Showing posts with label 2010's. Show all posts
Showing posts with label 2010's. Show all posts

Sunday, February 14, 2021

Frozen-In Watch: Frozen II (2019)



Watched:  02/14/2021
Format:  Disney+
Viewing:  I'm not sure
Decade:  2010's
Director(s):  Chris Buck and Jennifer Lee

The weather in Austin is historically cold and we're having a winter storm like we normally only ever see on television in other states.  It just doesn't do this in Texas.  Or, at least, it didn't tell global warming.  These polar vortexes are a real sonuvabitch.

Anyway - we're all super stressed hoping the power stays on and our pipes don't burst and we don't freeze to death in our own homes.  But, ha ha, we probably won't.  So we watched a movie with an ironic title.

(update:  02/16/21 1:35 PM - it did, indeed, freeze.  We lost power.  It's been rough.  Power is back for the moment.)

Sunday, January 3, 2021

Inspirational Watch: Eddie the Eagle (2015)


Watched:  01/02/2021
Viewing: First
Decade:  2010's
Format:  Disney+
Director:   Dexter Fletcher

"Based on a true story" is more or less Hollywood speak for "we got the three things you remember about this event right, and everything else doesn't bear up to a quick Wikipedia check".  It doesn't mean this or others movies aren't worth watching, but always always always Google the subjects of "true story" movies after finishing a film.  It's inevitably more interesting than what's in the movie.

I do not remember the 1988 Calgary Olympics at all.  I was 13 and lived in Texas where none of the sports existed, and didn't watch much TV at that time in my life.  Jamie was actually at those Olympics, so she remembers the actual events and guy.   I think I vaguely remember watching hockey.  

Eddie the Eagle (2015) is a fine movie - a decent one for kids and adults.  Unlikely guy goes to the Olympics to compete - and the glory is in trying.  I've spoiled nothing - you can still watch.  Everything is very color-by-numbers and has the edges removed.  I mean, it's fine - I enjoyed it for what it was.  





Monday, December 28, 2020

Watching the Detectives: The Nice Guys (2016)




Watched:  12/28/2020
Format: Amazon Streaming
Viewing: First
Decade:  2010's
Director:  Shane Black

This was exactly the movie I needed this evening.  

I dunno what to say about it.  Somehow Shane Black made a movie that managed to utterly surprise in every scene, was absolutely wrong, and absolutely hilarious.  Had a killer soundtrack, featured Keith David and gave Kim Basinger stuff to do.  

I am not sure liking this movie this much makes me a good person, but there we are.

Thursday, December 24, 2020

Wonder Watch: Wonder Woman (2017)




Watched:  12/23/2020
Format:  HBOMax
Viewing:  No idea
Decade:  2010's
Director:  Patty Jenkins

Every time I rewatch Wonder Woman (2017), I'm stunned at the complexity and completeness of the character arc for Diana in the film.  But here, at the end of 2020, how much Diana's illusions and how she deals with them being shattered, resonates.  

From the first time I saw this movie, I know I've been saying it's one of the only superhero films to actually understand what a superhero is and what they do.  It's something comics themselves have forgotten as the writers have fallen into the traps of Hollywood script rules - and the movie itself does, in fact, play with those same rules.  But as a character, Diana is pure.  She's not out for revenge against someone who performed an injury of some sort upon her or a loved one.   She's outraged at the world of man and what they allow to occur - saying there's nothing that can be done.  

Wednesday, December 23, 2020

Hallmark Watch: Christmas at Dollywood (2019)

Dolly's outfit needs more sequins



Watched:  12/18/2020
Format:  Hallmark Channel on DVR
Viewing:  First
Decade:  2010's
Director:  Michael Robison

Arguably, no one involved with this movie knows how anything works in real life and everyone but Danica McKellar's character should be fired.  And Dolly, of course, should always be held blameless.

We've watched a lot of parts of Hallmark movies this year, but watched almost none from start to finish - but when a movie promises to serve up Dolly in prime, post 2000 incarnation of Dolly as glamorous wise songstress and embodiment of goodness - I'm in.  I have, in fact, watched a good chunk of "The Coat of Many Colors" movie and everything.

Tuesday, December 8, 2020

PODCAST: "Anna and the Apocalypse" (2017) - a Xmas Genre Xrossover 2020 episode w/ SimonUK and Ryan



Watched:  11/21/2020
Format:  Amazon Streaming
Viewing:  First
Decade:  2010's
Director:  John McPhail


SimonUK and Ryan have a holly jolly time biting into the 2017 multi-genre cult fave that has them singing and dancing in the aisles. Join us for a yuletide discussion of a newer film that might just be the Christmas treat you're looking for - it's a real slay ride. 
Christmas Means Nothing Without You - Roddy Hart, Tommy Reilly 
Hollywood Ending - Roddy Hart, Tommy Reilly 
 
Xmas Genre Xrossover Playlist

Saturday, December 5, 2020

Christmas Watch Party Watch: Christmas Twister/ F6 Twister (2012)




watched:  12/4/2020
format:  Amazon Watch Party
viewing:  first
decade: 2010's
director:  Peter Sullivan

Woof.

