Sunday, October 6, 2019
Author: Joseph Sheridan LeFanu
Reader: Tracey Childes
Growing up, I'd read that the book that had pre-dated Dracula and which likely inspired Stoker was Varney the Vampire (or: The Feast of Blood), a mid-19th Century penny dreadful that I've still not got around to reading. I think I'd heard of Carmilla 1872) by J.S. LeFanu in passing, but it wasn't until I was reading up on the Hammer horror film The Vampire Lovers (based loosely on the book) that I did the Googling necessary to spark real interest in Carmilla -at least enough to get me to intend to read the book.
As I am no longer working from home and once again enjoy a commute, I went ahead and got the audiobook of Carmilla for what will be one of my Halloween reads.
Tuesday, July 9, 2019
This year marks the 60th anniversary of the release of Otto Preminger's Anatomy of a Murder. If you've never seen it, it's a terrific film and holds up far better than you'd expect considering the changing mores, attitudes, laws and and more since 1959. In some ways, it's covering territory we seem to cover over and over as a society and may be more relevant now than ever. A legal drama, it should be a bit out of my wheelhouse, but instead it's been one of my favorite films since college.
Starring Jimmy Stewart, it has a terrific cast of well-known and lesser known actors. Eve Arden, a very young George C. Scott, Lee Remick, Ben Gazzarra, Arthur O'Connell, and Kathryn Grant (a University of Texas alumnus and, at the time, just married to Bing Crosby). And, a bit bizarre for the time and place, Duke Ellington.
The movie, however, was based on a novel written by Robert Traver. Traver was the pen name for attorney John Voelker, who lived in Ishpeming, Michigan and served as the city prosecutor, ran for other public office and was generally highly involved in public life in the Upper Peninsula of Michigan.
Sunday, July 7, 2019
At long last, I read both The Long Goodbye (1953) and Playback (1958), the last of Raymond Chandler's novels centered upon detective Philip Marlowe.
You'll note a lengthy dry spell between books here, and there's a precipitous drop-off between the two in depth and strength. It's curious as The Long Goodbye feels less like a detective novel and more like an author wrestling with himself, working through the point in his life where he'd enjoyed success and some fame and found neither amounted to much as he was still living with himself as an alcoholic, a writer of genre fiction, and now a widower.*
Tuesday, February 5, 2019
Format: Kino Lorber BluRay
Simon and Ryan delve into Film Noir via Neo-Noir, Altman-directed entry "The Long Goodbye" (1973), an oddball of a film with a lot to offer. We explore the role of Philip Marlowe in the world of fiction, some of the mechanics of noir, and whether or not any of this actually works as a movie.
The Long Goodbye - Music by John Williams/ Lyrics by Johnny Mercer/ performed by Jack Sheldon
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Thursday, December 27, 2018
I am not a gamer. The only console I own is one of those 2600 emulator boxes and it hasn't been out of the closet in a year. I get that people spend a lot of time on video games, and that I have no stones to throw about people wasting their time and money on non-real-things. I write on a blog that needlessly analyzes movies and occasionally comics and talks a lot about comic-based movies. Take all of the below with the necessary grain of salt.
Thursday, November 29, 2018
I started reading All the Answers (2018) a couple of weeks ago, got ten pages in and realized that I wouldn't have time to read it cover to cover in one sitting, the way one generally wants to watch a film, and so I put away the book and picked it up again when I had uninterrupted time.
Written, researched, drawn and lived by Michael Kupperman, a cartoonist and artist I've followed for well over ten years at this point, the book is more than a minor pivot from a particular brand of humor comic that I would fail to capture here if I tried (and what is explaining a joke, anyway?) - this is also a biographical and autobiographical graphic novel. I believe Snake n' Bacon strips were my entree into Kupperman's work, followed by Tales Designed to Thrizzle - something that should be a staple in any comics-studies course. And, of course, Mark Twain's Autobiography, 1910-2010.
Saturday, July 7, 2018
Author: Sean Howe
Release: October, 2013
The manager at my Local Comic Shoppe, Brandon, suggested Marvel Comics: The Untold Story (2013) while we were discussing some minutia around the history of Marvel Comics.
