Showing posts with label holidays. Show all posts
Showing posts with label holidays. Show all posts

Sunday, July 21, 2024

Christmas in July Watch: Rescuing Christmas (2023)

when the marketing team needs a poster, and they needed it yesterday



Watched:  07/19/2024
Format:  Hallmark
Viewing:  First
Director:  Emily Moss Wilson

"Oh, Rachael Leigh Cook!  I haven't seen her in a minute!" I said to myself when I saw that - for unknown reasons - my YouTube TV started just playing this movie at me from the beginning when I went to go to the menu.

You may recall that last Christmas I was discussing that the Hallmark Christmas movie formula has mutated a great deal, and, really, aside from the idea that "Christmas is good" and a lack of violence and sex, I'm not really sure what constitutes a Hallmark Christmas movie anymore.  What I didn't think I'd be saying is "hey, this one maybe could have been a regular 'ol movie at the theater", but here we are.

Yes, the budget doesn't make you think this is anything more than a Hallmark film, but the ideas in it could have gotten a bit more budget, and I assume you'd cast more known actors in a few parts.  But the overall concept is... good?

This one kind of takes a leap off of the tried-and-true Hallmark sub-formula of making a Christmas wish and sees what their life would be like if, say, they chased that corporate job or married that other guy.*  Instead, this one shows a woman (Cook) who had a bad Christmas the year prior, and is feeling overwhelmed at Christmas again.

Meanwhile, some elves in the North Pole are going to try to boost Christmas cheer with a "Grant a Wish" program, where they give some lucky person 3 wishes.  

After blowing her first two wishes - in a moment of frustration with the holidays - Cook wishes there was no such thing as Christmas.  Which causes alarms at the North Pole (and Santa - played by a jolly, funny T. Mychael Rambo - takes as his cue to take a vacation.

The most recognizable other player is Sam Page, who you may know from Mad Men or a handful of other Hallmark movies.  

It's not that the world is worse without Christmas - they don't go full Pottersville on anyone.  And, in fact, the main character doesn't even really hate Christmas - it's more about "oh, @#$%!  The wish was real!  What did I do?"   

Cook tries to fix her problem and remind people of Christmas, and, so, pitching the holiday as an "art installation about a forgotten, ancient holiday", Cook gets her family and Sam involved.  Thus, the gag of the majority of the movie is "how do you explain what Christmas is to people who have no context?" ex:  we're cutting down a perfectly healthy tree and putting it in the living room for 3 weeks before we throw it out.  We're also hanging arts and crafts on the tree.  And how insane Christmas sounds if you've never seen it before.

Meanwhile, the elves come to try help her along without her really knowing what's what.

It's a simple premise.  And it's remarkable how it manages to not fall into some easy pitfalls, or make things harder than they have to be.    

Look, the bar is so low for Christmas movies, it's buried.  And I include studio films in this statement.  To teach the inevitable lesson of "learning the true meaning of Christmas", our leads usually begin as misanthropes.  This movie never goes there, really.  No one is miserable and has to learn the meaning of Christmas - which is usually, on Hallmark, the promise of a single, dry kiss more than anything.

Instead, this movie takes the more relatable notion that: sometimes Christmas can be a lot of work, and people get stressed in the middle of it.  But that doesn't mean you wish harm on others.

It's.... fine.  Of the forgettable and goofy movies, this one actually had... jokes.  And funny bits.  And leads who didn't sound out of breath with every line.





*I suspect this comes from the notion of "I wish I'd never been born" from It's a Wonderful Life, but keeps the star from running from the cops

Monday, July 8, 2024

Christmas in July Watch: Miracle in Bethlehem, PA (2023)





Watched:  07/07/2024
Format:  Hallmark
Viewing:  First
Director:  Jeff Beesly


So, someone in our house is sick, so I was trying to make her fall asleep by putting on the soothing screen-saver that is a Hallmark movie (no, really, this works like a damn charm).  It's currently the annual "Christmas in July" deal Hallmark does where they say "ah, we know what you really want", put the Golden Girls reruns on pause, and roll out their Christmas line up for a while (I have no idea if it's a couple of weeks or all month).  

But, yeah, along with Canada Dry, saltines and grilled cheese, when you're not feeling great, I can't recommend these movies enough.

I'd actually meant to watch Miracle in Bethlehem, PA (2023) last year. One of my criteria for actually putting one of these Hallmark holiday films on is if it stars anyone related to Superman media, and - lo and behold - this one stars former Smallville actress, Laura Vandervoort.  

