Musical Watch: Swing Time (1936)

Watched:  02/17/2021

Format:  TCM on DVR

Viewing:  First

Decade:  1930's

Director:  George Stevens

What with the freeze on here in Austin, Jamie requested we watch something we didn't have to follow closely and wouldn't be depressing.  Well, I happened to have recorded Swing Time (1936), a famed Fred Astaire/ Ginger Rogers collaboration.  

We did NOT have to pay much attention to the movie to follow the film.

just a couple of Hollywood hoofers

Uh, look.  I just don't have the time, energy or headspace to give the movie proper consideration.  It has a cute, very 1930's plot about plucky underdogs finding their way to the big time and glamour through dance.  Unfortunately - the big show stopper number they give Astaire to show off his talents is a minstrel number in black face, and... you know... sometimes dealing with the racism of our forebears is a real fucking bummer.  Like, you're just going about your business and cheering on the two lovebirds of the picture, and then Astaire turns around and starts slathering on blackface, and you're like "COME ON, MOVIE."  

Anyway - already exhausted and not wanting to deal with nonsense, it was not welcome and kind of threw me off from the admittedly lovely final dance sequence ending.  The movie is a good, light-hearted musical romance.  I very much enjoyed the lead and supporting characters, and it was fun.  Oh, and, yes, I hope you like the song "The Way You Look Tonight", because this movie loves it.

I've seen other Astaire movies, but few Ginger Rogers films, and she really was perfect for the screen for what they were doing.  Lovely, all the grace you read about, and perfectly paired with Astaire.  

and she knew how to wear a gown

And, hey, she was pretty funny, too, in her own right.  

Anyway - its' worth watching at some point from an historical and entertainment persepctive, but be aware of the "oh god, this is super racist" 10 minutes or so that I would more than understand would be a solid reason not to watch the film.

Mary Wilson Merges With The Infinite

Mary Wilson of The Supremes has passed.

Wilson was 76.

Growing up, The Supremes were put on a pedestal by the media, and my mother herself was a fan.  While it was not non-stop Supremes music in our house, I was aware of her opinion on them.  And, even by middle school in the mid-80's, I was pretty well aware of their pop culture stature and place in American music.  

Just before COVID hit, SimonUK and I went to go see Mary Wilson at a small theater here in Austin.  Our seats were terrible, off to the side and partially obstructed by the piano.  Still, I was excited.  Hilariously, I'd found out days before that my parents were also going to be at the show, and sure enough - there they were.

Anyway - show starts, and Mary Wilson does a number, maybe two, then looks over at me and Simon and says "there's better seats right up front".  So.  We got up and moved, and I sat front row center for Mary Wilson, and I am here to report - it was one of the best concert experiences of my life.  

That was less than a year ago.  

I am stunned to learn of Wilson's passing.  She seemed a fraction of her 70+ years, was lovely, hit every note and kept the room in the palm of her hand.  I was semi keeping track of her for when I expected she would return.  

As shocked and saddened as I am to hear she has passed, I also am sure of her legacy and place in music history.  

We'll miss you, Mary Wilson.

PODCAST: "Singin' in the Rain" (1952) - A Signal Watch Canon episode w/ Jamie and Ryan

Watched:  02/06/2021

Format:  HBOmax

Viewing:  Unknown

Decade:  1950's

Director:  Stanley Donen and Gene Kelly

More Ways to Listen

Jamie and Ryan sing the praises of an American classic! It's pouring superlatives and compliments as we take a look at a movie that really speaks to you, even if it's not with its own voice. Join us as we talk through the technical achievements, phenomenal performances and great fun of an American classic!

