Signal Watch Reads: Fantastic Four - Season One

Before I'd read the names associated with the books, I generally liked the concept behind Marvel's Season One initiative.  The books would retell the origins of Marvel's top characters and get something in bookstores and online that a new reader could pick up and enjoy.  Unlike DC's now baffling Earth One effort, Marvel basically chose to retell the same stories in a fashion that seems ready-for modern audiences.  In a way, this is the same continuity - just a wee bit cleaned up and with modern backdrops.

I believe this Fantastic Four Season One is the first Season One release, and its a promising start if the goal is to create a comfortable entry point to the Marvel Universe for someone vaguely aware of the brand and characters.

As a veteran comics read, I've tried to become more aware of the Fantastic Four in recent years, but I find my FF fandom extends only as far as the person working on the book.  Kirby?  Yes!  Mark Waid?  Absolutely.  But when Mark Millar took on the book a few years ago, I dropped it and never came back.  And that was after some bumpy readership between Waid and Millar during which my reading was never steady.

On the topic of Watchmen Prequels

Today DC Comics formally announced that they are developing a series of Watchmen prequels.

there is a reason all the comics geeks over the age of 30 are posting this picture today

Gerry wrote a compelling piece over at his site, and I encourage you to read what he has to say on the topic of Watchmen prequels.

No doubt one look at DC's books by the new leadership up at the very top saw that Watchmen isn't just successful in comics, its a transformative publishing success story for comics.  Its more or less been DC's way of printing money every quarter since I was in high school.  DCE President Diane Nelson is an entertainment executive, and it is not the job of an executive to think of the product as anything but product.  We readers and collectors have the luxury of thinking of our comics as art or works of literature, but the first thing that happens when a book or movie does well?  The publisher or studio starts looking to either produce a sequel or re-assemble the components that made that first hit such a hit.

If the President of a drinking glass making company sees that pint glasses are moving more than tumblers, they need to make more pint glasses, and probably a variety of pint glasses.  ECONOMICS!

That, I get.

But I don't think I'll be picking up any of the series.*

I have a few questions for Mark Waid on "Irredeemable"

edit:  I have recently been informed that my comics conversations have gone way "inside baseball".  I suspect this is one of those.  I apologize in advance.


Also, this thing was riddled with type-o's.  Thanks for not pointing that out.

I just finished Irredeemable Volume 8.

Some thoughts:

As much as Kingdom Come was a commentary on the state of superhero comics in the mad, mad 90's, I have to look at Irredeemable in whole, if not in individual parts, as another bit of Waid's commentary, but (for me) its a bit like trying to hold mercury.  The Plutonian is not exactly a Superman analog, even when he clearly is.  There are hints of Squadron Supreme here and there, which was exactly a commentary on the Justice League, but maybe less so when JMS rebooted the Squadron a decade ago.  Hints of Wildstorm, bits of reflections of reflections of the JLA and DC line of books in Authority or a few dozen other replicas that mistook gloss for edge and grim violence for "realism".  But maybe this book is a reflection of that dark reflection.

In this issue, Irredeemable fights the ghost robot from space!*

It may be time for creators to push back a bit against the bosses at the Big 2

Before the new year, I had been pondering a bit upon the power the internet has placed in the hands of comics creators.

Since the 90's, creators have had the forum of the internet to reach and build small communities around themselves.  And, also since the 1990's, the creator has become arguably as important in the day-to-day world of superhero comics than the characters themselves, and outside of superheroes, creator is king.  Its a massive shift from the Silver Age during which most stories didn't receive an attribution of artist or writer.

I am not certain all creators have used the web terribly well.  Its pretty clear some creators just didn't and don't get how far their comments can spread, or understand that what they say is semi-permanent, once its out there.  And, of course, some have chosen to hole up and build an online cult of personality, and that's just weird, John Byrne.

The comics industry is a very, very small world, especially once you're working for the Big 2.  And, of course, once you're at the Big 2, there really aren't a lot of places to go where sales will be as high based solely upon who is publishing your book.

I'm thinking today, specifically, of an article posted at Comics Alliance (but something I'd heard from Jordan Gibson via Twitter), about how Static Shock, a book I was thrilled to see coming, arrived with such a lead thud and how writer John Rozum seemed to blame until he decided to go ahead and clear the air and tell the public what had occurred behind the scenes.

Rozum's post is a good read, if you've the time.

I hadn't liked the issue of Static Shock I read with the New 52 relaunch, and I can see now how a lot of what I found lacking occurred.

