd, who was coming off a run of TV shows, etc... that I didn't watch.  She was a thing, but not so much of a thing to those of us exiting middle-school.

The magazine pitched the movie as a dystopian sci-fi epic with a robot, and, hey...  I was sold.  

flight attendant hair

Also, in high school one meets new people, and free from the shackles of knowing me in middle school, a lovely girl and I met, and decided to go on "a date".  What I now get in 2026 that I did not get in 1989:  I guess this girl really wanted to go out with me, because there was no way in hell she wanted to see this dumb-ass movie.*

Riff-Trax Watch: Plan 9 From Outer Space (1957)

Watched:  12/28/2025

Format:  Riff-Trax on YouTube

Viewing:  Unknown

Director:  Edward D. Wood, Jr.

There's no good reason to watch Plan 9 From Outer Space (1957) again, or right at this moment.  But I sure did.  It didn't hurt to watch with what seemed like a 20-year-old Rifftrax over a colorized version of the film.  

It's just a good time, every time.  Especially once the monologuing really kicks in during the back half of the film.  

Y'all pour one out for Bela.

Netflix Watch: Stranger Things - Season 5 Part 1

I am sure my observations are in no way unique, but here we go.

I don't think Stranger Things is for me.

SPOILERS

Three years between seasons is way too long for serial television.  The problem is not unique to this show, and Stranger Things has already taken it on the chops a bit for trying to suggest that the first season to this season took place within 4-5 years when our kid actors are now old enough to run for Congress.

The bigger problem with the delay between seasons is that, at best, I'm a casual viewer.  I'm not a person who often rewatches serialized TV, and with multiple years between seasons I have a very hard time remembering what previously happened unless prompted very specifically.  And even then, it only kind of comes back.  

But, really, the show became something I was less interested in altogether after Season 2.

Television Watch: Alien - Earth (Season 1, 2025)

I'm the first person to say Alien and Aliens are two great films, each for different reasons.  And while I understand people love Alien3, I just wasn't onboard.  And it's safe to say, I've wrestled with the subsequent sequels, including Prometheus and Alien: Covenant.  The desire to combine the Alien storyline with the Predator franchise, with the wink-wink connections to Blade Runner strikes me as a curious obsession in sci-fi fandom - even if I shared the excitement of everyone else when Predator 2 came out.  

And then I saw Aliens vs. Predator, and I thought "never mind".

I'd skipped the last Alien movie.  If Ridley Scott couldn't make me care, I'm not sure who could.  

But part of that was, even as Romulus was in post-production, I heard Noah Hawley got his hands on the franchise and had a TV show coming.  

For those unfamiliar, Hawley is the person responsible for Legion, maybe the most interesting superhero adaptation (loosely based on the Marvel X-character Legion) to hit a screen, big or small, and which ran on FX for three seasons.  But, more important, Hawley has helmed Fargo for five seasons and across ten years.  And, in this blog's opinion, it's one of the best shows to have graced screens, full stop.

Fargo is an oddball spin-off of the Coen Bros. film of the same name.  And I won't get into it here, but if Legion showed Hawley knew how to take a nut of an idea from source material and grow something fascinating with it, Fargo took the well-defined themes and characters of a Coen Bros. movie as inspiration and exploded their stories into multi-faceted noir epics, borrowing elements and ideas from across the Coen Bros. filmography.

So... yeah, I was jazzed when I heard Hawley was getting his hands on Alien.  And eight episodes later, I feel like my trust was warranted.

Signal Watch Reads: Project Hail Mary

Author:  Andy Weir

Audiobook read by:  Ray Porter

I read The Martian by Andy Weir a bit before the movie was released, and thoroughly enjoyed the Ridley Scott/ Matt Damon film that followed.  I skipped Artemis, and somehow just sort of missed that Project Hail Mary had been released until the movie trailer dropped and saw that the film was based on a book by Andy Weir.  

Jamie, who loved the The Martian, picked up Project Hail Mary, and plowed through it in a couple of days, recommending the novel.  Also, I am now listening to audiobooks in one ear while I walk Emmylou in the mornings before work, and this seemed like a good one to listen to after The Godfather.

There's a certain sameness to Project Hail Mary that you'll feel if you read The Martian, and while that's certainly the author's voice coming in strong, it almost feels like the same character from The Martian at times.  And I suspect that was a return to form after Artemis, which had a female lead and was a bit more space-adventurey from what I heard, didn't get the same good notices as Weir's freshman effort.  

But, like a band whose first record you liked, it's not all bad to get that third album and hear that the band was just finding their way on the sophomore effort, and now they're back in their groove.  

An astronaut awakens on a craft headed to a nearby star - his memory is wiped and the other two crew members are dead.  As he stumbles about, pieces of memory come back to him.

Earth had a problem - the sun was fading.  If a solution isn't found, the planet will drop into an ice age that will kill a whole lot of life on Earth.  

SPOILERS

I really liked Project Hail Mary.  I don't know that it will be taken for great literature, but it certainly makes for an interesting page turner of a read.  Slowly revealing what happened on Earth, how middle-school science teacher Ryland Grace winds up as one of three astronauts sent to save the Sun/ our Solar System is a great engine to propel the story, pushing forward the sturdy chassis of the story of the actual work done to save the planet and teamwork needed to get there.