Halloween Watch: The Omen (1976)

Watched:  10/15/2022

Format:  HBOmax

Viewing:  First

Director:  Richard Donner

Mostly, I watched this at long last because I'm tired of SimonUK assuming I've seen this movie, and then being surprised I haven't seen it.  So here we are.  ARE YOU HAPPY, SIMON?

It's not that I thought the movie would be bad, but once I heard the premise, I basically figured I could guess what the movie would be, and I don't think I was too far off.  Of course I didn't know specifics, but lots of creepy stares from a kid and people dying badly around him as the parents try to figure it out...  check and check.  

But- here's the thing.  It's just really well done.  I mean, say what you will, but kudos to Richard Donner for crafting a movie that has you cheering for a five year old kid to get it.  That's storytelling, kids.

Living at the intersection of two horror genres, (a) the evil child genre and (b) Satanic Panic fodder, The Omen (1976) manages to package the two nicely, pulling in name actors who are past their heyday but can still deliver the goods.  I mean, it's a bit odd to cast a 60 year old Gregory Peck to play the husband to a 40-year-old Lee Remick as the parents of a 5 year old (in 1976.  Now... meh).  Fortunately, both are terrific, unravelling on separate timelines as they deal with the reality of what's happening to them.  And, man, Remick can do more with a look than most actors can with all their tools and tricks.  

The film also stars a young David Warner, and it was great to see him doing his thing in the wake of his passing.

I'm glad I saw it, even if the past 46 years have seen so much in the way of imitation, it may not feel terrifically fresh at this point on a first viewing.  But it also never veers away from the point that there's a 5-year-old bringing about the end of the world, and no magic doo-dad is going to miraculously fix the kid.  And the *scope* of the story was so much bigger and better realized than I was guessing.  

Dracula Watch: The Satanic Rites of Dracula (1973)

Watched:  10/03/2022

Format:  BluRay

Viewing:  First 

Director:  Alan Gibson

Well, this is the final Dracula movie starring Christopher Lee as the good count, it's 1973 happening out there, and the soundtrack has a wah peddle.  I won't say I didn't enjoy this movie.  I did!  It's got Cushing still leaning into it, Lee is much more engaged than in Dracula AD 1972, and how can you go wrong when you include Joanna Lumley?  

This movie follows what happens when Dracula gets himself a cult going, and managed to plan ahead.  His plan may make no sense, but it is very, very dramatic.  Some key scenes seem to take place off-camera, and you will not like the guy who they cast as "our hero".  He has a terrible haircut and is rude to Joanna Lumley while also clearly supposed to have a romantic spark with her that no one is buying.  She's clearly way, way out of his league.  

Anyway, a mysterious cult seems to have recruited some deeply important people with the promise of power.  They kill a chicken and everything.  But it's secretly Dracula planning to use a super-bubonic plague that will wipe out humanity.  As the authorities bring in Van Helsing to sort things out, he sorts out that Dracula survived their last encounter and is now working to create a plague so all of humanity will die, and he will then be able to die, himself.  This idea gets no further consideration as some kinda wild stuff.  

There's a basement full 'o brides, a gang wearing matching sweater vests of evil, a woman wildly othered and exoticized for being Asian, snipers, excellent use of a net, and Dracula getting caught in a shrubbery.  

Joanna Lumley plays Jessica Van Helsing, seen in the prior year's Dracula AD 1972 as portrayed by Stephanie Beacham.  And her wardrobe is 70's fabu.  No notes.  She looks terrific.  

The movie plays it pretty straight, and nobody is an idiot just to serve the story.  I'm not sure how unleashing a plague requiring physical contact that becomes obvious one has said plague is particularly frightening when you realize no one would touch those people and just walk away from the threat.  Literally Lee's scheme in Captain America: Death Too Soon is 10000x more effective.   

There's some kinda interesting direction here that shows we've moved well on from the TV-like set-ups on the first Dracula.  Even if the title sequence just yells "make it cheap!".  It's funny what some camera angles and not pumping a studio full of flat lighting can do.  But, man, you can also feel that this is not the world's most expensive movie when Dracula's office looks absolutely borrowed for the day.