This is the most insanely lazy movie I've seen in a while.  Like, it's one of those where you're watching and thinking "literally nothing in this movie is how that thing works".  Not how tornadoes work, meteorology, news reporting, children, school, architecture, accents, clouds, pregnancy, smoke, basements, emergency situations, college, glasses or Ft. Worth.  Or, in fact, Christmas.  

Like - why?  How did this script get written?  Was it by someone amazingly dumb?  Were they kidding and no jokes landed?  I just don't get it.  I am not an expert in ANY of the topics above, but I do live on earth, and I have a sense of memory of events and observations.

I really can't spend energy on this.  They didn't.  

But I did like Deb, the news producer.  


Tuesday, December 1, 2020

PODCAST: "Shazam!" (2019) - Xmas Genre Xrossover 2020 w/ AmyC and Ryan

 


Watched:  11/13/2020
Format:  HBO
Viewing:  Second
Decade:  2010's
Director:  David F. Sandberg




AmyC and Ryan say the word and find themselves checking out the heroic adventures of one of comics longest-lasting heroes who finally found his way to the big screen. And, it's a Christmas movie! We discuss the comics, the movie and what makes for holiday cinematic magic! 

Tuesday, November 24, 2020

Whodunnit Watch: Knives Out (2019)




Watched:  11/21/2020
Format:  Amazon Prime Streaming
Viewing:  Second
Decade:  2010's
Director:  Rian Johnson

Rian Johnson is one of those directors we need more of.  He's smarter than his audience (sorry, he is), and he's making stuff he'd want to see, and if we happen to come along and like it, too, great.  If not, it doesn't matter.  He made something *interesting*.  

On the heels of his stupidly controversial gigantic Star Wars movie that followed his usual way of doing things and managed to make maybe the only interesting Star Wars movie since Empire, he turned to the all-star murder mystery - a la Inspector Poirot films.  But not a murder mystery that relied on nostalgia, an exotic setting and romantic period in which the film occurs.  It's a family all brimming with motivations to take out the patriarch as they gather in the family a mansion in a wealthy Massachusetts suburb.  

Thursday, November 19, 2020

PODCAST: "Krampus" (2015) - a XMas Genre Xrossover 2020 Special w/ Marshall and Ryan

 


Watched:  11/04/2020
Format:  HBO, maybe?
Viewing:  Second or third
Decade:  2010's
Director:  Michael Dougherty


Tis the season for genre mashes! It's horror with Christmas joy! Join us as we peek in on a family that has lost its Christmas spirit - and is now facing a giant beastman-shaped reckoning. Marshall and Ryan talk the 2015 holiday horror hit that's become a bit of a perennial favorite (already!) - which reflects on how the holidays with family can really be a nightmare.


Music:
Krampus Main Theme - Douglas Pipes

Xmas Genre Xrossover 2020 Playlist

Friday, November 6, 2020

PODCAST: "Spider-Man: Homecoming" (2017) Avengers Countdown #16 w/ Jamie and Ryan


 
Watched:  10/01/2020
Format:  BluRay
Viewing:  Unknown
Decade:  2010's
Director:  John Watts




It's round three for film adaptations of Spider-Man, and this time they made Aunt May a stone cold fox. After Disney and Sony sorted out their differences, Spidey finally became part of the MCU and - despite not following origin movie rules - manages to turn in a fun movie with a weirdly sympathetic super-villain (it's BATMAN).





Music: 
Very bad cover of Spider-Man theme - Jamie and Ryan
Spider-Man Theme - The Ramones


Avengers Playlist:

Saturday, October 31, 2020

Halloween Doc Watch: Wolfman's Got Nards (2018)




Watched:  10/29/2020
Format:  Amazon Streaming
Viewing:  First
Decade:  2010's
Director:  Andre Gower

I saw The Monster Squad at Showplace 6 on a weekday in late summer when I was a kid.  I must have said something about the movie and thinking I'd miss it (it wasn't released until mid-August of 1987, which would have been just as school was starting), so I'm guessing I thought the clock was ticking.  My dad loved movies, too, when we were kids.  Not like some of your dads who showed you Carrie or whatever, he just liked going to the movies or making a bucket of popcorn at home and watching a movie with us.  

All I know is that on a weekday in the few weeks Monster Squad was out, my dad took the afternoon off work - came home and got me, we watched the movie - and then he dropped me off and went back to work.  I don't think he remembers this at all, but it meant a lot to me when I was 12.  