One must bust out a very specific rubric to discuss a Hallmark movie, and among these movies, this one was not a complete trainwreck.  It has some things it keeps harping on that make it... creepy?  But our lead is charming enough and is a better actor than the material probably called for, that she basically papers over some faults.

Oh, to kick off the movie, our male hero is getting yelled at by the girlfriend who breaks up with him because he seems happy sitting on the couch with his large yellow dog (Donkey), playing video games instead of whatever nonsense she thinks he should be doing.  He picks the dog.  And they finally made a Hallmark male lead I could find buyable.

Thursday, July 4, 2024

Happy Fourth of July, Pals

 


Everyone get out there, eat some potato salad and beans, and try to stay hydrated.  

I don't think Vanessa Williams is hosting A Capitol Fourth this year on PBS, which makes this year less good than prior years.  But let's not cry that it's over, let's be happy it happened.  And may Vanessa Williams fill you with patriotism.






God bless America, I say

Sunday, December 31, 2023

Happy New Years Eve

Julie Adams making 70 years ago seem like a nifty idea



Happy New Year's Eve, pals!  We know a lot happened in 2023, and are wishing you an amazing 2024.  

I have no words of wisdom nor end-of-year thoughts.  I guess: don't blow your fingers off with fireworks.  Take a Lyft.

AFAIK, we're doing the blogging thing again in 2024.  See you there.


Monday, December 25, 2023

Worst Christmas Movie of 2023: Christmas in Hollywood (2014)

no, not Matt Berry.  And, no - it's not clear who gave those awards



Watched:  12/24/2023
Format:  Amazon
Viewing:  First, and, God willing, last
Director:  Some asshat

Los Angeles/ Hollywood always strikes me as one of two places in America where dreams don't just go to die, they mutate.  (The other is Las Vegas, but that's a completely different thing.)  

Folks head out west to get into the motion picture business, and find out that maybe they haven't got the talent, social skills, what-have-you to make it in movies.  Sure, you can chalk it up to luck, too, I guess.  But, also, some people are just ridiculous.  And, so, Hollywood always seems to have this weird underbelly of people looking for their shot.  And sometimes they go ahead and make their own shot happen, which - if you believe the Hollywood story - is what you've got to do.  But, I watch a lot of not-great movies, and I'm here to say, you really don't have to take that shot.  

Sunday, December 24, 2023

Christmas Watch: Miracle on 34th Street (1947)




Watched:  12/23/2023
Format:  Amazon
Viewing:  Unknown
Director:  George Seaton


We watch this movie pretty much every year, and I wasn't feeling great yesterday, so I put it on as something I could kind of half-watch.  

I hope you've seen the movie, and if you haven't, I recommend you do watch it.  It's a lovely bit of Christmas Magic in convenient movie form that doesn't rely on mid-life crises or devastating the audience in order to work, Frank Capra.  

But because the movie is so well known and I've written it up before here and here and here, that's not going to be what I write up here.  Instead, we're going to get weird.

Merry Christmas Eve from The Signal Watch



Merry Christmas, pals.  

I don't think many of you are online on Christmas Eve, and that's a good thing.  But if you are online, Jamie and I wish you the very best.   May your night be merry and bright.

One exciting bit this Christmas has been the Apple+ special, Hannah Waddingham: Home for Christmas.  We're Waddingham fans, and hope you are, too.  Anyway, enjoy her belting out "O, Holy Night".


And as we wrap each Christmas Eve here at The Signal Watch, please give Ms. Darlene Love a listen - this year, with Cher!

Friday, December 22, 2023

Holiday Watch: It's a Wonderful Life (1946)




Watched:  12/21/2023
Format:  Amazon Prime
Viewing:  Unknown
Director:  Frank Capra

A few years ago, we covered this movie on the podcast.  I think Nathan and I did a lovely job of discussing the impact of the film on us as viewers and why it works.



Re-watching the film this year, I'm once again amazed at how well so much information - both plot and emotional - is conveyed in the movie and it never feels rushed or crammed.  It's only after you've seen the movie multiple times that you really process "wow, George had a whole lot happen to him on very specific days of his life", but that's also part of what makes it work.  Getting married during the week of October 28, 1929 was just a horrible time for someone in the building and loan business to have such a big event, for example.

And we aren't given a St. George for our George Bailey.  He's a normal guy with dreams that he can't pursue, and the only thing keeping him sane is probably Mary.  He's holding a lot in and holding a lot back every minute of every day, which all comes spilling out when Uncle Billy loses the money.  "Why do we have to have all these kids?" is maybe the craziest line in the movie.  But he's also already had it with Billy 15 years ago - he should have been at college if the guy could have taken over for his father.  And so-on-and-so-forth.  

