Melodrama Watch: Written on the Wind (1956)

Watched:  07/11/2026

Format:  Criterion

Viewing:  First

Director:  Douglas Sirk

I've been pretty plain that - while I rarely think a Sirk movie is aimed at me - I think he's a good director and makes some interesting films.  He was considered the master of a certain kind of melodramatic "woman's film", and I don't generally mean the term melodrama in the derogatory sense.  They're simply dramas contained to the character's lives, focusing on the emotions they experience.  Rarely do the conflicts that drive the stories have consequence outside of the sphere of the main characters. 

But Written on the Wind (1956) is both the most melodramatic of his films I've seen in the way we mean the term these days.  It is big feelings playing out in a way that feels like an alternate pilot for TV's Dallas as much as anything.  

It is also the horniest of Sirk's movies I've seen thus far - a movie entirely about sex that cannot say the word "sex" and instead relies on cloaked language and imagery as subtle as a 95 mph fastball to the noggin.  For example:  when a certain character is in flagrante delicto at a motel room, in the foreground of the frame, an oil pump is hard at work.  

WWI Watch: Hell's Angels (1930)

Watched:  07/11/2026

Format:  TCM

Viewing:  First

Director:  Howard Hughes

Even back in film school I remember hearing or reading that Howard Hughes' production of Hell's Angels (1930) had been kind of out of control.  It took years to make as Hughes was, ahem, a tad OCD and then The Jazz Singer happened during the already lengthy shoot,  sound suddenly available during the middle of production - of course Hughes wanted in on that.  They had to fire one of their leads - who had a serious Swedish accent - and replace her with Jean Harlow, effectively locking Harlow in as sort of the first blonde bombshell.  I also knew a few people died making the movie - and having watched this thing, I can see how that could have occurred.

What I did not know is that Hell's Angels is actually a very watchable movie and was not really what I was expecting.  

The plot sounds fairly simple on paper - a pair of brothers at Oxford, one a rule-follower and romantic, the other a bit more of a rake and nihilist - find that WWI has broken out.  One brother volunteers for the Royal Flying Corps, and the other is voluntold he's in the RFC.  Meanwhile, their German pal Karl is drafted into the Zeppelin corps.  

Japan Watch: Rental Family (2025)

Watched:  07/05/2026

Format:  Hulu

Viewing:  First

Director:  Hikari

I initially said "no" when Jamie wanted to watch this movie.  

During COVID, I'd watched a lot of travel videos, and one thing I'd seen was Americans learning that, in Japan, you can rent people to role-play out scenarios.  This is an over simplification, but I can rent someone to act as if they were my grandfather - not my specific real life grandfather - but *a* grandfather who is generally nice to me.  A lot of people, of course, rent "girlfriends" - someone to go have dinner with them and ask them about their day.  That sort of thing.  

I am choosing not to pass judgment.  A whole country has normalized this, and while I want to say "hey... Japan?  You okay, buddy?" I also think maybe there's a market for this here.  Better than getting denied on dating apps.

Texas Watch: Paris, Texas (1984)

Watched:  07/04/2026

Format:  Criterion

Viewing:  First

Director:  Wim Wenders

As a forewarning, I really don't have anything new or novel to say about this movie.  It won Cannes in 1984 and is one of those movies that gets discussed *a lot*, I guess.  But I've avoided those discussions because I'd never seen the movie and was fundamentally avoiding spoilers.  

I haven't seen that many Wim Wenders movies, but of what I've seen - I've been a fan.  Paris, Texas (1984) should have been a slam-dunk for me, but I just never got to it until after our mid-day Fourth of July activities ended and before we put on fireworks from New York.  A couple of years ago,  I'd watched the beginning  - just the first 45 minutes of a lengthy runtime as Wenders movies tend to go, and had no idea where it was going.  Which - fair.  

