Catch-Up Watch: Polite Society (2023)

Watched:  09/11/2026

Format:  Peacock 

Viewing:  First

Director:  Nida Manzoor

I'd seen a trailer for Polite Society (2023) when it was coming out, but theatrical windows are short, and I missed it.  Since then, I believe it was Stuart who rec'd it, and I'd had it loosely in the back of my head to watch, meanwhile forgetting why I wanted to see it or what it was about.

Well, whatever I thought it was about, the movie kind of defies genre or expectations at multiple points, and I mean that in the best way.  It's like someone took good ideas and stitched them together into exactly the movie they wanted to make (no, I don't know who Nida Manzoor is exactly, but she also did the series We Are Lady Parts in England, which got good notices).  

Pirate Watch: The Sea Hawk (1940)

Watched:  09/10/2026

Format:  TCM on DVR

Viewing:  First

Director:  Michael Curtiz

Look, names of directors get forgotten, but Michael Curtiz was one of the best to get behind a lens, making some of my very favorite films - and they may be your favorites, too.  Casablanca, Mildred Pierce, Adventures of Robin Hood, White Christmas, Flamingo Road, and another Errol Flynn pirate movie - Captain Blood.  

And, man, I still am unclear how they filmed these things, with their huge ships, falling masts, flashing sabers and swashing buckles.  The Sea Hawk (1940) merges the scale of Captain Blood and Robin Hood - two prior Curtiz/ Flynn productions with palace sets, huge galleons and more.  

Pat Boone Noir Watch: The Yellow Canary (1963)

Watched:  09/08/2026

Format:  TCM Noir Alley

Viewing:  First

Director:  Buzz Kulik

All I knew was that The Yellow Canary (1963) starred Pat Boone and Barbara Eden, two people I could not imagine paired, let alone in a noir film.

From the intro and outro, my takeaway was that Eddie Muller had gotten involved with preserving this movie because it seemed so unlikely.  Famously squeaky-clean singer and sometimes actor Pat Boone had agreed to play a philandering, jack-ass pop star (a Bizarro-world version of himself) who is married to Barbara Eden and somehow (against all imaginable odds, and my basic understanding of the world) finds that boring.  

Shark/Jet Watch: West Side Story (2021)

Watched:  09/07/2026

Format:  FX Movies on basic cable

Viewing:  Second

Director:  Steven Somebody

I was performing repetitive manual tasks (dealing with comic books.  Where my fellow nerds at?) which means I need something to occupy my brain, but not something *new*, as I might get up to perform part of a task, move around, etc...  And then I saw the 2021 version of West Side Story was on cable, and, sure, why not?

I first saw the play in about 5th or 6th grade with our own Matt A. at the former Capital City Playhouse in Austin.  I then saw the 1961 film in about 1992, and so ask me about bearing witness to Rita Moreno as Anita in her lavender dress.*

But this was the 2021 version, which *also* features Moreno, but doing fewer high kicks.

I really dig this version, too.  I feel like Spielberg did it right, bringing his sense of visuals, character and narrative tension which he built his career on to the material and made it feel both fresh and deeply rooted in the time and place from whence it sprang, managing to make it speak to the now.  

It also fills in some narrative gaps and does some info-dumps to clarify the situation in New York which the general population would have known by osmosis in 1961, but which has shifted and shifted and shifted in the decades since.  The actual politics, economics and on-the-street situation in the film is made abundantly clear in a way it just wasn't previously.

I'm just checking in on this one.  No real notes.  And will say, I'm really glad DeBose and Ziegler are both doing great on the other side of this film.  The guy who played Riff is slated to be in the new East of Eden movie.  

I recall people being a little weird about this when it came out, and a lot of the commentary came down to skill issues and that even dummies can have internet access.  And people oddly offended that a play, done in every town in America, which was a movie, should get remade when the first movie had some really odd weaknesses (like making all the Puerto Ricans wear matching full-body make-up).

So, yeah.  I dig it.   

*Great googly moogly

 

Windsor Watch: Abbot and Costello Meet the Mummy (1955)

Watched:  09/06/2026

Format:  TCM

Viewing:  First

Director:  Charles Lamont

Confession time:  I haven't really enjoyed Bud & Lou since I was a kid.  I remember we'd check out 8mm projectors and film from the library and watch their movies and have a good laugh.  I was six.

Subsequent attempts to watch the classic comedy duo have gone less well.  

But, of the main ingrendients, I do like two other things:  classic movie monsters and Marie Windsor.  And, I figure - two out of three things in this movie?  That ain't bad.

Our plot:  Bud & Lou are semi-stranded in Egypt and get involved with a cult, an ancient mummy, a murder and shady characters looking to make some money.  

