Regret Interaction Watch: "Burlesque" (2010)

Watched:  08/27/2021

Format:  Amazon Watch Party

Viewing:  Kind of first/ Kind of second

Decade:  2010's

Director:  Steve Antin

I had never seen the beginning or end of Burlesque (2010).  A few years back I had a barber/ stylist who had set up a salon in her house, and instead of the mirror in front of you, she had a television.  And one time I went in and watched a huge chunk of Burlesque, because she'd get distracted by the movie or TV show she was watching, and what should have been a 20 minute haircut (my hair is so boring, I call the style "The Continental"), turned into a nearly 90 minute journey every time.  

Anyway - she was into the movie, and I know lots of people are.  But I come bearing bad news.  Burlesque is a super terrible film that has so much money and star power thrown at it, it looks like it should be good and people kind of accept that maybe it is.  But it isn't.

Doc Watch: Chris Claremont's X-Men (2018)

Watched:  08/02/2021

Format:  YouTube

Viewing:  First

Decade:  2010's

Director:  Patrick Meaney

Chris Claremont didn't invent the X-Men, but he did turn them from a middling Marvel team book that could have/ should have disappeared into a sprawling mythology with beloved characters that became a multimedia franchise (that Disney is probably losing a lot of sleep over how to properly exploit).  Chris Claremont didn't introduce me to comics, but he did write comics that hit me like lightning, over and over again, and made me a devoted comics reader - a habit that has lasted 35+ years.

While everyone is still young and healthy, a documentary crew put together what is really a remarkable doc explaining what Claremont's X-Men was, why it was so unique in the world of comics, and what eventually broke it.  Including interviews from people who broke it, still totally unaware of what they did 25 years after the fact, still high on their own supply.

PODCAST: "Midsommar" (2019) - a Signal Watch Canon Episode w/ AmyC and Ryan

Watched:  07/03/2021

Format:  Amazon Prime Streaming

Viewing:  First

Decade:  2010's

Director:  Ari Aster

For more ways to listen

AmyC and Ryan delve into the 2019 horror film that really gets into the end-result of people dressing too matchy-matchy and insisting on group activities. It's a slow burn of a film with a lot worth talking about, from amazing visuals to the unique presentation of horror elements to why it fits in our Co-Contributor Canon. Let's all take a break and not push hard enough to find out what folks are putting in the meat pies.

The Signal Watch PodCast · 151: "Midsommar" (2019) - a Signal Watch Canon Episode w/ AmyC and Ryan

Music:

Prophesy - Bobby Krlic, Midsommar OST

The Sun Ain't Gonna Shine (Anymore) - Frankie Valli

Canon Playlist:

The Signal Watch PodCast · The Signal Watch Canon

Food Watch: Chef (2014)

Watched:  07/03/2021

Format:  Amazon Prime (I think.  Jamie dialed it up.)

Viewing:  First

Decade:  2010's

Director:  Jon Favreau

Chef (2014) is a terrific little film, not too hung up on being more than light entertainment with a bit of grounding in mid-life crisis and family issues.   And, of course, the whole thing is kind of meta.  

Starting as a kind of wunderkind responsible for writing and starring in Swingers back in '96, Favreau had been working on bigger and bigger films, not least kickstarting the Marvel Universe by directing, starring in and otherwise producing the Iron Man films (at pre and post-Disney Marvel).  But if the movie is about a guy who works at a well-respected LA bistro, losing touch with his son and after the divorce from his wife (a very good+funny Sofia Vergara), and certainly in a rut professionally - one can see how Favreau might have come to a story about a guy who felt like he needed to get back to the basics of what he loved in the first place.  

In the film, he accidentally starts a twitter-war with a famed food reviewer that... escalates.  Favreau has to do what Rocky's of all types have always done - go back to where it started and find the passion again.  Unfortunately for me, that starting over looked awesome, and I was starving while watching the movie.

