HalloWatch: The Vampire Lovers (1970)

quite the photoshop collage here

Watched:  10/23/2023

Format:  FreeVee on Amazon

Viewing:  3rd or 4th

Director:  Roy Ward Baker

In the wake of the opulence and spectacle of watching the 1992 Dracula adaptation, I threw on the 1970 Hammer horror film, The Vampire Lovers, a movie I'm pretty sure I'm on the record as a fan.  That impression held up on a re-viewing of the movie.  

During this period, Hammer was sorting out what to do as Lee was increasingly (and famously) less interested in playing Dracula, and so they sought to expand their vampire offerings beyond the Count and his shenanigans.  Thus, they went to the novel that preceded Dracula, and from which Stoker (ahem) borrowed from.  

If you're looking for the book that mixes up vampirism, sex and romance, this is the one, and it often feels like the romantic angles ascribed to Dracula was an interpretation of how this book, and therefore movie, take on a vampire's relationship with their prey.  In this case, rather than an exotic Count from a mysterious kingdom, it's a fellow young woman who is deposited at the doorstep of a family with a young woman of similar age.  Who precedes to die.

Shortly after, the same young woman, calling herself Carmilla, appears at another house (left by a woman of breeding and elegance) with a similarly aged young woman, and we see how the relationship between the two blossom, even as villagers start getting picked off.

If Brides of Dracula is any indication, Hammer had long ago figured out the formula for inserting a clutch of attractive women in their films and teaming them with baffled middle-aged men and Peter Cushing.  

This was one of a handful of starring movie roles for Ingrid Pitt, who is 30+ here if she's a day, playing 19.  Full disclosure, we're Ingrid Pitt stans here at The Signal Watch, and we think she's just super.  Madeline Smith, just at the start of her career, is terrific, and we'd be happy to see more films with Kate O'Mara.  As always, Cushing is a force of nature in the film.

Anyway, with all the "romance" of vampires stuff, Vampire Lovers manages to find the balance between eroticism and the actual devilish nature of the characters.  Part of Carmilla's curse is that she does seem to form a bond with her victims - if not love, then dependence, and she's damned to take their lives, one after another.  

The only other film I can think of that seems to touch on this concept in its way is The Hunger, which blows that concept out, making it a genuine romance.  Until it isn't.  And walks through what the relationship actually is via Sarandon and Deneuve.  

There's still straight up vampire stuff in this film, from Carmilla wandering the woods like an apparition, to garlic being generally unwelcome, to beheadings.  All solid stuff.  

Hallo-Watch: Twins of Evil (1971)

Watched:  10/07/2023

Format:  BluRay

Viewing:  Second

Director:  John Hough

I had watched and even blogged Twins of Evil (1971) previously, but I really didn't remember it  It happens (I sometimes have a cocktail when watching a film).  I didn't even recall it starred Peter Cushing.

But star Peter Cushing it does!  He plays a religious zealot who has formed a posse of like-minded puritans who are taking the fact that there seems to be a vampire on the loose to ride around, finding attractive young Hammer ladies, and then burn them at the stake, suspecting them of being a witch or vampire without ever actually checking.  You know, they just feel it in their gut that this girl who is doing something as shady as walking home is clearly in league with Satan (we get Judy Matheson in a pivotal role here illustrating the problem).  

This movie is part of Hammer's parallel-to-Dracula vampire series, the Karnstein Trilogy.  The series starts with The Vampire Lovers (one of my personal favorite horror films), is followed by Lust for a Vampire (which I recently rewatched and found I loved it on a second viewing), and now we land here, with Twins of Evil.   

Hammer Horror Halloween Watch: Lust for a Vampire (1971)

Watched:  10/30/2022

Format:  Amazon Streaming

Viewing:  Second

Director:  Jimmy Sangster

So, way back when I was first getting familiar with Hammer, I watched Lust For a Vampire (1971), and wound up with one of those absolutely wild experiences you get once in a while on the internet.  Admittedly, I'd not *really* been watching the movie - I was online and just watching the movie with one eye and I dashed off a jokey, jerky write-up.  But I was so much not paying attention that I mistook a completely different actor for Christopher Lee, which should tell you how much I was *not* watching.  

Within 24 hours, actor Judy Jarvis (nee Matheson) - who plays Amanda McBride in the film - spotted the review and *rightfully* called me out.  My review was stupid.  I'm lazy.  It happens.  But it was also a reminder that I should actually pay attention to a movie and give it a fair shake if I'm going to criticize the film as a viewer.  And real people do work on these films.