This is the second event of this sort this year that I can think of wherein a writer did not follow the script we usually see.  The script is usually either silence or a statement about bad luck, unfortunate circumstances, etc... but few will flat out say what has gone wrong.

Noir City Special: We Crash Dashiell Hammett's Apartment

So, more than once I mentioned that Jenifer had lined up something highly unusual for my visit to San Francisco that was going to be a real topper for the trip out.

She told me ahead of time that she'd gotten this set up, but it didn't make any sense at the time.  After having spent a few days with Jenifer, I now get that she's just one of those people who has the near-magical ability to make things work.

Its also worth mentioning that Jenifer figured out from looking at pictures that she lives across the street from the recently renovated former apartment of pulp hero, Dashiell Hammett.

The story around the apartment itself is kind of amazing, and involves sleuthing on the part of his truest fans.  Its true Hammett lived in multiple buildings, but by looking at return addresses on envelopes from letters, descriptions of Sam Spade's apartment in The Maltese Falcon and a few other contextual clues, they've narrowed it down and figured out that this was the apartment Hammett resided at for a few years in San Francisco, and when he wrote The Maltese Falcon.

I'm still not entirely clear on how Jenifer made the contact, but this morning we met up with one of the organizers of Noir City, who had been one of those investigators and who had lived in the apartment himself and did a lot of renovations.  I won't go into specifics, but basically the apartment is now a very weird spot.  Nobody lives there, and its a residential building, so there are no tours.  Essentially its supported by a philanthropist who pays the rent and maintenance and the place sits empty most days except for an occasional tour like ours or a walking tour.

Jenifer models next to the plaque talking about Hammett outside the security door.

The building is down the street from my hotel, as well.  And one thing I've learned in my short stay is that behind a lot of these facades, there's something going on or some crazy history in a lot of these buildings you wouldn't guess walking by, be it a famous author's former residence, or a secret stash of vintage cars or swimming pools by big doors.

Just inside the doorway

It doesn't seem that anybody was really aware of the building's history until the last 20 years, and so the apartment had to be basically re-done to match the original decor.  The building went up in 1917, and so Hammett would have lived there about 10 years after it opened.  Since that time, landlords had removed doors, painted over glass, added a hundred layers of paint, etc...

Dedicated folks pieced together the apartment from fixtures in apartments from the building that were original, found items that matched the book, etc...

Its a fairly small place.  A bedroom/ living room with a murphy bed, a small bath (with the original clawfoot tub and toilet, so you can stand where Hammett stood as he showered, I suppose), a small kitchen, etc..   So this was not from a period in Hammett's life where the money was just rolling in.  Its a modest living space in a part of town with a lot of character now and then.

I did take more pictures, and when I upload them to Google, I'll post a link.

Oh, the Falcon on the desk?  I'm not sure what that's about.

No, this was not Hammett's chair, but its a nice chair, right?

Of a very special, very noir weekend, this was an unbelievable bit of history that put a near surreal spin on things.

Thanks to Jenifer for arranging the tour (and so much more during my stay), to Bill who was more host that tour guide, and Doug, who was... there, I guess.

More pics when I get home and get them off my phone.

Some good reads: Memorial #1 and Daredevil #7

If you haven't been past your comic shop yet, or you might be heading back soon, I wanted to pitch two comics to you.  One is a brand new series, the other one of Marvel's oldest mainstay characters, and so it gives me two very different things to discuss and recommend for different reasons.

Memorial #1 
written by Chris Roberson, art by Rick Ellis and colors by Grace Allison

I have a feeling that if issue #2 continues on from where issue #1 started, and this thing expands the way I think it could, we're going to be looking at one of the "next big things" for comics fans.

In TV and comics, there are ways to lay groundwork while laying out tantalizing bits of "what's really happening" or setting up a mythology, and its difficult to pinpoint how a series on TV like Lost can do this so well, and then the reboot of V comes along, and it has all the fun of solving a big book of word problems.

It has to do, of course, with clearly defined (and new but readily understood) characters, buy-able circumstances for characters that set an internal logic from the beginning, what was presented as hints about what's happening without being unnecessarily oblique.

If this were a TV series, I think we just saw the first half-hour of the 90 minute pilot, and it was very promising. We get a lovely tabula rasa set up for our start, that we know we'll populate with backstory, despotic fairytale queens, and plenty of hints about who our villains are, and the circumstances that led them to villainy.  Its a compelling soup of familiar and unfamiliar, and I am very curious to see where it heads.