Yes, Dracula has an office.

Anyhoo.  Go watch!  It's the last Dracula Lee/ Cushing team up.  

Vampire Watch: The Velvet Vampire (1971)

Watched:  10/02/2022

Format:  Criterion Channel

Viewing:  First

Director:  Stephanie Rothman

You can't go wrong when your Dracula has a dune buggy.

I'm making light, but The Velvet Vampire (1971) was better than you'd figure with some stunning visuals and occasional actual sexiness, while being hampered by the budget and issues usually plaguing anything bearing the New World Pictures marquee from pre-1982.  

A lovely woman (Celeste Yarnall) who is absolutely and clearly our titular vampire stops for some death along the way to an art gallery show where she meets two dim-witted hip post-Summer of Love 1970's types.  The woman, Susan (Sherry E. DeBoer) rightly perceives Diane as a threat, but her husband, Lee (Michael Blodgett) sees a good looking dame who seems game and goes about telling his wife she has hang-ups and she should trust him.*  She absolutely should not.

The pair drive out to the desert where there's evil foreboding stuff and their car breaks down.  Fortunately, Diane appears driving a yellow dune buggy in full sunlight.  

At dinner (steak tar-tar, of course), Lee and Diane are basically announcing their intention to bang while Susan objects.  And then a bunch of vampirey stuff happens.  

If you showed up for partial nudity, you're in luck.  This is New World Pictures circa 1970 and they deliver on the spectacle you're hoping for.  If you showed up for Oscar-worthy performances, you may find yourself wanting.  But director Stephanie Rothman (the first woman inducted into the DGA, apparently?) does not screw around when she has an opportunity to do something cool.  And so we get some fascinating dream sequences and other bits that do a lot with some trick visuals, a fan and red negligee against the backdrop of the desert.

There's also a few other sequences that don't look like it was a crew fighting a losing battle with white walls and lighting, including a shot of Diane in a grave and two versions of voyeurism that appear in the movie.  

I can't say I loved the ending of the movie, but it's... fine.  I guess.  I would have ended it a full ten minutes earlier, but it's not my movie.  I'm just not sure how scary "vampire on a Greyhound" is.  But mostly I feel like it's a shame it appears Rothman never quite escaped doing exploitation films before hanging it up.   For example, I believe her take on the male hero of this film has to be satire in a way.  He's a being completely navigated by his dick who constantly gaslights his younger, vulnerable wife - even telling her it's no big deal when she witnesses him having sex with Diane.  The entire stance seems set up to get him murdered in the final reel.  

Susan's vulnerability and guilelessness is, frankly, unappealing and you can't blame either she or Lee for falling for the vampire's charms (there's definitely overt vampire lesbianism that never quite sticks the landing).  But it also makes Susan hard to follow as a character as the dramatic irony piles up around her.  And it all feels very intentional.  

I didn't love this movie, but as a curiosity, I'd recommend it.  It's not paced as glacially as some European films of the era, and you can feel okay about rooting against the leads.  I just wish the movie had left off much earlier and not decided a chase sequence was needed.  

*this, friends, is a red flag in your personal life as well as in vampire movies

PodCast 211: "Vampira/ Old Dracula" (1974) - a Halloween PodCast w/ SimonUK and Ryan

Watched:  07/26/2022

Format:  Amazon Streaming

Viewing: First

Decade:  1970's

Director:  Clive Donner

For more ways to listen

SimonUK and Ryan take a bite out of a 1974 vampire movie neither of them had previously seen, starring David Niven as a Dracula whose seen better days. It's 1970's hipsterism mixed with Blaxploitation meets horror meets comedy meets a sad trombone moment in the last 45 seconds. Join us as we kick off Halloween 2022!