 

The Signal Watch PodCast · 138: "Singin' In The Rain" (1952) - Signal Watch Canon w/ Jamie & Ryan

Music:

Singin' In the Rain - Gene Kelly, Singin' in the Rain OST

Moses Supposes - Gene Kelly & Donald O'Connor, Singing in the Rain OST

Mentioned Clips:

• Cyd Charisse in the jazz number and the jump cut
• "Make 'Em Laugh" w/ Donald O'Connor"
• "Good Mornin'" w/ Reynolds, Kelly, O'Connor
• Moses sequence 
• Problems with sound

Signal Watch Canon Playlist

The Signal Watch PodCast · The Signal Watch Canon

Jamie's Cinema Classics

The Signal Watch PodCast · Jamie's Cinema Classics

Musical Watch: Pal Joey (1957)

Watched:  01/26/2021

Format:  TCM on DVR

Viewing:  First

Decade:  1950's

Director:  George Sidney

So, sometimes you watch a movie and it doesn't work out.  I did take a note that this movie, on paper, seems to have everything going for it, but it isn't well remembered.  Which, you know, can often mean something.  Starring Frank Sinatra, Rita Hayworth and Kim Novak, and from George Sidney who has a list of quality directorial credits as long as your arm, it shoud have been a cinch.  But.

Pal Joey (1957) could be retitled Pal Joey - A Study in The Male Gaze or That's Problematic!  And this is coming from the guy who stands on soapboxes about modern audiences learning from and understanding the societal frameworks of a year in which a film was released.  

But we don't get thirty seconds into the film and our hero is being accused of trying to both get a minor drunk and maybe sleep with her.  Another two minutes in and blatant racism.  And then 90 minutes of misogyny and every possible shot they can get of the female form.

Happy Birthday, Dolly Parton

 

Today is Dolly Parton's 75th birthday, and if 2020 gave us anything, it's yet another wave of well-deserved Dolly-mania as Dolly showed us all, once again, what it looks like to be a decent human being who can also make grown adults cry with a song.

We're experiencing our own wave of Dolly-mania here at League HQ, so join us.

And here's Dolly's gift to us - a reminder that things can and will be better.

Phil Spector Passes

It seems Phil Spector has passed.

In this era it's hard to remember what it was like not knowing every crazy thing someone famous did or had done, and  in a pre-social media era, it was maybe easier to conflate madness and genius.  And Phil Spector managed to leverage his gigantic cultural shadow to protect himself from consequence, terrorize and generally make miserable some of the foundational acts of American pop music.  

Spector is perhaps one of the original producers to earn a name beyond the music industry, and is definitely the longest sustaining name of a producer people still recognize.  

Look, I love the Wall of Sound stuff.  Back to Mono was one of the first big outlays I ever made for a boxed set when I couldn't afford it and somehow made it work.*  The Crystals, Ronnettes, Darlene Love... totally my thing.  But I'm also well aware of the nightmare Spector made their lives.  

In the end, he murdered actress Lana Clarkson - then managed to dodge jail for a few years and was eventually convicted.  

Since learning of his various and frequent abuses, I've not been able to reconcile Spector's work in the studio with what he did in his private life.   By the time the news about Clarkson's murder hit, I knew enough about the guy that I wasn't that surprised.  I just thought he would have more self-preservation instinct than to actually draw that kind of attention to himself.

Anyway - you don't have much choice but to sometimes separate the artist from the art.  But, man, is it hard to do so sometimes.  

*back then skipping meals was always an option for saving money - I could just be dizzy for a bit til dinner

25th of December

Merry Christmas. Baby, Please Come Home.

I learned a long time ago that posting on Christmas Eve is a fool's errand.  I'll get about three clicks on this.

But here we go!

This year it's just Jamie and me for Christmas Eve.  While my family lives in town, it's too complicated with kids involved to co-quarantine with the other folks who live here.  So, my brother and his family are with my parents having a very traditional sort of Christmas Eve and morning.   My brother and the kids swung by today to drop off some gifts, and I got to see the wee ones go bananas in the front yard for a bit and we got to wish them a Merry Christmas.  We'll Zoom tomorrow, so that's okay.

Tonight we'll Zoom with Jamie's family and tomorrow Jamie's Dad will zip up from San Marcos for a bit so he can collect his Turkey dinner from us and to be festive for a while.  

Tonight:  tamales and queso.  I bought those red and green tortilla chips from HEB.  Jamie had to be up at the crack of dark for dialysis, so she's shutting down early.  But I figure we'll squeeze in part of A Christmas Story tonight (we already watched the new Star Trek).   Also, thank the little baby Jesus for Netflix's selection of Yuletide firelog videos - that's making some nice filler while I do this.

But - hey.  