Mostly, unlike so many #1's I've read in the DCU relaunch, this didn't have me wanting to know more to guess how they would do this, or fix it, or how this compared to my expectations.  This was starting fresh, and it felt fresh and absolutely necessary against the backdrop of the state of the industry.

Give it a shot.  You can find Memorial #1 from IDW out as of Wednesday, Dec. 21 at your local shop, and online at comixology.

Recommended for fans of Sandman, Fables, Unwritten and Books of Magic.

Daredevil #7
by Mark Waid, Paulo Rivera and Joe Rivera with colorist Javier Rodriguez


The constant push to write for the trade and the industry's devotion to the 6 issue storyline has meant that we've all but lost a vestige of the 80's on most of superherodom in comics.  When writers like Claremont were on books like X-Men, as powerful as a multi-issue story-arc could be (and how that was handled differently them plotting out over years sometimes), often it was the stand-alone story between stories that worked as a short story, and revealed character in the way day-in-the-life or short-form stories can.

Waid has always been talented, but of late, the man has been firing on all cylinders on all of his projects.  On Daredevil, he's rescued the character from a whirlpool of negativity that started in the 1980's with Miller's work, was used to excellent effect in some of Bendis's run on the character, built upon by Brubaker, but essentially left Matt Murdock with nowhere to go.

Waid continues to play off this problem in this issue, as the mission of this run has been to make Matt Murdock a character whose stories people might want to read for enjoyment, not endure out of duty.  Matt Murdock, the character, has reclaimed life, and as readers, we get to enjoy that, too.

This issue follows Murdock in a set of unfortunate circumstances leading kids to safety through a snowstorm.  the subject material shouldn't feel like an 80's throwback, but I simply can't point to enough periods in the past 20 years when a writer was offered the opportunity to tell this kind of revealing story in a mainstream book, or saw the potential in such "ordinary" circumstances.

Its a straight up amazing read, and shows not just why Daredevil works as a character, but why Waid's understanding of character and what real drama can look like in a comic about men in tights, keeps the whole thing engaging and reminds readers how this medium and this genre can work on a very good day.

 

Garth Ennis's "Battlefields"

A comic that's gotten sadly too little conversation, in my opinion, has been Garth Ennis' war comic, Battlefields.

Ennis is famous for Preacher, Hitman, Punisher: Welcome Back Frank, The Boys, Adventures in the Rifle Brigade and other over-the-top comics adventure stories aimed squarely at the 17-and-up crowd.  Yes, he knows how to a work a good de-nosing, be-facing, entrail gouge and other such entertaining topics into his work.  And, I admit, when I'm in the mood, I absolutely love that stuff.

But a number of years back now, Ennis did a two-issue, prestige format Enemy Ace story that more or less set up my current fascination with the character (especially after learning Pratt's work on War Idyll and the original Kanigher and Kubert work was so astoundingly good), and I'd highly recommend it as a good "here's a comic without superheroes" comic.

He went on to write some great stuff in his War Stories comics at DC, and, again, I'd recommend.

But a couple years back he started a new banner at Dynamite where he could tell short, 3 issue stories, called Battlefields.

Truthfully, I'm not sure if I've discussed his work on Battlefields here before or not.  But it bears discussion.

Unlike most of comic-dom that plays with facts, refuses to do so much as a Google search on even the historical figures or events they're talking about, or grossly misrepresents facts in order to "tell the story", Ennis clearly does his research.  He clearly knows his topics, from New Zealand army bombers to British tank commands during WWII.  And on top of that, he tells brilliant, human stories in the grinder that is war.  Sometimes sentimental, sometimes less so, but never with the varnish of a John Wayne war movie, nor the melodramatic flair of Platoon, Ennis actually carves out a pretty straightforward way of relating his stories, and that makes the tragedy surrounding the characters all the more grim.

If you get a chance, at least pick up that first collection.  Its of 9 issues, 3 separate stories on 3 separate fronts, and all chillingly well told.  I'm pretty sure it'll mean you go ahead and pick up Volume 2.

While Ennis most definitely gets a nod of respect, there's so much more internet ink spilled (and I suspect sales are much higher on) his books like The Boys.  And that's great, but its missing what a tremendously talented and versatile (and damned smart) writer Ennis really can be.

Jerry Robinson Merges with The Infinite

Comics artist and creator of Batman's arch-nemesis, The Joker, Jerry Robinson has merged with The Infinite.

There are fact-filled eulogies and appreciations drifting in from all over the internet, so I'd rather link to better-written and better-researched articles and eulogies.