Sunday, August 30, 2020

Neo-Noir Watch: Nocturnal Animals (2016)



Watched:  08/29/2020
Format:  HBO
Viewing:  First
Decade:  2010's
Director:  Tom Ford

A lot of the coverage of the release of this film was that it was directed by Tom Ford, a fashion designer - which is an interesting idea.  One would assume a fashion designer has an eye for visuals, lifestyle cues, wardrobe and staging.  And - arguably, Ford delivers on all of these things.

He's cast beautiful people and dressed them well.  He's hired some beautiful people and dressed them down.  And, of course, there's the opening sequence which casts some (let's be honest) not gorgeous people and dressed them not at all.  For Ford - this is a hellish horror, absurd and tasteless, open to interpretation and meaningless, so awful its funny.  And knowingly hard to look at.  And... is, at best, a very small building block of what is arguably his point with the film, and set me to thinking about what and who a Tom Ford is and how that would set them for empathy and sympathy with characters in a story.

Tuesday, August 11, 2020

Doc Watch: Howard (2018)



Watched:  08/10/2020
Format:  Disney+
Viewing:  First
Decade:  2010's
Director:  Don Hahn

Let me start by saying: in a lot of ways Disney+ is much better than I ever expected.  I've enjoyed the Disney "from the vaults" content, catching new material, behind the scenes at parks, movies, etc... with One Day at Disney and two series - one on the making of The Mandalorian and an exceptional doc series on the making of Frozen 2

And, of course, then the release of Hamilton.  I haven't watched Black is King yet, but that's a pretty big line in the sand for the Disney brand to put out on their flagship, no-doubt-this-is-Disney streaming service when Disney has usually just avoided anything that invites cultural critique.*

But Disney+ putting a doc about Howard Ashman, a gay man who died of complications from AIDs at the height of the epidemic, and being honest and open about his sexuality and struggle with the disease, is... kind of mind-blowing.  There's something about the platform of their own streaming service and that you've already paid your money to have it that seems to have freed up the Disney Corp to tell some stories well worth telling I don't know we'd see if they didn't have this avenue.

The doc, itself, is the life story of Howard Ashman who - paired with Alan Menken - wrote the musical numbers for Little Mermaid, Beauty and the Beast and Aladdin.  He also wrote and originally produced Little Shop of Horrors - which was his big breakout hit off-Broadway. 

It's really a pretty great story, well told, and has the heart-breaking knowledge of what happened to Ashman in the back of your head.  And, sadly, the fact he was the musical partner of Menken and that he died of AIDS was all I'd known about him until watching the doc. 

I don't want to get into details too much, but as loving as it is, it isn't shy about who Howard Ashman was and doesn't make him into a saint - while illustrating pretty clearly what sort of mind he had that helped push the Disney cartoon back into prestige territory (and why Disney was flailing at the time he showed up).

For fans of animation, musical theater, or Disney-history - well worth the viewing. 




*Disney tends to get lambasted no matter what they do, and I've stood there and listened to lines of people parrot back the criticisms of Aladdin, Lion King and Little Mermaid during 3 summers at The Disney Store.  I would invariably listen and then say "well, I make $4.50 an hour working here and while I'll tell my manager...  really, your best bet is writing the studio in California."



Thursday, July 16, 2020

PODCAST: "Guardians of the Galaxy Vol. 2" - Avengers Countdown 15 w/ Jamie and Ryan!


Watched:  07/09/2020
Format:  BluRay
Viewing:  Third or Fourth
Decade:  2010's
Director:  James Gunn

For more ways to listen

It's Family Issues in Spaaaaaace! Join Jamie and Ryan as we consider the second installment in the unlikeliest of the Marvel movie sub-franchises! After a ragtag bunch of misfits comes together, what's next? And what makes this series different from other Marvel films? It's all here! Check it out!




Music:
Brandy (You're a Fine Girl) - Looking Glass
Father and Son - Cat Stevens



Playlist:


Saturday, July 11, 2020

Random Watch: Troop Zero (2019)



Watched:  07/09/2020
Format:  Amazon Streaming
Viewing:  First
Decade:  2010's
Director:  BertieBert

I walked into this with zero expectations, pretty sure it was a Troop Beverly Hills sort of thing, but it's a smart, sweet movie with a sort of indie feel I haven't seen in a movie in a while.  But, in a weird way, for kids with storylines the adults will get even if the kids watching the movie don't quite get what the adults are saying to each other.

It's the rare movie about underdogs that is kinda actually pretty realistic about underdogs, as well as how kids can expect the world to want to keep them that way.  You will likely laugh, you may get a bit weepy. 

Anyway - why isn't Viola Davis on Mt. Rushmore yet?

