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when I've been quiet too long and Jamie asks me what I'm thinking about |
Watched: 06/21/2025
Format: Disc
Viewing: Fourth? ha ha... oh, mercy
Director: Masaaki Tezuka, Koji Hashimoto, Takao Okawara
I was going to watch something else, but I wanted to, for once, watch Godzilla Against Mechagodzilla and Tokyo S.O.S. (2003) back-to-back and in order.
Just yesterday I'd waxed rhapsodic about the first in this two-movie combo, and I'll continue to express my confusion about the sidelining of Akane Yashiro (Yumiko Shaku) in this movie. It's kind of a weird failure of narrative to hand over story-lead duties to someone else, especially when Yashiro is in the movie and it's obviously a direct sequel.
This movie sees the appearance of Mothra, who is miffed that humanity has decided to grab Godzilla 1954's bones and is muppeting them around inside Kiryu/ MechaGodzilla. Her pals, the faeries, appear to the guy who was in Mothra back in the day, who now has a nephew and grandson hanging out with him. Nephew happens to be a mechanic on Kiryu and needs to have a narrative arc about how he will come into his own as a hero.
The Prime Minister hears out Grandpa about Mothra's warning, but... what's a brother gonna do when you just dumped a trillion dollars into a giant walking skeleton robot tank to stop the nuclear lizard?
Anyway, this one has a long couple of battle scenes, and has lots of Mothra, which is why it's a fan favorite. I think the design of the fights is groovy, and the inclusion of Mothra organic and cool. Plus, our girl sends her two babies into the fray, so we get some good caterpillar action.
Like everyone else, I like Tokyo S.O.S. a lot. We've got one of my favorite Godzilla designs, an A+ MechaGodzilla design, I love the JXSDF concept (but miss all the weird psychic stuff Miki brought to the table), and this is how you include kids into one of these movies. He's helpful and not annoying! The fight in the city at night is super well done as G and MechaG take down buildings and level a neighborhood in high style.
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