Dog Watch: Togo (2019)

Watched:  01/03/2020
Format:  Disney+
Viewing:  First
Decade:  2010's

Documentary Watch: Ernie and Joe - Crisis Cops (2019)

Watched:  12/31/2019
Format:  HBO Streaming
Viewing:  First
Decade:  2010's

A while back our own PaulT - who does many things in the film and TV industry - worked on a documentary called Ernie & Joe: Crisis Cops (2019).  I believe he was a/ the sound mixer on the film, which - in documentary land - is no small feat.  Especially when you're talking police situations, moving cars, and open classrooms.  So, hats off to Paul.

The movie is currently streaming on HBO, and, if you get a chance, give it some time.  The movie follows two police officers from the San Antonio Police Department's Mental Health Unit at work and in their lives.

Disney Watch: Tangled (2010)

Watched:  12/29/2019
Format:  Disney+
Viewing:  Second
Decade:  2010

I don't know that I need to write up Tangled (2010).  But here's what I think:

This movie is a letter of permission for some young women to realize that maybe their relationship with their parents is kinda toxic.

By that I do not mean that all young women have a toxic relationship with their moms, but dang... there is a reason that this movie ends with a young woman cutting off her girlish long locks as she severs her relationship with the woman who has been gaslighting her and filling her head with bad ideas for her entire life.  And I think we've all sorta known that young woman who went to college, realized maybe the world was not the place she'd been taught, and wound up shaving their head by second semester. 

There is some phenomenal character animation in this movie in the classic Disney tradition - I mean, Maximus is a frikkin' delight - and I really enjoy the number by all the tough-guys singing about their dreams.  The new stuff was in the effects - sure - but the movement and camera work in the movie is kinda breathtaking when you watch Rapunzel zipping around like Spider-Man on her own hair.  They really make the space inside the tower work, as well as in the construction-site sequence.

But, yeah, this movie is going to hold up for a very, very long time as it works with timeless themes, for both Rapunzel and Flynn, and the animation may look marginally dated by Frozen II standards, but I'll argue the Disney styling will keep it fresh for decades. 

PODCAST! "CATS" (2019) - Day Drinking the Movies! w/ Jamie, Doug, K and Ryan

Watched:  12/23/2019
Format:  Alamo Drafthouse Slaughter Lane
Viewing:  First
Decade:  2010's

(Our most NSFW episode yet!) We hit the Alamo Drafthouse, settled in and ordered up some cocktails, for we were watching "CATS" - the adaptation of the 1980's musical by Andrew Lloyd Webber! Join us in a Day Drinking the Movies episode as we discuss 2019's favorite (and deserving!) movie punching bag - with special guests Doug and K!




Music:

Jellicle Songs for Jellicle Cats - Cast, Cats OST
Memory - Jennifer Hudson, Cats OST

PODCAST: "Rare Exports" (2010) - a Holiday Stocking Stuffer Special w/ SimonUK and Ryan

Watched:  12/21/2019
Format:  BluRay
Viewing:  First
Decade:  2010's

It's a Signal Watch Stocking Stuffer! SimonUK and Ryan watched the 2010 Finnish sorta-horror import "Rare Exports" (2010), all about Santa maybe not being the fun-loving fellow who drops down chimneys to drop off presents, and maybe more a bit of "hold my beer, Krampus".




Holiday 2019 Playlist

Star Wars Watch: The Rise of Skywalker (2019)

Watched:  12/19/2019
Format:  Alamo Slaughter Lane
Viewing:  First
Decade:  2010's

I'm not writing this up.  I might podcast on it at some point, but I don't feel like a first viewing of this movie is quite enough to give it a thorough thinking-through.

Thanks to a very special secret pal who secured me tickets dead center of the theater!  My seat was shaking during the last reel of the movie.  It was awesome.

I will say this:  I thought Anthony Daniels was fan-freakin'-tastic in this episode, as always, and I wished for way more C3PO over the course of the movie.

I'll get around to doing something at some point, but, for now - acknowledging that I'd seen it.

Also - here's me outside the theater.

crazily, the two Jedi thought I didn't want them in the picture.  They looked rad as hell!