Starring Harry Dean Stanton, Dean Stockwell and Natassja Kinski - it's a movie that reminds you that a deeply compelling movie doesn't need FX, a cut every two seconds, a needle-drop every ten minutes or fifteen subplots.  That's not to say Paris, Texas is representative of movies in 1984 - one of the years that defined the modern movie.  I'm not really sure it points to much more than what was happening in independent film in the 1980's that would inform indie movies for the next fifteen or twenty years.  Character driven, mood driven, and trying to show something about the human condition.

Franken-Watch: The Bride! (2026)

Watched:  07/01/2026

Format:  HBOmax

Viewing;  First

Director:  Maggie Gyllenhaal

Before release, I was really looking forward to the release of The Bride! (2026).  

As many know, one of my favorite movies is The Bride of Frankenstein.  This ranking is followed immediately by Frankenstein, and I tend to think of them as a two-part movie as much as a pair of individual movies.  I still re-read Mary Shelley's Frankenstein from time-to-time. In 2018, I celebrated the 200th anniversary of the book's publication by visiting a sort of display at the Lilly Library at Indiana University. 

The Bride! was released with what I'd consider a serious marketing push - a rarity these days.  And then the reviews hit and word was not good.  And then people I know saw it and were unenthused, and so I decided to wait for streaming.

I am sad to report that this was the right call.  

Here's what I think.  

TLDR Super Watch: Supergirl (2026)

Watched:  06/25/2026

Format:  Regal

Viewing:  First

Director:  Craig Gillespie

It is probably worth noting that while a great IP to slap on thermoses and t-shirts, Supergirl is maybe the least consistently written mainstream character in comics.  So there is no "right way" to write Kara Zor-El.

I've read my fair share of comic books starring Supergirl over the past few decades.  I've read Silver-Age, Bronze and Copper-Era stories.  I read 90's-00's Not-Kara Supergirl by Peter David.  And was one of people who was flipping out when they brought Kara back in the mid-00's.  Aside from giving New 52 Supergirl a pass, I have pretty complete runs of pretty much everything since the 2005 reboot.  I heartily recommend the current series by Sophie Campbell as one of the best comics I've read in a while.  I own a copy of Action Comics 252.  

I've seen the 1980's Supergirl movie at least three times - including on VHS as a kid.  I watched the entire run of the CW TV show.  Am familiar with various incarnations in live action and animation.  (I have an affection for almost all of those takes.)

I am not a Supergirl PhD, but I feel pretty well oriented.  So, there's my bona fides.

Noir Alley Watch: Blackout (1954)

Watched:  06/14/2026

Format:  TCM on Noir Alley

Viewing:  First

Director:  Terence Fisher

A Hammer Noir from 1954, Blackout is a British produced and London-set film that I am mostly glad I watched with Eddie Muller's commentary.  It is... an oddball movie, certainly, feeling like it zigs and zags as to what the movie is about or is even doing, which is absolutely a way to keep an audience guessing.

I'm not a fan of star Dane Clark, who I've only seen a couple of times.  I won't get into ad hominem attacks, but he's not my cup of tea as a compelling person to watch on screen.  Here, he's sort of an American - but maybe not?  Who is down to his last shilling in a London hotel bar.  

Up walks Belinda Lee. who looks like a Robert Maguire painting come to life, and offers him a job, even though he's nearing "blackout" drunk.  Lee is...  something else, so who can blame him for taking her up on the offer? Especially when the job pays 500 pounds and is to marry Lee.

He wakes up the next morning in a stranger's apartment, is told he just turned up there by an artist Maggie (Eleanor Summerfield), and sees a huge portrait of the woman he thinks he married.  He wanders out into the street to find Lee's picture beside that of her slain father.

For the film's remaining runtime, he has to dodge the cops, figure out who is playing him and why, and whether Lee and he ever actually got married.

There's a few sequences that are quite good.  According to Muller, this is famed Hammer director Terence Fisher's break, and the general quality I associate with Fisher shows itself from time to time.  

For some reason there's a whole sojourn in an old neighborhood where we meet Clark's mother that feels completely separate from the rest of the film, and is the best bit.  There's also what seems a twisted and very dark ending - that the movie instead tosses into the fire to give the audience a happy ending that leaves the whole thing on a false note.