SoundCloud 

The Signal Watch PodCast · 211: "Vampira/ Old Dracula" (1974) - a Halloween PodCast w/ SimonUK and Ryan

YouTube

Music:

Vampira - David Whitaker 

Halloween and Horror

The Signal Watch PodCast · Halloween and Horror

Watch Party Watch: Futureworld (1976)

Behold - Paltrow's mom getting with a Robo-Brynner

Watched:  07/15/2022

Format:  Amazon Watch Party

Viewing:  First

Decade:  1970's

Director:  Richard T. Heffron

When I was in maybe 8th grade, my brother and I rented the original Westworld, declared it "rad as hell" and pondered renting the 1976 follow-up Futureworld.  If a movie about robots going berserk in the old west was cool, wouldn't the follow up be even better - in a sci-fi playland?

Well, I remember us telling my dad we were going to rent Futureworld, and my dad saying "Sometimes sequels aren't as good as the original.  Like this one."  In retrospect, I realize this means sometime my dad had tried to watch Futureworld.  

For Houstonians, this movie provides an extra treat as a bunch of it was filmed around town.  Thrill to seeing the underground tram at G. Bush International!  Say "isn't that Jones Hall?" as the leads enter Delos.  Wonder where they are in the Johnson Space Center for great stretches of the film, and why NASA agreed to this shit!

Revenge Watch: Lady Snowblood (1973)

Watched:  07/02/2022

Format:  HBOmax

Viewing:  First

Director:  Toshiya Fujita

Oh.  My God.  @#$% yes.

As a rule, I don't personally believe in revenge.  But if you're gonna do it, might as well come at it with ice in your veins and a sword hidden on your person. 

Is there anything I didn't like about this movie?  No.  Is there anything I liked about it?  Everything.

Watch immediately.  Recommended.

PodCast 197: "The Medusa Touch" (1978) - A SimonUK Cinema Classic w/ Ryan

Watched:  04/25/2022

Format:  Amazon Prime

Viewing: First

Decade:  1970's

Director:  Jack Gold

For more ways to listen

It wouldn't be the first time we used our minds around here and it led to disaster. SimonUK and Ryan get excited about Richard Burton and Lee Remick, respectively, and get on the case of the victim of an attempted murder, who maybe - just maybe - is the source of all sorts of trouble. Join us as we talk an entry in ESP horror paired with police procedural.

SoundCloud 

The Signal Watch PodCast · 197: "The Medusa Touch" (1978) - A SimonUK Cinema Classic w/ Ryan

YouTube

Music:

The Medusa Touch - Michael J. Lewis 

Simon movies!

The Signal Watch PodCast · SimonUK Cinema Series

PodCast 195: "The Wild Geese" (1978) - A SimonUK Cinema Episode w/ Ryan

Watched:  04/08/2022

Format:  Amazon Prime

Viewing: Second

Decade:  1970's

Director:  Andrew V. McLaglen

For more ways to listen

Aging soldiers of fortune go back in for one last mission - and this time we're talking about the movie and not SimonUK and Ryan! It's a SimonUK Cinema Classic, a canon film, and a chance to watch Richard Burton play essentially himself if he was a mercenary. Behold post-colonialism relationships with the African continent, high adventure and the folly of canceling your Christmas travel plans.

SoundCloud 

The Signal Watch PodCast · 195: "The Wild Geese" (1978) - A SimonUK Cinema Episode w/ Ryan

YouTube

Music:

Overture - Roy Budd, The Wild Geese OST 

Flight of the Wild Geese - Joan Armatrading, The Wild Geese OST

SimonUK Cinema Series

The Signal Watch PodCast · SimonUK Cinema Series

Watch Party Watch: Night of the Lepus (1972)

Watched:  04/08/2022

Format:  Amazon Watch Party

Viewing:  First

Director:  William F. Claxton

You'd think a movie about giant, mutant rabbits with a taste for human flesh would be more exciting.  But, alas, that is not the case with Night of the Lepus (1972), which seems like such a missed opportunity.  And I welcome some enterprising soul to remake and improve the idea.  NOW IS THE TIME.

The movie features Rory Calhoun, Dr. McCoy and Janet Leigh, among others.  Janet Leigh is kind of weirdly wasted in the film, but wears an interesting array of stripes.  And it also features a lot of bunnies shot in slow-mo on scale sets, and it is goddamn adorable.