I dunno.

Dolly Watch: Straight Talk (1992)

Watched:  09/06/2026

Format:  Amazon?

Viewing:  First

Director:  Barnet Kellman

I kind of remember a spate of these sorts of sweet, fluffy, cotton candy movies coming out for a minute.  I think a lot of this sort of thing has made its way to TV or streaming, and that's cool.  

The draw of Straight Talk in 1992 was "want to see Dolly Parton be nice for 90 minutes?" and in 1992, if it didn't have a robot, Wesley Snipes, a serial killer or an alien in it, no, I did not want to see your movie all that bad.  High school me didn't think about Dolly Parton one way or another, so high-school me took a pass.  And that's too bad.  My mom would love this movie, and we never agreed of movies then or now.  I think I'll call and recommend it to her later today.

Pitt Watch: Countess Dracula (1971)

Watched:  09/03/2026

Format:  YouTube

Viewing:  Second

Director:  Peter Sasdy

We watched this a few years ago, and at the time I remember being disappointed it wasn't basically just a redux of The Vampire Lovers, though I didn't exactly put it that way.  I think I appreciated it a bit more on this go-round as I engaged with movie on its own terms.

I had no plans to watch it, but noted it was free on YouTube, and here we are.

Rather than a Dracula movie, Countess Dracula (1971) is a deeply fictionalized version of the legend of Elizabeth Bathory, the Hungarian countess who may have tortured and killed hundreds of girls.  What Bathory *actually* did is up for debate, and like a lot of sensationalistic history could have been entirely fabricated to discredit and humiliate her, as well as stick her in a dungeon (see: The Tower of London for endless trumped up charges and nobles who met unfortunate ends).  

Scorsese Watch: The Wolf of Wall Street (2013)

Watched:  09/02/2026

Format:  Started on Hulu on August 30th, they dropped it and Apple+ picked it up

Viewing:  Second

Director;  Scorsese

I saw The Wolf of Wall Street (2013) once before in the theater, and wanted to watch it again, but it's three hours.  And I figured Jamie would want to see it eventually, and at three hours, I was limiting how often I'd invest in watching the flick.  

Plus, when I remember particularly liking a movie, I am not a person who watches it over and over - if the movie gave me something to chew on.  I save those for occasional viewings when I can really take them in.  I did not mean to give it 13 years between viewings.  Whoops.  But here we are.

These days, Wolf of Wall Street is mostly known as the source of a wide range of GIFs and memes.  Star Leonardo DiCaprio plays the real-life role of former stock hustler Jordan Belfort full-tilt, and screen grabs of some of his scenes are just plastered everywhere. If it's DiCaprio and he's not Gatsby, this is probably the movie that GIF came from.

This is one of those movies where I can see how it might have made some people unhappy.  But overall, the critical consensus was strong and I guess this did get some Oscar noms (or so Jamie told me).  It's a movie that is very loud about what it's saying, and still manages to never say it directly, and in that, I recall at the time of the movie's release people were being willfully obtuse, clutching pearls at the content of the film.

Colonialism Watch: Outpost in Morocco (1949)

Watched:  08/30/2026

Format:  TCM on DVR from Marie Windsor day

Viewing:  First

Director:  Robert Florey

Outpost in Morocco (1949) was part of Marie Windsor day on TCM's Summer Under the Stars.  She's not the lead, that's George Raft, but she plays a Moroccan princess for all intents and purposes.  

Look, I'm utterly ignorant when it comes to Morocco aside from being able to find it on a map (I double-checked, and I was right!  Thanks, Casablanca for leaving that tidbit in my head!).  I don't know its history, and I don't know the culture.   

I am aware of the French Foreign Legion, its kind of wild history and reputation for taking in folks at the end of their rope.  In this story, Raft plays a Captain who is supposedly awesome at his job when he isn't out romancing the ladies.  He's sent to an outpost to deliver Windsor to her father, who is a regional leader.  Windsor goes to France every year for six months and has been summoned home early.  

Product Liability Law Watch: Coyote vs. Acme (2026)

Watched:  08/30/2026

Format:  Regal Cinemas

Viewing:  First

Director:  Dave Green

First:  yes, this is the *completed* movie Warner Bros. was going to just shelve for a tax write-off and then sold to Ketchup Entertainment when word got out and the PR around the move became quite bad.  Yes, I have thought the people who currently own Warner Bros. are absolute chuckle-@#$%s and why having MBAs run your entertainment companies all but guarantees the worst results.

Second:  I almost took a pass on writing this post as, at its heart, Coyote vs. Acme (2026) is a product liability law movie.  And our good pal, JimD, is an actual product liability attorney with a rich history of doing his own blogging.  And I was going to make him go see the movie and write up a post, but assigning homework to friends does not seem like a good way to maintain a pal-ship.