Ghost Watch: Extra Ordinary (2019)

Watched:  06/12/2021

Format:  Google Play Streaming

Viewing:  First 

Decade:  2010's

Directors: Mike Ahern, Enda Loughman

A supernatural comedy with an utterly specific and terrific tone, Extra Ordinary (2019) is an Irish comedy about a psychic who'd rather she wasn't, who has chosen a dull existence as a driving instructor until a confluence of events pull her back into the ghost-wrangling work she once performed with her father.

The movie co-stars Will Forte playing an incredibly Will Forte character of a former one-hit wonder and practicer of the Dark Arts who finds himself crossing paths with Rose Dooley, our ghost-wrangler.  

I'm realizing this movie is very hard to talk about without littering the post with spoilers, so just bookmark the movie or add it to your "will watch" column for some night when you need a light, goofy comedy.  

 

International Watch: The Handmaiden (2016)

Watched:  05/02/2021

Format:  Amazon Streaming

Viewing:  First

Decade:  2010's

Director:  Chan-wook Park

Look, this movie is impossible to discuss without spoilers - so, look out

SPOILERS

2010's Watch: Everybody Wants Some (2016)

Watched:  04/28/2021

Format:  Amazon

Viewing:  First

Decade:  2010's

Director:  Richard Linklater

I remember the trailers for Everybody Wants Some (2016) were almost confusing.  They made no argument for why anyone should get off their ass and get to the theater to see the movie - a film about a bunch of baseball players at the fictional East Texas State University, kind of screwing around, and...  

It seemed the ads almost counted on a knowledge of how Linklater's other movies worked, and counted on you wanting more with different characters.  But in 2016, an all-male cast of dudes acting like dudes seemed almost tone-deaf, and the population who would be nostalgic for the college years circa 1980 was mostly home watching Downton Abbey.  

Honestly, the first fifteen minutes or so - I wasn't sure I was on board.  It *is* an all-male cast being dudes.  I'd like to say college dudes are not that crass, but some sure are, and the things you let slide... 

Watch Party Watch: Crawl (2019)

Watched:  04/23/2021

Format:  Amazon Watch Party

Viewing:  second!

Decade:  2010's

Director:  Alexandre Aja

This is the second time I saw this.  It was a good movie for a crowd with lots of go-to jokes about injuries minor and fatal.

SimonUK and I discussed my love of movies about animals eating people on a prior podcast about Crawl.  

PODCAST: "Paddington 2" (2017) - a Signal Watch Canon episode w/ JAL and Ryan

Watched:  03/22/2021

Format:  Amazon

Viewing:  First

Decade:  2010's

Director:  Paul King

For more ways to listen

Justin returns to talk a movie everyone *should* agree on, the gargantuan movie about a very small and polite bear. It bears some discussion what makes it work and what makes it stand out in a crowded field of children and all-ages film. Have a good cry with two grown adults talking about everyone's favorite fellow from darkest Peru.

The Signal Watch PodCast · 142: "Paddington 2" (2017) - A Canon film discussion with JAL and Ryan

Music:

Winsdor Gardens - Dario Marianelli, Paddington 2 OST

Rain on the Roof  - Hugh Grant, Paddington 2 OST (originally Sondheim, Follies)

Signal Watch Canon:

The Signal Watch PodCast · The Signal Watch Canon

"Well, That Was Delightful" Watch: Paddington (2014)

Watched:  03/21/2021

Format:  Amazon prime

Viewing:  First

Decade:  2010's

Director:  Paul King

We're doing a podcast on Paddington 2 in a bit, so I expect we'll discuss this movie and Paddington in general at that time.  

This movie is fantastic, and you should watch it.

Cattrall Watch: Meet Monica Velour (2010)

Watched:  03/08/2021

Format:  Amazon Streaming

Viewing:  First

Decade:  2010's

Director:  Keith Bearden

I'm not really sure what qualifies as an indie film in this day and age, or even what constituted an indie movie in 2010 when Meet Monica Velour was released.  But it had been a while since I'd watched a lower-budget film like this one - and it almost hums with "this is an indie film" in a way the big studio releases I've been watching simply do not.  