Lee is amazing on film - just one of those actors who the camera loves. Muller lets us know we likely don't know her because she worked in Europe and died very young in a car accident. 

I'm not sure I liked the movie too much.  Normally I'd like a movie that winds and twists, but here it feels like one of those exercises where you hand a story off every few pages to someone different who has to pick up the story, while doing their own thing.

My feeling is that this one won't stick with me very long, except for a few images here and there.  I've certainly seen cheaper and worse, but this one just felt like the B picture it really was - but worth seeing to see Fisher's work at this point, and what was happening in British noir.

Hallmark Texas Watch: Texas Two-Step (2026)

Watched:  06/14/2026

Viewing:  First

Format:  Hallmark Channel

Director:  Eva Tavares

Regional specificity is hard.   

I live in Austin, Texas which has, in the last two decades (and to my surprise), become a real tourist town.  People come here and drink, eat some barbecue and street tacos, feel they've lived authentically Austin/ Texas and go home.  And that's fine. 

It's not just at Christmas that Hallmark likes to make movies about country life's superiority to city life.  We do not require the yuletide season to insist that what you really need to do is give up your nice place in a city and your much-worked-for career track and do... something? in the country.  Not when you can boff the guy from high school who is roughly doing now what he did at age 17.  And, Hallmark -  occasionally - likes to make movies specifically about people doing this in Texas.  

While looking for World Cup Games, I saw Hallmark was debuting their latest "Texas" movie.  And I watched it so you don't have to.

Texas Two-Step (2026) is a movie about a woman who must go home to "Blue Creek" from Austin/Dallas to check in on her aging aunt and her roadhouse country bar and grill. 

Monroe at 100 Watch: How to Marry a Millionaire (1953)

Watched:  06/13/2026

Format:  TCM

Viewing:  First

Director:  Jean Negulesco

I'd always heard that How To Marry a Millionaire (1953) wasn't very good.  In the end, it was not as bad as I figured, a nicety of someone telling you something is horrible which is just not great.  But...  eh.  

The problem for modern viewers is that this movie was the spiritual sequel to Gentlemen Prefer Blondes, and people generally see GPB first and this film second, and HtMaM just isn't anywhere near as memorable, funny or entertaining.  

In my opinion, anyway.  

Monroe at 100 Watch: Monkey Business (1952)

Watched:  06/11/2026

Format:  TCM

Viewing:  First

Director:  Howard Hawks

Not everything is going to land.  

This movie had everything going for it.  Cary Grant and Ginger Rogers star, Marilyn Monroe plays a major supporting role (just before she landed leads), Howard Hawks is directing, it has Hugh Marlowe, Charles Coburn and even the kid from Gentlemen Prefer Blondes (an infinitely superior movie).  

But I only really laughed at a few bits.  

My real feeling is that this movie worked very well in 1952 and has aged badly through changing social conditions and what I'd guess is better versions of similar premises.  

Monkey Business (1952) is a screwball comedy when the genre was running on fumes and a decade before it would be transmogrified into live action Disney films and Jerry Lewis vehicles.  

Disney/Pixar Watch: Hoppers (2026)

Watched:  06/09/2026

Format:  Disney+

Viewing:  First

Director:  Daniel Chong

We don't get out to the cinema like we used to, and so it was that I missed Hoppers (2026) in the theater, despite what I'd call pretty good buzz.

It's an odd movie for Pixar, which is reeling from a few years of what I'd call unpredictable box office (which is just the industry these days).  A few movies tanked, and then a few sold like hot cakes.  If I was them, I'd be deeply unsure what to think audiences actually want in a film.

Hoppers is a weird movie.  I don't mean the sci-fi concept, which is cute and fun.  A young, plucky, adorably flawed girl, Mabel (Piper Curda) is doing battle with Mayor Jerry (Jon Hamm) who wants to build an overpass for his beltway through her beloved woodland glade.  She figures out a wacky scientist (Kathy Najimy) and her team (Sam Richardson and Melissa Villasenor) have built robots and can transfer their consciousness into the animal-shaped bodies.  This is done to observe species up close.  

