Sunday, June 16, 2019
One of my earliest memories is being about three, hanging from the inside of the garage door and singing "We Will Rock You" and kicking the garage door to the beat. Who knew a 3 year old would have that kind of appreciation for a Brian May guitar lick?
It's hard to piece together what I knew about Queen and when. It doesn't help that time for kids is so distended, and what were minor hiatuses for the band were epic blocks of time to me back then. I do remember them coming back into my consciousness with "Radio Gaga". I remember a bit of Live Aid on playback (but not live). I remember Freddie passing.
And, of course, anyone around at the time remembers the post-mortem, Wayne's World supported explosion of "Bohemian Rhapsody", a song I can't say I'd heard before.
Saturday, June 15, 2019
format: Noir Alley on TCM
Eddie Muller intro'd this movie by discussing how this film was marketed and considered "a woman's picture", and from what I've gathered about Women's Pictures of the mid-20th Century, I can see why that label got dropped on it. But had he not mentioned this in the opening, I'd have seen this as soft-boiled noir and maybe mentioned women's films in passing. Bear in mind, one of my favorite movies if Mildred Pierce, which one can see as equal parts Women's Picture and Film Noir, so that's not taking a particular stance, it just changes the formula a bit.
Friday, June 14, 2019
Format: TCM on DVR
I've been meaning to watch this movie for decades. Literally. I've even owned a copy of it for a few years, but - let's be honest - unless you're one of the Silent Film buffs, it takes a bit of extra energy and focus to get through a 2-hour silent movie.*
I first stumbled across Louise Brooks just as I exited film school (I believe the doc Looking for Lulu was airing on cable), and back then, finding her work was incredibly difficult. I rented a few films in which she appears as a minor or background character, but the GW Pabst stuff eluded me. The DVD copies you were supposed to be able to get were expensive and of notoriously bad quality. But, the past few years, various groups have been restoring and making available some of that height-of-her-career/ powers material.
Friday, June 7, 2019
Format: Noir Alley on TCM on DVR
I know it seems like I heap praise on every single noir that comes along, but I'm usually trying to find some good in the film or a reason it was included in Eddie Muller's Noir Alley line-up.
Muller himself warned us up front that Dead Reckoning (1947) wasn't going to shake the Earth, and in practice - the movie has a wide variety of components that, if I were to tell you "it stars so-and-so, it has this and that plot element, it has a unique location" you'd be nodding and getting noir-jazzed for the movie. But, in execution... the movie just feels like a lesser picture almost immediately, and it just never manages to catch fire.
Saturday, May 25, 2019
Format: Alamo Mueller
I'm not sure what to say about the John Wick franchise. It is what it is. A celebration of cinematic violence in a world set up specifically to support deeply stylized violence with no sense of consequences (despite what the movie keeps trying to say is the theme, but which, in no way, resonates with anything we're seeing). Essentially a self-playing videogame, the movies are about the glamour of killing, and being unkillable in a world where the only real humans are a few named characters, with a sub-class of nameless henchmen, and then NPC's of the rest of humanity sort of appearing as shapes and colors the assassins can disappear into, but who aren't really there.
Wednesday, May 22, 2019
Format: Amazon streaming
I was about thirteen when this movie hit, and it was one of those movies that arrived that everyone else saw when it came out, but at the time I wasn't that interested in baseball or Susan Sarandon, so I skipped it. Well, life changes things in some amazing ways.
I suppose if there's a marker to say "was this a good movie or not?" I can point to the fact that I put this on as I was about to do something else (edit a podcast) but was fiddling around before settling in, and just put it on to have something on for a few minutes to see what it was like, and the next thing I knew I was finishing the movie.
Tuesday, May 21, 2019
Viewing: Third/ First
Way back in '86, I rented the American version of this film for my birthday. And when I say "American version", it helps to know a bit about the original Godzilla: King of the Monsters from back in the 1950's.
Monday, May 20, 2019
First, I forgot to mention that on Day 2, the TCM Backlot Austin Chapter met up at Noir City and grabbed a picture, and you'll see me awkwardly standing in the back. Thanks to Jane, et al, for organizing.
Next: Upfront, I'll tell you, I only saw two of the four films on Day 3 of Noir City Austin. This is not due to film programming, venue or any of that. I just had stuff I needed to go do as the coming week of work/life is set to be busy one. So, I was able to see the first two films shown on Sunday.
Noir City Austin continued exploring the 1950's, and by the late 1950's, the differences in style of dress, attitude and film-making choices between the first film shown on Friday night from '49 and by the time we hit boom-time/ post-Korea America in '57, a lot has shifted. Hell, men aren't even wearing hats as a required feature.