From CBR

From Newsarama

Jerry lived to the age of 89, but in his youth was part of the comics explosion, working side by side with the pioneers and greats of industry.  He was also a comics historian, and advocate for creator's rights.

With the production of The Dark Knight as a major film (and featuring The Joker), Robinson was given emeritus status at DC Comics, and has enjoyed a close relationship with the company the last few years.

Another of the great ones has passed.

Alvin Schwartz Merges with the Infinite

Comics writer Alvin Schwartz, whose tenure at DC stretched from the Golden Age to the Silver Age, has passed at age 95.

Truthfully, I am not familiar with Schwartz's bio, only that his name appears again and again in reprints that I read of old school DC comics.

Schwartz is likely most famous in Superman-fan circles as the writer who (1) created Bizarro, and (2) believed he had actually met Superman in a cab.

I say:  sure, why not?  Superman tends to move between the various worlds of the multiverse.  Why not ours?

Kid Friendly comics! Snarked and Donald Duck

Snarked!

I finally read the first two issues of Roger Langridge's Snarked.  Well, I read issue 0 and issue 1.

Playing off the public domain status of Lewis Carroll's stories, Langridge has grabbed the briefly mentioned Walrus and The Carpenter and decided to spin a story from what we know of them from the poem (told by Tweedledum and Tweedledee in Through the Looking Glass).  If you can still track down issue 0, its pretty chock full.  Not just of story, but of the source material Langridge will hope you're familiar with as he mines Carroll's material for his own purposes.

He includes pictures by John Tenniel, Carroll's artistic accomplice, in appropriate places, but the art is the same mad cap, cartoony style I really liked in his work on The Muppets comics (also from Boom).

I suspect that, with issue 1, Langridge plans to make this a closed story, that has a beginning, middle and end.  Originally, I'd believed it would be a gag book, or have one-off stories per issue, but instead it seems we're headed off on a bit of an adventure.

You see, the Red Queen has passed, leaving two children Princess Scarlett and Prince Russell IV (aka: Rusty), but now the Red King has disappeared whilst on a sea-faring voyage.  And the kids (a) would like to find their father and (b) get away from the folks who want to seize power.  Our friend The Cheshire Cat has an idea who can help them, even if The Walrus and The Carpenter seem to be, by all indications, cheaters, liars and cons.

The Walrus, The Carpenter and the offspring of the Red Queen & King

Good stuff.

The writing is sharp, the characters archetypes but cleverly done, and its a book that you can hand a kid, but I suspect you'd want to sit and read it with them.  Its pretty fun, and the language is very well thought out.

And if you have a picture of what a "snark" (the much discussed but unseen beastie) looks like, you may send it in.

I think this is one of those books you're going to wish you'd jumped on early.

Walt Disney Treasury: Donald Duck Vol 1. and 2 (and more)

Oh, so!

Yes, I've been reading Donald Duck again.  I know, I know.  I came to Disney comics so late, I feel like I have a lot of catching up to do.

I've had both these volumes for a while, but I just dug them out of my stack of comics I haven't yet read, and I plowed through them with pretty great speed.

I don't think Boom! will be carrying on printing these books now that Disney owns Marvel comics (a shame, because Marvel's collections edition has never seemed as together as I'd like) and Boom! was just really getting themselves together on their Disney collections front.  AND it was a nice compliment to the really fancy (but expensive) work Fantagraphics was doing on their archive collections.

Hubris, thy name is Donald

The two Donald volumes are pretty reasonably priced ($14.99 cover for a lot of comics) and contain pretty good stories in both.  I finally got to read a Plain Awful story in Volume 1, and the Uncle Scrooge/ Donald go into space to collect satellites story in Volume 2 had me rolling.  Both volumes contain work of the American creator, Don Rosa, who is one of two comics creators associated with Disney's ducks that all comics people should know (along with Carl Barks).  And coming off reading the Disney Four Color Treasury, it was nice to transition to the more modern Ducks era.

Its tough to explain the appeal of a Donald Duck or Uncle Scrooge comic to the uninitiated, except to say that Duckberg is a very well realized place of goofiness and big hearted skinflint trillionaires and good-hearted crooks like the Beagle Boys, and its fun to see Donald in one story wrestling with space flight and in another trying to get the nephews to school.

Don Rosa is, in my estimation, one of the most creative talents in comics, with great understanding of narrative, gags, character, etc... and its just a huge pleasure to read his work.  And I suppose it says something about how under the radar the comics must have been for Disney for this to be one of the areas where any single creator was able to make a name for themselves.

