Showing posts with label movies 2020. Show all posts
Showing posts with label movies 2020. Show all posts

Saturday, January 18, 2020

Wenders Watch: Until the End of the World (1991)



Watched:  01/17/2019
Format:  Criterion BluRay
Viewing:  Third
Decade:  1990's

It was a miracle I even got out of this five hour movie alive.

Way, way back in the 1990's, I saw this movie the first time - I believe - between my junior and senior year of high school.  My vague memory of the film was that it was known for two things - it was a movie directed by the same guy who did Wings of Desire (which I'd never seen), and for the soundtrack full of musicians both huge and indie (back when that meant something in particular).  Ads appeared in Spin and/ or Rolling Stone for the OST, which read as a mixtape from a pal with particular but good taste (Now That's What I Call College Rock vol. 1!).

Friday, January 17, 2020

PODCAST: "The Island" (1980) - a SimonUK Cinema Series Special! w/ Ryan



Watched:  01/05/2019
Format:  DVD
Viewing:  First
Decade:  1980's


Ahoy! We sail into the NSFW new year with a tale of unlikely adventure and horror as a very 1980-era Michael Caine heads to the Bermuda Triangle to look into some missing boats only to find: a secret civilization of PIRATES. And not fun, yo-ho-ho pirates, but, like, crazy inbred weirdo pirates. It's a whole scene, man.




Music:
Island Magic - Ennio Morricone, The Island OST



SimonUK Playlist



Noir Watch: Raw Deal (1948)



Watched:  01/13/2019
Format:  BluRay
Viewing:  First
Decade:  1940's

A few months ago, I had purchased a BluRay collection of films, all shot by noir-famous cinematographer John Alton.*  I'd had great intentions, but never made it into the disc.  For whatever reason, I finally did crack open the case and put in the BluRay and I get what the hubbub is about.

This was my first viewing of Raw Deal (1948), a fairly staple noir film, but one that I'd just not made time for before - which is a shame, because I liked a lot of the movie, and would probably use it to illustrate some classic noir tropes and definitely as a teaching tool for the epitome of noir cinematography from the height of the movement.

Saturday, January 11, 2020

War Watch: 1917 (2020)


Watched:  01/11/2020
Format:  Alamo Slaughter Lane
Viewing:  First
Decade:  2020's

If you are planning to see this, see it in the theater.  That is all.

Heist Watch: Cash On Demand (1962)



Watched:  01/08/2020
Format:  Noir Alley on TCM
Viewing:  First
Decade:  1960's

I'd heard Hammer produced some thrillers and whatnot, but I'd not really seen any - my exposure to the studio's output had been mostly limited to their horror films.

Shown as a Christmas treat by Noir Alley's Eddie Muller - who fessed up that it's more noir adjacent than noir - this small-scale production is a terrific sort-of real-time story of a robbery at a bank branch in a small town well outside of London.

Friday, January 10, 2020

Balloon Watch: The Aeronauts (2019)



Watched:  01/02/2020
Format:  Amazon Streaming
Viewing:  First
Decade:  2010's

This movie never states that it's based on real events - but once it's underway, it's very specific to the point where I finally had to check to see if the character portrayed by Eddie Redmayne in the film existed.  Spoiler - He did!

But.  Half of this movie is real and half is made up, and I am just, honestly, confused why they made this choice - except that I basically get the decision from an optics, casting and audience standpoint.  The film swaps out one of the two people who made the real-life trip with a fictional female balloon pilot (Felicity Jones) who is overcoming serious and dramatic baggage tied to ballooning.  All of which is made up.  Even as she performs feats to save their lives that the real pilot was forced to do.  But here, it's someone else.

But, again, the scientist in the film was real and really did go up in a balloon, but with a less-surprising male balloonist.

I honestly have no idea what I just watched, is what I guess I'm saying.  I've read articles that are more reflective of my "yes, I understand why they did it, but..." perspective, and others that are really surprisingly blase about "facts" and "what occurred" and seem to think that's some old fashioned thinking and casually suggest if you are questioning the choice, you are both racist and sexist.

Look - I get that "based on a true story" movies change facts all the time, combine people into single characters, etc... - and, honestly, it's part of why I often avoid Hollywood's interpretation of history.  But they generally don't swap out one of two main characters with a completely fictional person.

So - I have no idea what I just watched.  It was okay.  But I tend to think history is hard enough to get a grip on without making up fictional characters in their lives as seemingly major players.  So, next time you ask me if I've seen a movie based on a true story and I kinda shrug and say "nope".  You now know why.

I watched this just before Togo, which was also based on true events and changed quite a bit, but the basic facts were generally adhered to. 


PODCAST: "Trading Places" (1983) - The Holidays Will Never End, w/ MRSHL and Ryan


Watched:  01/04/2019
Format:  Amazon Streaming
Viewing:  Unknown
Decade:  1980's

The holidays never end here at The Signal Watch! We've got one more PodCast for you as we discuss "Trading Places" (1983), a movie about class, race, and power of hoping your audience knows a whole lot about the commodities market (we do not). Join us as we discuss a movie that's both dated and ageless. Oh, and it takes place at Christmas, sort of.



Music:
Overture - Mozart, The Marriage Of Figaro

Holidays 2019



Wednesday, January 1, 2020