Ray Bradbury Merges with The Infinite

Like many of us English-speaking Westerners, one of the great moments of my youth was having a Ray Bradbury book put in my hand.  Oddly, it was Fahrenheit 451 and I was in fifth grade.  Most certainly I had an ambitious teacher, one who did not mind much if she shattered our cozy suburban world with a picture of dissolute marriage in an ossifying culture that was just our culture carrying on from our current trajectory.

It'd difficult to say how much of an impact the book had on me, and continues to have on me, as I've returned to it a half-dozen times, seen the movie a handful of times, and even consumed it in comic form (one of the few forms of print Bradbury would suggest would survive the end of books.  The end of ideas.*).

Just a year before Fahrenheit 451, my parents, knowing I had a thing for that red dot in the sky, took me to see a play of The Martian Chronicles, and the honesty of what it had to say about us shook my ten year old little self.  

Throw in Something Wicked This Way Comes and re-reading the Martian Chronicles two or three times and you've got the literature that left an indelible impression on a worldview.  It's completely fair to say that these books had a huge hand in shaping my perceptions, and absolutely they posed the questions that helped to lay the rail for the long haul of developing a moral perspective.  And that's the value of fiction, I think, when you're coming of age.

And, really, how many millions of us are there who understood where Mr. Bradbury was going with all this?  How many of us clenched paperbacks on the school bus or leaning up against the wall while we sat on our twin -sized beds and learned something about us that sounded perhaps deadly accurate even when wrapped up in spacesuits or demon carnivals or watching old women die in a pyre of novels?

Books. Comics. Movies. Travel. Grey Gardens.

Hello.

I am afraid it is already very late, and thanks to an evening out for dinner, followed by a catch-up call with my folks (just returned from Disneyworld), and catching up on a few things around the house, I am afraid we come to a third evening in which I have not written a post in which I review any media.  Partially, because no media has been consumed.

I feel I should post this evening because tomorrow night I am off to the movies to see a double bill of Shock Corridor and Naked Kiss at The Paramount's Stateside Theater.  You are welcome to join me.  At this time, I believe I am going alone.

Books:

During my commute, I am listening to For Whom the Bell Tolls*.  I also finally cracked Grant Morrison's Supergods over the weekend.

Supergods is covering a lot of history I already know, so I am really hoping it finds a new direction soon.  the Hemingway book is fantastic.  I'm pretty skimpy on my Hemingway, having only read short stories, some assigned stuff, and A Farewell to Arms.  Quite enjoying the audio book.


Comics:

Wednesday sees the arrival of Before Watchmen.  I won't return to discussing the project in this post, but its another DC product I'm leaving on the shelf.

But I am picking up a few books this week.  Action Comics.  Popeye.  Fury Max.  iZombie and X-O Manowar (which had at least an interesting first issue).  But looking at the picks for September...  Man, it looks a little bleak one year on from The New 52.


Movies:

Of course Wednesday, I'll be at the double bill of Shock Corridor and Naked Kiss, so maybe see you there.

Sunday I'm off to see Prometheus with Matty, Nicole and JuanD.  Should be a hoot.  I'm mostly looking forward to Scott's visual spectacle.  If the story pans out, all the better.

My Blu-Ray of John Carter is coming soon.  A movie not many saw, but which I really liked.  Here's to Planetary Romance.

For next week, I don't have anything on my Paramount schedule, but I do have a ticket to see The Old Dark  House at The Alamo Ritz.  It's a classic, but one that rarely screens.  This should be fun.  Again, I'm going alone, so if anyone wants to buy themselves a ticket, let me know.

Just FYI:  Realized tonight there's a strong chance I'm not going because...


Travel:  

Next week I'm off to Boston for most of the week for work.  I'm presenting with a colleague from Florida.  We'll be out in the "Quincy" area, wherever the heck that is.  I've never been to Boston, and I won't get to do any touristing.  It's going to be all-conference, all the time.

No, I am not telling you where or when I'm presenting, Mom and Dad.


Grey Gardens:

Home ownership has finally caught up with us.  In the past couple of weeks, we found a small stain in our laundry room was actually indicating a roof leak that hadn't leaked thanks to the SEVERE DROUGHT plaguing Texas.

May showers led to a leak that dripped between the walls of two rooms upstairs and straight down into the ceiling of our dining room.  A room which is delightfully free from any real furniture, so, it all ended okay after we lost some plaster, etc...

Then, our air conditioner died for a few days there.

I keep waiting for raccoons to start wandering through the living room.