I promised Judy Jarvis I would rewatch the film, but, honestly, that's a *lot* of pressure.  Now I didn't want to embarrass myself if Judy Jarvis was still patrolling the internet, and I absolutely wanted to give the movie a fair shake this time.

Suffice to say, I am now more familiar with Hammer, what was going on in 1970's British film, and know how to watch these movies from a better perspective.  I've read Carmilla and become more aware of what Hammer was doing with the Karnsteins (a family of vampires they employed as Dracula wound down and based on the novel Carmilla).

I am not just saying this:  I loved the movie this time.  

Hammer Watch: Blood From the Mummy's Tomb (1971)

Watched:  10/26/2022

Format:  AFS Cinema

Viewing: First

Director:  Seth Holt/ Michael Carreras

Well.  This was 40 minutes of movie stretched out over 96 minutes.  

I'll defend the last 30 or so minutes of Blood From the Mummy's Tomb (1971), but the first hour of the film is weirdly plodding for a Hammer, with long stretches of the movie that feel like filler to hit an unnecessarily long run time.  This whole thing could have been 70 minutes and lost nothing.  

Example:  We see 85% of the moments leading up to an Egyptologist's demise and can infer he dies off-frame.  It's not great, but a workman-like scene.  We then then watch Our Hero look for the guy for what has to be a full 2 minutes of screen time, retracing the path we just saw just seconds before.  Look -  all we needed was Our Hero walking up on the dead body and showing his horror and revulsion.  That's like 10-15 seconds, easy-peasy.  

So, yeah, it's a weird movie and falls in a lot of traps I usually associate with indie-schlocky levels of movie-making where there's pressure to reach a minimum runtime and no one working on the movie understands pacing or narrative economy.  This is a movie made by actual professionals from a real studio.  It's weird.  When you see the slow-moving dad, partially paralyzed from mummy-attack, realize his daughter on the 3rd floor is in danger and he rushes to help her from the basement, I let out an audible groan.  We're going to see a lot of awkward stair climbing.  

What the film does have going for it is Valerie Leon, but YMMV here.  She's not an amazing actor, but she ably fills the role of Hammer lead.  

Valerie Leon takes a hard look at herself

Stylistically, the film has one foot in modern 1971 and another in pre-WWII movies of mummies and even archaeology.  But throws in odd bits like Our Hero's car is an MG TA from the 1930's, I believe, while keeping the wardrobe for the young leads hip and modern.  

The plot, based upon a Bram Stoker horror novel with which I am unfamiliar, does inform how we wound up with so much reincarnation jazz in mummy films starting with Karloff.  On the very moment of discovery of a sarcophagus containing a perfectly preserved Egyptian queen/ priestess, an archaeologist's daughter is born and his wife dies in childbirth in London.  As she approaches her birthday (they never say which one...) it seems the daughter, who exactly resembles the "mummy", is becoming possessed by her. 

The movie becomes a plodding "gotta catch 'em all" of the artifacts of the queen, scattered across London in the homes of the archaeologist's team - who don't stay in touch.  Why no one destroyed the artifacts is never stated.  Or why they didn't, like, put the in a vault or mail them to relatives or basically do anything to actually stop this... never comes up.  

There's also a Dr. Pretorious-type imported from Bride of Frankenstein in James Villiers' Corbeck.  It's such an obvious swipe, it's kind of adorable.  And aside from Leon's wardrobe, the best part of the film.

I suspect Hammer probably knew this movie wasn't great, but they had also hired a down-on-his-luck Seth Holt to direct, and the guy died ON SET the last week of filming.  They soldiered on and made a movie, but - man.  This is not good.  It's not even "fine".  It's just mind-numbingly dull for vast stretches and it absolutely didn't have to be.  There's plenty to talk about vis-a-vis how it relates to modern mummy films, old mummy films, the Hammer canon, etc...  but I can't do it.  

Hammer Watch: Brides of Dracula (1960)

Watched:  04/11/2022

Format:  BluRay!

Viewing:  Second? 

Decade:  1960's

Director:  Terence Fisher 

It's my b-day tomorrow, and for my b-day, Dug and K sent me a couple of Hammer blurays I'd not picked up, and... I'm very excited.  Lots of extra features and whatnot and excellent picture quality. 