It's been a hell of a year with the pandemic and the crazy "president" and the general f'd up state of the world.  A few things have gotten me through this.  There's Jamie, of course, who is a champ and listens to my insane ranting.  There's family who check in on us.  Scout, who makes sure I'm getting out and about.  

And there's y'all.  Who are out there reading the posts, listening to podcasts, making podcasts, and joining in on Watch Parties.  You kids are the absolute best.  

Also: booze.  Booze has helped a LOT.

Up above is Ms. Darlene Love, who performed the greatest of the modern Christmas music staples and set the stage for the moody Christmas music I generally prefer (although the Kylie Minogue Christmas album is a banger).  May the spirit of Darlene Love get you through the evening.  And may we all work toward a Christmas where we can be with loved ones next year.

Hallmark Watch: Christmas at Dollywood (2019)

Dolly's outfit needs more sequins

Watched:  12/18/2020

Format:  Hallmark Channel on DVR

Viewing:  First

Decade:  2010's

Director:  Michael Robison

Arguably, no one involved with this movie knows how anything works in real life and everyone but Danica McKellar's character should be fired.  And Dolly, of course, should always be held blameless.

We've watched a lot of parts of Hallmark movies this year, but watched almost none from start to finish - but when a movie promises to serve up Dolly in prime, post 2000 incarnation of Dolly as glamorous wise songstress and embodiment of goodness - I'm in.  I have, in fact, watched a good chunk of "The Coat of Many Colors" movie and everything.

PODCAST: "A Muppet Christmas Carol" (1992) - a Xmas Genre Xrossover w/ Stuart & Ryan

Watched:  11/29/2020

Format: Disney+

Viewing:  Unknown

Decade:  1990's

Director: Brian Henson

For more ways to listen

Stuart and Ryan talk the Dickens out of a movie featuring a bunch of felt animals and a CBE for the arts of England. It's got ghosts, a weirdo pretending to be a great author, great sets and a missing song. Maybe not a huge hit when it showed up, it's now a staple of holiday viewing and both very much a Muppet movie and very much a Christmas movie - so it fits the theme for this year.

 

The Signal Watch PodCast · 132: "Muppet Christmas Carol" (1992) - A Xmas Genre Xrossover w/ Stuart & Ryan

Music - Muppet Christmas Carol OST

Scrooge - Paul Williams

When Love is Gone - Paul Williams

Playlist - Xmas Genre Xrossover 2020

The Signal Watch PodCast · XMas Genre Xrossover 2020

PODCAST: "Anna and the Apocalypse" (2017) - a Xmas Genre Xrossover 2020 episode w/ SimonUK and Ryan

Watched:  11/21/2020

Format:  Amazon Streaming

Viewing:  First

Decade:  2010's

Director:  John McPhail

For more ways to listen!

SimonUK and Ryan have a holly jolly time biting into the 2017 multi-genre cult fave that has them singing and dancing in the aisles. Join us for a yuletide discussion of a newer film that might just be the Christmas treat you're looking for - it's a real slay ride. 

The Signal Watch PodCast · 131: "Anna and the Apocalypse" (2017) an Xmas Genre Xrossover w/ SimonUK and Ryan

Music for the Anna and the Apocalypse soundtrack: 

Christmas Means Nothing Without You - Roddy Hart, Tommy Reilly 

Hollywood Ending - Roddy Hart, Tommy Reilly 

 
Xmas Genre Xrossover Playlist

The Signal Watch PodCast · XMas Genre Xrossover 2020

Dolly Watch: Christmas on the Square (2020)

Watched:  11/26/2020

Format:  Netflix

Viewing:  First

Decade:  2020's

Director:  Debbie Allen, y'all

I don't know if you guys know this, but the past few years Dolly Parton has been producing a variety of movies - including a few which appeared on Netflix last year.  My memory is that prior movies were basically using ideas from one of her more popular tunes (I actually watched a good chunk of Jolene, but think I forgot to write it up).  But I think Christmas on the Square (2020) is based on a new song from her recently released album (a solid Christmas record, if you're so inclined).  