Jamie has taken care of hiring people who can fix these things, and she has provided oversight of repairs.  We are keeping the slow decay of our home at bay for the time being.  Its just a bit taxing to even deal with, money aside.


That's it.

I gotta go to bed.

As a last thing...  the new album is out from Advance Base, if that's your thing.


*spoiler:  It tolls for THEE

Still no post Tuesday (with Audrey Totter)

Ms. Audrey Totter is here to see you through the rest of your work day.

No Post Tuesday with Marie Windsor

No post again. I got pre-occupied.

Here's Marie Windsor to keep you company as you carry on in your Tuesday.

Signal Watch Watches: The Rock-afire Explosion (2008)

My experience working at Chuck E. Cheese Pizza is fairly well documented, and so I am unsurprised that I might have a pre-disposition for an interest in the backstory and current state of part of the weird world of Pizza Parlors that double as Robot Music Shows.

The 2008 documentary, The Rock-afire Explosion (available on Netflix Streaming) seeks to uncover, really, one man's ongoing love of the robot band that made his childhood magical and the engineer who created the Rock-afire animatronic band and performances that made the Showbiz Pizza chain possible.

Honestly, it's maybe a little messed up.

see the face of your Mayan Apocalypse and behold your DOOM

I cannot begin to guess the original intentions of the filmmakers as they set out to begin interviewing private Rock-afire Explosion band owner Chris Thrash (I imagine they thought just getting Thrash and his band was plenty for a short film), but the final product is a mostly-feature-length, warm-hearted look at a man and his quirky dream.  One assumes that through Thrash the filmmakers got in touch with Aaron Fechter, the creator of the band, and an interesting guy himself.

Flechter seems a bit one part Willy Wonka/ one part Ahab, a guy who struck it big with an idea when he was very young, and who built a company that he very much cared about.  The failure of the overall Showbiz Pizza company and the fate that shook out for the animatronics group he owned is still very clearly present for the man, and there's something a bit tragic about the guy when you see what he's kept from the old days (and it certainly makes you wonder about his business acumen).

Signal Watch Reads: Superman Family Adventures #1

I know some of you, especially those of you with kids, have been reading Tiny Titans for a while.  And if you haven't been reading the series, go out and find the collections.  They're absolute gold when it comes to funny comics, especially if you follow DC Comics.

Possibly due to the reboot of the DCU, sadly, Tiny Titans has now wound down.

Not to fret, Art Baltazar and Franco's work lives on!  Not only is Art Baltazar illustrating the superlative line of fun kid's books under the Super Pets banner published by Capstone (catch up with Krypto, Streaky, Ace the Bathound and others!), Franco and Baltazar have moved their efforts over to a new kid's book: Superman Family Adventures.

The first issue arrived on Wednesday, and we gave it a read Wednesday night.

Yup, its a "New 52" inspired Superman operating in a Silver Age milieu, right alongside Super Pets, his young pals, Lois, Jimmy and The Chief.  And, of course, Lex Luthor and his rampaging robots.  The book is a first issue, and so its perhaps not the well oiled machine we came to expect of Tiny Titans, but its already got the peppy voice of the Tiny Titans book, but with longer-form content.

Unlike Tiny Titans, this comic isn't a "gag" comic, but takes the length of the issue to tell the story.  It's a change in format, but the spirit seems mostly the same.  And if you liked running jokes in Tiny Titans, one nice bit about the Amazing World of Superman is that there are already plenty of running jokes for Franco and Baltazar to draw upon (Jimmy's role as "coffee fetcher" for Perry White, Clark's winkiness when it comes to his secret identity, etc...).

In a lot of ways, DC has serious ground to make up when it comes to restoring Superman to the good graces of the public.  A ponderous 2006 movie, the drudgery of ten (10!) seasons of Smallville, and doing absolutely nothing to react to 20 years of press, comics and otherwise, rambling about the irrelevancy of Superman.  And, of course, DC's own staff seeming to want to do everything in their powers to avoid owning the big, crazy world of Superman so they could pretend that comics are for serious adults (or, at least, 18 year olds trying to identify with a broody Batman).

So maybe reminding people why this world works once you take yourself out of the context of competing for Punisher readers - aiming at the kids may be exactly the right tack.  In many ways, its two completely different milieus that just happen to co-mingle in the wild world of superhero comics.  But as The Punisher was meant to reflect a Bronson-type character in the Marvel U, it may be a wise move to find ways to use various characters to reach different audiences.  Or exploit how that audience feels about different characters to cover various bases.