Sunday, May 19, 2019
Format: Noir City Austin at Alamo Ritz
Long ago I had purchased tickets to see a baseball game in the evening, so I was only scheduled to see two films for Noir City Austin, Day 2.
The theme for 2019 was a follow up on 2018, which was Noir in the 1940's, year-by-year. This 10 film cycle was tracing noir as we left the 1940's and how and why the films changed as we hit the 1950's as cultural issues crept into the films and television competed with the big screen and informed the lives of characters on screen. And, by the mid-to-late 1950's, began influencing how movies were shot so they'd work on the television sets of the era as Hollywood looked to cash in on the secondary income stream.
Thursday, May 16, 2019
I wish I'd disliked this movie enough so that I could have a spoofy title to the post like "Whine Country" to tag onto Wine Country (2019). I guarantee you, some bright-eyed reviewer has used it out there somewhere. After all the film is about a bunch of upper-middle class to upper class women coming together to go through the entirely predictable steps of a "girls weekend"/ reunion film and all of the weirdly specific predictable beats (despite the fact that reunion movies are not my jam) that fall out.
People be having lives that are more complicated than when you're 21 working for minimum wage, y'all.
Friday, May 10, 2019
PODCAST(s)! "Legend of Billie Jean" (1985) and "Pump Up the Volume" (1990) - Teens in Revolt! w/ Maxwell, Marshall and Ryan!
Format: LoBJ - Amazon Streaming, PUtV - DVD
Viewing: LoBJ - First!, PUtV - unknown
Decade: 1980's, 1990s
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*NSFW* Maxwell and Marshall come into the studio to talk TEENS IN REVOLT! It's "The Legend of Billie Jean" (1985) and "Pump the Volume" (1990), two movies where teens grab the airwaves and tap into the spirit of being a teen and find themselves on the wrong side of the law! We take a look at two classic teen movies for our generation and try to decide: what are these kids so dang grumpy about?
Invincible - Pat Benatar, Legend of Billie Jean OST
Rebel Yell - Billy Idol, Legend of Billie Jean OST
Everybody Know - Leonard Cohen, I'm Your Man
Titanium Exposé - Sonic Youth, Goo/ Pump Up the Volume OST
High School Movies
Monday, May 6, 2019
Watched: 05/ 03/2019
Format: Amazon Streaming
I was about five when 9-to-5 (1980) came out, and the theme song by co-star Dolly Parton was everywhere for about a year or two, remaining a staple of radio play to this day. Because the movie dealt with non-space-battle, gorilla or robot related issues, and I think was an R-Rating in the era of G, PG and R, I did not see the movie at the time. I was pretty sure then that it was not a sex romp based mostly on how many people went to see it (it was huge), and just never got around to seeing it as I grew up.
Which is weird - I'm not a giant Jane Fonda fan, but I find Lilly Tomlin brilliant whenever she's on a screen in front of me, and... I mean, Dolly Parton! If you don't love Dolly Parton, I don't want to know you. And Dabney Coleman was a thing back in this era - people loved him (he might have been a great take on J. Jonah Jameson in a 1980's-era Spidey movie if a studio had gotten its ac together. I'm just saying.)
From a purely sociological standpoint, it's fascinating to see a movie about the women of my parents generation who were going through the first phases of a lot of what we deal with today, but based upon the rules of the era where women were housewives, teachers, nurses and... secretaries. And we've all seen the role of secretaries on Mad Men (or should. Sucks to your GoT, give me ad executives drinking on the job).
Thursday, May 2, 2019
Watched: 04/25 & 26/2019
Format: Alamo Slaughter Lane/ South Lamar
Viewing: First/ Second
Jamie and Ryan went to see "Avengers: Endgame" twice in two days. We talk the epic conclusion to the first ten or so years of Marvel Studios, what worked for us, what challenged us, and how it fits in with the world of comics from which it sprang. Don't listen in if you're avoiding spoilers - because we've got plenty.
Portals - Alan Silvestri, "Avengers: Endgame" OST
Tuesday, April 23, 2019
SimonUK brings a charming, home spun sort of tale about (nude) space vampires, not-Michael Caine, a blank Texan astronaut, a London-based Zombie plague, forced kissing on Patrick Stewart and more story than a movie has a right to contain.