My knowledge of Marvel history is one mostly gathered patchwork from various interviews, articles, word-of-mouth stories, etc... so I knew some broad strokes, particularly around the infamous Kirby/ Lee creator debates and the Ditko/Lee broo-haha, but after Lee left Marvel, it's all bits and pieces gleaned from Bullpen Bulletins, credits on comics while certain things were happening, and trying to piece together what the hell, exactly, was going on at Marvel at any given time.
Monday, May 21, 2018
I'd intended to read Michelle McNamara's true-crime book, I'll Be Gone In The Dark (2018), this year at some point, but was propelled to listen to the audiobook when, in late April, the subject of the book was apprehended in California.
Before the book is run-over, borrowed-from, and absorbed by osmosis as documentaries and news stories rushed into production - and likely a feature film or three - I wanted to hear what McNamara had to say and where she was in her crowd-sourced, DIY investigation into the Golden State Killer, a serial rapist and murderer who was active in multiple California communities in the late 70's and into the early 80's, before simply vanishing.
Wednesday, April 4, 2018
After completing the two Maigret mystery movies, I decided to check out some actual Inspector Maigret novels. Not as big of a deal here in the states, but in Europe, they appear to be quite popular. I found a set on deep discount and after waiting for a month for them to make their way from a shop in the UK to my doorstep (amazing world we live in, what one mouse click sets in motion), I got to crack the set for my plane ride to San Jose.
After reading Hammett and Chandler, it seemed fair to see what was going on with mystery books across the ocean.
Georges Simenon was a Belgian writing in French about a Parisian detective circa 1930 when this book appeared. I am unclear when the translation occurred or how much was changed in meaning - I would expect that after 80 years, everyone is satisfied with what's on the page. It seems reasonable to trust Penguin to do right by these books.
Monday, February 12, 2018
Wednesday, January 31, 2018
Seems this is a thing we're all doing, so here goes.
I very much remember placing this order (or these orders). Half of my friends were totally excited about this new Amazon thing, and half of them were convinced Amazon would just take my credit card and drain me of money. Both were right, as it turns out.
Monday, January 1, 2018
Today marks the 200th Anniversary of the first publication of Frankenstein (or, The Modern Prometheus). It's a book many of us were assigned to read. As with any book, your mileage will vary. Absolutely, that seems to depend upon interpretations and baggage brought to the book.
It is true that I am a fan of the Frankenstein films from Universal that appeared in 1932 and onward, but I'd read Shelley's book twice before seeing the first movie circa 1997. My Freshman year of high school I *absolutely* grokked the "wretch's" perspective and Victor's craziness, and of course the romantic torment that befalls them all.
Saturday, April 1, 2017
A few folks had recommended to me Altered Carbon (2002) by Richard Morgan. Likely this was due to my interests in science-fiction and detective/ noir fiction. Not a bad call, that. The book is more or less a detective story with a decidedly noirish bent set in a far-flung future of high technology and interstellar travel.
While our characters live in a fantasyland of technological wonders and possibilities, the technology the book is most preoccupied with is the digitization of the human consciousness, allowing minds and personalities to flow freely between bodies or into virtual environments as specters, even crossing the cosmos for business meetings into rented "sleeves". While mankind lives at a point where genetic and chemical manipulation of the human form is common practice, the same ills that always plague humanity are no further off. War, hunger, institutionalized economic disparity, religious mania... all still present hundreds of years from today despite the colonization of many new worlds and the discovery of alien artifacts.
Wednesday, March 29, 2017
On Monday around 3:07 Pacific Time (I was flying back from Berkeley, CA), I finished the final Parker novel by Richard Stark, Dirty Money (2008).
It's a hell of a thing to say I read all 24 Parker books, plus the four Grofield spin-off novels. That's certainly a first for me, when it comes to books. Back in the 1990's, I read about five or six books with a tight continuity by William Kennedy, and I've read a lot of Hammett's "Continental Op" short stories - but 28 books by one person feels like a lot, airplane reading though they were.
