Showing posts with label 1950's. Show all posts
Showing posts with label 1950's. Show all posts

Monday, December 3, 2018

Noir Watch: The Killing (1956)


Watched:  12/02/2018
Viewing:  Unknown.  6th?
Format:  Noir Alley on TCM on DVR
Decade:  1950's

First of all, "The Killing" that occurs in this movie is not an assassination.  It could refer to about five or ten different things, and I suppose that's intentional.  I'd start with "they're gonna make a killing on this heist", but, of course, this is a 1950's-era heist movie, so you know it's not ending in sunshine and flowers.

The Killing (1956) sits on a curious edge when it comes to crime dramas/ noir.  Marking maverick, young filmmaker Stanley Kubrick's first foray into studio-backed cinema, the movie feels part and parcel of the noir movement with a structure and an ending not atypical for a dime-store crime novel, retaining those rough edges that some noir eschewed.  As much as I like The Asphalt Jungle and Rafifi - likely The Killing had more impact and reflects more of where the heist genre would go - especially in American cinema (at least marginally).

Thursday, November 29, 2018

Signal Watch Reads: All the Answers (Kupperman, 2018)



I started reading All the Answers (2018) a couple of weeks ago, got ten pages in and realized that I wouldn't have time to read it cover to cover in one sitting, the way one generally wants to watch a film, and so I put away the book and picked it up again when I had uninterrupted time.

Written, researched, drawn and lived by Michael Kupperman, a cartoonist and artist I've followed for well over ten years at this point, the book is more than a minor pivot from a particular brand of humor comic that I would fail to capture here if I tried (and what is explaining a joke, anyway?) - this is also a biographical and autobiographical graphic novel.  I believe Snake n' Bacon strips were my entree into Kupperman's work, followed by Tales Designed to Thrizzle - something that should be a staple in any comics-studies course.  And, of course, Mark Twain's Autobiography, 1910-2010.

Tuesday, November 13, 2018

Noir Watch: Pickup on South Street (1953) w/ special guest to Austin, Karina Longworth


Watched:  11/13/2018
Format:  Alamo Ritz hosted screening
Viewing:  second
Decade:  1950's

This evening Karina Longworth, host of the much-discussed You Must Remember This podcast, came to Austin for a book signing and screening.  Longworth has a new book available, Seduction: Sex, Lies and Stardom in Howard Hughes's Hollywood, which she's promoting.   If she's coming to your town, stop on by and see her and pick up the book.

For the film selection, Longworth and the Alamo programmed Pickup on South Street (1953), which starred Jean Peters, one of the main figures in Longworth's book.  The film also stars noir star  Richard Widmark and high-quality character actor (and multiple award nominee but never the recipent) Thelma Ritter.

Sunday, November 11, 2018

Noir Watch: He Ran All the Way (1951)



Watched:  11/10/2018
Format:  Noir Alley on TCM on DVR
Viewing:  First
Decade:  1951


I admit - I started watching this movie a while back shortly after it aired on TCM and then got busy and forgot to finish watching it, until now.  And I'm very glad I did.

Wednesday, November 7, 2018

Noir Watch: The Sniper (1952)



Watched:  11/06/2018
Format:  Noir Alley on TCM on DVR
Viewing:  Second
Decade:  1950's

My recollection of the first time I watched The Sniper (1952) was that it was a much, much better picture than I was assuming I was about to watch, and that helped me overcome the fact that while I'd watched the movie to see Marie Windsor, her screentime isn't as much as any of us would like in your average Marie Windsor picture.

Kudos to TCM host Eddie Muller for (a) not shying away from showing the movie, and (b) a nuanced discussion about film violence and how we think about it in regards to real-world violence that will, no doubt, go right past a lot of the hot-take approach to film discussion that crawls past all of us on social media as "film twitter" rushes to fill in their rubrics for "good/ bad". 

Friday, October 26, 2018

Halloween Hammer Watch: The Mummy (1959)


Watched:  10/25/2018
Format:  TCM/ DVR
Viewing:  First
Decade:  1950's

I thought I'd seen this movie before, but I had not.  But, boy howdy, did I like it - weird British Imperialistic dismissal of other cultures and all.  The movie is The Mummy (1959), part of Hammer's slate of Universal Horror remakes from their 50's and 60's boom era.