The single most useless comment I read online about this book basically boiled down to "I like everything about it, but I'm a Batman fan, so I would have preferred a Batman family book".  That sort of navel-gazing doesn't really get you anywhere.  It's a bit like watching Star Trek and criticizing it for not being Star Wars or wishing you had the beef sandwich instead of the ham.  But I wonder.  Its not that I think that can't work, but DC has spent so much time rebranding Batman into The Dark Knight, they pulled the superlative Brave and the Bold from television to make room for a cartoon more in line with the grim avenger model.  Certainly they don't want to miss an opportunity for profit?  Maybe we'll get a sister Batman book out of all this.

Really, I have nothing but positive things to say about the comic.  They start off without bothering to discuss Superman's origin, rockets from Krypton, etc...  and they leap right into the action with Superman joyfully saving Metropolis from collision with a meteor(ite?), running into the Planet offices as Clark, and hitting the streets when Lex unleashes three robots to wreak havoc.

The art is energetic and extremely kid friendly (see the cover above).  I'm always impressed with the range of character and expression Baltazar pulls off as a cartoonist given the simple forms he's working with, but that's what makes him so favored as a cartoonist by fans, I suppose.

Anyway, its a very promising start and a missing component in DC's line of books.  And that missing component has been anything resembling "fun" or "joy", which, if you go back over Superman's long and storied history, has been where he's shone as often as when he's battled the forces of evil with a set jaw and narrowed eyes.

I saw that Comics Alliance had posted a preview.  I think you should check it out.

And Happy Birthday to Matty Mangum

Happy birthday, man.

I know you hate my blog and think comics are stupid, but we heart you, anyway.

Tomorrow we will get you a pony ride.

Happy Birthday to Marilyn Monroe

Today is the birthday of Norma Jeane Mortenson, who would go on to create an image of sexually charged glamour in American cinema and related media around 60 years ago, something that we're still not sure what to do with today.

Like everybody else who first learned Marilyn Monroe's biography from a maudlin Elton John tune, I cannot help but see her as a tragic figure.  Doubly so as, according to a number of sources, Monroe was also a bit of a genius, just one who knew that wasn't what the cameras or the public believed or wanted, and managed to play a role quite often in her public life.  It's only in seeing the surprising number of photos that surface with Mornoe with a book in her hands, or the fact that one of her choices of a man to marry was Arthur Miller*, that the image of the head tilted back with the open mouth smile becomes a put-on and the other Monroe comes into focus.  But maybe that's why Monroe continues to be discussed when Jayne Mansfield (and, in her way, Mamie Van Doren) have disappeared into pop cultural ephemera most people can't pick out of a line-up.

Signal Watch Watches: Bonnie and Clyde (1967)

It'd been a good long while since I'd seen Bonnie and Clyde (1967), the Warren Beatty & Faye Dunaway starring film loosely retelling the story of the very real life depression-era gang that cut a path through the central united states, from Texas to Iowa.

It's a great piece of filmmaking and one of those movies that both said quite a bit about the time of its release and manages to act one of the points of demarcation between filmmaking that had preceded it and what was to come as the 70's roared into cinemas.

I've talked before about how much I love Gun Crazy (1950),* and its not hard to see a bit of mashing of the facts around the Bonnie & Clyde case and the spirit and plotting of Gun Crazy in this movie.  But, of course, unlike the 1950 film, Bonnie and Clyde is one of the earlier adopters of obvious violence on screen, not shying away from putting bullets in the faces of bankers or showing Faye Dunaway getting riddled with bullets (I'd say spoiler, but if you don't know what happens to Bonnie and Clyde, you guys need to seriously start watching more TV).  It's also beautifully shot, well edited and the audio of the film presages a lot of what I think you'll hear in films to come as the mix attempts for naturalism, blending in the wind of the plains, a score that's semi-regional and period.

No News is Good News?

You know what I'm a sucker for?  The news.

You know what I haven't seen in the past 10 years?

There's an article on Yahoo! News (your place for breaking info on the Olsen Twins' fashion faux pas) about CNN as a Zombie news network.  

The conclusion:

And it may be that CNN's legendary objectivity is part of the problem. The network has always prided itself on covering the news with an even hand, but more partisan networks like Fox News and MSNBC have stolen away viewers by taking sides in the growing culture war and offering strong opinions with a conservative or liberal slant. CNN may win on journalistic integrity, but they're losing on passion.

Well, not for me and certainly not for anyone I talk to.  I may slant left, but I won't watch MSNBC because I don't need the news spun to me so that I'll nod like a muppet meeting the celebrity guest when Rachel Maddow comes on to tell me how smart we all are for agreeing with her.  


No, I quit watching CNN because they quit airing the news.  We all know that.