The movie pitches itself as a "career high performance" for Kim Cattrall, and I'll argue - maybe!  I have only seen a fraction of her catalog, but she is, indeed, very, very good in this movie.  I totally get why she jumped at the chance to play this character, especially when the general TV and movie audience was associating her with her character on Sex and the City.  And, frankly, she nails it.  

Frozen-In Watch: Frozen II (2019)

Watched:  02/14/2021

Format:  Disney+

Viewing:  I'm not sure

Decade:  2010's

Director(s):  Chris Buck and Jennifer Lee

The weather in Austin is historically cold and we're having a winter storm like we normally only ever see on television in other states.  It just doesn't do this in Texas.  Or, at least, it didn't tell global warming.  These polar vortexes are a real sonuvabitch.

Anyway - we're all super stressed hoping the power stays on and our pipes don't burst and we don't freeze to death in our own homes.  But, ha ha, we probably won't.  So we watched a movie with an ironic title.

(update:  02/16/21 1:35 PM - it did, indeed, freeze.  We lost power.  It's been rough.  Power is back for the moment.)

Inspirational Watch: Eddie the Eagle (2015)

Watched:  01/02/2021

Viewing: First

Decade:  2010's

Format:  Disney+

Director:   Dexter Fletcher

"Based on a true story" is more or less Hollywood speak for "we got the three things you remember about this event right, and everything else doesn't bear up to a quick Wikipedia check".  It doesn't mean this or others movies aren't worth watching, but always always always Google the subjects of "true story" movies after finishing a film.  It's inevitably more interesting than what's in the movie.

I do not remember the 1988 Calgary Olympics at all.  I was 13 and lived in Texas where none of the sports existed, and didn't watch much TV at that time in my life.  Jamie was actually at those Olympics, so she remembers the actual events and guy.   I think I vaguely remember watching hockey.  

Eddie the Eagle (2015) is a fine movie - a decent one for kids and adults.  Unlikely guy goes to the Olympics to compete - and the glory is in trying.  I've spoiled nothing - you can still watch.  Everything is very color-by-numbers and has the edges removed.  I mean, it's fine - I enjoyed it for what it was.  

Watching the Detectives: The Nice Guys (2016)

Watched:  12/28/2020

Format: Amazon Streaming

Viewing: First

Decade:  2010's

Director:  Shane Black

This was exactly the movie I needed this evening.  

I dunno what to say about it.  Somehow Shane Black made a movie that managed to utterly surprise in every scene, was absolutely wrong, and absolutely hilarious.  Had a killer soundtrack, featured Keith David and gave Kim Basinger stuff to do.  

I am not sure liking this movie this much makes me a good person, but there we are.

Wonder Watch: Wonder Woman (2017)

Watched:  12/23/2020

Format:  HBOMax

Viewing:  No idea

Decade:  2010's

Director:  Patty Jenkins

Every time I rewatch Wonder Woman (2017), I'm stunned at the complexity and completeness of the character arc for Diana in the film.  But here, at the end of 2020, how much Diana's illusions and how she deals with them being shattered, resonates.  

From the first time I saw this movie, I know I've been saying it's one of the only superhero films to actually understand what a superhero is and what they do.  It's something comics themselves have forgotten as the writers have fallen into the traps of Hollywood script rules - and the movie itself does, in fact, play with those same rules.  But as a character, Diana is pure.  She's not out for revenge against someone who performed an injury of some sort upon her or a loved one.   She's outraged at the world of man and what they allow to occur - saying there's nothing that can be done.  

Hallmark Watch: Christmas at Dollywood (2019)

Dolly's outfit needs more sequins

Watched:  12/18/2020

Format:  Hallmark Channel on DVR

Viewing:  First

Decade:  2010's

Director:  Michael Robison

Arguably, no one involved with this movie knows how anything works in real life and everyone but Danica McKellar's character should be fired.  And Dolly, of course, should always be held blameless.