 

Bil Keane, Family Circus Creator, Follows Dotted Trail into the Infinite

Today it was announced that Bil Keane, creator of the long running and enormously popular Family Circus comic strip, had passed at age 89.  Keane's strip appears in over 1500 papers and has been in publication for over 50 years.

As a somewhat shallow jerk with no children of his own, like literally dozens of other Americans, I quit enjoying daily newspaper strip The Family Circus's whimsical take on the gosh-darn cute things kids say and do some time back.  But circa 1984, I was all about The Family Circus.  Mostly because I'd found a huge treasury album on deep discount at Bookstop, but its also a fairly consistent (perhaps too consistent) strip, and sometimes it was sweet and amusing enough and inoffensive, in the way you might find yourself partially smiling at a rerun of Everybody Loves Raymond when its on in the waiting room of Jiffy Lube and you're stuck there for 45 minutes.*

Les Daniels Merges with the Infinite

I saw some noise on Twitter and am sad to confirm that Les Daniels, writer and comics historian, had passed.

I've read a few books by Les Daniels, now several years ago.  Daniels wrote the books that I still refer to for historical context on DC's Trinity (I pulled the Superman book off the shelf just last month for some fact checking).  I've always understood that he preceded current historians like Hajdu or Gerard Jones, and its certainly not the place where one earns glory in comics.

Likely Daniels' greatest exposure came in the creation of the DC Masterpiece box sets that came out a few years ago that you could pick up at Barnes & Noble or Borders.   Those things were actually pretty amazing, and if you're a comics fan, you missed out if you didn't grab them.  

Mostly, I appreciated Daniels' approach as an historian, not really shying away from some of the goofier or odder sides of the development of characters.  It was from him that I first read about Wonder Woman's origins derived from William Moulton Marston and Marston's particular proclivities.  Its not an approach 95% of the folks currently writing about comics seem to get (or want to get), that these characters we love do not spring whole cloth from the imagination, but from the forces of the time, the forces of personality of creators and the environment and culture that formed the minds of those creators.  

In the end, I don't have much to add about Daniels, other than that he opened my eyes to the sweeping history within the publication of superheroes, and I suspect that he helped build my fascination with Superman, Batman and Wonder Woman as more than characters on a page, but as icons of western culture in their own right.

Saturday Night Interactivity - Drunk Tweet "Big Trouble in Little China" with Signal Watch, @Placeslost, Comics Scribe @chris_roberson and the fabulous @allisontype

What the hell, ya'll?

So Saturday night, PaulT and I are joining comics writer Chris Roberson and his amazing better-half AllisonType, for a screening of Big Trouble in Little China.  And YOU can play along.

THE POWER OF THE INTERWEBS

We'll be having a cocktail or three and via the magic of Netflix Streaming, we'll be watching the John Carpenter directed classic Big Trouble in Little China.

Whilst watching, we'll be on Twitter using hashtag #BingeTrouble


As a reminder, our twitter handle is:  @melbotis

Follow along as PaulT, Jamie and I attempt to keep up with these veteran DrunkTweeters!

drunk tweeting: it's all in the reflexes

We3 Deluxe Edition Arrived in August (Morrison and Quitely)

I get nervous when I come home and Lucy, Scout and Jeff are all sitting around in their armor.

If you were to tell me that I would one day read a very Rated-R comic book about cyborg house pets armed to the teeth and on the run, written by Grant Morrison and drawn by Frank Quitely (the team behind All Star Superman and Flex Mentallo), I would start wondering exactly how long you'd been scanning my brain while I slept to learns all my hopes and dreams.

But after Morrison fled Marvel back in the mid-00's, he returned to DC/ Vertigo where he went into a creative tornado, spinning out stuff I absolutely loved like Vimanamara.  But more importantly, he and Quitely created We3, likely one of my top ten or so favorite comics.  

August saw the release of a new, Deluxe Edition of We3, which I recently read.  It has more pages than the original collection or issues, fills in a bit more of the story, and it made me cry a little bit again, even if this is at least the 12th time I've read that comic.

Not only is the story terribly heartbreaking, but to me, Quitely is one of the brilliant artists working in any medium right now.  We're just lucky to get him working in comics.  I don't know who designs these pages, but... man.

For such a great package, the We3 book is very reasonably priced.