I wrote this one up in late 2020, so I'm not inclined to say a ton more.   I suppose this time it really struck me how much this movie seems to play with the idea of gothic romance novels, of the young woman entering a castle and uncovering a mystery - but in this case rather than a wrongly imprisoned prince or lord, she accidentally frees a Dracula.  It's kind of clever.

This is also a movie where we see Van Helsing continue on his arc as a bad-ass, fist-fighting Draculas and applying his anti-vampirism plan to himself.  It's crazy.  

I will also continue to contend that Andree Melly was very cute as a vampire.

Hammer Watch: The Scars of Dracula (1970)

Watched:  10/28/2021

Format:  YouTubeTV

Viewing:  First

Decade:  1970's

Director:  Roy Ward Baker

Christopher Lee played Dracula 10 times on film, 7 times for Hammer, this being the 5th outing for Hammer.  This Dracula film is one of 9 movies Christopher Lee starred in during the year 1970, when he was still sort of doing lines as Drac, and not just standing there or growling.  

Anyway, the man was supernaturally prolific.  

Hammer-Ween Watch: The Curse of the Mummy's Tomb (1964)

Watched:  10/09/2021

Format:  BluRay

Viewing:  First

Decade:  1960's

Director:  Michael Carreras

Hammer Horror!  That eventually gets scary!  If you really wait.

This first Mummy movie from Hammer is awesome, and so I figured even a xerox of a xerox would be fine.  And, it is.  

Mummy is dug up, Egyptians are actually okay with it  - sort of - except for killing the one British guy.  But then a big, dumb American showman (Fred Clark, who was in *everything* for like 20 years) decides that instead of taking it to the British Museum, they should take it on the road.  

Anyway, there's a whole lot of plot, and the leading lady seems like she's written by someone who really had some trouble with their last girlfriend, taking the usual 1960's Hammer misogyny to cool new levels.  The reason the Mummy shows up and the motivation of those bringing him back is all-new.  But we do get some decent Mummy-Terminator action.

For once, the Egyptians are given the benefit of the doubt - they're not the ones setting things in motion - at least not the official Egyptian government.  They're not thrilled Fred Clark is going to tour their dead pharaoh around Wisconsin, but aside from that...  

Anyhoo.  It's fine.  It's not my favorite, but it was a fun Hammer watch.

Halloween Hammer Watch: The Gorgon (1964)

Watched:  10/02/2021

Format:  BluRay

Viewing:  First

Decade:  1960's

Director:  Terence Fisher

This particular film seems to get a lot of mentions as part of the non-Universal-remake horror output of Hammer Studios.  It's part of a 30-film set Jamie got me last Christmas that we haven't spent much time with - but Halloween seems like a fine time to do so.  

I was deeply curious what something as complicated as a Gorgon might look like on a Hammer budget, and now I know.  And now you know:

if you're trying to place it, it's "Mrs. Roper with snakes".  You're welcome.

Hammer Watch: Dracula A.D. 1972

Watched:  10/28/2020
Format:  BluRay

Viewing:  Second

Decade:  1970's

Director:  Alan Gibson

So, we skipped a Dracula movie in there because we read it was super not good, and Jamie's been watching these with me, and I'm trying not to make her hate this.  I have a weird fondness for this very not good movie, which I'd seen before and picked up on discount on BluRay.  But, you know, from a critical standpoint, and through the eyes of 2020, it's hard to say Dracula A.D. 1972 aged particularly well.  

Hammer Watch: Taste the Blood of Dracula (1970)

Watched:  10/24/2020
Format:  Amazon Streaming
Viewing:  First
Decade:  1970's
Director:   Peter Sasdy

I actually liked this Dracula a bit more than I expected.  We're hitting 1970 by this time, Hammer was loosening up, and the characters feel a bit more three-dimensional around Dracula - which is welcome what with the lack of Peter Cushing.  

Taste the Blood of Dracula (1970) picks up during the events of the prior Dracula film, with Dracula impaled on a golden cross.  A wayward English traveler comes upon the scene at that very moment, and, being an enterprising fellow, collects Dracula's cape, his clasp and his ring after the count is "dead".  As well as putting some of his blood in a vial.

Hammer Watch: Frankenstein Must Be Destroyed (1968)

Watched:  10/22/2020

Format:  TCM on DVR

Viewing:  First

Decade:  1960's

Director:  Terence Fisher

I've watched the few Frankenstein movies from Hammer that I've seen completely out of order.  And this is no exception.  I think this is the second to last movie, but, really, do not know.