We've watched a lot of parts of Hallmark movies this year, but watched almost none from start to finish - but when a movie promises to serve up Dolly in prime, post 2000 incarnation of Dolly as glamorous wise songstress and embodiment of goodness - I'm in.  I have, in fact, watched a good chunk of "The Coat of Many Colors" movie and everything.

PODCAST: "Anna and the Apocalypse" (2017) - a Xmas Genre Xrossover 2020 episode w/ SimonUK and Ryan

Watched:  11/21/2020

Format:  Amazon Streaming

Viewing:  First

Decade:  2010's

Director:  John McPhail

For more ways to listen!

SimonUK and Ryan have a holly jolly time biting into the 2017 multi-genre cult fave that has them singing and dancing in the aisles. Join us for a yuletide discussion of a newer film that might just be the Christmas treat you're looking for - it's a real slay ride. 

The Signal Watch PodCast · 131: "Anna and the Apocalypse" (2017) an Xmas Genre Xrossover w/ SimonUK and Ryan

Music for the Anna and the Apocalypse soundtrack: 

Christmas Means Nothing Without You - Roddy Hart, Tommy Reilly 

Hollywood Ending - Roddy Hart, Tommy Reilly 

 
Xmas Genre Xrossover Playlist

The Signal Watch PodCast · XMas Genre Xrossover 2020

Christmas Watch Party Watch: Christmas Twister/ F6 Twister (2012)

watched:  12/4/2020

format:  Amazon Watch Party

viewing:  first

decade: 2010's

director:  Peter Sullivan

Woof.

This is the most insanely lazy movie I've seen in a while.  Like, it's one of those where you're watching and thinking "literally nothing in this movie is how that thing works".  Not how tornadoes work, meteorology, news reporting, children, school, architecture, accents, clouds, pregnancy, smoke, basements, emergency situations, college, glasses or Ft. Worth.  Or, in fact, Christmas.  

Like - why?  How did this script get written?  Was it by someone amazingly dumb?  Were they kidding and no jokes landed?  I just don't get it.  I am not an expert in ANY of the topics above, but I do live on earth, and I have a sense of memory of events and observations.

I really can't spend energy on this.  They didn't.  

But I did like Deb, the news producer.  

PODCAST: "Shazam!" (2019) - Xmas Genre Xrossover 2020 w/ AmyC and Ryan

 

Watched:  11/13/2020
Format:  HBO

Viewing:  Second

Decade:  2010's

Director:  David F. Sandberg

For more ways to listen

AmyC and Ryan say the word and find themselves checking out the heroic adventures of one of comics longest-lasting heroes who finally found his way to the big screen. And, it's a Christmas movie! We discuss the comics, the movie and what makes for holiday cinematic magic! 

The Signal Watch PodCast · 130: "Shazam" (2019) XMas Genre Xrossover 2020 w/ AmyC & Ryan

Music: 

Shazam! Main Theme - Benjamin Wallfisch

XMas Genre Xrossover 2020  

The Signal Watch PodCast · XMas Genre Xrossover 2020

Whodunnit Watch: Knives Out (2019)

Watched:  11/21/2020
Format:  Amazon Prime Streaming
Viewing:  Second
Decade:  2010's
Director:  Rian Johnson

Rian Johnson is one of those directors we need more of.  He's smarter than his audience (sorry, he is), and he's making stuff he'd want to see, and if we happen to come along and like it, too, great.  If not, it doesn't matter.  He made something *interesting*.  

On the heels of his stupidly controversial gigantic Star Wars movie that followed his usual way of doing things and managed to make maybe the only interesting Star Wars movie since Empire, he turned to the all-star murder mystery - a la Inspector Poirot films.  But not a murder mystery that relied on nostalgia, an exotic setting and romantic period in which the film occurs.  It's a family all brimming with motivations to take out the patriarch as they gather in the family a mansion in a wealthy Massachusetts suburb.