Thursday, July 9, 2020

PODCAST: 110 - "King Kong" 1933, 1976, 2005 & "KIng Kong Lives" (1985) and "Kong: Skull Island" (2017)



King Kong  (1976)
watched:  06/03/2020
Format:  DVD
Viewing: No idea
Director:  John Guillermin

Kong Lives (1985)
watched 06/08/2020
Format:  DVD
Viewing:  third?
Director: John Guillermin

Kong: Skull Island (2017)
watched: 06/12/2020
Format:  DVD
Viewing:  second?
Director:  Jordan Vogt-Roberts

King Kong (2005)
watched:  06/13/2020
Format:  DVD
Viewing:  third
Director:  Peter Jackson

King Kong (1933)
Watched:  06/23/2020
Format:  BluRay
Viewing:  no idea
Director:  Merian C. Cooper


For more ways to listen



It's King Kong-a-Palooza as we take on 5 movies about one big monkey. Stuart joins in as we talk about the modern mythology of King Kong, what the story tells us, and what it tells us about ourselves that we retell the story every few decades. We reflect on man, ape, mysterious islands, mystery in general, and fame as we ponder the various takes. Join us as we discuss 1933, 1976, 2005 "King Kong" installments, as well as "King Kong Lives" and the recent entry "Kong: Skull Island".





Music:
King Kong Main Theme (1933) - by Max Steiner
King Kong Opening Theme (1976) - by John Barry



Tuesday, June 23, 2020

Spidey Watch: Spider-Man - Into the Spider-Verse (2018)



Watched:  06/23/2020
Format:  BluRay
Viewing:  No idea
Decade:  2010's
Directors:  Peter RamseyBob PersichettiRodney Rothman

I feel like Spider-Man: Into the Spider-Verse (2018) found its audience on home video that it didn't quite find at the theater, which makes me wonder how the coming sequel will do.  I will say - I am delighted that the movie is finding the bigger audience it deserves and I'm still disappointed in Sony for failing to push the movie harder when it was coming out.  Especially because - as much as I like the movie, it's just something to see on the big screen.  I feel like a lot of people I've talked to who watched it on their screens aren't quite getting it because they aren't able to "see" the movie the same way and see how every frame and every detail is next level work. 

Maybe when theaters re-open and there's nothing new to show, Sony can re-release S:ItSV.  If they do, go see it on the biggest screen you can find.

At some point in the past year I mentioned wanting to show this movie to my dad, and he was just sort of confused (it happens.  He was not expecting a Spidey rec.).  But, man, this movie does such a phenomenal job of catching what it is to be in those early years of high school where you're figuring things out, and your parents are looking in from the outside as you come into yourself and find your people.

One of these days. 

Anyway - in these days of challenge and change, I'm glad Jamie thought to put it on.  Anyone can wear the mask.


Monday, May 18, 2020

PODCAST: "Skyfall" (2012) - Bond Watch 07 w/ SimonUK and Ryan



Watched:  05/16/2020
Format:  BluRay
Viewing:  Unknown - maybe 4th?
Decade:  2010's
Director:  Sam Mendes

More ways to listen.

We talk a favorite of the entire Bond franchise - "Skyfall"! It's not just a perfect Adele song, it's also a movie! Daniel Craig and Dame Judith Dench protect Mother England and tangle with Javier Bardem! There's a komodo dragon! There's a mysterious island! There's a chase through tunnels! A jail cell with no toilet! Join Simon UK and Ryan as we sort through the film that was better than the films immediately before and after.




Music:
Bond Theme - Monty Norman
Skyfall - Adele



Playlist:




Saturday, May 16, 2020

Comedy Watch: 21 Jump Street (2012)



Watched:  05/15/2020
Format:  Amazon Streaming
Viewing:  First
Decade:  2010's
Director:  Phil LordChris Miller


As it starred neither apes nor robots, I was never a watcher of the original 21 Jump Street when it was on TV.  I knew roughly what it was about, but I don't believe I've ever seen an episode.  Between this fact and the massive pile of comedy remakes that had been hitting since the mid-90's Brady Bunch revival, I was in no particular rush to see this movie. 

But, then I learned it was a Lord & Miller movie and gave it a shot.  All in all, an ideal Friday-night comedy with enough Lord & Miller stuff to make it really work.  The cast is great (special shout out to Ellie Kemper) and there's a ton of really good stuff packed into 90 minutes, even with some pretty pat "high school kids sure are different now!" stuff that's a little hard to buy with only 7 years passed since our heroes supposedly graduated high school.

Pretty clearly there was a lot more shot, as a few things are referred to and it looks like some unused stuff wound up in the credits.  Which makes me reflect on the assignment of Lord & Miller to the Solo Star Wars movie, and their eventual firing.  What did Disney think they were getting, again?

Anyway, the movie is exactly what you think it is, maybe funnier than you'd guess.