Spaghetti Watch-tern: Once Upon a Time in the West (1968)

I vaguely remember my dad explaining Spaghetti Westerns to me at some point in high school while we watched High Plains Drifter on cable on a Saturday, but I didn't watch The Man With No Name Trilogy until college when JAL took me to the Paramount to watch The Good, The Bad and The Ugly and I fell in love with a movie the way you do when you're 20.  I followed up quickly with the two others and then, in that era where you paid extra for letter-boxed movies on VHS, I got my hands on Once Upon a Time in the West (1968).

Expect no objectivity from me when discussing Sergio Leone's sweeping epic.  From Woody Strode entering the frame in the first scene to Claudia Cardinale carrying water jugs out to the railroad workers, there's not a frame of the movie I don't think hits all the right notes.  Now, it's not an obvious and easy movie to watch.  It unspools slowly and steadily, but isn't the sort of movie that's quick to lay out the plot for the audience lest they get lost, and it's rife with operatic symbolism and themes, and it does not care if you're keeping up.  The movie is too busy being exactly the movie Sergio Leone wanted to make, complete with Charles Bronson as the anonymous harmonica playing gunslinger and one of the best of the Leone/ Morricone collaborations.

Myrna Watch: The Bachelor and the Bobby-Soxer (1947)

What's most certainly a light bit of fluff, and maybe not the most hilarious movie to an audience in 2015 versus the intended post-War audience, there's still a lot to like in The Bachelor and the Bobby-Soxer (1947).  Naturally I'm predisposed to a Cary Grant comedy role, and that I think Myrna Loy can do no wrong is a well-documented bias/ problem.  But, still.

Loy plays a by-the-book judge who is raising her sister (Shirley Temple), a 17 year old girl in the post-War era at the dawn of the concept of the American Teenager.  Temple believes herself mature beyond her years, the boys her own age not worthy of her sophisticated mentality, and swings wildly in her infatuations, landing on visiting speaker to her high school, an artist played by Cary Grant.

Happy B-Day to The Admiral

This was the look I got - more or less - from ages 10 -25

Happy B-Day to my Old Man, The Admiral.  He's no doubt somewhere out with friends today with my mum, doing whatever it is he does before noon.  I'll be going out to see him tomorrow.

You don't do much better when it comes to dads.  He was a busy guy when we were kids, making a career to put food on plates and all that, but he was always engaged and around.  Heck, the man endured permanent hearing loss after acting as a bouncer at my high school's "Battle of the Bands" and getting stationed next to the speaker stack.  He was there for soccer and basketball games, concerts during my foray into tuba-playing, and showed up to see all my bad acting in high school.  And he was some sort of officer of the parents' drama club auxillary.

More than that, he was always around for a chat.  I don't know how many other dads were good at that, but The Admiral was always ready to listen and to call bullshit on me when the time was right.  See the above stare.

The man put me through college, supported me and Jamie as we got married, and helped me buy my first cars, used and new.  And, he taught me to drive.  So there's that.  And, he was the one who decided it was totally cool if we watched Rated-R action movies as long as my mom didn't know.

All in all, a good guy.

I'll see you tomorrow, Dad.  We'll have some brisket.

Signal Watch Reads: The Martian, Andy Weir (audiobook)

I guess back in January, my pal Paul suggested I read The Martian (2011) by Andy Weir.  I know this because I keep a list of books I've read mixed with a list of suggestions I've taken seriously, and I do write down who made the suggestion.

When the trailer hit for the soon-to-be-in-theaters Ridley Scott directed version of The Martian, it was absolutely the sort of thing I like seeing, and I got pretty excited.  I was a big fan of Interstellar, and I even really liked Gravity, warts and all.  And as much as I like strange visitors from other worlds-type scientifiction, I also get pretty jazzed about fictional takes or speculative takes on plain old science and technology.  Mix that with the space program, like the two movies I just mentioned, and you've sold a couple of tickets to the occupants of my household.

You've got a few weeks before the movie arrives, and I highly recommend checking out the book prior to the film's release.  It's not that I think Matt Damon and Co. will do a bad job - I'm a big fan of Damon (have you seen the Bourne movies?).  It's that the book is really good and reads really fast.  I'd started the book just over a week ago, and recommended it to Jamie.  She started and finished it all today.  So, there's a context clue for you (and she also cleaned out the cupboard.  I think she bent time.).

I listened to the audiobook, which takes longer, of course, but it more than filled the commute and back I had to Arlington, Texas this week.