The main character and his family are entirely responsible for the science and bad decisions that create the mayhem of the movie, and should be in jail.  Even the little girl.  It's a hell of a script.  

Anyway, my middle school floor hockey team was named The Slaughter Bunnies, and I really wish I could say we based it on this movie, but we did not.

Musical Watch: The Man of La Mancha (1972)

artwork by the remarkable Ted CoConis

Watched:  02/26/2022

Format:  Amazon Prime

Viewing:  First

Decade:  1970's

Director:  Arthur Hiller

In high school I saw a college production of Man of La Mancha, and loved the show.  But somehow I never got around to watching the film.  By end of high school, I was familiar with O'Toole and Loren, so that wasn't a deterrent, and even back then, I didn't blink at watching movies from decades past.  I did plan to read Don Quixote on the heels of seeing the play, but never got to it.*  What has shocked me over the years is that the music from the show and the general spirit of a show I saw once at age 17 have stuck with me.

Even if you've never read Cervantes (and I have not) The Man of La Mancha (1972) is absolutely a worthwhile watch.  It's a strange movie, following the show's format, it's a play within a play.  Layer of illusion upon layer of illusion.  Cervantes is an actor performing the play he's written of Man of La Mancha in a town square when the Spanish Inquisition appears and, charging him with heresy, hauls him off to stand trial.  While waiting for his show trial, he cools his heels in a large, open dungeon with a multitude of fellow prisoners who decide to hold their own kangaroo court for him - and in order to explain himself, he sets about using the prisoners to portray a version of his play.

PODCAST 180: "A Clockwork Orange" (1971) - A Signal Watch Canon Episode w/ SGHarms and Ryan

Watched:  01/20/2022

Format:  HBOmax

Viewing:  Unknown

Director:  Stanley Kubrick

For more ways to listen

Ryan welcomes old droog and new co-host SGHarms to viddy a bit of the old ultraviolence as we discuss a bit of popular cine. It's Kubrick's much-discussed 1970's masterpiece, and there's plenty to talk about. Join us for a sloosh, my brothers, as we sort through all that Master Kubrick has brought us. 

If you have not seen this film, be aware that discussion of the film will include covering the film's depiction of multiple forms of violence, including sexual violence. Proceed with caution.

SoundCloud

The Signal Watch PodCast · 180: "A Clockwork Orange" (1971) - A Signal Watch Canon Episode w/ SGHarms and Ryan

YouTube

Music:

Clockwork Orange Title Theme (based on Purcell's "Music for the Funeral of Queen Mary" - Wendy Carlos

9th Symphony, 2nd Movement - Ludwig Van Beethoven, Berlin Philharmonic

Signal Watch Canon

The Signal Watch PodCast · The Signal Watch Canon

PODCAST 179: "Soylent Green" (1973) - a 2022 SciFi Episode w/ JimD and Ryan

Watched:  01/05/2022

Format:  Tubi

Viewing:  First

Director: Richard Fleischer

For more ways to listen

JimD returns to talk what to expect in the new year and what to look for as you consider healthy eating in 2022. It's a Sci-Fi classic that isn't all that great! But it has a neat ending. And garbage trucks. And some name cast, which is just weird. Join us as we try not to crowd you with our opinions!

Music:

Soylent Green - Fred Myrow

Sci-Fi Nerdery

The Signal Watch PodCast · Science Fiction Nerdery!

Neo-Noir Watch: The Silent Partner (1978)

Watched:  12/30/2021

Format:  TCM on Demand

Viewing:  First

Decade:  1970's

Director:  Daryl Duke/ Curtis Hanson

I knew nothing about this movie other than it starred Elliot Gould before Jamie put it on.  She'd read about it somewhere and knew "this will be in Ryan's wheelhouse, so I don't need to sell him on it", and she was 100% correct.

The upshot is that I really dug this movie, and I think you might, too.  It's a very 1970's neo-noir in the vein of classic thriller-noir like Kiss of Death.  But don't use that as an exact comparison.