Tim Curry Watch: It (1990)

Watched:  08/29/2026

Format:  HBOmax

Viewing:  First

Director:  Tommy Lee Wallace

It (1990) has long loomed large over the world of horror media.  The book was a big deal, but I never read it.  Honestly, I'm unsure I've read any Stephen King since middle school and the book of It was 1000+ pages, and thusly avoided.  When the TV movie of It showed in November of 1990, I completely missed it.  No idea what I was doing, but I know what would have been happening that Fall, and my eye and interests were elsewhere.

Since, I have not seen the movie as the 3-hour run-time has been a bit of a deterrent.  Still, that's much shorter than taking in two movies as the new version of It was released into cinemas in the 2010's. 

But with this week's passing of Tim Curry, I figured now was the time to finally see the movie.  

SPOILERS

Peter Cullen Merges With The Infinite

Voice actor Peter Cullen, who voiced dozens of characters, from the Predator to Eeyore to Venger on Dungeons & Dragons has passed.

Most famously, Cullen provided the voice of Optimus Prime, the leader of the Autobots in the now mega-franchise Transformers cartoons and movies, based on the popular toys.  So indelible was his voice, when they went to make a big-budget movie, they just hired Cullen again, knowing we'd all find someone else voicing the character distracting and wrong.

And that was absolutely the right choice.

Pretty nice to play a world famous action hero and not spend half your day in the gym.

For the record, I only have two Transformers toys in my collection at this point, and the other one is Soundwave (with some associated cassettes).  It will not shock you I am a big fan of a tank of a hero colored in red and blue and Optimus retains a place of honor, and Cullen was no small part of why he was a favorite.

Marxist Watch: A Day at the Races (1937)

Watched:  08/26/2026

Format:  TCM on DVR

Viewing:  First?

Director:  Sam Wood

I know I've previously seen the back half of A Day at the Races (1937), but I'd not seen it all the way through, I guess.

This one takes the Marx Bros. back to Florida where Chico is working for a Sanitarium that is struggling , but hoping for investment from their wealthy patient, Margaret Dumont.  Maureen O'Sullivan has inherited the sanitarium and her boyfriend, a singer, buys a race horse to try to win money to save the place for her.  Groucho plays a veterinarian who Dumont thinks is her doctor, and he comes to the sanitarium.  Harpo, a jockey.

This one felt a little slow to get started, but then had some amazing stuff.  They really understood every scene is funnier if a horse runs through before the end.

Tim Curry Merges With the Infinite

Actor of stage and screen, Tim Curry, has passed.  

Curry had been ailing for some time, having experienced a stroke in 2012.  

For the last fifty years, Curry has built generations of fans with diverse roles from The Rocky Horror Picture Show to The Hunt for Red October to Muppet Treasure Island to Clue.   I think I first saw him as Rooster in Annie, when it was in theaters back in the day.  And I very much enjoyed him in movies like The Shadow and The Three Musketeers and plenty of others.  

He has an insane IMDB listing as he was not shy about taking voice work (I really didn't know til now how many voices he'd done).  He may have also been in a few less than amazing movies, and respect.  The man was working.  He was also acting on a whole different level than everyone else in the small indie movie The Scoundrel's Wife I watched last year.

If social media tells me anything, there's some key roles here that people really remember, and that's pretty great.  The man was beloved, and I think he knew it.  I hope so.

Windsor Pirate Watch: Hurricane Island (1951)

Watched:  08/25/2026

Format:  TCM on DVR

Viewing:  First

Director:  Lew Landers

So, it's entirely possible that the end of Indiana Jones and the Last Crusade was somewhat inspired by this B-movie, Hurricane Island (1951).  I'm not saying it is, directly, or there aren't substantial differences, but....

I'm also not sure watching a movie just because it has Marie Windsor in it is wrong, but..!  It was Marie Windsor day on Summer Under the Stars on TCM. This one is also a pirate movie, and, in theory, is based on one or two real historical figures.  Well, it has Ponce de Leon, which is kind of exciting.

Theoretically, this is about Ponce de Leon's search for the Fountain of Youth.  But in this movie, it's about a wounded Ponce outsourcing his adventuring to a husky Captain Montalvo (John Hall) who de facto leads the expedition into the island of Florida (it's like 1513, and I don't think they know dick all about the actual Florida coastline yet).  

Dolly Parton Merges With The Infinite

The great Dolly Parton, musician, storyteller, philanthropist, entrepreneur, amusement park mogul, and one of the best of us, has passed at the age of 80.

If you've never heard it, I highly recommend the podcast Dolly Parton's America from RadioLab on NPR.