Star Wars Watch: The Force Awakens (2015)

Watched:  12/18/2019
Format:  Disney+
Viewing:  Unknown
Decade:  2010's

I still like Force Awakens both in spite of and due to its many flaws.  It's a good level of goofy, and has a few great bits that supersede a lot of the clunkiness and retreading of New Hope.

I genuinely liked the characters a lot in this film, and cared about what happened to them.  The lightsaber flying into Rey's hand is the Star Wars stuff that gives me chills.  As was Finn lighting it up to protect his friend. 

It has it's fair share of issues, but overall - I liked it as an adult - and as a kid, I think this movie would have hit me where I lived.   I'm still wow'ed by how close to the plotting of Episode IV it hews (unnecessarily!), but I do appreciate the differences.

Hallmark Watch: The Christmas Club (2019)

The amazing Elizabeth Mitchell, partially blocked by some guy

Watched:  11/27/2019
Format:  Hallmark Channel, baby!
Viewing:  First
Decade:  2010's

Mostly I don't write up the Hallmark Christmas movies that I watch, because I don't really watch them.  I put them on and do other things, how I'll sometimes watch a 4 hour baseball game on a Saturday or Sunday.  You do some work or check email or talk on chat to someone while the movie is on.  And when you do look up, it's mostly a game of Hallmark movie bingo, teasing out what the new formula themes are this year (military, servicepeople - mostly men, and veterans have been big the past two years).

But The Christmas Club (2019) was one of the more expensive version of the formula, where they'd hired actors you may have seen somewhere before rather than the usual "who is that?" stars of other than Hallmark movies, assembled from spare parts found in a vat of pumpkin spice, Coach purses, bedazzled iPhones, Lululemons and Uggs.

McSteans Guest Post! Holiday Watch: The Knight Before Christmas (2019)

Watched:  12/1/2019
Format:  Netlfix
Viewing:  First
Decade:  2010's

Jamie came out of right field and asked if I wanted to live-blog a Netflix Christmas movie with she and her pal, Angel.  Well, of course I did, it looked terrible.  But I figured this whole deal was more Jamie's thing than your usual Signal Watch programming, so she should also write up the movie.  So, without further ado...
                                                                                                                - your host, Ryan


Last weekend, to kick off the holidays, Ryan and I (mostly Ryan) Christmassed up the house and then capped it off with a viewing of the Netflix Hallmark-style movie, The Knight Before Christmas (2019). Joined by my overseas friend Angel (hi, Angel!), we took to Twitter and made it a three person live-blogging extravaganza.

Woof. I don’t know that my expectations for this film were sky high, but I was honestly disappointed in Netflix. I’ve seen some decent original content there recently, and they’re not bad with romantic comedies. With the Hallmark channel turning into a holiday movie factory churning out cookie cutter romantic fluff, I felt that Netflix should be able to take a slightly higher concept plot, more money and talent, and produce something at least slightly entertaining. Silly me. It felt exactly like they took a discarded Hallmark movie and threw in some time travel to attract attention, then did nothing with it.

Whodunnit Watch: Knives Out (2019)

Watched:  11/29/2019
Format:  Alamo S. Lamar
Viewing:  First
Decade:  2010's

I have a feeling Rian Johnson is going to be, with this movie, one of those directors twitter decides they need to prove they think is overrated.  He hasn't made that many movies, seems pretty lucky to have done what he's been able to do (if you ignore how he scraped to get Brick made), and hasn't ever delivered exactly what people are expecting when they show up at the theater - up to and including The Last Jedi.

Murphy Watch: Dolemite Is My Name (2019)

Watched:  11/24/2019
Format:  Netflix Original
Viewing:  First
Decade:  2010's

Back in college my pal Shoemaker would wait til we were about four drinks in and then I'd turn around he'd have put Dolemite movies on, and so I vaguely remembered them from the heyday of the mid 1990's.  Between being four drinks in, not focusing on the movies and the passage of 2.5 decades, sadly, my memory of the movies was vague at best.