Sunday, October 21, 2018

PODCAST! HALLOWEEN EDITION! "The Night of the Demon" (1957) and "The Haunting" (1963)


Watched:  Curse of the Demon 09/27/2018 & The Haunting 09/28/2018
Format:  Amazon Streaming/ BluRay
Decade:  1950's and 1960's
Viewing:  Second/ Seventh or so


SimonUK and Ryan wind up their Halloween movie discussions by taking on two movies about scientists (and friends) coming up against the supernatural - is it all in their minds, somehow? OR is it ghosts and demons?!! It's bone-chilling look into what works in two horror classics, and some discussion of stuff in other movies that's just annoying.



Music:

Bride of Frankenstein Theme - Franz Waxman
Blue Ghost Blues - Lonnie Johnson
Science Fiction Double Feature - Rocky Horror Picture Show Soundtrack
Hounds of Love - Kate Bush
Stroker Ace - Charlie Daniels Band
Swan Lake - Act 2: No. 10 Scene - Tchaikovsky


Playlists:

Featured:  Signal Watch Halloween 2018




Get your audio episodes at:

Thursday, September 27, 2018

Noir Watch: Angel Face (1953)


Watched:  09/27/2018
Format:  Noir Alley on TCM/ DVR
Viewing:  Second
Decade: 1950's

Angel Face (1953) is a heck of a film - a dark, twisted noir about honey traps, stepping out on perfectly lovely receptionist girlfriends, cool cars, retaining your Robert Mitchum cool in crazy situations, and maybe not going along to get along.

Friday, August 10, 2018

Friday, June 1, 2018

Musical Watch: An American in Paris (1951)


Watched:  03/26/2018
Viewing:  First
Format:  TCM on DVR
Decade:  1950's

I just found this in my drafts.  Yeah, so back in March I watched An American in Paris (1951).  Never wrote it up, just started the post. 

So I'm not writing one now.  But there's plenty out there on this movie, so...  there you go.

Tuesday, May 29, 2018

Noir Watch: Crime Wave (1953)



Watched:  05/28/2018
Format:  Noir Alley on TCM - DVR
Viewing:  First
Decade 1950's

Sometimes casting can save the day for a fairly standard plot in a movie - it can be a real pleasure to see your favorite actors, character or otherwise, play out the parts in your boilerplate movie.  Other times that same old jazz standard gets a new look, a new interpretations and the execution is enough to make you stand up and applaud.

Sunday, May 20, 2018

Noir City Austin: The Accused (1949) & The Underworld Story (1950)



Watched:  05/19/2018
Viewing:  First/ First
Format:  Noir City Austin at the Alamo Ritz
Decade:  1940's/ 1950's

Both films were shown as part of Noir City Austin, hosted by TCM Noir Alley host, Eddie Muller and presented in 35mm. 

Thursday, May 17, 2018

Noir Watch: Caged (1950)


Watched:  05/15/2018
Format:  Noir Alley on TCM (on DVR)
Viewing:  First
Decade:  1950's

There are probably two ways to watch Caged (1950), either as a camp classic or through the lens of 1950.  JimD taught me several valuable phrases, and in the top three I include "chronological snobbery".   Basically - chronological snobbery is that thing you do when you watch a movie made from a time probably before your birth and nod sagely to yourself saying "oh, thank goodness we figured out how to make better movies, people sure were dumb as both filmmakers and as an audience back then."

Saturday, May 12, 2018

Noir/ Windsor Watch: The Narrow Margin (1952)


Watched:  05/11/2018
Format:  Noir Alley on TCM - DVR
Viewing:  Fourth
Decade:  1950's

Holy smokes I love this movie.

Friday, May 11, 2018

Noir Watch: Armored Car Robbery (1950)



Watched:  05/10/2018
Format:  Amazon Streaming
Viewing:  First
Decade:  1950's

It will surprise you that a movie entitled Armored Car Robbery (1950) is, indeed, about the robbery of an armored car and the fallout of that same robbery.