If you haven't seen the trailer - and I'm not spoiling anything - an astronaut is delivering his first log entry after an accident occurred during an emergency evacuation of a Mars mission.  He'd been stuck through by part of a loose antenna in a wind storm, and then blown over a hill, his suit's life signs reading nil.  Of course, he wasn't dead, but the crew was forced to leave him, and now he's stuck on Mars, with no way to contact home, the next mission coming to the planet in 4 years, and only enough supplies for 6 people for about a month.

And yet, it's the most optimistic book I've read in years.  Maybe ever.

Classic Watch: Gone With the Wind (1939)

I'm starting to suspect that Gone With The Wind (1939) might be a little racist.

I have sooooo many mixed feelings about this movie.

Of course it romanticizes and mythologizes The Old South, which...  you know, I grew up in Texas, a state that so enjoyed the Civil War that we had the last battle by accident before word got to us that it was all over.  People here aren't so enamored with the Civil War era here these days, but I can tell you, there was a time.

To say the least, I personally can't really get behind folks wanting to evoke memories of cotillions where the folks serving the food are doing so under punishment of death should the pigs-in-a-blanket get spilled.

But pointing out that Gone With the Wind is racist and celebrates a culture that maybe died for a reason, and maybe... just maybe... we should see what befell the post-war South as karma reminding folks that she can be a real bitch - all that is shooting fish in a barrel.

Yvonne Craig Merges with The Infinite

Yvonne Craig, most famous for her role as Barbara Gordon/ Batgirl in the 1960's TV series, Batman, has passed.

Happy Birthday, Lois Lane

August 17th is the comic book birthday of Lois Lane.  For whatever reason, that's her fictional birthday, with the year sliding around to keep her somewhere between 28 and 38ish.  I tend to think of Lois as maybe a couple of years older than Superman.

Lois Lane is an ass-kicker, and has been since her first appearance in Action Comics #1.

don't just assume you can claim a spot on Lois' dance card

Noir Suspense Watch: Beware, My Lovely (1952)

There's nothing much complicated about Beware, My Lovely (1952).  But it works.

Based on a short story and play by the same person who wrote the screenplay, Mel Dinelli, the movie takes place in 1918 in the wake of WWI.  Ida Lupino plays a war widow who now runs a boarding house (so, don't actually expect to see Lupino's plunging neckline as in the poster, which... tamp it back a bit, poster artist.).  Robert Ryan, an actor who I like more and more with every movie, is a day-laborer she's hired to get some cleaning and work done around her gigantic Queen Anne-style house.

Oh, and he's totally crazy.  Memory lapses and a desire to kill perfectly nice ladies seems to be the overriding set of symptoms of whatever's ailing him.  So, it's more or less a good hour of Lupino realizing this dude is going to kill her and keeping herself alive by managing to stay a step ahead of him and trying to tell her idiotic neighbors that this dude is going to kill her.

It's pure suspense, has a brief running time and Lupino and Ryan, so what's not to like?

It does seem this movie has been made over and over, with a recent example being the Idris Elba/ Taraji Henson film, No Good Deed (2014).  But, you know, it's a pretty primal fear, so it's inherently interesting.  I mean, every time Jamie has to let someone into the house to fix the AC or whatever, I'm always like "oh gosh, what if they do something to my comics?".

Poor, helpless comics.

Madventure Time

Thanks to RHPT for the link!

Marx Bros. Watch: Duck Soup (1933)

If you want to see Patient 0 for a goodly portion of American comedy, you really need look no further than The Marx Bros.  I can't even say the Marx Bros. are an acquired taste, because you either like them or you're dead inside.

I've written before, at some point, that few things in this world please me more than Margaret Dumont, and she is very much in the middle of this movie.  Here's our introduction to Rufus T. Firefly (Groucho) as he's introduced as the new Regent of the nation of Freedonia, thanks to Dumont, who has a crush on Firefly, getting him placed in office.



Harpo and Chico play spies from the neighboring nation of Sylvania, and, eventually, there's a war between the two countries.  Because.

Anyway, this is one of my favorite of the Marx Bros. movies.

Sure, the set-up mostly seems like an excuse for the Marx Bros. to recycle bits from their vaudeville act, and that's okay.  As Jamie rightfully pointed out - the thing about the Marx Bros. is that they don't rely on the sitcom formula of set-up, punchline, set-up, punchline that creates a sort of rhythm to the show (see: The Big Bang Theory).  They just go for punchline, punchline, punchline, and you just need to keep up.

If you've never seen it, well, it's a bit too late to catch it last night on TCM, but it'll be on again at some point.