Bad kung-fu, stilted acting and gratuitous nudity were more or less what registered and stuck with me.  And, I never did listen to any Rudy Ray Moore records, just saw images of the covers.  I like blue humor as much as the next guy, I just never made the time.

When I heard Dolemite Is My Name (2019) was coming out, I decided to revisit the original film.  And, if you follow this blog closely, you'll note that there's no post for Dolemite from this year.  Because, honestly, it's a movie you should be watching with other people.  Watching it by yourself just feels kinda weird.  It is a *bad* movie, but it is a fun bad movie that asks to be talked over and discussed as it goes along.    And, yeah, my memories of bad kung-fu, stilted acting and gratuitous nudity were verified.  Way to go, 1990's brain cells!

Disney Watch: Frozen (2013)

Watched:  11/20/2019
Format:  Disney+
Viewing:  Unknown
Decade:  2010's

I was on hiatus with The Signal Watch when I saw Frozen (2013) the first time, so there's no record here of what I thought at the time.  I do regret not having any of my reaction caught, because it was the most I'd loved a new Disney movie since Lion King, and, now, Frozen and Moana are probably my two favorite Disney animated features produced post Walt's passing.

Frozen became a smash in a way even Disney hadn't anticipated, becoming the soundtrack of choice for kids for a two year stint there, with merchandise everywhere, and with BluRays on repeat.  I know it became one of those things that a lot of people turned on, simply burnt out on a thing they'd initially liked.  It got so crazy, I recall Mommy Blogs ranting about how Disney was ruining their lives by way of under-producing Anna and Elsa dolls (btw, not Disney's fault there, moms...  That's a toy company's issue, or a sudden case of supply and demand not meeting.).

Doc Watch: Image Makers - The Adventures of America's Pioneer Cinematographers

Watched:  11/16/2019
Format:  TCM on DVR
Viewing:  First
Decade:  2010's

It's odd how little we talk about cinematography.  Of course we discuss actors and dialog.  FX are a big topic.  We talk about soundtracks and directors.  When we're feeling like showing some insidery-type knowledge about film, we'll talk editors.  But I'm not sure we always notice the names of the people who actually sit behind the camera, working out the actual look of a movie, which, as we're not listening to radio or watching a play, seems kinda key.

From composition to placement to depth of focus to lighting to movement of perspective... and probably 9 or 10 other factors I'm not thinking of, what we see in a movie is defined by someone who thought about every shot (in theory).  Sometimes it draws attention to itself, but more than 95% of the time, when we talk about a movie, we seamlessly discuss story and how we felt, basing it on any of those factors above, but how often do we discuss what the camera did?  Or where it was placed?

Concert Doc Watch: Amazing Grace (2019)

Watched:  11/11/2019
Format:  Netflix
Viewing:  First
Decade:  1970's/ 2010's

If asked to compile a list of the greatest popular American singers of the 20th Century, I'd assume Aretha Franklin would make the top few - if not the number one slot - for much of the US populace.

We lost Franklin in 2018, and it's unclear who can begin to fill her role in the zeitgeist, but maybe it's too soon, and maybe we don't need to.  Maybe she was a singular talent.

Shot in 1972 and unreleased until the last 12 months or so, Amazing Grace (2019) is an attempt by Sydney Pollack to record and capture the experience of Franklin recording a live Gospel album at a church in Los Angeles over the course of two nights.  Backed by a local choir and supported by the Reverend James Cleveland, Franklin takes to the pulpit and - as one would expect - nails every song before her.

Linda and Arnie Watch: Terminator - Dark Fate

Watched:  11/09/2019
Format:  Alamo Slaughter Lane
Viewing:  First
Decade:  2010's

Look, I'm on the record going to the mat for the first two Terminator movies.  And way, way less so for T3 and whatever the Christian Bale one was called.  And I never saw Genisys.  I did like the TV show, The Sarah Connor Chronicles.