Dirty Money doesn't conclude the series except for the fact that Donald Westlake (Stark's real name) passed on December 31, 2008 without producing any additional Parker novels. Parker doesn't die, doesn't go to jail, doesn't give up on crime to have 3.5 kids and become a manager at Hardee's. Butcher's Moon, the 1974 near-conclusion of the Parker series, also didn't feel quite like a finale, although the bodycount in the novel certainly had the sort of thing you didn't imagine Stark wanting to top. But it did make for a satisfying conclusion of sorts.
Fortunately, so, too does Dirty Money make for a fantastic conclusion to the 90's-00's Parker rebirth. The story ties together the plots of the two prior books into one continuous novel of sorts, refusing to gloss over the complications that I had, as a reader, half forgiven Stark for, thinking he had maybe written the other too quickly, hadn't really paid the same attention to detail he once did in that 1960's-70's heyday that produced the first ten novels of the series.
Saturday, March 4, 2017
Ask The Parrot (2006) is the penultimate Parker novel. Frankly, I'd been dreading hitting this book based on the title alone, which sounded like one of those caper novels that would get turned into a movie with Dennis Farina that was funny, but not *that* funny, and mostly forgettable.
It's a strange, small book, playing well to several of Stark's strengths and his interest in exploring multiple characters and POV's in a single book. He sticks with the winning formula, maintaining a limited omniscient narrator's voice but using the 3rd section of the book to jump from person to person in the situation, setting up what would happen in the explosive fourth portion of the novel when everything comes together to fall apart.
Monday, January 23, 2017
Like everyone else, I didn't think about Alexander Hamilton a whole lot other than knowing he was on my money, invented the Fed, and somehow got into a duel (and lost) with a more obscure Founding Father, Aaron Burr. The Revolutionary War era and the founding of the United States is such a deeply complex time in history, I've never really had my head around it, and as that history in broad scope tends to work best for me when woven into biographies, I'd long intended to read biographies of Benjamin Franklin, Thomas Jefferson and a George Washington bio written by Ron Chernow that was given to me by NathanC that's been collecting dust for way too long.
Part of my issue is that most of those books are the "why is this 900 pages long?" variety, and I've been so buried in Roosevelt biographies, I've not really made enough time or room in my head for much else, but I've been working to change that.
Of course, along came the Grammy performance of the opening number to Hamilton, a fact-laden number intended to get us to the start of the action but laying out Hamilton's childhood story (which is enough to fill a book itself), and - like for so many of the rest of the people who saw this or listened to the soundtrack recording (or the lucky few who've seen the show), I was compelled to know more. Maxwell suggested the Chernow bio, so I burned an Audible credit and picked up Alexander Hamilton (2004). And, 37 hours of audiobook later, here we are.
Wednesday, October 26, 2016
After reading The Haunting of Hill House, one or two of you (I know Max was one) suggested I check out more of Shirley Jackson's work. We Have Always Lived in the Castle (1962) was the lead recommendation, and as I'd really liked the other novel, when October rolled in, I selected it as my Halloween read.
That may or may not have been the best selection specifically for Halloween as it's not necessarily the stuff of the monsters and pumpkins and ghosts I usually associate with the holiday, but everyone does it differently. Rather, the closest comparison I could draw would be along the lines of Hush Hush Sweet Charlotte or Whatever Happened to Baby Jane?. But even those are a far cry from this book.
Still, depending on how one were to read it - this book is horror. Not the creeping uncanny spirits of a ghost tale, or even the realization that the normal is face-to-face with the supernatural. It's the reader wrestling with an untrustworthy narrator and a creeping descent into something not necessarily sinister but tragic and mad.
Tuesday, October 18, 2016
Signal Watch Reads: Hero of the Empire - The Boer War, a Daring Escape, and the Making of Winston Churchill (by Candice Millard, 2016 - audiobook)
The study of history in practice can be maddening if the bar you hold up is trying to read up on every single thing anyone ever did before this very moment. If that's your standard, then I'm a little behind in developing my all encompassing eye into the past. Example: I'm a publicly educated kid from the burbs who focused on North America in obtaining his history undergrad degree. Aside from the bare-bone basics, I know very, very little about Winston Churchill, but I figured I had to start somewhere. But, why not with a book by a terrific author and starting at the beginning?