 U R a Gud Dog

Today would be Jack Kirby's 94th Birthday

Did you enjoy the movie of Thor? Captain America? The Fantastic Four movies? The X-Men?

aw yeaaaah, Kirby!

What about Thundarr the Barbarian, the 1980's kid's cartoon?

All originated by Jack "King" Kirby. Today would be Kirby's 94th Birthday.

You can visit the online museum dedicated to Jack Kirby right now.

In the future, Kirby will suffer from the same rumors that plague Shakespeare today. How could one man come up with so many ideas? Produce such a volume of work? How could one man have contributed so much to the story-telling mythology of America and the World? He makes Hans Christian Andersen seem like a slacker.

While the World Burns... even Morrison doesn't think this mode is sustainable

A frog in a pot will not notice when the heat around them begins to rise, and will get cooked alive.

I'll be honest with you, in a lot of ways I think this describes the bizarre culture that's grown up around comics and its resistance to facing down the hard numbers of the state of the industry.  Nathan C. today forwarded me an article from Rolling Stone in which comics writer Grant Morrison, arguably one of the more successful and definitely one of the smartest guys in comics, talks more bluntly than I can recall seeing from in an interview.

Morrison is making the rounds promoting his book Supergods (my copy shipped today from Amazon), and perhaps he's a bit tired out or punchy from too many interviews, but its the first I've seen of Morrison not being asked to play shaman and reinforce our own mystical beliefs in superheroes.  Instead, Hiatt asks Morrison some straight up questions about the flagging American comics industry, and Morrison answers from his own script rather than from the cheerleading script, no doubt his employers would prefer.

DC is relaunching its entire line – is there some desperation there?There's always going to be a bit of that because comics sales are so low, people are willing to try anything these days. It's just plummeting. It's really bad from month to month. May was the first time in a long time that no comic sold over 100,000 copies, so there's a decline.

So guess who just met comics scribe Mark Waid while seeing Captain America?

Wow! Fun night.

Me and Pal Kevin headed up north, had a lovely dinner and then ran over to the Gateway theater where Austin Books hosted a screening of Captain America with the Austin Chronicle. In attendance: Mark Waid.

Firstly, I am a big fan of Mark Waid's work on Flash, Captain America, Kingdom Come, Irredeemable and a whole lot of other books and characters. Secondly, of Marvel's roster of characters, Captain America is one of my three favorites (with Spidey and maybe Rocket Raccoon).

Waid (left) puts up with the unruly Austinites

So, this was kind of a big deal for me. Oh, and I also won a hat by answering a trivia question.

I actually had all the books that ABC had brought with them to purchase and get signed (like I said, I'm a Mark Waid fan), so I thought - ah, heck.  Why not?

yeah, I made him sign the hat, too

Mark Waid will be at Austin Books on Saturday from 4-7pm, if you have a chance to stop by.

My review of Cap is coming, but (spoilers) - I loved that thing.

A Brief Hiatus - Back Next Monday

Hi all!

At the risk of losing readership (both of you.  What up, Simon!), I'm going on hiatus for a week.

We sometimes go through these bits of manic writing, and when we come down from them, we need a break.  You probably would like a break from me, too, unless you were one of our many usual readers who started their break yesterday by avoiding reading Monday's post (and many of you did.  Probably all for the best.).

I bought a copy of this print a while back from artist Jill Thompson.

There is nothing I do not like about this picture.

While I'm away, I'll have Ms. Thompson's rendition of Wonder Woman watch over you, if that's okay.  She already took care of the Gorgon problem we had in the conservatory here at League HQ.


Anyhoo... we'll see you guys next Monday.   Of course the usual caveats about breaking news, etc... apply.

You guys watch out for each other, take care, and don't take any wooden nickels.

Signal Watch Reads: Power Lunch (by J. Torres and Dean Trippe)

Power Lunch
First Course
by J. Torres & Dean Trippe
lettered by Ed Brisson
designed by Keith Wood
edited by James Lucas Jones

So, one tough thing about running a comics blog is that sometimes we are asked to preview materials and write a review.  And sometimes we read something and we try to be as fair as possible, even when we know that the item we're reviewing isn't something we'd normally read because of genre, topic, etc...  or worse, sometimes its something we didn't like.

I'm happy to say that I just don't have that problem here in any way, shape or form. I just straight up dug this fun, well written, well designed/ drawn all-ages book. 

Here's that interview with Doug Mahnke I did a couple weeks ago at Austin Books

for more great videos from Austin Books and Comics, visit ABC's YouTube page/ channel/ internet page that makes with the tv pictures.