Espionage Watch: Patriot Games (1992)

Watched:  05/23/2026

Viewing:  First

Format:  Amazon?

Director:  Phillip Noyce

So, I don't really know how I missed this one back in the day.  No idea.  Harrison Ford.  James Earl Jones.  A Tom Clancy adaptation.  Honestly, I think I was at a 6-week-long drama camp because that's how cool I was in high school.

But I have now seen Patriot Games (1992) and it's kinda fine.  It's not my favorite.

Movies like these were prime dad viewing in the 1990's.  Men in ties would look grim and look at technology and go to board rooms.  They'd use real world issues and events and movements and tell a story that seemed wildly plausible, from a certain point of view.  The Cold War was absolutely a wild time, and it showed up in big, thick books by Tom Clancy that dads read in business trips and sometimes they'd turn into a movie.

This movie pits a splinter group of the IRA against - very specifically - Jack Ryan.  We met Jack Ryan in The Hunt for Red October as Alec Baldwin in 1990, but Harrison Ford is Harrison Ford, so I guess if you want even more money, you swap out actors.  I am not going to try to make sense of the continuity.  (Jack Ryan is now John Krasinski).

Crime Noir Watch: Vice Raid (1959)

Watched:  05/21/2026

Format:  Amazon Prime

Viewing:  First

Director:  Edward L. Cahn

I had never seen a Mamie Van Doren movie, and didn't know this was one.  I was getting on the elliptical and literally just threw on a movie and "Vice Raid (1959)" sounded like something I didn't need to focus on super hard.  And up came her name.

And boy howdy, was Mamie Van Doren's mere existence the feature attraction.  The movie essentially is doing the Tex Avery wolf for the first 2/3rds of the movie.  I have never seen a movie that literally puts up a picture of the female star and then gives her measurements.  This is a thing that happened.

The other interesting bit about this movie is that it's a 1950's movie about a prostitution ring that acknowledges what it's about using the word "prostitution".  Pretty crazy for the era.

Catch-Up Watch: Badlands (1973)

Watched:  05/20/2026

Format:  TCM on DVR

Viewing:  First

Director:  Terrence Malick

I'd put this movie off for about the past 20 years for absolutely no reason.  I loved Days of Heaven.  But somehow I just never hit play on Badlands (1973).  

The movie, in its way, feels quintessentially American.  A clashing of naiveté with cruelty and violence, embodied by our two leads in different ways - a baby-faced Martin Sheen and Sissy Spacek (here playing 15 at age 23 or so).  

The movie feels timeless and oddly universal, while de-romanticizing everything about the couple-on-a-crime-spree noir and neo-noir plotting.  Almost like a response to 1967's Bonnie and Clyde.  

Ovis Aries Watch: The Sheep Detectives (2026)

Watched:  05/16/2026

Format:  Regal Westgate

Viewing:  First

Director:  Kyle Balda

The Sheep Detectives (2026) was not at all what I expected.  And that is, as it turns out, a pretty good thing.

Now, don't get me wrong - I was looking forward to what I thought the movie would be:  a goofy play on detective fiction but with, you know, a lot of sheep puns and some wacky celebrity voices.  That seemed plenty for a matinee Saturday movie.  

Instead, I got an oddly moving movie that I suspect speaks more to some realities of being a living thing - and which illuminates the ways we (people, not sheep - you may need to stretch here, concrete-thinking reviewers) deal with pain and death. And, yes, from the mouths of CGI sheep.

Regret Watch: Bio-Dome (1996)

if seeing this make you feel white hot rage, that instinct is correct

Watched:  05/16/2026

Format:  YouTube

Viewing:  First - as it turns out

Director:  Jason Bloom

Fuck this movie.

No, seriously.  Fuck it right in the ear.  