This was very much a movie musical - relentlessly so - and intended to give everyone's mother something to watch this Christmas that they could casually mention that they had seen - and then recommend.  Directed and produced by the great Debbie Allen, it's not really a surprise the movie features singers and dancers trying their hearts out, and the film is packed with folks with plenty of talent madly dancing and singing around our leads.

Musical Watch: Hello, Dolly! (1969)

 
Watched:  11/08/2020
Format:  Disney+
Viewing:  Unknown.  Maybe 4th
Decade:  1960's
Director:  Gene Kelly

Hello, Dolly! (1969) has some amazing sequences worth checking out just to see what was going on in the post studio-system era when a surviving studio threw a huge ton of money at a film.  From massive sets to costumes for hundreds (if not thousands), the expense of the thing is hard to get your head around - and every dollar is on the screen.  There's talent galore, including established and rising heavyweights, and even unknown bit players have some moments.

Election Week Watch: The Muppet Movie (1979)

Watched: 11/04/2020

Format:  Disney+

Viewing:  Unknown

Decade:  1970's

Director:  James Frawley

We watched most of this movie on election night in order to avoid the news.  Finished it up last night in order to avoid the news.

Everytime I watch this, I am reminded that Rowlf is the funniest Muppet.   And Paul Williams needs to be re-re-discovered every three years.

PODCAST: "Phantom of the Opera" (1925) and (1962) - Universal and Hammer Studios! - Halloween 2020 w/ SimonUK and Ryan

Watched:  October 4 ('25) October 6 ('62) 2020

Format:  BluRay (Kino Lorber) and Amazon Streaming

Viewing:  1000th and First

Decade:  1920's and 1960's

Director:  Rupert Julian and Terence Fisher

For more ways to listen

SimonUK and Ryan cannot remain silent on the topic of that wacky phantom what lurks beneath the opera! We take a look at two of the many film appearances where a creepy music teacher stalks and abducts his pupil while making the most of a poor real estate situation and skin condition. We take a look at the 1925 film from Universal as well as the 1962 take from Hammer, and, boy howdy, are these two different films. 

 

The Signal Watch PodCast · 123: "The Phantom Of The Opera" 1925 and 1962 - Universal & Hammer Halloween 2020 w/ SimonUK & Ryan

Music:

Toccata and Fugue in D Minor - JS Bach (unknown performer)

Don Juan Triumphant?   I'm not sure, honestly

Halloween 2020

The Signal Watch PodCast · Halloween 2020 - Universal and Hammer Horror

Halloween and Horror (everything at The Signal Watch)

The Signal Watch PodCast · Halloween and Horror

Not That Spooky Watch: Little Shop of Horrors (1986)

Watched:  10/03/2020

Format:  Amazon Prime?  Jamie put it on

Viewing:  ha ha ha... I have no idea

Decade:  1980's

Director:  Frank Oz

I think SimonUK and I are going to podcast this movie after Christmas, so I'm not going to write it up. Weirdly, despite the fact I do watch this movie fairly often - somehow I've never written it up on this site, which is kinda odd.  There's a few mentions of the movie on Melbotis.com, but the format over there was kinda all-over the place. 

Here's a post from back when I did DITMTLOD posts where I talk about Ellen Greene as Audrey.

Anyway, this seems like good incentive to actually cover it on the podcast this winter.

Fosse Watch: All That Jazz (1979)

Watched:  09/15/2020
Format:  TCM on DVR
Viewing:  First (all the way through)

Decade:  1970's

Director:  Bob Fosse

Not that long ago I watched the FX limited series Fosse/Verdon, an FX television production following the later careers of Broadway and Hollywood director Bob Fosse and his ex-wife - famed performer, Gwen Verdon.  If you've not seen it, I can't recommend it enough.  It stars two of the greats of this era, Michelle Williams and Sam Rockwell, and features some amazingly nuanced performances by both, in a co-dependent relationship/ partnership that's bigger than a failed marriage.  

I'm not a musical theatre follower - and certainly no historian of the second half of the 20th Century when it comes to musical theater or movie musicals, but it's not hard to see the impact Bob Fosse left on the form, and why everyone is still scrambling to keep up.  His stage show of Chicago (2002) managed to win Academy Awards when turned into a hit movie decades after his passing (1987).  And during his lifetime he was a huge part of the movement that made musicals relevant, updated dance on Broadway, and turned sexiness from something blushing and suggested to something overt.  And - he made the films Sweet Charity, Cabaret, Lenny, Star80 and All That Jazz (1979).