It's the rare movie that acknowledges that people can break from giving up their dreams - or that they'd be put in an awful place for doing what seems right.  Hallmark movies have made a mint off selling the idea of giving up your dreams for small town domesticity - or at least shifting the dream that way.  And it's even less so that a movie allows a male character to snap after landing the house, wife and kids, especially in this era.*  This was post-war America, and we were winners!  

But I think George Bailey is all of us on some level.  Unless you're, like, Madonna, and only *think* giving your servants a second thought is magnanimous.**  There's a lot more George Baileys walking around out there than those who made it where they'd hoped, who gave up who they thought they were and dreams of where they'd be than any rando living at the top.  Even George's little corner of the living room, which goes unmentioned, where he's plugging away at drawings of bridges and buildings, still wanting to be an architect...  it's just kind of funny and sad.  And, God, that's too real.  It's no shock that he smashes it.

But at the end of the day, the movie works because the real message is just, if not *more* true - that all that matters, really, are the folks in your life and how you can help them.  It's not to say your dreams don't matter - but we also have to appreciate what we do have, and the people around us, and know that we matter to them, just as much as they matter to us.  And believing that we're not replaceable cogs is a very hard thing to process.  I imagine it was even more so in 1946, when you saw your friends drafted and shipped off.

Ironically, Stewart was a war hero, but wouldn't ever discuss it or use it in promotion.  He'd been drafted well before Pearl Harbor and exited the service as a Brigadier General.  During the war, he piloted 20 missions I believe flying B-24's.  But he also served as in command, and would remain in reserve until 1959.  He was as much Harry Bailey as George Bailey.






*I know - controversial!
**But Madonna gets a pass for whatever she's up to, here at The Signal Watch






Tuesday, December 19, 2023

180th Anniversary of "A Christmas Carol"




Turns out today, Dec. 19th, 2023, is the 180th anniversary of the publication of Charles Dickens' A Christmas Carol, arguably one of the most important works of English-language fiction.  Thanks to writer Neil Gaiman who pointed this out on social media, and who is currently doing his bit where he dresses up and reads the book, cover to cover, to a live audience.  

I'd love to see someone film that sometime.  The only audio book I've ever listened to was performed by Patrick Stewart, and, pals, I cannot recommend it enough.  I also recommend the film version he did.  

And that's really the thing.  Most of us come to A Christmas Carol through a movie or TV special, cartoon adaptation, puppet show or what-have-you.  And that's actually great.  I know mine was the Disney version with Scrooge McDuck and Mickey in key roles.  But I also grew up in the wake of the George C. Scott version.  And hit Scrooged at a key point in my teen-hood where it really landed, and not just because Karen Allen.*

I think I finally read the book in 8th or 9th grade.  What I really remember is that I was supposed to read bits at a time, and I did not.  It's short - Neil Gaiman can read it all in one shot, and Patrick Stewart's Audible version is like an hour and forty-five minutes - a fraction of your average Marvel film.

And, you know what?  The book is great.  I re-read it every decade or so. 

I don't need to explain it to you, which is a nice time-saver in writing about the thing.  You know there's a first ghost who warns about the other three.  You know there's some light time-travel and walking around as a phantom.  There's love lost and bitter childhood memories.  And there's social commentary aplenty, which has remained relevant year-over-year for the past 180 years.

In many ways, recognizing the echoes of the pre-reformed Ebenezer Scrooge's dialog is a shockingly easy way to spot a terrible human.  And yet, no matter how many times people see the movies or read passages or see plays, and, or. etc...  here we are.  

And so, the book remains endlessly relevant.

Movies may change things up - cosmetic bits like changing the look of a ghost.  Or minimizing or eliminating bits.  And the book's core remains intact.  Because it's a fantasy that those with no motivation to change their ways will somehow, through the hand of God where their own conscience failed them, be moved by humanity to be human, and not just an engine for generating wealth.  At the end of the day, how you'll be thought of in this life will be multiplied the moment you pass.  

Here's to another 180 years more.




*but also not not because of Karen Allen

  




Monday, December 18, 2023

80's Watch: Better Off Dead (1985)




Watched:  12/15/2023
Format:  Paramount+
Viewing:  Unknown
Director:  Savage Steve Holland

In so many ways, it's a minor miracle that Better Off Dead (1985) exists at all.  Let alone in the shape in which it was delivered to audiences.  You can easily see how it could have had the edges knocked off and been made into something far less memorable if the studio felt they'd sorted out the teen-movie formula by 1985.