I grew up in the 1980's when Dolly - through radio play, TV and her hit movies Best Little Whorehouse in Texas and 9-to-5 - became a household name.  In short, I cannot remember a world before I knew who she was.  I even saw her in November of 1985 .sitting in the rafters of the Erwin Center, in a co-headlining tour with Kenny Rogers (Sawyer Brown was supporting). 

As I became a teen, country music was *the enemy* for a good patch, as I think a lot of us shut it down who live below the Mason-Dixon line as we build our little lines between us and them.  So it was not until after college that I finally clicked to who Dolly was as a musician.  It came, really, with the release of Little Sparrow - pretty late for me as it was her 38th album.  I believe I bought Emmylou Harris's Red Dirt Girl the same landmark day (unaware of the Trio effort with Linda Ronstadt until Nathan C showed me the way a few years back).

Friday Watch: Fantastic Four - First Steps (2025)

Watched:  08/21/2026

Format:  Disney+

Viewing:  Fourth?

Director:  Matt Shakman

First - I am no longer discussing Marvel movies as *movies*.  It's ludicrous to do so.  No one has tried and achieved everything Marvel Studios has done, and to pretend any of what is happening in any single movie is not part of a greater whole is untruthful.  If your problem is that a Marvel movie is tied to other Marvel movies and TV shows, the door is that way. 

We already talked about this movie twice before when I saw it in the theater (twice) and then when my dad came over to keep an eye on me after I had a big screw put in my foot (on purpose) and was recuperating/ hopped-up on goofballs.

But with Doomsday coming, I'd been thinking about the movie a great deal.  After all, Victor was conspicuously absent in this Fantastic Four movie, but it sure seemed to point to where things are going as the FF are all over one of the trailers.

HEAVY SPOILERS AND POINTLESS SPECULATION BELOW

Marxist Watch: The Cocoanuts (1929)

Watched:  08/19/2026

Format:  TCM on DVR hosted by Eddie Muller

Viewing:  First

Director:  Robert Florey and Joseph Stantley

Apparently the first-ish Marx Bros. movie, The Cocoanuts (1929) is also an early talkie.  So, yeah, someone said "we're adding sound!" and someone said "What people need is to keep up with Groucho and then have Harpo say nothing.  Ever."

The movie is more interesting than laugh out loud funny - but it sure feels like a draft of what was to come and what would work for the Marx Bros. for years to come.  Playing scrappy underdogs not above some lightly criminal doings, but with hearts of gold, the Marx Bros. are dropped into a scenario where Groucho plays someone who has fallen backwards into legitimacy, while Chico and Zeppo show up on the scene to see what they can shake loose, moneywise, from a collection of wealthy people.

Unstuck Watch: Slaughterhouse-Five (1972)

Watched:  06/16/2026

Format:  TCM - first ever showing on the network

Viewing:  First

Director:  George Roy Hill

It's been many years since I read Slaughterhouse-Five, or the Children's Crusade: a Duty Dance with Death. So long ago that all I can say for certain is that it was post-2000 and probably before this blog was founded.  I was just old enough reading it to know my WWII history and a bit embarrassed I'd not read it earlier in life.

But Vonnegut is, hopefully, something that works for you no matter your age.

As it's been a while since I read the book, I won't spend energy comparing and contrasting.  Instead, I'll just suggest watching the movie Slaughterhouse-Five (1972) sometime if you've already read the novel.  If jumping straight to the movie, it also can't hurt to pre-load your knowledge of the last year of World War II in Europe, to get what audiences in 1972 would have likely known just through cultural osmosis.  Things like "oh... Dresden" may not mean as much to some folks here in 2026 and all that you would know is coming.

I won't get into whether what Billy experiences is real or not.  Y'all can make your own decisions and I don't think the answer is that easy.

Ghost Watch: The Ghost and Mrs. Muir (1947)

Watched: 08/16/2026

Format:  TCM on DVR (Alicia Malone hosting)

Viewing:  First

Director:  Joseph L. Mankiewicz

Considered a bona fide classic, I knew the basics of The Ghost and Mrs. Muir (1947), but had never managed to get around to the film.  I had no predictions going in - just knew it was a romantic comedy about a widow who moves into a house haunted by the ghost of a former sea captain played by Rex Harrison.

I'm not sure how *funny* this movie is.  It's *charming* and there's humor, but it's more of what Alicia Malone, hosting with TCM, rightfully included into the now very popular genre of Supernatural Romance.  

Gene Tierney plays a widow (Mrs. Lucy Muir) and mother to a young Natalie Wood.  She has some income from her husband's holdings in a gold mine, and so chooses to leave her in-law's house in London to move to the sea-side and live a new life - pushing against turn-of-the-century decorum.