I'd seen parts of All That Jazz years ago, but on a channel that cut it for TV and for commercials, and given the flow, I threw in the towel with an intention to watch it all in one shot - which I never did.  But i did see enough of it to gather some basic facts - I figured it was a confessional auto-biopic from when "directed by Bob Fosse" came up, and saw what the film was about.  So I didn't go into Fosse/Verdon totally unprepared.

PODCAST: "Fantasia" (1940) and "Fantasia 2000" (1999) - a Disney History PodCast w/ NathanC and Ryan

 

Watched:  Fantasia 09/08 and Fantasia 2000 09/10/20

Format:  Disney +

Viewing:  Unknown/ Fourth

Decade:  1940's and 1990's

Director:  multiple on each

More places to listen 

When does animation become become more than popular entertainment? What are the boundaries of art that separate Beethoven and cartoon alligators? What is high-brow entertainment and funny business for the whole family? Walt Disney had a vision to elevate the form of animation and create an entirely new experience. Today, we know the result as "Fantasia", which returned in 1999 with a sequel of sorts in "Fantasia 2000". NathanC and Ryan return to talk all about a pair of Disney classics! 

The Signal Watch PodCast · 119: "Fantasia" (1940) & "Fantasia 2000" (1999) - Disney History w/ NathanC and Ryan

Music:

Toccata and Fugue in D Minor - J.S. Bach

Ave Maria - Franz Schubert

Nathan's Fantasia buddies:

Ryan's Fantasia (and assorted Disney) pals:

Disney History Playlist:

The Signal Watch PodCast · Disney History with NathanC

Ann Miller/ Lucille Ball Watch: Too Many Girls (1940)

Watched:  09/08/2020

Format:  TCM on DVR

Viewing:  First

Decade:  1940's

Director:  George Abbott

I'd forgotten this was living on my DVR and I needed something to watch on the elliptical - and it starred Lucille Ball.

Too Many Girls (1940) is a particular breed of Hollywood musical that was about big dance numbers loosely tied together with characters working through a paper-thin plot, and really an excuse to get a whole bunch of characters on screen at one time for song and dance numbers.  The better ones are the ones choreographed by Busby Berkeley, and then there's stuff like this with dancers sort of just running around a lot.

Watch Party Watch: Girls Just Want to have Fun (1985)

Watched:  09/04/2020

Format:  Amazon Watch Party

Viewing:  First

Decade:  so, so 1980's

Director:

Sort of like Teen Witch from roughly the same era, Girls Just Want to Have Fun (1985) feels a bit like the people putting it together didn't really know how to make a movie.  Or else they didn't have the money to do what they intended to do, which is probably evidenced by the lack of ability to license the Cindy Lauper version of the titular song of the movie.  

A very young Sarah Jessica Parker plays a Catholic High School girl who has just moved to Chicago.  She's moved around a lot, but is excited by this move as Chicago is the home of a very famous dance show she watches religiously, and she wants to try out to be ON the show as a regular featured dancer.  She immediately becomes besties with Helen Hunt, who is struggling to play rebellious and daffy and maybe punk?  But who dreams of being the "music news" portion of the show.

Anyway - there's a rich girl who is mean, a dopey looking biker guy who just wants to DANCE, and nuns.  Oh, and Jonathan Silverman playing an 80's-excess-loving entrepreneurial teen/ a dork.  

This is why 80's kids gravitated to John Hughes movies.  Even when they were maybe problematic or kind of hand-wavy when it came to stories, they felt competent, and the teens weren't just shrieking and running from place to place.  Parents were occasionally more than cardboard cut outs.  Kids have recognizable issues, like "I just want someone to like me" or "see me".  

But this movie has weird issues like being unsure if the main character lives in an apartment or house.  Her dad is so blandly written he feels like a goddamn monster, cowing daughter and wife.  And Helen Hunt is acting mostly through hair clippies.  

I dunno.  I am not a 10 year old girl in 1985, and that's who this was meant for.