It's probably been 20 years since I last watched the movie, but something got me thinking about the Christmas morning sequence last week, and it turns out it's living on Paramount+ right now, so you can watch it.  It's a quasi-Christmas movie, starting in December, passing through Christmas and into New Year, so the season is right.  

everybody's going to be wearing one of these

Usually I say "you couldn't make this movie now" with anything remotely morbid, but I expect we're hitting a point where the pendulum is about to swing back hard and fast regarding what we can do and put in movies again as we've all stepped away from the pearl-clutchers over on Twitter as that site tire-fires it's way to irrelevance.  We'll see.  I imagine the patience with the bipartisan puritanism is starting to wear a bit thin.

But, yeah, Better Off Dead is a teen comedy about a young gentleman wanting to kill himself because his girlfriend dumped him for a richer, handsomer, more dickish guy.*  Attempts to do so go afoul as our hero (John Cusack) can't even really work himself up to do it properly.  But, really, it paints a near-perfect picture of what it's like to be 17 and just trying to get through your day and how utterly absurd the world can feel at that age (or any age).  

Sunday, December 17, 2023

Christmas Watch: White Christmas (1954)




Watched:  12/17/2023
Format:  Netflix
Viewing:  Unknown
Director:  Michael Curtiz

I have seen and written this movie up endlessly.  This year, I just leave you with the black dress from the Carousel Club number.






Anyway, Edith Head was a genius.

Christmas Watch: Elf (2003)




Watched:  12/14/2023
Format:  Hulu
Viewing:  Unknown
Director:  John Favreau

Not too long ago on the nu-social medias (BluSky, maybe?) I opined that Elf (2003) is the last generally agreed upon holiday "classic".  

While there's plenty of good Christmas movies that have arrived in the past two decades, it's hard to find one this many people have seen - which maybe isn't the best endorsement, but it is a fact.  Elf was the last holiday movie to land in regular rotation on basic cable (as in "24 hours of Elf!"), and it's hard to imagine that in our splintered way of viewing media and smaller and smaller shares of audiences that a movie will be able to get much traction as part of folks' holiday habits.  And, even now, the classics of a decade or so ago have been pushed aside for 1980's Gen-X nostalgia and the endless Die Hard debates by people young enough to have their own movies.

It's not hard to see why Elf has earned it's place, though, and why it's imitated with movies like Noelle.  It's a great concept to imagine a North Pole elf loosed in the big city, trying to connect to the rest of us and missing.  There's an innocence and joie de vivre ascribed to children that it's fun to see a 6'3" guy embracing.

The "elf culture" gags are fantastic, and - while I know Will Ferrell's energy isn't for everyone - but it seems to be coming from a place in this one.  And, really, the whole cast in this thing is great.  Casting James Caan as Buddy's father was absolutely inspired.  Zooey Deschanel, Mary Steenburgen, Bob Newhart, Ed Asner, Michael Lerner, Amy Sedaris, Andy Richter and Kyle Gass, and, of course, Peter Dinklage.  

It fits neatly into a space where we've already seen innumerable movies about how Santa is de-powered because there's not enough Christmas spirit... like, that's a major plot point and they never really get into it.  We just look around and say "yeah, fair enough, I guess".  And it knows we've all seen the stop-motion Rankin-Bass specials enough, it just overlays that world over the North Pole.  

Anyway, you've seen Elf.  I don't need to belabor the point.  The only real thing that sticks out in 2023 is - why on earth does Zooey Deschanel's character fall for Buddy?  Inquiring minds want to know.  He's a grown man who acts like a hyper 7 year old, has no job, and is insane/ obsessed with Christmas.  Which is going to feel weird in July.

I mean, yes, he helped encourage her to sing, but.  Look, people encourage me to do stuff all the time, but I am sorry - I do not start making googly eyes at you as a result.  Googly eyes are reserved for Jamie.





Saturday, December 9, 2023

Holiday Watch: Santa Claus - The Movie (1985)





Watched:  12/8/2023
Format:  Amazon
Viewing:  First
Director: Jeannot Szward  


Even as a kid, when I saw the trailer for this movie and it looked a little suspicious to me. I don't know what it says that a kid pretty game for whatever looked at this and was like "nah", but I think that gut instinct was dead on.   I would have been 10 when this hit, so I wasn't really the audience, anyway - just old enough to not want to see "a kiddie movie", but it looked like schlock to me at that age, and I just had no interest.  