Completely spinning the opposite direction from Universal, Hammer decided the selling point for their Frankenstein films was not the monster, but the good doctor himself.  Building on the arrogant sonuvabitch from the novel, this version of Frankenstein is NOT humbled by his first creation, but emboldened by his success, and so the subsequent films are him doing what all good scientists would do - keep working on it.  

Hammer Watch: The Vampire Lovers (1970)

 

Watched:  10/21/2020
Format:  BluRay
Viewing:  Third
Decade:  1970's
Director:  Roy Ward Baker

A few years ago I included The Vampire Lovers (1970) in my list of one of the best movies I'd watched that year, but I don't think I'd actually watched it again since.  Maybe in bits on cable, but this year I've been saving another rewatch for Halloween-season.   The last few Octobers were obnoxiously busy times for me (in no small part because of baseball, but the Cubs were very bad this year).  But, last year I squeezed in a listen to the audiobook of the source material, the novella Carmilla.  (I should mention, the novella predates Dracula by about 15 years).

PODCAST: "The Mummy" (1932) and "The Mummy" (1959) - Universal and Hammer Horror for Halloween 2020! w/ SimonUK and Ryan

 

Watched:  10/10/2020 and 10/13/2020

Format:  BluRay and Amazon Streaming

Viewing:  Unknown (a lot) and Third

Decade:  1930's and 1950's

Director:  Karl Freund and Terence Fisher

For more ways to listen!

We get wrapped up in some positively ancient horror favorites; two takes on the ancient dudes coming back and causing a lot of problems for colonial pillagers of ancient burial sites! First up is the weirdly undiscussed 1932 Universal feature starring Boris Karloff as a former clergyman who would do anything for love, then we talk the 1959 version starring Christopher Lee in a similar role - but this time opposite Peter Cushing. We'll walk a Nile in their shoes as we dig deep and discuss two horror classics!

 

The Signal Watch PodCast · 124: "The Mummy" (1932) & (1959) - Halloween 2020 w/ SimonUK & Ryan

Music: 

The Mummy Opening Titles - Franz Reizenstein, The Mummy OST

King Tut - Steve Martin, 45rpm edition

Halloween 2020 Playlist

The Signal Watch PodCast · Halloween 2020 - Universal and Hammer Horror

Halloween and Horror (everything)

The Signal Watch PodCast · Halloween and Horror

PODCAST: "Phantom of the Opera" (1925) and (1962) - Universal and Hammer Studios! - Halloween 2020 w/ SimonUK and Ryan

Watched:  October 4 ('25) October 6 ('62) 2020

Format:  BluRay (Kino Lorber) and Amazon Streaming

Viewing:  1000th and First

Decade:  1920's and 1960's

Director:  Rupert Julian and Terence Fisher

For more ways to listen

SimonUK and Ryan cannot remain silent on the topic of that wacky phantom what lurks beneath the opera! We take a look at two of the many film appearances where a creepy music teacher stalks and abducts his pupil while making the most of a poor real estate situation and skin condition. We take a look at the 1925 film from Universal as well as the 1962 take from Hammer, and, boy howdy, are these two different films. 

 

The Signal Watch PodCast · 123: "The Phantom Of The Opera" 1925 and 1962 - Universal & Hammer Halloween 2020 w/ SimonUK & Ryan

Music:

Toccata and Fugue in D Minor - JS Bach (unknown performer)

Don Juan Triumphant?   I'm not sure, honestly

Halloween 2020

The Signal Watch PodCast · Halloween 2020 - Universal and Hammer Horror

Halloween and Horror (everything at The Signal Watch)

The Signal Watch PodCast · Halloween and Horror

Hammer Watch: Dracula - Prince of Darkness (1966)

 

Watched:  10/09/2020
Format:  DVD
Viewing:  Second
Decade:  1960's
Director:  Terence Fisher

This Halloween, we're making our way through the Dracula films from Hammer Studios.  This is the second appearance of Christopher Lee as Drac and the third in the series (the second film, Brides of, dealt with a sort of faux-Dracula making like Drac and building up his own creepy harem).  

Dracula: Prince of Darkness (1966) sees a pair of English brothers and their wives touring around Eastern Europe when they decide, against the advice of everyone, to head to a town near Dracula's castle.  They're met by a cleric who is VERY against the idea of going anywhere near the castle (which isn't on the map, and so they believe must not exist, despite the assurance it does).  Being British, which in this movie means everyone who is not a British male of a certain standing must be wrong about everything, the tourists head right for the path the cleric warned against, and, hey, get dropped off right in front of Dracula's castle by a coachman who is NOT putting up with these dummies.

