Saturday, July 6, 2019

Noir Watch: Woman on the Run (1950)



Watched:  06/30/2019
Format:  BluRay
Viewing: First
Decade:  1950's

First - this poster is doing Ann Sheridan no favors.  She's a gorgeous woman, and here she looks like a wax museum figurine that's been set too close to a lamp.  Second - like many-a-noir, this title isn't actually accurate.  The movie is about a woman seeking out her husband, who is a dude "on the run".  Unless this is when I find out "on the run" in this era meant "she's just moving about quickly", which I don't think it did.



Thursday, July 4, 2019

Sunday, June 30, 2019

Marx Bros Watch: At The Circus (1939)


Watched: 06/29/2019
Format:  TCM on DVR
Viewing: First
Decade:  1930's

Well, this was a bit of fun.

The Marx. Bros had been in Hollywood a full decade by the time (Marx Bros.) At the Circus (1939) was released.  It''s basically not all that different from A Night at the Opera or other Marx Bros. outings, at least in format.  There's a Groucho song, Harpo plays the harp, Margaret Dumont (bless her) plays the wealthy dowager.  There's a couple in love who have a song or two that would have gone to Zeppo and someone else back in the day. And an antagonist in need of a good come-uppance.

But if you're watching ta Marx Bros. film for structure or plot, something has gone terribly wrong. 

All in all, the circus is a terrific setting for the Marx Bros, animals and acrobats and all, setting up an ideal finale under the big top.  There's stunts and great visual gags, a flying Margaret Dumont, and a gorilla.  How can you not like it?

It doesn't hit the levels of absurdity that Duck Soup reaches, but nothing does. 

One thing I find curious about the Marx Bros. movies is that some, such as this one, contain scenes with all-Black casts plus a Marx Bros or three.  It's not unheard of for this in other movies, but clearly they were trying to bring people to the screen who weren't always there.  You always cringe a little when you're not sure we're not going to wind up in Blackface (they do in at least one picture), but not here. 

The movie also has a terrific scene with Groucho and a very young Eve Arden that now has one of my favorite "breaking the fourth wall" moments in a movie as he bemoans how he doesn't know how to do the scene without trouble from the Hayes Office. 

Anyway - we were going back and forth about what makes comedy work, what makes it feel like a movie versus comic actors just doing their thing as the camera rolls, and I'd argue, come back to a Marx Bros movie for what's possible on the screen.

Romance Watch: Sabrina (1954)



Watched:  06/29/2019
Format:  TCM on DVR
Viewing:  First
Decade:  1950's

Everyone but me has seen this movie, but we were staying in on a Saturday and it seemed like a good option for a bit of a light movie and to check off a viewing box.

Somehow, until about two years ago, it had escaped my notice that Sabrina (1954) was actually a Billy Wilder film, and so I wanted to give it a real shot, and I'm glad I did - it did surpass whatever bar I'd set for the movie.  The movie isn't exactly what I expected, which was to see two brothers in escalating conflict, trying to win over Audrey Hepburn.  You can read that as: I didn't want to watch two middle-aged guys duking it out over an ingenue for 2 hours - but it's not really that.