Apparently neither did Planet Earth, because the movie made about $23 million against an estimated budget between $30 and 50 million.

Flash forward to 2023, and we put this one on and a whole bunch of things became clear immediately.

Santa Claus: The Movie (1985) was produced by the Salkinds, the same shady guys who put together the first three Superman films and Supergirl.  They have their name up there first and foremost, so you know this is an Alexander Salkind joint.  And if you know anything about the Salkinds you know that if you're ethically a little shaky, these are your guys.  

Wednesday, December 6, 2023

Holiday Classic Watch: Holiday Inn (1942)




Watched:  12/04/2023
Format:  Prime
Viewing:  Unknown
Director:  Mark Sadnrich


My understanding is that this movie, released in August of 1942, landed hard with Americans as we were facing the reality of what was going to be a long and deadly war on two fronts.  More specifically, this movie features the screen debut of "White Christmas" (he's sung it on the radio post-Pearl Harbor in 1941), which Bing Crosby would turn into the best selling single of all time with 50 million copies ringing up the tils as it became a sort of anthem for wishing for a return to normalcy.  

Holiday Inn (1942) is a story about a musical trio breaking up as the singer (Crosby) and the girl are breaking off to start a new life running a farm in Connecticut when the girl runs off with the dancer (Fred Astaire) to pursue dreams of stage glory.  Crosby eventually turns the farm into an inn where he can put on shows, just on holidays, trading the dream of stardom in exchange for just having a bit of fun every once in a while.  

Along comes a new girl, and a series of shows for every holiday starting with New Year (after introducing "White Christmas" during the meet-cute).  Meanwhile, Astaire is dumped and returns to the Inn, and begins pursuing the new girl whom Crosby has fallen hard for.

Anyway, the story is just a framework for Bing Crosby to dooby-doo his way through songs and Astaire to knock your socks off.  Unfortunately, I don't think it leaves you feeling particularly great about a single person on screen except for Crosby's chef, played by Louise Beavers.  

There is mention of the war during the WWII sequence as the movie pauses to reflect on what we're fighting for in song, and shows film of our militarization and FDR at the mic.  While the film exists as light entertainment, its hard to imagine what July 4, 1942 was actually like as the country leaned into what was clearly going to be a multi-year effort in which we'd lose countless servicemen and women.  But what is apparently true is that Pearl Harbor occurred during filming and they decided to really step up the July 4th sequence.

It is likely you've heard several songs from this movie over the years.  "Easter Parade" gets trotted out.  And it's worth mentioning Crosby would team with Danny Kaye for the 1954 classic White Christmas while Astaire would beat him to the punch with 1948's Easter Parade.

I was surprised to see the version on Amazon Prime retains the blackface number (Lincoln's Birthday).  Though I remember seeing it on my TV Christmas of 1994 when I first watched the movie, basic cable cut the number decades ago.  And, yes, it is that bad.  It's also a plot point, so the movie can be marginally confusing without the number, but to keep it in...   Look, I am not going to tell you what should or should not offend you or what criteria should be used to play or not play a film.  I am fine with cable cutting the sequence to keep the film out there, and from an historical perspective, the movie is a reflection of the time in which it was made.  As film fan and historian, yes, keep it in.  As a person who knows this is f'd up, and always was - you can skip the movie altogether if you like.  There are clips of not-offensive scenes on YouTube.  Or, jump over the scene whilst watching.  You do what works for you.

We chose to ffwd through the sequence once we realized it was there.  I've seen it, don't need to see it again.  

There's a whole discussion to be had about how it seems the younger generation wants to deal with older media, and that's to stuff it down the memory hole.  And I'll argue some film historians are currently trying to make it seem that very-mainstream-Hollywood was out of step with the general attitudes of the public at the time of a film's release, something I think there's more than ample evidence to suggest is not true.  We can discuss at some point, but that's a lot to hash out.*

What it does mean is that Holiday Inn is a fascinating bit of history in a single Christmas movie.  The film spun off multiple hit singles we still know, it sold people on the idea of secular Christmas songs, it does some crazy stuff where part of the illusion in the film's final minutes is *showing* the pulleys and levers of the illusion right out in the open to create a secondary illusion (and showing how films were made in 1942).  It shows some really depressing racism, sexism, etc... and it's a time capsule containing war propaganda. 

Plus, two of the biggest stars of the era.  Happy Holidays, film lovers.