I'd previously read Candice Millard's two prior full-length books, The River of Doubt and Destiny of the Republic, and I can honestly say they were some of my favorite books of the last decade. Both books covered events which usually appear as footnotes or brief interludes in other historical retellings, diversions in the telling of longer, more expansive stories. Yet, Millard managed to craft one of the most harrowing stories of real-life adventure you're likely to read in the Theodore Roosevelt starring The River of Doubt, and in Destiny of the Republic, she sets out to set you weeping about the unjust passing of President James Garfield, shot by an assassin and victim of the limitations of his times, just on the precipice of modern knowledge we now take for granted.
I would argue that, by zeroing in on a specific time, place and people, she was able to say more about those people with a greater degree of eloquence - using historical fact, reconstructed timelines, letters and post-facto primary sources - to shed light on moments and giants of our history.
Here in her third book, Millard demonstrates why she's becoming a favorite of many more readers than just myself. Whether you're a history buff who's already schlepped your way through a number of Churchill biographies or - like yours truly - you find yourself embarrassingly ignorant in regards to the biography of one of the modern West's greatest leaders, Millard's spun Churchill's life as a young man into a narrative in the mold of epic adventure, all while reporting the facts.
Monday, October 3, 2016
This was the Parker novel I accidentally skipped when I grabbed Nobody Runs Forever off the shelf and plowed through that one. While I was more than able to follow Nobody Runs Forever - the books are episodic enough that you can tell Stark never counted on anyone having had read the other books, let alone in order - thematically, this book points toward Parker's state in life, and maybe something author Richard Stark realized was far more inevitable in the early 00's than in 1962 when Parker first walked across a bridge into New York. By 2002, technology had made heisting far harder, the work of cops far more efficient, and the likelihood of escape from a high-profile job that much harder to swallow for the general public.
So, Breakout (2002), is less about a heist and, instead, about Parker getting caught by the law and the difficulties of extracting himself from the situation as complication after complication rears up. You can almost see how Stark/Westlake might have wanted to use the concept for comedic purposes - the almost insane domino effect of getting compromised within first two or three pages, with nothing following going particularly well. The premise could make for a trials of Job situation or it was going to make for a white-knuckle thriller and Stark chose the latter.
Wednesday, September 21, 2016
The last time I read Do Androids Dream of Electric Sheep?, I was about 15 and had a fairly hard time keeping up with a narrative that wasn't an easily digestible Isaac Asimov plot and which didn't work with a Bradbury-esque flow to carry me over the rough patches. I didn't know anything about Philip K. Dick other than that he was the name of the guy who wrote the book upon which they'd based Blade Runner, at the time one my new favorite movies (and, of course, still a favorite). But, I had heard the novel and movie were different.
I really don't know why I decided it was time to read the book again other than that, like most books I read 25+ years ago, my memories of the details were fuzzy. I mostly remembered feeling that - as screwed as the Rick Deckard of the film had been, the Deckard of DADoES? was in a far more precarious state. I recalled a "fake" police station, Roy Batty seemed less a threat, and the world of the novel existed in a state of decay that went well beyond even the night-time drizzling menace of the film.
It's not that I had a hard time understanding the story from an A to B to C to D perspective, but Dick's books always seem to be doing what science-fiction can do intensely well, and that's act as allegory for some more universal story or truth or as a thought experiment to explore those ideas. I'm sure I got it in that "I read what was on the page" sort of way, but there was no way for me to really relate. Add in my trouble reconciling the differences between the book and movie and expecting the themes and plot to better dovetail, and it was a recipe for forgetting a lot of what was interesting or special about the book as repeated Blade Runner viewings had quashed a lot of what I might have remembered.
Upon a re-read, I'd argue you need to see the two narratives as separate and attempting different stories with different meaning. There are certainly resonant thematic issues, but in making many of the changes Ridley Scott and Co. went with, Blade Runner is far more a product of expectations of films (no matter which cut we're discussing), of roles within films, and the limited running time of a movie and what can be in that story.