Catch-Up Halloween Watch: Get Out (2017)

Watched:  10/19/2019
Format:  Amazon Streaming
Viewing:  First
Decade: 2010's

Look, this is one of the most written about movies of the past decade.  I'm not really sure I have anything new to add.  But I finally saw it, and it was very good.  Frankly, it was exactly what I was expecting from seeing the trailers, and I only was marginally off in two guesses I made while watching the film.  Still, it's an ambitious film and an uncomfortable film, and I can see why Peele is Hollywood's favorite new director. 

Amazon Streaming is including the alternate/ original ending of the film, and, frankly, I think they should have kept that as the final word, but no one is asking me. 

Television Watch: Fleabag - Season 1

Of late, if someone is going to mention a television show to you, it often comes with a wild look in their eye I recall occurring most elsewhere when my glance would occasionally meet that of the Hare Krishnas who used to roam The Drag in the 1990's. 

One does not "enjoy" a show anymore, they area devotee.  They advocate for it.  They seek converts.

So, lately, has it been with Fleabag, the short-seasoned show from England that, as was discussed at my house over the weekend, on paper, does not at all sound like my cup of tea.  Self-immolating, possibly alcoholic and definitely caustic young woman behaves badly, who runs up against the people she loves, and who love her, with poor results.  And does it whilst literally winking at the camera.

I mean, sure, fine, but is there at least a robot she drinks with?  Then we might have something.

Netflix Watch: Between Two Ferns - the Movie (2019)

Watched:  09/22/2019
Format:  Netflix
Viewing:  First
Decade:  2010's

I am well aware that Zach Galifianakis is not a fit to everyone's comedy palette.   I may be one of two people I know who is sad that the FX series Baskets has drawn to a conclusion (and both of those people live in this house), and while I am aware people liked him as a supporting player in The Hangover films, that hasn't necessarily translated into leading-man-comedian status after several mid-budget Hollywood films came and went. 

Not long ago, SimonUK and I were discussing the difference between American comedy and British comedy, and the conversation boiled down to "I think Americans like a trickster underdog who gets it over on a pompous bully, and Brits like a buffoon who has no idea he is his own problem."  Galifianakis's Funny or Die based web-series Between Two Ferns sits somewhere uncomfortably in the middle - Galifianakis playing a version of himself as a local basic cable public access host who somehow lands everyone from Charlize Theron to former (and then sitting) President Barack Obama.  It's punching up comedy - he's deflating any sense of self-importance a Hollywood-type might have - but doing so as a buffoon lacking any notion of the impact of his questions, and - amazingly - he's pretty irritable with his guests. 

The web series makes for a fascinating watch, partly because you can see which Hollywood folk are comfortable enough in their own skin to actually sit through one of the interviews, which can actually deliver some devastating questions (the only direction the guests seem to be given is: deadpan).  Some engage, returning the favor, others simply go blank, and it's always just a long, awkward gag. 

There's something of a story to Between Two Ferns: The Movie (2019) - essentially it posits that Galifiankis is a NC-based public tv host who has been picked up by Funny or Die, and coked-up CEO of FoD, Will Ferrell, sends his Hollywood pals to do the access show as a gag and to drive clicks.  A taping goes horribly wrong, but as the outcome, Ferrell sends Zach and his crew on the road to get 10 new episodes recorded in 2 weeks.  If he makes it, he gets a fancy late night talk show.

As one would assume, the film is more or less a road picture as the crew heads East to West, catching celebrity interviews along the way (Jon Hamm, Benedict Cumberbatch, Brie Larson, etc...), en route to deliver the episodes to Ferrell's desk.  So, if you like rough sketches on the road and the web-interview format of Between Two Ferns, I have some good news for you. 

The supporting cast of Jiavani Linayao, Ryan Gaul and Lauren Lapkus really are pretty hilarious, but so are a lot of the interviewees, whether it's the interview clips or the ostensible documentary footage that we're supposed to be watching.  Special hat tip to Chrissy Tiegen for her part (and, of course, John Legend).  And I hadn't seen Mary Scheer in anything in a decade, but I swear she makes the absolute f'ing most of her 2 minutes of screentime.  holy cats.

I dunno.  I thought it was hilarious, but this is a true Your Mileage May Vary film.  I assume many people do not care at all for Between Two Ferns, in which case... this isn't going to improve that for you.