*this is 78 years after *slavery*, and 6 after Gone With the Wind.  It's not just your elderly relatives that were just wildly racist.


Sunday, December 3, 2023

Straight to Streaming Christmas: Candy Cane Lane (2023), Genie (2023) and Noelle (2019)





Watched:  CCL 12/01/2023, G 11/27/2023, N 12/02/2023
Format:  Amazon Prime/ The 'Cock/ Disney+
Viewing:  First for all
Director:  Reginald Hudlin / Sam Boyd / Marc Lawrence

We have a lot going on, and so we've been seeking out comfort-food-movies.  As this is the Holiday Season, that means Christmas-related movies.  

Yes, we've watched a shit-ton of Hallmark movies, enough so that I've forgotten all that we've watched and I'm not sure I'll post on it.  Instead, I'm taking a look at three of the "well, it's free on the service" movies we watched this week.  

I don't understand what the story is/ was on Noelle (2019).  It was listed as a 2019 release, and maybe it was.  I mostly remember it as one of the first "originals" I saw listed on Disney+, but not something I'd gotten around to watching (this makes me want to rewatch Togo, which I remember really liking).  But no one ever mentioned the movie to me, and so it just kind of fell into the background.  But maybe it had a theatrical run? 

But, this being 2023, we finally got to it.  

Thursday, November 23, 2023

Happy Thanksgiving from The Signal Watch!



Happy Thanksgiving from The Signal Watch!  

Like Ann Miller and her witness, we will also warn you what will happen if you tell anyone what you saw here.

May you have a day where the food and company is to your liking!

Sunday, November 19, 2023

Disney Holiday Watch: Dashing Through the Snow (2023)




Watched:  11/19/2023
Format:  Disney+
Viewing:  First
Director:  Tim Story

First, the name of this movie is terrible and sounds like it was changed by Disney at some point, giving it a nonsensical, generic holiday name.  Dashing Through the Snow (2023) is not what one should name a movie filmed in a part of the American South which rarely sees snow.  And while a few flakes fall in the movie, it feels tacked on when it happens, and, of course, there is no accumulation.  Ergo: while dashing absolutely happens, no dashing occurs in or through the snow.

This is your standard family movie about a parent who does not believe in Santa, has a child who does, and, of course, Santa is real and takes them on an adventure where Dad learns to believe in Santa, Christmas, family, etc...  via shenanigans.  That this is a predictable formula feels weird, but here we are.

But that doesn't mean any movie is *bad*, it just means we have a framework, and that means it's about execution.  Written and directed by Tim Story, one of the workingest directors in Hollywood, Dashing Through the Snow brings the formula to Atlanta and casts Chris 'Ludacris' Bridges as Eddie, our skeptical dad.  He's on the outs from his wife (played by The Marvels' Teyonah Parris* and officially the tipping point for why I chose to watch this movie) who leaves his daughter with Eddie - a busy, work-aholic dad who is a mental health crisis counselor who takes the calls from the cops when someone might jump.

Thursday, November 16, 2023

Pre-Christmas Cat Watch: The Nine Lives of Christmas (2014)




Watched:  11/12/2023
Format:  You know where we watched this, commercials and all
Viewing:  I swear to god, I think it was my third viewing
Director:  Mark Jean

Jamie had a medical procedure this week, and was all nerves and needed something to just coast along on.  Guess what was on?

So, yeah, it was round two or three for me of watching this particular holiday gem.

This movie features my favorite Hallmark-specific star, Kimberly Sustad, and I'll leave it at that.




Monday, May 29, 2023

Memorial Day 2023


 

Here in the U.S., it's Memorial Day, a day in which Americans remember those who died in service to the country and a reminder of the sacrifice many have made.  

Monday, February 20, 2023

President's Day: James Carter - the 39th President of the United States



Former President James "Jimmy" Carter is on my mind these days as he is, at age 98, entering hospice care.  

Perhaps now more famous and liked for his post-Presidential career than his time during office - a period during which I would not envy anyone who was in the White House - Carter may not be with us much longer, so now seems like an opportune time to remind all of us who Jimmy Carter is other than a nice old man who spends a lot of time volunteering for Habitat for Humanity.

Carter was born and raised in Plains, Georgia, where his family had a peanut farm.  He would leave to go to college, finishing as a Naval Academy graduate, which led to his military service aboard submarines in both the Pacific and Atlantic fleets.  Clearly he had something going on upstairs as he was selected to study reactor technology as nuclear submarines came online.  Yes.  He's a nuclear engineer.