Helen, one of the wives, is a bit of a pill, but she is 100% right about everything and no one listens to her, which is why you want to not be a pill about everything.  The foursome come across a random DRIVERLESS CARRIAGE, and GET IN, thinking they'll take it to town - I suppose because these men think a free carriage for the taking is a reasonable touch befitting their place and not at all weird -  until the horses ignore their directions and dump them the crew in front of the castle.

A Lurch-like minion welcomes the quartet and sets them up comfortably.

Turns out, Drac is still "destroyed", but like Sea Monkeys and tap-water, he can be brought to life if you add blood to his ashes.  So, our minion, Clove, goes about making that happen.

Like Horror of Dracula, the scale of the Dracula story here is rather small.  The travelers are a small party, Dracula only ever really seems to threaten them (for all the talk about the force he is), and a lot of the movie depends on people - in classic horror tradition - making bad choices.  Which, before 2020, seemed like a contrivance, but, well...  While I very much liked Father Sandor, played by Andrew Kier - I became a fan of Helen (Barbara Shelley) who is the only one with any common sense and who gets to let her hair down as a vampire (even if Dracula is a bully to her).  

Lee doesn't have any actual dialog in the film, and there are two accounts of how that happened.  The screenwriter claims he didn't give the titular character any, and Lee says he refused to say any of the dumb dialog as it was written.  I have no idea, but I tend to believe Lee.  So it's weird to have your villain just sort of growling and hissing at people when he also seems to care a lot about his appearance (I mean, he always looks neat as a pin). 

As promised, we're paying attention to the role of Christianity in these films, and it's hard to ignore the role of Father Sandor and his pals in the monastery.   A monastery that's surprisingly cross and crucifix free.  But it does show the readiness of the literate clergyman to combat evil in physical form, and, yes, there's ample deployment of the cross as a deterrent.  It's NOT clear why the church hasn't just set the castle ablaze, which seems to the prudent move when you have the King of the Undead a carriage ride away*, but we at least get Father Sandor laying the smack down.  

I'm making fun, but I liked the movie a pretty good deal.  It's not amazing cinema, but it is a sensible follow on to Horror of Dracula and manages some genuine thrills, if not chills.  

*I'm not one to call for murder, but it doesn't count when your target is an unholy monstrosity bent upon the devastation of human life, yo

PODCAST: "The Wolfman" (1941) and "Curse of the Werewolf" (1961) - Universal/ Hammer Halloween 2020 w/ SimonUK and Ryan

 
Watched:  Wolf Man 09/26/2020  Curse of 09/27/2020
Format:  BluRay/ Amazon Streaming
Viewing:  Unknown/ Second
Decade:  1940's/ 1960's
Director:  George Waggner / Terence Fisher

For more ways to listen

Things get hairy as SimonUK and Ryan take a look at two movies where a fellow is really not feeling himself. We look at the classic Universal take on werewolves and the lesser known entry from Hammer (Spanish werewolves!), which are wildly different in some ways, but really agree on the "sorry, you're doomed" angle when it comes to curses that turn one into a ravening beast who still politely wears trousers. 

 

The Signal Watch PodCast · 122: "The Wolf Man" (1941) "Curse of the Werewolf" (1961) Halloween 2020 w/ SimonUK & Ryan

Music:

Wolf Man Main Theme - Charles Previn

Curse of the Werewolf Theme - Benjamin Frankel

 

Halloween 2020

The Signal Watch PodCast · Halloween 2020 - Universal and Hammer Horror

Horror and Halloween

The Signal Watch PodCast · Halloween and Horror

Hammer Watch: The Brides of Dracula (1960)

 

Watched:  10/04/2020
Format:  Amazon Streaming
Viewing:  First
Decade:  1960
Director:  Terence Fisher

I'd not paid much attention to the non-Christopher Lee movies from Hammer that pitched themselves as Dracula, but decided this Halloween I'm going to watch all of the Draculas from the studio in order.  So, next up from Horror of Dracula is the 1960 entry, The Brides of Dracula.  

A prologue lets us know that the film takes place in proximity to the death of Dracula in the prior film.  The opening follows the journey of a young Parisian woman headed to teach French in a school in Transylvania.  She is held over at an inn (unknown to her, intentionally so) where she meets a wealthy Baroness who takes her to her castle.