Lifeforce Theme - Henry Mancini, Lifeforce OST
Call of the Wild - Henry Mancini, Lifeforce OST
Thursday, April 18, 2019
Format: Alamo Mueller
Stuart's flight was canceled, grounding him in Austin til tomorrow and I was planning to see Hellboy (2019) at 7:20 with SimonUK, so world's collided this evening as SimonUK and Stuart met, sat on either side of me and then both proudly announced their fealty for director Neil Marshall. Truly, these two dudes are two peas in a pod.
So - yeah, I'd heard Hellboy was supposed to be terrible, which is a good place to set your gauge when watching the movie. It both earns the bad reviews and maybe defies them a bit.
Saturday, April 13, 2019
Format: Amazon Streaming
Honestly, if you'd told me 20 years ago that in 2018 there would be so much superhero stuff on TV and at the movies I wouldn't blink to miss a Teen Titans tv show, let alone a movie (and, indeed, that Teen Titans would be a household word), I think you would have blown my 1998 mind.
So, I don't watch Teen Titans Go! 95% because I only have so many hours in a day. When the film of Teen Titans Go! To the Movies (2018) came out, I was busy and just didn't see it, but everyone was telling me it was great, so I picked it up "on-sale" via Amazon Streaming (thanks for the tip, Stuart).
Yeah! It's weird, super fun stuff. Kid safe, but wonderfully absurd for the adults - it's just amazing how the movie works on two different levels in virtually every scene and with every line. When the kids who saw it now return to it in a few years, I think they'll be genuinely surprised at what WB and DC signed off on here - it all feels like one long in-joke for comics fans, paired with the absurdities of comics AND the superhero movie boom, playing as a moral lesson the movie explicitly does not care about (giving us the best/ most honest ending I've seen in a kiddie cartoon in a while).
Anyway - I totally dug it. And cannot believe this gem exists.
Kudos to the Teen Titans Go! voice cast - that is some A+work. And to the celebrity voices who dropped in, like Nic Cage as Superman.
Thursday, April 11, 2019
Format: Noir Alley on TCM on DVR
We've essentially not only just *not* made any progress on how we deal with our border with our Southern neighbor since the release of this film in 1949, but we're now actively and intentionally worse about how all of this works.
Border Incident (1949) follows law enforcement working together from both the Mexican and American governments, seeking not to punish the braceros crossing illegally so much as to stop the exploitation and criminal behavior of the coyotes, who use the undocumented status of their victims to exploit them for terribly low wages, awful living conditions and potentially violent treatment.
Sunday, March 24, 2019
Format: HBO Go
A few years back I recall reading about Theranos, the "disruptive" tech company getting into the ultra-sexy field of phlebotomy. The articles were fawning, talking about a young genius inventor out in Silicon Valley who had dropped out of school to start a tech company that was going to change... something. The article was a little vague on how smaller blood draws were the biggest thing since sliced bread, but it insisted - no, really, this is it, and we all need to get excited about the company, Theranos, and - really - the head of the company, Elizabeth Holmes - a prodigy who apes the fashion sense of Steve Jobs and who dropped out of Stanford as an undergrad to pursue her vision.
I wanted to check my biases on age and gender, shrug a bit at someone cosplaying Steve Jobs, and admit I don't really know much about phlebotoy other than watching a whole lotta blood draws when Jamie has been in the hospital. Which is: a lot.
At the same time...
Sunday, March 17, 2019
Format: Alamo South Lamar
This year marks the 50th Anniversary of the Apollo 11 spaceflight, during which Neil Armstrong, Buzz Aldrin and Michael Collins reached the moon and during which Armstrong and Aldrin became the first humans to ever walk the surface of our satellite.
This evening, JuanD, Jamie and I hit the local cinema to take in the spectacle that is Apollo 11 (2019), and if you can tear yourself away from whatever new shows got dumped on Hulu and Netflix on Friday, I'm going to go ahead and recommend you give this movie a go.
Wednesday, March 13, 2019
Format: Noir Alley on TCM on DVR
You know how sometimes you hear about the premise of a movie and you write the whole thing in your head in about 5 seconds? I mean, I'm often wrong, and I find that really nice, but other times the movie wraps and you say "that is exactly what I thought it was going to be" And even that isn't all bad. But that's more or less why I never bothered seeing this film, and, here we are, and I am reporting out that D.O.A. (1949) was more or less exactly what I expected it was going to be.
A fun ride, yes, and... no - I didn't guess every twist and turn (who could?), but "sounds like a dude running around trying to figure stuff out as he tries to beat the clock" - done in one, mi amigos. What I wasn't anticipating was the weird tone of the film which, alone, kind of makes it worth a peek.