LIGHT SPOILERS

Christmas Day Night Watch: House/ Hausu (1977)

Watched:  12/25/2021

Format:  HBOmax

Viewing:  Second

Decade:  1970's

Director:  Nobuhiko Obayashi

K was visiting for Christmas and she's wanted to watch this movie forever, so we did.  Least Christmassy programming possible, but it's a fun movie.

Holiday Horror Watch: Black Christmas (1974)

Watched:  12/5/2021

Format:  Peacock!  

Viewing:  First

Decade:  1970's

Director:  Bob Clark

I kind of start and stop my interest in slasher films with the Halloween films.  But ever since I found out Bob Clark, the guy who directed A Christmas Story, also directed one of the landmark Christmas-Horror films, I've wanted to see Black Christmas (1974).  Add in a pre-superstardom Margot Kidder, and it's a sell!  But the movie had been a little hard to find in the past - until recent shifts in how the streamers work seems to have fixed that.  

Anyway, it's now a whole lotta places, but I watched it on Peacock of all locations.  I know!  But if you watch like 2 minutes of commercials, uncut movie!  (edit:  I hit "publish" on this post, went to my email to read the Criterion Current email, and I guess Black Christmas is on the Criterion Channel now, too and an article about the weirdness of watching people get murdered on film.). 

Black Christmas is dark.  I don't want to beat around the bush on this one.  I am glad I didn't pick it for a watch party, because it's not... fun.  It's mostly just grim.  Surprisingly well made, effective, etc...  but sometimes I watch a movie and I'm kind of glad I don't need to worry about how Jamie was taking it in.* 

Music Doc Watch: The Beatles - Get Back (2021)

Watched:  12/3/2021

Format:  Disney+

Viewing:  First

Decade:  2020's

Director:  uhhhh...

I have what I'd describe as a non-relationship with The Beatles.   

I can't remember a time I wasn't aware of the existence of The Beatles, and since middle-school, I could pick out one of their tunes playing on the radio or over Muzak - but at some point when I was getting into music, I think I found the enormity of The Beatles as cultural force daunting, and their discography too big for me to get my head around.  I also think I had a hard time - as a high schooler - reconciling the Ed Sullivan Beatles with the late-years Beatles.  It was just so much.

I do know that in 1984 my parents took me to the movie theater to see Give My Regards to Broad Street. (That was when I first heard Eleanor Rigby and my wee brain was blown).  But they, themselves, weren't huge Beatles fans.

Holiday Regret/ Rifftrax Watch: The Star Wars Holiday Special (1978)

I like how you can see Harrison Ford thinking about literally anything but where he is in this moment

Watched:  11/22/2021

Format:  YouTube

Viewing:  third?

Decade:  1970's

Director:  Steve Binder

Hubris, thy name is Signal Watch.  

Jamie put up three options for us to watch the other night, and I was like "ha ha!  I'm feeling daffy!  Let's watch The Star Wars Holiday Special!  It'll be great with Rifftrax!"  

Friends, it was not great.

Look, Rifftrax is/ are fun, but they can't turn a broken sewer line into the fountain in front of the Bellagio.  It's more about standing there, cracking wise at the broken sewer line.  I mean, Lucas disavowed and tried to hide the existence of the Star Wars Holiday Special (1978) for decades, but early tape decks and bootlegs at sci-fi conventions kept it alive and kicking despite best efforts to quash this thing's existence.  

Star Wars was once upon a time a thing where there wasn't that much of it - unlike today's Disney-fueled production factory, we got a movie every three years and then some occasional oddball items.  But every attempt to expand beyond the narrow confines of the feature films seemed to be met in disaster.  I was jamming to Christmas in the Stars as a kid (a record that drives Jamie into a fury when I put it on), live-action Ewok movies, an Ewok cartoon and a Droid cartoon, all of which were...  not great.  But I hadn't even heard of the Holiday Special until college.