Catch-Up Watch: Can You Ever Forgive Me? (2018)

Watched:  09/11/2019
Format:  Amazon Streaming
Viewing:  First
Decade:  2010's

I wouldn't say this movie was mismarketed, exactly.  But how reviews I read described it made it sound exceedingly joyless, but interesting.  The premise held enough promise that I planned to get to it eventually, but wasn't in a mad dash to do so.  However, Jamie watched it somewhere along the line when I was off at a breakdance party or whatever I do, and informed me it was very much in my wheelhouse, and, indeed, she was correct.

Can You Ever Forgive Me? (2018) is the true story of Lee Israel, an NYC based writer of bios of celebs of bygone eras (she's working on a Fanny Brice book during the movie's circa 1991 timeframe), which don't really sell, so she tries to hold copy-editing positions, etc...  to pay the bills.  But as a caustic, misanthropic drunk, turns out holding a job can be tough. 

She becomes re-acquainted with a down-on-his luck bon vivant, played by the always-amazing Richard E. Grant (a charming drunk, here), just about the time she has some bills due (cat gets sick), and has to make some money, quick.  Through a series of small discoveries, she learns of the world of memorabilia and letter collectors, and begins forging letters supposedly penned by luminaries long since passed, including everyone from Noel Coward to Louise Brooks. 

Melissa McCarthy stars as Israel, and it's not exactly a revelation to see her this good - I think she's kinda brilliant as a comic actor, so seeing what she can do with a dramatic part was a "well, sure" revelation.  She's always been so specific, with undercurrents and layers of sympathy, pathos, and thoughtfulness, even in goofy stuff like The Heat (which I really enjoy, y'all), doing same but for a dramatic role makes sense.  And, it seems, the work done here by she and Grant earned them both Oscar nods.*

Because the arc of the film is fairly obvious, I'll refrain from spoilers.  Instead, I'll just tip my hat to the actual technical work, character work, and script.  Director Marielle Heller has a sparse directing and acting filmography, but seems to know how to get a performance, and I'm now doubly interested in the A Beautiful Day in the Neighborhood Mr. Rogers biopic coming, as she's the one wearing the puffy director's pants there, too. 

I also quite liked the DP work by Brandon Trost, and almost laughed out loud seeing this is the same DP as the Crank movies, which I'll just let all of us ponder if we think we ever have someone's style nailed down. 

Anyhoo... I'm just recommending this one.  Give it a go.


*which... honestly, we should be expecting movies with these levels of performance in movies all the time, but that's reserved for TV these days.

Kaiju Watch: Godzilla - King of the Monsters (2019)

be careful.  Even under the sea, you can step on a Lego

Watched:  09/04/2019
Format:  Google Fiber Streaming
Viewing:  First
Decade:  2010's

In all fairness, at least two of you people warned me.

I didn't care much for 2014's Godzilla, the first in the series to relaunch Big-G from an American studio, leaping from Toho Studios to WB/ Legendary.  It didn't help that the movie was pitched as a Bryan Cranston vehicle at the height of Breaking Bad's popularity, and then removed him from the story about 1/3rd of the way in leaving us with an uninspired story about two characters who never were much beyond their wardrobe of "soldier" and "nurse".  We got Ken Watanabe in practically a walk-on role and Sally Hawkins as his sorta side-kick, but neither was given much to do but stare in awe at screens.

The movie was followed by Kong: Skull Island (2017), which I was in the minority as finding kind of boring and relying too much on Toho's take on prior renditions of King Kong rather than the 1933 original, for which I have a deep love.  I didn't find the way it "borrowed" from Apocalypse Now particularly charming or even appropriate.  The movie turned Brie Larson into a talking tank top, and if you asked me what happened in the movie to whom, I couldn't tell you.  Something something MONARCH.  But it also assembled a wild array of A and B list talent including Marvel heroes and villains taking a side-gig.  Ditching the notion that Kong would leave Skull Island in this episode, instead we're stuck with "look how many ways soldiers and scientists can die over the span of 90 minutes", which is a formula I mostly find deadly dull.