I only kept watching to see how much more I could hate a movie as it went along, and as it turned out, I found -  lurking within myself - one of those mines that catch on fire and burn for a hundred years.  My mine fire is fueled solely by my white hot rage for Bio-Dome (1996) and everything it stands for.  

I was positive I'd seen this piece of shit back in the 1990's as the young lady I dated before Jamie was an unapologetic fan of Pauly Shore (she did have positive qualities lest you think otherwise, but it was probably a sign).  However, the date of release was in the Jamie-Common-Era, so we cannot blame Anna, wherever she is now.  

About twenty minutes in I realized - no, I'd seen the opening on cable or something and must have turned it off, realizing that this movie sucks donkey balls - and I then ejected it from my mind.

Golden Sci-Fi Horror Watch: Dr. X (1932)

Watched:  05/15/2026

Format:  TCM on DVR

Viewing:  First

Director:  Michael Curtiz!

I have felt that at some point I should watch every movie mentioned in Science Fiction / Double Feature, the opening tune from Rocky Horror Picture Show.  And I've done pretty well.

This viewing of Dr. X (1932) checks off "Dr. X will build a creature", I believe, leaving only Tarantula.  That said, the line doesn't at all describe the actual plot of Dr. X, but okay.  

Maybe best described as a sci-fi-horror-comedy-heavy-on-the-horror, Dr. X sees a series of killings occur in the streets of New York, the link being they all occur on a full moon and with the same surgical instrument.  The police investigate and determine the instrument used is very rare, and only purchased by a specific medical school run by a Dr. Xavier.  

Shadowed by a determined reporter (Lee Tracy) the police meet each of the kooky scientists working on their research.  

70's Watch: Corvette Summer (1978)

Watched:  05/12/2026

Format:  TCM

Viewing:  First

Director:  Matthew Robins

I will extrapolate from just my own experience and say I think a generation of kids grew up a little confused seeing actors from Star Wars in things that were not Star Wars.  While Harrison Ford shook off that problem and became one of the most important/ lucrative actors in Hollywood history, Carrie Fisher and Mark Hamill got hit with type-casting and mostly did other things like Broadway or writing.  It's not like Anthony Daniels became big in the US without a robot suit.

But we all knew that between Star Wars and Empire, Mark Hamill starred in something called Corvette Summer (1978).    

My first memory of this movie was seeing it playing on TV when I was a very small kid, and for reasons I didn't get at the time, my mom turned it off, which - years later - I would come to gather meant the characters said something over my head and she saw this movie was straying into grown-up territory.

Comic Doc Watch: Selling Superman (2024)

Watched: 05/12/2026

Format:  Amazon Prime

Viewing:  First

Director:  Adam Schomer

I imagine this doc will land one way with non-comics folk, and a completely different way with comics folk - or other serious collectors (and their immediate loved ones). 

For the record, I own a *lot* of comic books, and a *lot* of Superman stuff.  So, yes, I am in the camp of "collectors".*

I do *not* own any of those mythical comics you hear about.  This "blogging non-stop for free" gig does not pay what you'd think.  I have never even seen most of the epically priced comics you're think of in person, except in museums or behind thick glass.

This doc is about a guy somewhere near my age who recently lost his father, and inherited that father's absolutely massive comic collection.  

The father clearly was brilliant, neurodivergent, and an absolutely obsessive collector, filling his multi-bedroom home with comics, covering the windows so people couldn't see in, and forbidding his wife and kids from telling anyone what was in the house - not that they knew what he really owned.  And what he had was - from a collection standpoint - probably unlike anything else on the planet that isn't part of a major business like Mile High Comics.  

Western Watch: Montana Belle (1952)

Watched:  05/07/2026

Format:  TCM on DVR

Viewing:  First

Director:  Allan Dwan

This movie opens strong by being both racist and deeply misogynistic in just the first three lines and, in this regard, refuses to take its foot off the gas til the end. Truly breathtaking.  It is also a movie from 1952 out of RKO, so it's a release from right in the meaty part of Howard Hughes' control of the studio.

How can you tell it's a Howard Hughes joint?