PODCAST: "The Man Who Would Be King" (1975) - a Signal Watch Canon episode w/ SimonUK and Ryan

Watched: 10/15/2021

Format:  Amazon Streaming

Viewing: First

Decade:  1970's

Director:  John Huston

For more ways to listen

Two wayward souls, maybe a bit past their prime and in over their heads, seek fortune and glory - and that's just our podcasters. Join SimonUK and Ryan as we head into poorly charted territory and look into a film featuring two of our favorite film stars in an adventure that probably needed some better planning.  But you gotta admire the moxie.

The Signal Watch PodCast · 169: "The Man Who Would Be King" (1975) - a Signal Watch Canon Episode w/ SimonUK and Ryan

Music:

Theme from The Man Who Would Be King - Maurice Jarre

Canon Playlist 

The Signal Watch PodCast · The Signal Watch Canon

Elvira Halloween Watch: Messiah of Evil (1973)

Watched:  10/31/2021

Format:  Elvira Special on Shudder

Viewing:  First

Decade:  1970's

Director:  Willard Huyck and Gloria Katz

A while back, JAL suggested we watch this film together, and I was "ok" and then things occurred and that didn't happen.  But as we were prepping to get together for a film, I noticed that this was the fourth entry in Elvira's 4 film 40th Anniversary celebration on Shudder.  I asked Justin, and he said "oh, yes.  Watch with Elvira."  And so I did.

Elvira seemed quite taken/ amused by the movie.  So that's a good sign in my book.  She broke into the film several times, not least because she was excited Elisha Cook Jr. was in the movie, and so say we all.  Anyway, if you've got Shudder, check out Messiah of Evil (1973) as part of her 4-film cycle.  

This movie very much wants to be a horror film in a certain classic sense of horror - of creeping dread and mystery slowly overtaking our heroes as they succumb to madness, violence of others, etc...  Letters are read from people not in the story who are gone missing.  People wander languidly in a dream-like state.  Our narrator starts off confined to an insane asylum, warning us of doom before telling her tale.  It's that kind of film.

It's not *that* bad.  The pacing is a mess, as are a lot of low-budget horror films from this era that think they're building tension but they're... killing time.  But it has two legit actors pop up as guest stars (Royal Dano being the other), and had two - frankly- really good, creepy murder sequences that feel like an electric jolt in this otherwise plodding movie.  

I don't think this movie is dumb, but it just feels like it's not quite sure what to do about its limitations.  And all of the actors seem like they're on Quaaludes.  So when you add zombie cultists into the mix...  and I have every reason to believe all of this was intentional.  

The pair behind the movie, Huyck and Katz, went on to do work on good movies, including American Graffiti.  And bad movies (Howard the Duck).  It's one of the folks in famous-people film circles who didn't quite become famous themselves.  

Anyway - check it out sometime!  And we can figure out why the main guy refuses to ever be seen without a vest on.

Halloween Musical Watch: Rocky Horror Picture Show (1975)

Watched:  10/30/2021

Format:  Hulu

Viewing:  Unknown

Decade:   1970's

Director:  Jim Sharman

There must be plenty of academia written on The Rocky Horror Picture Show (1975).  And yet, I find it a bit difficult to discuss.

I was fifteen, just moved back to Spring, TX and in the burbs when my mom - not sure what else to do with friendless 'ol me on the weekends - did what she did for a few months when we first got there, and took me to the local video emporium.*   I'd rent 3 or 4 movies and that's what I'd do when my parents turned in and the insomnia that has defined my entire life kicked in.  And among the tapes - I picked up the 15th Anniversary edition of Rocky Horror Picture Show.  

 I had heard of Rocky Horror when I was maybe 13, but had no real concept.  When I was 14 and still in Austin, some friends suggested we all go to a midnight screening.  Austin was, for reasons that make sense if you knew it at the time, one of the first cities outside of New York or LA to have a regular midnight screening of the movie.  I think it was at its semi-permanent location of Northcross Mall by that time.  And my mom greenlit me going - until about 72 hours before it was time to go, and I don't know what he teacher friends told her, but suddenly I was not going.